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* UnintentionallyUnsympathetic: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe (rather than get rid of the obvious reminder of a horrible trauma) and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
to:
* UnintentionallyUnsympathetic: A Moo-hyeon is clearly struggling with the deaths of [[spoiler:his former wife and his daughter ]], and doing his best too look after Su-mi. The problem is that a lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe (rather than get rid of the obvious reminder of a horrible trauma) and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
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* WhatAnIdiot: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe (rather than get rid of the obvious reminder of a horrible trauma) and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
to:
* WhatAnIdiot: UnintentionallyUnsympathetic: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe (rather than get rid of the obvious reminder of a horrible trauma) and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
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Changed line(s) 12 (click to see context) from:
* WhatAnIdiot: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
to:
* WhatAnIdiot: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe (rather than get rid of the obvious reminder of a horrible trauma) and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
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** [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help her]]. This is even worse considering [[spoiler:Eun-ju was ''going back'' to help Su-yeon, but decided not to ''just to spite Su-mi''.]] Yikes.
to:
** [[spoiler:A A flashback at the very end of the film]] film reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help her]]. This is even worse considering [[spoiler:Eun-ju was ''going back'' to help Su-yeon, but decided not to ''just to spite Su-mi''.]] Yikes.
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Changed line(s) 7 (click to see context) from:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
to:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this instance of this trope is somewhat subverted [[spoiler:It turns out to be a subversion once you realise that this was all it's revealed to be in Su-mi's head.mind.]]
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The MEH is something that has to be crossed consciously, not in a fit of insanity.
Deleted line(s) 7 (click to see context) :
** For some, Su-mi crosses this when [[spoiler:it is revealed that she snapped Eun-ju's bird's neck. Granted, she ''is'' delusional, and she is most likely doing it out of her hatred for Eun-ju, but, still.]]
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* TheWoobie: Everyone - well, almost. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie]].
to:
* TheWoobie: Everyone - well, almost. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie]].[[spoiler: except, arguably, Eun-ju]].
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* WhatAnIdiot: A lot of the things Moo-hyeon does around his [[spoiler: mentally ill daughter]] are ''immensely'' stupid, such as [[spoiler:telling Su-mi to simply not talk about the wardrobe and leaving her alone when she's having a breakdown,]] and only serve to exacerbate the situation. May cross over with ValuesDissonance.
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Changed line(s) 8 (click to see context) from:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this and any other instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
to:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this and any other instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
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* AdaptationDisplacement - Some people had no idea of the folk tale until they saw this movie.
* {{Applicability}}
* {{Applicability}}
to:
----
*AdaptationDisplacement - AdaptationDisplacement: Some people had no idea of the folk tale until they saw this movie.
* %%* {{Applicability}}
*
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* MoralEventHorizon - [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help her]].
** This is even worse considering [[spoiler:Eun-ju was ''going back'' to help Su-yeon, but decided not to ''just to spite Su-mi''.]] Yikes.
** This is even worse considering [[spoiler:Eun-ju was ''going back'' to help Su-yeon, but decided not to ''just to spite Su-mi''.]] Yikes.
to:
* MoralEventHorizon - MoralEventHorizon:
** [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to helpher]].
**her]]. This is even worse considering [[spoiler:Eun-ju was ''going back'' to help Su-yeon, but decided not to ''just to spite Su-mi''.]] Yikes.
** [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help
**
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* NauseaFuel: The scene in which the wife of the girls' uncle vomits whilst having a fit ([[spoiler:and possibly being possessed]]), before getting it in her hair and on her face during her spasms.
to:
* NauseaFuel: The NauseaFuel:
**The scene in which the wife of the girls' uncle vomits whilst having a fit ([[spoiler:and possibly being possessed]]), before getting it in her hair and on her face during her spasms.
**The scene in which the wife of the girls' uncle vomits whilst having a fit ([[spoiler:and possibly being possessed]]), before getting it in her hair and on her face during her spasms.
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Changed line(s) 7 (click to see context) from:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, any instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
to:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this and any other instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
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Changed line(s) 7 (click to see context) from:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
to:
** Also, the sequence in which Eun-ju locks Su-yeon inside the cupboard that terrifies the latter so much and refuses to let her out, despite her heartbreaking screams. [[spoiler:Of course, any instance of this trope is somewhat subverted once you realise that this was all in Su-mi's head.]]
