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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, they couldn’t exactly round everyone up in a row to confirm beyond a shadow of a doubt that everyone was there, leaving the job of counting the kids to their niece Heather. But while she ''was'' smart enough to have all the kids line up in front of the vans taking them to the airport, she was so hasty (just tapping on heads!) that she easily mistook Mitch Murphy (a nosy neighborhood kid drawn to the house by the commotion and rummaging through toys in one of the vans) for Kevin from behind.

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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, they couldn’t exactly round everyone up in a row to confirm beyond a shadow of a doubt that everyone was there, leaving left the job of counting the kids to their niece Heather. But while she ''was'' smart enough to have all the kids line up in front of the vans taking them to the airport, she was so hasty (just tapping on heads!) that she easily mistook Mitch Murphy (a - a nosy neighborhood kid who’d been drawn to the house by the vans and commotion and - for Kevin from behind as he was rummaging through toys in the family’s suitcases out of curiosity. And because everyone started getting into the vans immediately after the count, no one of realized the vans) for Kevin mistake, even when he stepped away from behind.the vans and loudly told them to “have a good trip”!
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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, their head count was so cursory (just tapping on heads) that a nosy neighborhood kid named Mitch Murphy was mistaken for Kevin from behind because they didn’t have time to line everyone up and confirm beyond a shadow of a doubt that everyone was there.

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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, their head count was so cursory (just tapping on heads) that a nosy neighborhood kid named Mitch Murphy was mistaken for Kevin from behind because they didn’t have time to line couldn’t exactly round everyone up and in a row to confirm beyond a shadow of a doubt that everyone was there.there, leaving the job of counting the kids to their niece Heather. But while she ''was'' smart enough to have all the kids line up in front of the vans taking them to the airport, she was so hasty (just tapping on heads!) that she easily mistook Mitch Murphy (a nosy neighborhood kid drawn to the house by the commotion and rummaging through toys in one of the vans) for Kevin from behind.

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* InformedWrongness: It's debatable as to how wrong Uncle Frank was meant to be, but at the beginning of the first movie, him not letting Kevin watch a violent gangster movie is treated as another example as to why he's a [[EvilUncle terrible uncle]] even though Kevin later watches said movie and ends up getting the fright of his life. It can come off less like another example of Uncle Frank being a {{Jerkass}} and more him trying to prevent Kevin from being traumatized.

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* InformedWrongness: InformedWrongness:
**
It's debatable as to how wrong Uncle Frank was meant to be, but at the beginning of the first movie, him his not letting Kevin watch a violent gangster movie is treated as another example as to why he's a [[EvilUncle terrible uncle]] even though Kevin later watches said movie and ends up getting the fright of his life. It can come off less like another example of Uncle Frank being a {{Jerkass}} and more him trying to prevent Kevin from being traumatized.traumatized.
** Kevin is treated as being in the wrong for attacking Buzz. Granted, he did make a mess in the process, but no one calls out Buzz for stealing Kevin's plain slice of pizza.



* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone and even taunt him with that knowledge when they show up at his door, so he's well within his rights to assume they mean him harm.

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* RonTheDeathEater: RonTheDeathEater:
**
Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone and even taunt him with that knowledge when they show up at his door, so he's well within his rights to assume they mean him harm.harm.
** The [[=McCallister]] family as a whole is seen by some viewers as abusive monsters who are actively malevolent toward Kevin.
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*** Another shock comes when you realize that not are Kate and Peter sustaining this level of furnishing while also supporting 5 children, but the entire first act of the film is about this huge family taking a Christmas vacation to ''Paris, France'' on a whim. Put all that together and you're left with something most people in UsefulNotes/TheNewTens would find incomprehensible. Your first assumption in watching this movie would be that the McAllisters are filthy rich instead of just upper middle class.

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*** Another shock comes when you realize that not are Kate and Peter sustaining this level of furnishing while also supporting 5 children, but the entire first act of the film is about this huge family taking a Christmas vacation to ''Paris, France'' on a whim. Put all that together and you're left with something most people in UsefulNotes/TheNewTens would find incomprehensible. Your first assumption in watching this movie would be that the McAllisters [=McCallister=] are filthy rich instead of just upper middle class.
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*** Let's not forget the fact that not are Kate and Peter sustaining this level of furnishing while also supporting 5 children, the entire first act of the film is about a Christmas vacation to ''Paris, France'' seemingly done on a whim. Put all that together and you're left with something most people in UsefulNotes/TheNewTens would find incomprehensible. Your first assumption in watching this movie would be that the McAllisters are filthy rich instead of just upper middle class.

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*** Let's not forget the fact Another shock comes when you realize that not are Kate and Peter sustaining this level of furnishing while also supporting 5 children, but the entire first act of the film is about this huge family taking a Christmas vacation to ''Paris, France'' seemingly done on a whim. Put all that together and you're left with something most people in UsefulNotes/TheNewTens would find incomprehensible. Your first assumption in watching this movie would be that the McAllisters are filthy rich instead of just upper middle class.
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*** Let's not forget the fact that not are Kate and Peter sustaining this level of furnishing while also supporting 5 children, the entire first act of the film is about a Christmas vacation to ''Paris, France'' seemingly done on a whim. Put all that together and you're left with something most people in UsefulNotes/TheNewTens would find incomprehensible. Your first assumption in watching this movie would be that the McAllisters are filthy rich instead of just upper middle class.
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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, their head count was so cursory (just tapping on heads) that a neighborhood kid hanging around outside the house was mistaken for Kevin during the count because they didn’t have time to line everyone up and confirm beyond a shadow of a doubt that everyone was there.

to:

** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' miscount- because they were in such a rush to leave and get to the airport in time, their head count was so cursory (just tapping on heads) that a nosy neighborhood kid hanging around outside the house named Mitch Murphy was mistaken for Kevin during the count from behind because they didn’t have time to line everyone up and confirm beyond a shadow of a doubt that everyone was there.
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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' do that when they were travelling to Paris.

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** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' do that when miscount- because they were travelling in such a rush to Paris.leave and get to the airport in time, their head count was so cursory (just tapping on heads) that a neighborhood kid hanging around outside the house was mistaken for Kevin during the count because they didn’t have time to line everyone up and confirm beyond a shadow of a doubt that everyone was there.



