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%%* {{Anvilicious}}: Doesn't even begin to cover it.
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* SomeAnvilsNeedToBeDropped: Yeah, it's ridiculously preachy, sentimental, and all the characters are one-dimensional. But for the time period, and even today, the message of "Don't just run off with a hot guy who looks good in a uniform" was ''extremely'' important - as [[Literature/PrideAndPrejudice Lydia Bennet]] (or at least, her sisters) could attest.
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Added line(s) 4 (click to see context) :
* CatharsisFactor: La Rue was the one directly responsible for enabling Charlotte's elopement, only to abandon her when her former student was penniless, ill, and pregnant. The servants see her turning out Charlotte, give her a DeathGlare behind her back, and start spreading gossip about La Rue's poor conduct. A few years later, La Rue reveals her husband divorced her and left her penniless, so she ended up back in England begging for a few coins a day. Though the Temples decide to forgive her and pay for her medical care, it's only so she can die in peace and not because they actually like her.
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%%* ValuesDissonance
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Changed line(s) 1,5 (click to see context) from:
* {{Anvilicious}} - Doesn't even begin to cover it.
* FairForItsDay - What do you expect, this is centuries old.
* DontShootTheMessage - yes, it's ridiculously preachy, sentimental, and all the characters are one-dimensional. But for that time (and even, in a way, today), the message of "Don't run off with a hot guy who looks good in a uniform" was ''extremely'' important - as [[Literature/PrideAndPrejudice Lydia Bennet]] (or at least, her sisters) could attest.
* ValuesDissonance
* TheWoobie - Charlotte, and the narrator reminds us of her status frequently.
* FairForItsDay - What do you expect, this is centuries old.
* DontShootTheMessage - yes, it's ridiculously preachy, sentimental, and all the characters are one-dimensional. But for that time (and even, in a way, today), the message of "Don't run off with a hot guy who looks good in a uniform" was ''extremely'' important - as [[Literature/PrideAndPrejudice Lydia Bennet]] (or at least, her sisters) could attest.
* ValuesDissonance
* TheWoobie - Charlotte, and the narrator reminds us of her status frequently.
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*
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Removed "Purity Sue", since it is now a Flame Bait example that should not be allowed; see "Flame Bait" page for more details.
Changed line(s) 1 (click to see context) from:
* {{Anvilicious}} - doesn't even begin to cover it.
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* {{Anvilicious}} - doesn't Doesn't even begin to cover it.
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* DontShootTheMessage - yes, it's ridiculously preachy, sentimental, and all the characters are one-dimensional. But for that time (and even, in a way, today), the message of "Don't run off with a hot guy who looks good in a uniform" was ''extremely'' important - as [[PrideAndPrejudice Lydia Bennet]] (or at least, her sisters) could attest.
* PuritySue - Charlotte again.
* PuritySue - Charlotte again.
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* DontShootTheMessage - yes, it's ridiculously preachy, sentimental, and all the characters are one-dimensional. But for that time (and even, in a way, today), the message of "Don't run off with a hot guy who looks good in a uniform" was ''extremely'' important - as [[PrideAndPrejudice [[Literature/PrideAndPrejudice Lydia Bennet]] (or at least, her sisters) could attest.
* PuritySue - Charlotte again.attest.
* PuritySue - Charlotte again.
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* TheWoobie - Charlotte, and the narrator reminds us of her status frequently.
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* TheWoobie - Charlotte, and the narrator reminds us of her status frequently.
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Added DiffLines:
* FairForItsDay - What do you expect, this is centuries old.
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* ValuesDissonance