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Changed line(s) 6 (click to see context) from:
** For some, Su-mi crosses this when [[spoiler:it is revealed that she snapped Eun-ju's bird's neck. Granted, she ''is'' crazy and delusional, and she is most likely doing it out of her hatred for Eun-ju, but, still. Poor bird didn't deserve that]].
to:
** For some, Su-mi crosses this when [[spoiler:it is revealed that she snapped Eun-ju's bird's neck. Granted, she ''is'' crazy and delusional, and she is most likely doing it out of her hatred for Eun-ju, but, still. Poor bird didn't deserve that]].still.]]
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* TheWoobie - ''Everyone''.
** Well almost everyone. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie]].
** Well almost everyone. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie]].
to:
* TheWoobie TheWoobie: Everyone - ''Everyone''.
** Well almost everyone.well, almost. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie]].
** Well almost everyone.
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Changed line(s) 10 (click to see context) from:
* RewatchBonus: Several scenes. The film usually requires a second or a third viewing to understand just what is going on.
to:
* RewatchBonus: Several scenes. The film usually requires a second or a third viewing to understand just what is going on.on, and, after the numerous revelations, almost every scene takes on a hugely different light.
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Added line(s) 9 (click to see context) :
* NauseaFuel: The scene in which the wife of the girls' uncle vomits whilst having a fit ([[spoiler:and possibly being possessed]]), before getting it in her hair and on her face during her spasms.
** The fish carcass in the fridge.
** The fish carcass in the fridge.
Deleted line(s) 9 (click to see context) :
* {{Squick}}: The scene in which the wife of the girls' uncle vomits whilst having a fit ([[spoiler:and possibly being possessed]]), before getting it in her hair and on her face during her spasms.
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This trope has been redefined to a In Universe definition \'\'only\'\'. P Lease see this TRS thread: http://tvtropes.org/pmwiki/posts.php?discussion=1361591789034108800
Deleted line(s) 4,6 (click to see context) :
* HellIsThatNoise: That horrendous, continuous screeching noise during the appearance of the [[StringyHairedGhostGirl ghost]] in Su-mi's bedroom. To clarify: it sounds like a baby's wailing, only distorted almost beyond recognition.
** The sound of the kettle boiling just before [[spoiler:Su-mi and Eun-ju's brutal fight towards the end of the film.]]
** The crying noise that accompanies [[spoiler:the ghost coming after Eun-ju]].
** The sound of the kettle boiling just before [[spoiler:Su-mi and Eun-ju's brutal fight towards the end of the film.]]
** The crying noise that accompanies [[spoiler:the ghost coming after Eun-ju]].
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Deleted line(s) 3,4 (click to see context) :
* CrowningMomentOfHeartwarming: The sisters have some ''very'' sweet moments together.
* CrowningMusicOfAwesome: The score for this film is ''beautiful''.
* CrowningMusicOfAwesome: The score for this film is ''beautiful''.
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Guilt doesn\'t mean she didn\'t cross it.
Changed line(s) 9 (click to see context) from:
* MoralEventHorizon - [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help her]]. However, it is implied that she feels guilty for it.
to:
* MoralEventHorizon - [[spoiler:A flashback at the very end of the film]] reveals that [[spoiler:Eun-ju witnessed Su-yeon being crushed by the cupboard, but did nothing to help her]]. However, it is implied that she feels guilty for it.
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* RewatchBonus: Several scenes. The film usually requires a second or a third viewing to understand just what is going on.
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Changed line(s) 6 (click to see context) from:
* HellIsThatNoise: That horrendous, continuous screeching noise during the appearance of the [[StringyHairedGhostGirl ghost]] in Su-mi's bedroom. To clarify: it sounds like a baby's wailing, only distorted beyond recognition.
to:
* HellIsThatNoise: That horrendous, continuous screeching noise during the appearance of the [[StringyHairedGhostGirl ghost]] in Su-mi's bedroom. To clarify: it sounds like a baby's wailing, only distorted almost beyond recognition.
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Deleted line(s) 9,14 (click to see context) :
* HighOctaneNightmareFuel: The immediate aftermath of Su-mi's [[spoiler: first]] nightmare. [[HellIsThatNoise The utterly terrifying ambient score]] does ''not'' help.
** The girl under the sink. The entire scene.
** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]] Not to mention the entire [[NothingIsScarier build-up to that scene]]...
** The first nighttime scene in Su-yeon's bedroom. [[spoiler: Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a very different light.
** The [[RuleOfSymbolism bleeding floorboards]].
** The girl under the sink. The entire scene.
** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]] Not to mention the entire [[NothingIsScarier build-up to that scene]]...