** Harry and Marv, in the [=21st=] century, would've ''never'' discovered that Kevin was alone at the house; he'd already fooled them repeatedly into thinking that the house was still heavily occupied. The jig was only up when Kevin's father left a message about Kevin being home alone on a neighbor's answering machine -- and Marv, who was in the middle of robbing that same neighbor's house, overheard it while it was being recorded and told Harry, who realized the truth. Answering machines are all but gone today, in favor of private, electronic voicemail, and many homes no longer have landline phones anyway. While it's not an impossibility to have a landline phone anymore, one such as what Harry and Marv find would be unlikely.

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** Harry and Marv, in the [=21st=] century, would've ''never'' discovered that Kevin was alone at the house; he'd already fooled them repeatedly into thinking that the house was still heavily occupied. The jig was only up when Kevin's father left a message about Kevin being home alone on a neighbor's answering machine -- and Marv, who was in the middle of robbing that same neighbor's house, overheard it while it was being recorded and told Harry, who realized the truth. Answering machines are all but gone today, in favor of private, electronic voicemail, and many homes no longer have landline phones anyway. While it's not an impossibility ''impossible'' to have a landline phone anymore, one such as what Harry and Marv find would be unlikely.



** As they leave the house, Frank tells Peter "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be congested in both directions at rush hour, but the airport would be even ''more'' crowded because they were catching a flight close to Christmas -- one of the busiest times of the year for airports. In the [=21st=] century, even if the [=McCallisters=] got miraculously lucky and didn't hit any traffic, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through the terminal to their gate. Factoring in all of that, they would have missed their flight by almost two hours by the time they reached the gate. The film handwaves it away by saying the [=McCallisters=] just barely made it with moments to spare after running to the gate at a full sprint, but it's still a colossal stretch.
** In UsefulNotes/TheNewTens and The New Twenties, the sheer ''opulence'' of the [=McCallister=] household can stick out a bit. The family is presented as being upper-middle-class, with Kevin's dad being a while collar worker of some sort, but not a tycoon or anything (he has to use vans and consumer air travel, for a start). The [=McCallister=] home is absolutely enormous and filled with ''stuff'' (so as to work as a great movie set), though; in the [=70s=] and [=80s=], it still wasn't terribly uncommon for people with middle management-style jobs or other mid-tier white collar jobs to be able to afford something like that, especially with perhaps a little clever investing. In the new millennium, a home such as this would only possibly be believable as the home of the moneyed investor class (which would give the whole film a somewhat different read).

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** As they leave the house, Frank tells Peter "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be congested in both directions at rush hour, but the airport would be even ''more'' crowded because they were catching a flight close to Christmas -- one of the busiest times of the year for airports. In the [=21st=] century, even if the [=McCallisters=] got miraculously lucky and lucky, didn't hit any traffic, and already had boarding passes on their phones or in hand, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through the terminal to their gate. Factoring in all of that, they would have missed their flight by almost two hours by the time they reached the gate. gate [[note]] Nowadays, it’s recommended to get to the airport an hour and a half before your flight- and that’s just for ''continental'' flights[[/note]]. The film handwaves it away by saying the [=McCallisters=] just barely made it with moments to spare after running to the gate at a full sprint, but it's still a colossal stretch.
** In UsefulNotes/TheNewTens and The New Twenties, UsefulNotes/TheNewTwenties, the sheer ''opulence'' of the [=McCallister=] household can stick out a bit. The family is presented as being upper-middle-class, with Kevin's dad being a while collar worker of some sort, but not a tycoon or anything (he has to use vans and consumer air travel, for a start). The [=McCallister=] home is absolutely enormous and filled with ''stuff'' (so as to work as a great movie set), though; in the [=70s=] and [=80s=], it still wasn't terribly uncommon for people with middle management-style jobs or other mid-tier white collar jobs to be able to afford something like that, especially with perhaps a little clever investing. In the new millennium, a home such as this would only possibly be believable as the home of the moneyed investor class (which would give the whole film a somewhat different read).
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* TheyWastedAPerfectlyGoodCharacter: Many fans wished Mitch Murphy has more screen time, as it would been interesting to see Kevin's reaction to him being partially responsible for him being left behind, and Mitch teaming up with Kevin to take down Harry and Murphy.

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* TheyWastedAPerfectlyGoodCharacter: Many fans wished Mitch Murphy has more screen time, as it would been interesting to see Kevin's reaction to him being partially responsible for him being left behind, and Mitch teaming up with Kevin to take down Harry and Murphy.Marv.
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* JustHereTheGodzilla: The traps are by far the most popular part of the film.

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* JustHereTheGodzilla: JustHereForGodzilla: The traps are by far the most popular part of the film.
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* JustHereTheGodzilla: The traps are by far the most popular part of the film.
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** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Besides that, airline tickets are now entirely electronic, and they're nontransferable from one person to another in the first place. Also Kate's harsh attitude toward an airline clerk, while [[MamaBear understandable]], would probably get her thrown of the airport by security.

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** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Besides that, airline tickets are now entirely electronic, and they're nontransferable from one person to another in the first place. Also Also, Kate's harsh attitude toward an airline clerk, while [[MamaBear understandable]], would probably get her thrown out of the airport by security.
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** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Besides that, airline tickets are now entirely electronic, and they're nontransferable from one person to another in the first place.

to:

** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Besides that, airline tickets are now entirely electronic, and they're nontransferable from one person to another in the first place. Also Kate's harsh attitude toward an airline clerk, while [[MamaBear understandable]], would probably get her thrown of the airport by security.
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** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs[[note]The cell phones that did exist at the time were not as reliable[[/note]]. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.

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** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs[[note]The theirs[[note]]The cell phones that did exist at the time were not as reliable[[/note]]. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.

