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* VindicatedByHistory: In recent years, The shorts Famous did before 1948 or so have started to be reappraised by critics. Popeye shows like ''Happy Birthdaze'', ''We're On Our Way to Rio'', and ''Rocket To Mars'' and Noveltoons like ''Cilly Goose'' and ''Cheese Burglar'' have been particularly lauded for their outstanding stories, jokes and animation. The newfound availability of Famous' better shorts through Thunderbean Animation's ''Noveltoons'' discs and the Warner Archive's ''Popeye: The 1940's'' sets have encouraged this.
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* VindicatedByHistory: In recent years, The shorts Famous did before 1948 or so in the 1940s have started to be reappraised by critics. Popeye shows like ''Happy Birthdaze'', ''We're On Our Way to Rio'', and ''Rocket To Mars'' and Noveltoons like ''Cilly Goose'' and ''Cheese Burglar'' have been particularly lauded for their outstanding stories, jokes and animation. The newfound availability of Famous' better shorts through Thunderbean Animation's ''Noveltoons'' discs and the Warner Archive's ''Popeye: The 1940's'' sets have encouraged this.
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* SpiritualAntithesis: Greg Steven notes in his ''[[WebVideo/ThePoparena Nick Knacks]]'' video on ''[[Creator/{{Nickelodeon}} Cartoon Kablooey]]'' that the studio was basically this to Creator/{{UPA}}. Both were founded a year of each other and had their origins of studio strikes (Disney in UPA's case, Flesicher Studios in Famous' case). But wheras UPA was an artistically-driven studio eager to push animation in bold new directions, Famous was a hostile corporate takeover of the Fleischer's studio and was designed to make safe and profitable cartoons.
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* SpiritualAntithesis: Greg Steven notes in his ''[[WebVideo/ThePoparena Nick Knacks]]'' video on ''[[Creator/{{Nickelodeon}} Cartoon Kablooey]]'' that the studio was basically this to Creator/{{UPA}}. Both were founded within a year of each other and had their origins of in studio strikes (Disney in UPA's case, Flesicher Studios in Famous' case). But wheras UPA was an artistically-driven studio eager to push animation in bold new directions, Famous was a hostile corporate takeover of the Fleischer's studio and was designed to make safe and profitable cartoons.