** The first nighttime scene in Su-yeon's bedroom. [[spoiler: Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a very different light.
** The [[RuleOfSymbolism bleeding floorboards]].
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* TearJerker - So many, but the scene in which it is [[TheReveal revealed that]] [[spoiler:Su-yeon is actually dead]] is an especially heartbreaking example.
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** The [[WhatDoYouMeanItsNotSymbolic bleeding floorboards]].
to:
** The [[WhatDoYouMeanItsNotSymbolic [[RuleOfSymbolism bleeding floorboards]].
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** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]]
to:
** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]]]] Not to mention the entire [[NothingIsScarier build-up to that scene]]...
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** The [[WhatDoYouMeanItsNotSymbolic bleeding floorboards]].
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Changed line(s) 12,13 (click to see context) from:
** The first nighttime scene in Su-yeon's bedroom. [[Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a whole different light.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a whole different light.
to:
** The first nighttime scene in Su-yeon's bedroom. [[Her [[spoiler: Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on awhole very different light.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a
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Changed line(s) 6 (click to see context) from:
* HighOctaneNightmareFuel: Several scenes, but the most unnerving has ''got'' to be the immediate aftermath of Su-mi's nightmare. *Shudder*
to:
* HellIsThatNoise: That horrendous, continuous screeching noise during the appearance of the [[StringyHairedGhostGirl ghost]] in Su-mi's bedroom. To clarify: it sounds like a baby's wailing, only distorted beyond recognition.
** The sound of the kettle boiling just before [[spoiler:Su-mi and Eun-ju's brutal fight towards the end of the film.]]
** The crying noise that accompanies [[spoiler:the ghost coming after Eun-ju]].
* HighOctaneNightmareFuel:Several scenes, but the most unnerving has ''got'' to be the The immediate aftermath of Su-mi's [[spoiler: first]] nightmare. *Shudder*[[HellIsThatNoise The utterly terrifying ambient score]] does ''not'' help.
** The girl under the sink. The entire scene.
** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]]
** The first nighttime scene in Su-yeon's bedroom. [[Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a whole different light.
** The sound of the kettle boiling just before [[spoiler:Su-mi and Eun-ju's brutal fight towards the end of the film.]]
** The crying noise that accompanies [[spoiler:the ghost coming after Eun-ju]].
* HighOctaneNightmareFuel:
** The girl under the sink. The entire scene.
** [[spoiler: [[OrIsIt The ghost(?)]] emerging from the cupboard to get Eun-ju.]]
** The first nighttime scene in Su-yeon's bedroom. [[Her door slowly creaks open of its own accord... she shrinks back in fear... and after a moment of tenseness, a hand suddenly grips around the edge of the door.]] Gaaaah.
** The scene where the wife of the girls' uncle starts having a fit. It is frightening enough the first time around, but, on a re-watch, if one believes the theory that [[spoiler: she was being possessed]], the scene takes on a whole different light.
Changed line(s) 9 (click to see context) from:
** For some, Su-mi crosses this when [[spoiler:it is revealed that she snapped that defenceless bird's neck. Granted, she ''is'' crazy and delusional, and she is most likely doing it out of her hatred for Eun-ju, but, still. Poor bird didn't deserve that]].
to:
** For some, Su-mi crosses this when [[spoiler:it is revealed that she snapped that defenceless Eun-ju's bird's neck. Granted, she ''is'' crazy and delusional, and she is most likely doing it out of her hatred for Eun-ju, but, still. Poor bird didn't deserve that]].
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* CrowningMomentOfHeartwarming: The sisters have some ''very'' sweet moments together.
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** Well almost everyone. Expect a debate about whether or not Eun-ju is a woobie.
to:
** Well almost everyone. Expect a debate about [[AlternateCharacterInterpretation whether or not Eun-ju is a woobie.woobie]].
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Changed line(s) 13,14 (click to see context) from:
** Well almost everyone. YourMileageMayVary when it comes to debating whether or not Eun-ju is a woobie.
* YourMileageMayVary - There are ''so many different ways'' to interpret certain aspects of this film.
* YourMileageMayVary - There are ''so many different ways'' to interpret certain aspects of this film.
to:
** Well almost everyone. YourMileageMayVary when it comes to debating Expect a debate about whether or not Eun-ju is a woobie.
* YourMileageMayVary - There are ''so many different ways'' to interpret certain aspects of this film.woobie.
* YourMileageMayVary - There are ''so many different ways'' to interpret certain aspects of this film.