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* UnintentionalPeriodPiece: The first film relies almost completely on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended. This is the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted for ''Home Alone'' to have a "timeless" look and feel to it so that years down the line, it could still be enjoyed by people without seeming "dated". Unfortunately, this wasn't the case, though it isn't their fault -- the kind of protocols and lifestyle changes which became common after 9/11 couldn't possibly have been predicted by the filmmarkers.
** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.

to:

* UnintentionalPeriodPiece: The first film relies almost completely on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, capsule of life in the late 80s-early 90s, and a reminder of how things used to be in ways the filmmakers could never have intended. This is the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted for ''Home Alone'' to have a "timeless" look and feel to it so that years down the line, it could still be enjoyed by people without seeming "dated". Unfortunately, this wasn't the case, though it isn't their fault -- the kind of protocols travel protocols, technological advancements, and lifestyle changes which that became common after 9/11 couldn't possibly have been predicted by the filmmarkers.
filmmakers.
** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs.theirs[[note]The cell phones that did exist at the time were not as reliable[[/note]]. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.


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** Alternatively, if the movie were set in the modern day, the [=McCalisters=] could've used the Internet, social media, or E-mail to help Kevin. Not just by sending him an E-mail or a Facebook post, but by electronically booking him a flight and sending a courier to take him to the airport. This wouldn't have been remotely possible in 1990, since the Internet at the time was mainly limited to research labs and the World Wide Web wasn't made public until 1991. While a well-to-do family like theirs would probably have purchased a computer with a dial-up connection in the mid-90s, it wouldn't be until the mid-2000s that the Internet and social media would be mainstream.
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** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Much more glaringly, there's the fact that the [=McCallisters=] would have ''never'' been able to get through [=21st=]-century airport security in time to make their flight in the first place, giving them ample time to discover that Kevin is missing and go back home to him, preventing the plot of the film from ever unfolding.

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** The lax airport security of the Nineties is on full display. Kate is able to barter a plane ticket off of a fellow traveler in the terminal. That was a little questionable even then, but it's at least conceivable -- it was a holdover from still-earlier eras of air travel where the tickets were more like train or ship tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Much more glaringly, there's the fact that the [=McCallisters=] would have ''never'' been able Besides that, airline tickets are now entirely electronic, and they're nontransferable from one person to get through [=21st=]-century airport security in time to make their flight another in the first place, giving them ample time to discover that Kevin is missing and go back home to him, preventing the plot of the film from ever unfolding.place.

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* UnintentionalPeriodPiece: The first film relies almost completely on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended.

to:

* UnintentionalPeriodPiece: The first film relies almost completely on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended. This is the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted for ''Home Alone'' to have a "timeless" look and feel to it so that years down the line, it could still be enjoyed by people without seeming "dated". Unfortunately, this wasn't the case, though it isn't their fault -- the kind of protocols and lifestyle changes which became common after 9/11 couldn't possibly have been predicted by the filmmarkers.



** As they leave the house, Frank tells Peter "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be congested in both directions at rush hour, but the airport would be even ''more'' crowded because they were catching a flight close to Christmas -- one of the busiest times of the year for airports. In the [=21st=] century, even if the [=McCallisters=] got miraculously lucky and didn't hit any traffic, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through the terminal to their gate. Factoring in all of that, they would have missed their flight by almost two hours by the time they reached the gate. The film handwaves it away by saying they just ''barely'' made it with moments to spare after running to the gate at aa full sprint, but it's still a colossal stretch.

to:

** As they leave the house, Frank tells Peter "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be congested in both directions at rush hour, but the airport would be even ''more'' crowded because they were catching a flight close to Christmas -- one of the busiest times of the year for airports. In the [=21st=] century, even if the [=McCallisters=] got miraculously lucky and didn't hit any traffic, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through the terminal to their gate. Factoring in all of that, they would have missed their flight by almost two hours by the time they reached the gate. The film handwaves it away by saying they the [=McCallisters=] just ''barely'' barely made it with moments to spare after running to the gate at aa a full sprint, but it's still a colossal stretch.



** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.

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* UnintentionalPeriodPiece:
** The first film relies almost ''completely'' on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended.
*** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.
*** You can see a line of pay phones in the airport terminal (Kevin also uses one of them in ''Home Alone 2'').
*** Nowadays, there are alarm clocks that hold regular batteries that activate when a power outage cuts off the main electrical supply, and a lot of people use the alarms on their smartphones to wake themselves up -- so unless the backup battery of the alarm clock failed and wasn't replaced, or the person in question accidentally put the phone in sleep mode/forgot to charge it, a power outage wouldn't prevent Kevin and his family from waking up on time and going to the airport without incident. Ironically, the alarm clock in the movie actually ''does'' have a battery backup, as is advertised on the top edge of said radio -- meaning his parents either forgot to replace them, or never put them in at all.
*** Harry and Marv, in the [=21st=] century, would've ''never'' discovered that Kevin was alone at the house; he'd already fooled them repeatedly into thinking that the house was still heavily occupied. The jig was only up when Kevin's father left a message about Kevin being home alone on a neighbor's answering machine -- and Marv, who was in the middle of robbing that same neighbor's house, overheard it while it was being recorded and told Harry, who realized the truth. Answering machines are all but gone today, in favor of private, electronic voicemail, and many homes no longer have landline phones anyway.[[note]]Although in that type of affluent neighborhood, some still do.[[/note]]
*** On top of that, the lax airport security of the time is on full display as well. Kate is able to barter a plane ticket off of a fellow traveler ''right in the terminal''; that was still a little questionable even then, but at least ''conceivable'' (and was a holdover from still earlier eras of air travel where the tickets were more like train or ship tickets). However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Much more glaringly, there's the fact that the [=McCallisters=] would have ''never'' been able to get through [=21st=]-century airport security in time to make their flight in the first place, giving them ample time to discover that Kevin is missing and go back home to him, preventing the plot of the film from ever unfolding.
*** As noted, we have Frank tell Peter, "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans at their house, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be ''very'' congested in both directions at rush hour due to the city's reverse-commute nature, but the airport would be even ''more'' crowded because they were catching a flight close to ''Christmas'' -- one of the busiest, if not ''the'' busiest, times of year for airports. In the [=21st=] century, even if the [=McCallisters=] somehow ''didn't'' hit any traffic and reached the airport in that time, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through Terminal 3 to their gate.[[note]]American Airlines is based out of Terminal 3, along with Delta Airlines[[/note]] Factoring in all of that, they would have missed their flight by almost ''two hours'' by the time they reached the gate. There is a reason why the airlines generally recommend that you arrive at the airport a full ''90 minutes'' before your flight (and even ''earlier'' for international flights). In the [=80s=], though, it was conceivable, if rather frowned on, for a person to show up to the airport with fifteen minutes to go 'till their flight and make it work, and many people would've had an experience somewhat like that at some point.
*** For that matter, in UsefulNotes/TheNewTens and The New Twenties, the sheer ''opulence'' of the [=McCallister=] household can stick out a bit. The family is presented as being upper-middle-class, with Kevin's dad being a while collar worker of some sort, but not a tycoon or anything (he has to use vans and consumer air travel, for a start). The [=McCallister=] home is absolutely enormous and filled with ''stuff'' (so as to work as a great movie set), though; in the [=70s=] and [=80s=], it still wasn't terribly uncommon for people with middle management-style jobs or other mid-tier white collar jobs to be able to afford something like that, especially with perhaps a little clever investing. In the new millennium, a home such as this would only possibly be believable as the home of the moneyed investor class (which would give the whole film a somewhat different read).
*** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.

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* UnintentionalPeriodPiece:
**
UnintentionalPeriodPiece: The first film relies almost ''completely'' completely on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended.
*** ** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.
*** ** You can see a line of pay phones in the airport terminal (Kevin also uses one of them in ''Home Alone 2'').
***
2''). While such phones still exist in airport terminals, it's an increasing rarity.
**
Nowadays, there are alarm clocks that hold regular batteries that activate when a power outage cuts off the main electrical supply, and a lot of people use the alarms on their smartphones to wake themselves up -- so unless the backup battery of the alarm clock failed and wasn't replaced, or the person in question accidentally put the phone in sleep mode/forgot to charge it, a power outage wouldn't prevent Kevin and his family from waking up on time and going to the airport without incident. Ironically, the alarm clock in the movie actually ''does'' have a battery backup, as is advertised on the top edge of said radio -- meaning his parents either forgot to replace them, or never put them in at all.
*** ** Harry and Marv, in the [=21st=] century, would've ''never'' discovered that Kevin was alone at the house; he'd already fooled them repeatedly into thinking that the house was still heavily occupied. The jig was only up when Kevin's father left a message about Kevin being home alone on a neighbor's answering machine -- and Marv, who was in the middle of robbing that same neighbor's house, overheard it while it was being recorded and told Harry, who realized the truth. Answering machines are all but gone today, in favor of private, electronic voicemail, and many homes no longer have landline phones anyway.[[note]]Although in that type of affluent neighborhood, some still do.[[/note]]
*** On top of that, the
While it's not an impossibility to have a landline phone anymore, one such as what Harry and Marv find would be unlikely.
** The
lax airport security of the time Nineties is on full display as well. display. Kate is able to barter a plane ticket off of a fellow traveler ''right in the terminal''; that terminal. That was still a little questionable even then, but it's at least ''conceivable'' (and conceivable -- it was a holdover from still earlier still-earlier eras of air travel where the tickets were more like train or ship tickets).tickets. However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Much more glaringly, there's the fact that the [=McCallisters=] would have ''never'' been able to get through [=21st=]-century airport security in time to make their flight in the first place, giving them ample time to discover that Kevin is missing and go back home to him, preventing the plot of the film from ever unfolding.
*** ** As noted, we have they leave the house, Frank tell Peter, tells Peter "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans at their house, vans, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be ''very'' congested in both directions at rush hour due to the city's reverse-commute nature, hour, but the airport would be even ''more'' crowded because they were catching a flight close to ''Christmas'' Christmas -- one of the busiest, if not ''the'' busiest, busiest times of the year for airports. In the [=21st=] century, even if the [=McCallisters=] somehow ''didn't'' got miraculously lucky and didn't hit any traffic and reached the airport in that time, traffic, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through Terminal 3 the terminal to their gate.[[note]]American Airlines is based out of Terminal 3, along with Delta Airlines[[/note]] gate. Factoring in all of that, they would have missed their flight by almost ''two hours'' two hours by the time they reached the gate. There is a reason why the airlines generally recommend that you arrive at the airport a full ''90 minutes'' before your flight (and even ''earlier'' for international flights). In the [=80s=], though, The film handwaves it was conceivable, if rather frowned on, for a person away by saying they just ''barely'' made it with moments to show up spare after running to the airport with fifteen minutes to go 'till their flight and make it work, and many people would've had an experience somewhat like that gate at some point.
*** For that matter, in
aa full sprint, but it's still a colossal stretch.
** In
UsefulNotes/TheNewTens and The New Twenties, the sheer ''opulence'' of the [=McCallister=] household can stick out a bit. The family is presented as being upper-middle-class, with Kevin's dad being a while collar worker of some sort, but not a tycoon or anything (he has to use vans and consumer air travel, for a start). The [=McCallister=] home is absolutely enormous and filled with ''stuff'' (so as to work as a great movie set), though; in the [=70s=] and [=80s=], it still wasn't terribly uncommon for people with middle management-style jobs or other mid-tier white collar jobs to be able to afford something like that, especially with perhaps a little clever investing. In the new millennium, a home such as this would only possibly be believable as the home of the moneyed investor class (which would give the whole film a somewhat different read).
*** ** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.
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* IdiotPlot: Everything happens because Heather miscounted heads, rather than doing a roll call of all her siblings and cousins, that Mitch Murphy goes completely unnoticed when he rifles through their things before wishing them goodbye, and that Kevin is so heavy a sleeper that he missed the hustle and bustle. Lampshaded by Kate when she asks, "What kind of a mother am I?" about forgetting her youngest son. She also could have rented a car the minute she was on American soil to drive home, the way she does later. Meanwhile, Kevin assumes his family didn't rent taxis and vanished into thin air, rather than [[OccamsRazor realizing they left him at home]].
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* EscapistCharacter: A lot of what made the film so much of a hit with kids is that Kevin is something of an ideal. He gets all the comforts of a big fancy house full of toys to himself, but never has to compromise his nature as a kid to do so. He's smart enough to outfox a pair of StupidCrooks, only having any issue in the end of the climax. And he has a near-complete level of agency, actively choosing to take part in everything he does from the moment he gets left home. There's a reason that the following years were [[FollowTheLeader positively dotted with]] kids being thrust into positions of unusual power and defeating or outwitting adults.
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* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone, so he's not really on the hook for assuming they posed a serious threat to him.

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* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone, alone and even taunt him with that knowledge when they show up at his door, so he's not really on the hook for assuming well within his rights to assume they posed a serious threat to him.mean him harm.
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''YMMV/HomeAlone1'' | ''YMMV/HomeAlone2LostInNewYork'' | ''YMMV/HomeAlone3'' | ''YMMV/HomeAlone4TakingBackTheHouse'' | ''YMMV/HomeAloneTheHolidayHeist'' | ''YMMV/HomeSweetHomeAlone''-]]]]]

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''YMMV/HomeAlone1'' '''''Home Alone''''' | ''YMMV/HomeAlone2LostInNewYork'' | ''YMMV/HomeAlone3'' | ''YMMV/HomeAlone4TakingBackTheHouse'' | ''YMMV/HomeAloneTheHolidayHeist'' | ''YMMV/HomeSweetHomeAlone''-]]]]]

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[[WMG:[[center:[-''Film/HomeAlone'' '''[[YMMV/HomeAlone Main YMMV Page]]'''\\
''YMMV/HomeAlone1'' | ''YMMV/HomeAlone2LostInNewYork'' | ''YMMV/HomeAlone3'' | ''YMMV/HomeAlone4TakingBackTheHouse'' | ''YMMV/HomeAloneTheHolidayHeist'' | ''YMMV/HomeSweetHomeAlone''-]]]]]
----



* AlternativeCharacterInterpretation:
** If you're a parent, Kate harassing the airport employees and patrons in the first film (not so much the hotel employees in the second, as they actively antagonized Kevin) is acceptable because she just wants to get home to her son. If you work with the public, she's an asshole, with or without [[FreudianExcuse a vulnerable kid stuck at home]].

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* AlternativeCharacterInterpretation:
**
AlternativeCharacterInterpretation: If you're a parent, Kate harassing the airport employees and patrons in the first film (not so much the hotel employees in the second, as they actively antagonized Kevin) is acceptable because she just wants to get home to her son. If you work with the public, she's an asshole, with or without [[FreudianExcuse a vulnerable kid stuck at home]].



* BrieferThanTheyThink: It can be a real surprise for people to discover that there really isn't a whole lot of HomeAloneAntics. They're pretty much entirely confined to the climax, which is about fifteen minutes long. It's certainly not a short scene, but from the way people remember it, you'd think pranking the bandits was the entire plot, or at least that there were pranks occurring throughout the film. (This is likely due to the sequels, along with countless rip-offs, using that structure instead.)

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* BrieferThanTheyThink: It can be a real surprise for people to discover that there really isn't a whole lot of HomeAloneAntics. They're pretty much entirely confined to the climax, which is about fifteen minutes long. It's certainly not a short scene, but from the way people remember it, you'd think pranking the bandits was the entire plot, or at least that there were pranks occurring throughout the film. (This This is likely due to most of the sequels, along with countless rip-offs, following films using that structure instead.)
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* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone, so he's not really on the hook for assuming they were looking to do him harm.

to:

* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone, so he's not really on the hook for assuming they were looking posed a serious threat to do him harm.him.
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* RonTheDeathEater: Some viewers and critics paint Kevin as a budding sociopath for all the brutal traps he lays out for Harry and Marv, who are just nonviolent cat burglars. This conveniently glosses over how the duo is intentionally invading Kevin's house when they ''know'' he's in there alone, so he's not really on the hook for assuming they were looking to do him harm.
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* StrawmanHasAPoint: Mr. Hector disadvising Kate for looking for Kevin by herself. While he's just as sleazy as he was towards Kevin, he's right in that it wouldn't be a good idea for a wealthy woman unfamiliar with the city to wander the streets of New York alone at night. The film doesn't treat it as such and he gets slapped by her.
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* ContestedSequel: Is it an EvenBetterSequel that's more action-packed, dramatic, and gives more focus to the Wet Bandits and the booby traps more focus? Or an inferior follow-up that follows the original too much, only changing the setting?

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* EnsembleDarkhorse:
** Gus Polinski. Even people who don't like the film enjoy Creator/JohnCandy's performance.
** Kevin's sisters and cousin Fuller get some appreciation for being decently acted, and showing some concern for him and/or sharing in the childish glee of Christmas.
** Johnny from ''[[ShowWithinAShow Angels With Filthy Souls]]'', purely due to his AxCrazy nature and his penchant for {{Bond One Liner}}s. Quite a few people didn't realize on first viewing that the clip isn't an actual old time film noir and was made for this movie.



* IdiotPlot: Everything happens because Heather miscounted heads, rather than doing a roll call of all her siblings and cousins, that Mitch Murphy goes completely unnoticed when he rifles through their things before wishing them goodbye, and that Kevin is so heavy a sleeper that he missed the hustle and bustle. Lampshaded by Kate when she asks, "What kind of a mother am I?" about forgetting her youngest son. She also could have rented a car the minute she was on American soil to drive home, the way she does later. Meanwhile, Kevin assumes his family didn't rent taxis and vanished into thin air, rather than [[OccamsRazor realizing they left him at home]].



MoralEventHorizon: Harry and Marv in intend to steal money from a [[UnacceptableTarget kid's charity]] and later try to shoot Kevin when they capture him, as well as the Pigeon Lady when she intervenes.

to:

MoralEventHorizon: Harry and Marv in intend to steal money from a [[UnacceptableTarget kid's charity]] and later try to shoot * {{Narm}}: The scene where Kevin when they capture him, as well as meets Marley outside of his house for the Pigeon Lady when she intervenes. first time. It's meant to serve as a reminder that Kevin shouldn't tempt fate, but his over-the-top screaming makes it hard to take seriously.



* TheyWastedAPerfectlyGoodCharacter: Many fans wished Mitch Murphy has more screen time, as it would been interesting to see Kevin's reaction to him being partially responsible for him being left behind, and Mitch teaming up with Kevin to take down Harry and Murphy.



*** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.

to:

*** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.9/11.
* ValuesDissonance: Buzz owns an air rifle which is later used by Kevin. While it did raise some eyebrows in TheNineties, the idea of even carrying around an air rifle after two decades of school shootings would be seen as TroublingUnchildlikeBehavior.
*TheWoobie: Marley in the first film, who not only has to deal with scary rumors being made about him, but also had a falling out with his own son, leaving him only able to see his granddaughter while she's singing at the local church. Fortunately for him, Kevin's advice convinces him to try and reconnect with his son, and the ending shows that the two have made up.
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* AccidentalAesop:
** Pay your pizza delivery boys fairly. They'll always give good service. Also, please don't terrorize them with an old movie.
** If you cut your toxic family members from your life, you'll eventually miss them.
*AlternativeCharacterInterpretation:
** If you're a parent, Kate harassing the airport employees and patrons in the first film (not so much the hotel employees in the second, as they actively antagonized Kevin) is acceptable because she just wants to get home to her son. If you work with the public, she's an asshole, with or without [[FreudianExcuse a vulnerable kid stuck at home]].
* AndYouThoughtItWouldFail: According to Creator/ChrisColumbus, during an interview with Creator/AlecBaldwin on Baldwin's podcast "Here's the Thing", Creator/JohnHeard was unhappy about working on the film, feeling that the film was going to be terrible. However, upon seeing the finished film and its subsequent success, Heard apologized to Columbus when they were shooting his scenes on the film's sequel, having broken character before his first take to tell Columbus. Columbus says he still has footage of Heard's apology on video tape.
* AssPull: It's heavily implied that Kevin was somehow able to set up his trap house in under an hour between 8pm and 9pm. Maybe the traps alone would be doable within that timeframe, but the fact that Kevin ''also'' had to race home from the church, think and draw up a battle-plan before placing said traps, and even had some spare time at the end to cook some microwave mac-and-cheese, [[WillingSuspensionOfDisbelief shoves a lot into just one hour]].
* BigLippedAlligatorMoment: After setting up traps in his home for the burglars, Kevin sits down to enjoy a fancy macaroni and cheese dinner only for his alarm clock to go off and alert him about the burglars. He blows out the candles, leaves his dinner to go cold and waits for the burglars, and it's never mentioned again. Even the film's creator is stumped by the macaroni dinner's relevance.
* BrieferThanTheyThink: It can be a real surprise for people to discover that there really isn't a whole lot of HomeAloneAntics. They're pretty much entirely confined to the climax, which is about fifteen minutes long. It's certainly not a short scene, but from the way people remember it, you'd think pranking the bandits was the entire plot, or at least that there were pranks occurring throughout the film. (This is likely due to the sequels, along with countless rip-offs, using that structure instead.)
* CantUnHearIt: Once you've seen the movie, try hard not to imagine Kevin's scream while listening to The Drifters' version of "White Christmas".
* CatharsisFactor:
** Kevin and his family are equally at fault: Kevin was being a brat when his parents told him nicely to pack his suitcase while stressing about the trip and not glue up his dad's fishing hooks, and Kate missed the whole debacle with the pizzas to send Kevin to the attic without dinner while being unsympathetic when he says everyone hates him. They both suffer karma as a result: Kevin realizes that being on his own isn't that great when you have to do all the chores and groceries with dangerous men breaking into your house, and the whole family sans Buzz feels super guilty when they realize Kevin's still in Chicago. Kate goes OhCrap when she remembers mid-flight ("KEVIN!") and MyGodWhatHaveIDone since the last thing he said to her was he didn't want to see any of them again. She makes up for it by flying home immediately, and most of his siblings can't sleep out of worry about their little brother. Meanwhile, Kevin destroys Buzz's room, stealing his money and rifle, which seems like a fair punishment for Buzz getting him in trouble and eating his dinner.
** While Kevin's later pranks seem disproportionate after Harry and Marv break into the house, he manages to give the latter a harmless scare by playing the mobster video and using firecrackers to sell the effect, on seeing Marv investigating the kitchen dog door. It is satisfying to see Marv running for his life.
** Old Man Marley slamming Marv and Harry with a shovel after they were planning to torture Kevin is definitely what they deserved.
* ContestedSequel: Is it an EvenBetterSequel that's more action-packed, dramatic, and gives more focus to the Wet Bandits and the booby traps more focus? Or an inferior follow-up that follows the original too much, only changing the setting?
* CrossesTheLineTwice:
** Kate is in shock after learning they left Kevin behind. Frank tries to comfort her by reminding her it could have been worse. He forgot his reading glasses.
** Gus's story about leaving his kid in a funeral parlor.
--->'''Gus''': You know, we went back at night, and apparently he had been alone all day with the corpse. He was okay, though. After six, seven weeks, he came around and started talking again.
* {{Fanon}}: Kevin's (unintentional) theft at the pharmacy is never brought up again despite lingering chances that the police might be able to identify and send him to juvenile detention as he continues to roam around town unsupervised. There's a generally accepted theory among fans that it was Old Man Marley himself who paid for the stolen toothbrush, apologized on Kevin's behalf, and begged the store owner not to press charges, having understood why Kevin ran away. Given the [[MisunderstoodLonerWithAHeartOfGold kind of person]] Marley turns out to be, this isn't far-fetched at all.
* FourthWallMyopia: The officer gives the house a cursory glance and declares it to be secure - which people often considered to be an example of AdultsAreUseless and idiot police. Except in-universe, he can't exactly barge in without a warrant - which he doesn't have - therefore him suggesting "Count your kids again" actually ''is'' justified in-universe.
* GenreTurningPoint: This made family-oriented film-making a much more attractive proposition for studios, in tandem with the animation revival the previous year's ''WesternAnimation/{{The Little Mermaid|1989}}'' inspired.
* HamAndCheese: Creator/JoePesci and Creator/DanielStern felt indifferent about the movie's potential during shooting, so they intentionally gave over-the-top performances, neither one of them believing the film would become a massive success.
* HarsherInHindsight:
** In the first film, when talking to Marley, who mentions his strained relationship with his son, Kevin says that no matter how mad he were at his father, he would still talk to him, especially around the holidays. In real life, Creator/MacaulayCulkin has had a very strained relationship with his infamous StageDad, to the point that the two no longer speak.
** Buzz is a BigBrotherBully to Kevin, to the extent where Kevin expects Buzz to pound him for going through his stuff. This hits pretty hard after Devin Ratray's (Buzz's actor) domestic abuse arrest in December 2021. What adds to it is Kevin looking at a picture of Buzz's (unattractive) girlfriend in that movie and exclaiming "Buzz, your girlfriend! Woof!"
* HilariousInHindsight:
** Kevin ends up letting his macaroni and cheese get cold while enacting his one-boy defense of the house, leading to many people questioning what happened with it and if Kevin even got to eat the macaroni. Apparently, Google thought the same thing; in 2018, they released an ad where Creator/MacaulayCulkin is about to eat the same dish, only to see the clock ring nine times and hearing Harry and Marv drive up. Culkin just asks Google Home to run Operation Kevin -- lock all the doors, turn on the lights, and run the Roomba with a basketball athlete cutout -- and [[BrickJoke happily finishes his meal]]. You can't blame Culkin for looking smug.
** Two years after the first movie, Hillary Wolf (Megan) would star in another film about a dysfunctional family, ''Big Girls Don't Cry... They Get Even''. In that movie, she's the ButtMonkey of a dysfunctional family and runs away.
* InformedWrongness: It's debatable as to how wrong Uncle Frank was meant to be, but at the beginning of the first movie, him not letting Kevin watch a violent gangster movie is treated as another example as to why he's a [[EvilUncle terrible uncle]] even though Kevin later watches said movie and ends up getting the fright of his life. It can come off less like another example of Uncle Frank being a {{Jerkass}} and more him trying to prevent Kevin from being traumatized.
MoralEventHorizon: Harry and Marv in intend to steal money from a [[UnacceptableTarget kid's charity]] and later try to shoot Kevin when they capture him, as well as the Pigeon Lady when she intervenes.
* NauseaFuel: Buzz telling Kevin that someone would have to barf up his pizza because it's been eaten already. Then he pretends to throw it up.
* OneSceneWonder:
** Mitch Murphy is one of the reasons Kevin is left behind. He bothers the shuttle drivers by asking about the speeds on their vans and rifles through the family's suitcases, which leads him to getting mistaken for Kevin from behind.
** Jimmy, the stock boy at the pharmacy. He's on screen ten seconds tops but is widely remembered for being told to "Stop that boy!" and his one line: "Hey! Hey! Shoplifter!"
** Technically a Two-Scene Wonder: Creator/JohnCandy as Gus Polinski, Polka King of the Midwest. He only has about five minutes of screentime, but he makes the most of those five minutes with some of the movie's funniest lines, nearly all of which were improvised. He's also well-loved for being a HeroicBystander and helping Kate get back to Chicago when it seemed like all hope was lost.
* RescuedFromTheScrappyHeap: {{B|igBrotherBully}}uzz at the end of the second film, considering that he was the one to acknowledge the fact that it was because of Kevin that the [=McCallister=] family is able to have a hotel room full of wonderful Christmas presents and insists that Kevin opens the first one.
* RetroactiveRecognition:
** [[Film/ScottPilgrimVsTheWorld Wallace Wells]]/[[Series/{{Succession}} Roman Roy]] used to be a bed-wetter.
** Hope Davis of ''ComicBook/AmericanSplendor'' and ''Film/SynecdocheNewYork'' is the American Airlines clerk in France.
** One of Kevin's older brothers is [[Series/TheAdventuresOfPeteAndPete Big Pete Wrigley]].
** The cop in Family Crisis Intervention would eventually [[Series/{{Friends}} move to Greenwich Village below Monica Geller]].
** In the Latin American Spanish dub, this was one for both Kevin and Brook's voice actors, Creator/VictorUgarte and Alma Wilheleme respectively, at least in the first film. before their [[StarMakingRole star-making roles]] as [[Anime/NeonGenesisEvangelion Shinji Ikari and Maya Ibuki]], [[Anime/VisionOfEscaflowne Dilandau Albatou and Hitomi Kanzaki]] and [[Manga/KishinDoujiZenki young Zenki and Chiaki Enno]].
* SignatureScene:
** The moment where Kate realizes that they forgot Kevin -- while on a plane flying to France, 30,000ft in the air. At first, Kate and Peter talk about what they forgot, and Kate determines it wasn't him leaving the garage open. After a {{Beat}}, she looks in the camera and suddenly screams, "[[OhCrap KEVIN!]]"
** Kevin's two screams, after putting aftershave in his face, and the one delivered straight to the camera before he runs to bed.
** Among all the booby traps, the Paint Cans.
* SpecialEffectFailure:
** That clearly wasn't Creator/MacaulayCulkin's hand grabbing the spider to place on Marv or him flying on the zipline from the home to the treehouse in the first film.
** When Kevin places his brother's tarantula on Marv's face, it's obviously a real spider. In the next shot, it's clearly a prop. Given that putting a spider on Stern's face caused genuine anxiety (the scream was added in post-production as Stern was afraid screaming would cause the spider to bite) this is understandable.
*** Props must be given to Stern for averting the trope by actually allowing them to put the spider on his face.
** The same happens with Creator/JoePesci whenever his stunt-double comes in, such as the moment he flips over the wire after charging up the stairs.
** A lot of people could tell that the "M" scar left behind on Harry's hand doesn't match up with the direction that the scar should've been in based on how he grabbed the [=McCallister=] doorknob.
* SpiritualAdaptation: The ending is considered to be basically a kid-friendly ''Film/DieHard''. Need some proof? Take a look at [[http://www.cracked.com/article_19710_6-movies-inadvertently-remade-as-other-movies.html this article]] from ''Website/{{Cracked}}'', and also consider that HomeAloneAntics is a SubTrope of ProtectThisHouse, which itself is a SubTrope of DieHardOnAnX.
* {{Squick}}: Gus Polinski tries to get Kate to play his clarinet on the drive to Chicago - right after taking it out of his mouth. Keep in mind 1. he has just met her that day, and 2. the clarinet is a woodwind instrument, which means it has a reed that has been soaking in his saliva, probably for a while. Kate is clearly put off by it in-universe and sternly refuses, and anyone watching this post-COVID will find it very jarring.
* StrawmanHasAPoint:
** Uncle Frank commenting that they won't catch the plane in time, as it leaves in 45 minutes. While it's meant to demonstrate his pessimistic and cynical nature, he's right. It takes at least 30 minutes to get from where they live to O'Hare Airport, not counting the heavy traffic on the road and at the airport because it's Christmas. If this was real life, he would be right.
*** He was also right about how Kevin wasn’t old enough for the movie he wanted to watch.
** The police officer who goes to the [=McCallisters'=] home to check on Kevin simply makes a cursory evaluation of the house, declares it to be secure, and says that the family should count their kids again. But if one is tempted to call this officer an idiot for thinking that these parents had somehow miscounted their children, one should remember that the [=McCallisters=] actually ''did'' do that when they were travelling to Paris.
* StrawmanHasAPoint: Mr. Hector disadvising Kate for looking for Kevin by herself. While he's just as sleazy as he was towards Kevin, he's right in that it wouldn't be a good idea for a wealthy woman unfamiliar with the city to wander the streets of New York alone at night. The film doesn't treat it as such and he gets slapped by her.
* UnintentionalPeriodPiece:
** The first film relies almost ''completely'' on the realities of life in pre-[[UsefulNotes/TheWarOnTerror 9/11]] America. Viewing it in the new millennium can be a bit of a time capsule, and reminder of how things used to be in ways the filmmakers could never have intended.
*** If the film were made and set in TheNewTens and beyond, Kevin's parents would, at worst, have to sort out some new SIM cards for their cell phones in order to give Kevin's own cell a call. They weren't able to call the house due to the ''land-based'' phone lines being down and the house having no wireless phones, which was, in 1990 (and as a holdover from UsefulNotes/TheEighties) a fairly typical arrangement, even for a well-off household like theirs. In the new millennium, even just before 9/11, Kevin would've been able to find a way to get his hands on a cell phone, and that would've opened up a number of additional solutions for his family to either get back home or get him to France with everyone.
*** You can see a line of pay phones in the airport terminal (Kevin also uses one of them in ''Home Alone 2'').
*** Nowadays, there are alarm clocks that hold regular batteries that activate when a power outage cuts off the main electrical supply, and a lot of people use the alarms on their smartphones to wake themselves up -- so unless the backup battery of the alarm clock failed and wasn't replaced, or the person in question accidentally put the phone in sleep mode/forgot to charge it, a power outage wouldn't prevent Kevin and his family from waking up on time and going to the airport without incident. Ironically, the alarm clock in the movie actually ''does'' have a battery backup, as is advertised on the top edge of said radio -- meaning his parents either forgot to replace them, or never put them in at all.
*** Harry and Marv, in the [=21st=] century, would've ''never'' discovered that Kevin was alone at the house; he'd already fooled them repeatedly into thinking that the house was still heavily occupied. The jig was only up when Kevin's father left a message about Kevin being home alone on a neighbor's answering machine -- and Marv, who was in the middle of robbing that same neighbor's house, overheard it while it was being recorded and told Harry, who realized the truth. Answering machines are all but gone today, in favor of private, electronic voicemail, and many homes no longer have landline phones anyway.[[note]]Although in that type of affluent neighborhood, some still do.[[/note]]
*** On top of that, the lax airport security of the time is on full display as well. Kate is able to barter a plane ticket off of a fellow traveler ''right in the terminal''; that was still a little questionable even then, but at least ''conceivable'' (and was a holdover from still earlier eras of air travel where the tickets were more like train or ship tickets). However, anybody who attempts something like that in an American airport in the [=21st=] century would probably be detained on suspicion of being a terrorist. Much more glaringly, there's the fact that the [=McCallisters=] would have ''never'' been able to get through [=21st=]-century airport security in time to make their flight in the first place, giving them ample time to discover that Kevin is missing and go back home to him, preventing the plot of the film from ever unfolding.
*** As noted, we have Frank tell Peter, "There's no way on Earth we're gonna make this plane. It leaves in 45 minutes!" before they get in the vans at their house, located in Winnetka, a suburb of Chicago. Without traffic, it's a half-hour drive from 671 Lincoln Avenue (their home address) to O'Hare International Airport. Not only are Chicago's expressways known to be ''very'' congested in both directions at rush hour due to the city's reverse-commute nature, but the airport would be even ''more'' crowded because they were catching a flight close to ''Christmas'' -- one of the busiest, if not ''the'' busiest, times of year for airports. In the [=21st=] century, even if the [=McCallisters=] somehow ''didn't'' hit any traffic and reached the airport in that time, they would still have to go through a ''lot'' of time-consuming steps once they arrived: checking in, printing their boarding passes, waiting in the security line, clearing the security checkpoint, and then making their way through Terminal 3 to their gate.[[note]]American Airlines is based out of Terminal 3, along with Delta Airlines[[/note]] Factoring in all of that, they would have missed their flight by almost ''two hours'' by the time they reached the gate. There is a reason why the airlines generally recommend that you arrive at the airport a full ''90 minutes'' before your flight (and even ''earlier'' for international flights). In the [=80s=], though, it was conceivable, if rather frowned on, for a person to show up to the airport with fifteen minutes to go 'till their flight and make it work, and many people would've had an experience somewhat like that at some point.
*** For that matter, in UsefulNotes/TheNewTens and The New Twenties, the sheer ''opulence'' of the [=McCallister=] household can stick out a bit. The family is presented as being upper-middle-class, with Kevin's dad being a while collar worker of some sort, but not a tycoon or anything (he has to use vans and consumer air travel, for a start). The [=McCallister=] home is absolutely enormous and filled with ''stuff'' (so as to work as a great movie set), though; in the [=70s=] and [=80s=], it still wasn't terribly uncommon for people with middle management-style jobs or other mid-tier white collar jobs to be able to afford something like that, especially with perhaps a little clever investing. In the new millennium, a home such as this would only possibly be believable as the home of the moneyed investor class (which would give the whole film a somewhat different read).
*** The worst part of it all is that this is almost the opposite of what was intended; Creator/ChrisColumbus has said that he and Creator/JohnHughes wanted very much for ''Home Alone'' to have a "timeless" look and feel to it so that ten, fifteen, twenty, etc. years down the line, it could still be viewed and enjoyed by people and it not seem "dated". Unfortunately, this wasn't the case, though it isn't entirely their fault -- if nothing else, we were some way off from normalizing the kind of travel protocols which became common after 9/11.

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