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Another obstacle was ensuring that the body language, implied physics and facial gestures of the film's animated characters could compete with the expressiveness of live-action actors. Despite the substantial innovations of animators such as Norm Ferguson, even the best Silly Symphonies and Mickey Mouse cartoons of the early 1930s continued to suffer from rigid, slow-paced motion and a lack of facial construction. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The breakout of two significant talents circa 1933 further aided Disney's ambitions. Fred Moore, assigned the opening sequence of the Silly Symphony ''The Three Little Pigs'', conceived an animation principle later dubbed "squash-and-stretch", in which characters' bodies distort and compress in space while retaining a consistent mass, thus opening Disney's output to more plausible and expressive modes of movement and visual characterization. Albert Hurter, meanwhile, was promoted to a concept artist, enabling the studio to shed the crude black-and-white rubberhose designs indigenous to contemporary animation in favor of a more expressive and elaborate aesthetic resembling Germanic storybook illustrations. Both men's talents would prove instrumental to ''Snow White'' (with Moore in particular designing and animating many of the titular dwarves). The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
to:
Another obstacle was ensuring that the body language, implied physics and facial gestures of the film's animated characters could compete with the expressiveness of live-action actors. Despite the substantial innovations of animators such as Norm Ferguson, even the best Silly Symphonies and Mickey Mouse cartoons of the early 1930s continued to suffer from rigid, slow-paced motion and a lack of facial construction. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The breakout of two significant talents circa 1933 further aided Disney's ambitions. Fred Creator/Fred Moore, assigned the opening sequence of the Silly Symphony ''The Three Little Pigs'', conceived an animation principle later dubbed "squash-and-stretch", in which characters' bodies distort and compress in space while retaining a consistent mass, thus opening Disney's output to more plausible and expressive modes of movement and visual characterization. Albert Hurter, meanwhile, was promoted to a concept artist, enabling the studio to shed the crude black-and-white rubberhose designs indigenous to contemporary animation in favor of a more expressive and elaborate aesthetic resembling Germanic storybook illustrations. Both men's talents would prove instrumental to ''Snow White'' (with Moore in particular designing and animating many of the titular dwarves). The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
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Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to the story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in a focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, arguably the most important character in the film aside from Snow White herself.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
to:
Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to the story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in a focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, Grumpy - arguably the most important character in the film aside from Snow White herself.
herself - whose arc was shouldered and elevated by the masterfully solid and nuanced animation of Bill Tytla, then a comparatively-recent addition to Disney's expanding roster of animators.
Another obstacle wasgetting ensuring that the animation to be on par body language, implied physics and facial gestures of the film's animated characters could compete with a the expressiveness of live-action film -- actors. Despite the substantial innovations of animators such as Norm Ferguson, even the best Silly Symphonies and Mickey Mouse cartoons during of the early 1930s were still rigid continued to suffer from rigid, slow-paced motion and crude in their motion.a lack of facial construction. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The breakout of two significant talents circa 1933 further aided Disney's ambitions. Fred Moore, assigned the opening sequence of the Silly Symphony ''The Three Little Pigs'', conceived an animation principle later dubbed "squash-and-stretch", in which characters' bodies distort and compress in space while retaining a consistent mass, thus opening Disney's output to more plausible and expressive modes of movement and visual characterization. Albert Hurter, meanwhile, was promoted to a concept artist, enabling the studio to shed the crude black-and-white rubberhose designs indigenous to contemporary animation in favor of a more expressive and elaborate aesthetic resembling Germanic storybook illustrations. Both men's talents would prove instrumental to ''Snow White'' (with Moore in particular designing and animating many of the titular dwarves). The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
Another obstacle was
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->''"Some day, my prince will come,\\
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Some day, when my dreams come true..."''
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Some day, when my dreams come true..."''
~♫"''
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the story by Creator/TheBrothersGrimm fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, arguably the most important character in the film aside from Snow White herself.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation, to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production, and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, arguably the most important character in the film aside from Snow White herself.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character animation, to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production, and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
to:
Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the story by Creator/TheBrothersGrimm fairly closely, closely but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to the story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in a focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, arguably the most important character in the film aside from Snow White herself.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and characteranimation, animation to major special effects discoveries. The studio also had to expand considerably to complete the film -- from a measly few hundred to nearly 1000 staffers by the film's completion. At one point, Walt almost ran out of money during production, production and was lucky enough to receive a bank loan by showing what footage had already been finished. During production, the film was derided by critics, as well as Walt's own wife, as "Disney's Folly", the notion that Walt had gone over his head with this project. But upon debut, Snow White was a smash hit -- at the time, it was the highest grossing film of all time, and was universally praised by critics, setting the stage for the future Disney films to come, and proving that animation could compete with live-action films.
Part of the reason Snow White was made was for the purpose of economics -- despite the ambitious art and extreme popularity of the WesternAnimation/MickeyMouse and WesternAnimation/SillySymphonies shorts, Walt came to realize that no matter how successful his shorts were, they only earned a fixed revenue from their screenings, regardless of their popularity. Realizing that venturing out into making a feature-length animated film could not only net him more profit in the long run, but also progress the medium of animation as an art form, he began work on his daring project. Around four years were spent by Disney trying to get this mammoth project off the ground -- first, there was the obsessive attention to the story -- Walt had the savvy to realize that a feature that played out like a traditional short cartoon comedy would never work, resulting in a focus on the characters' personalities, their interactions, as well as their development in the context of the tale. The most prominent example of this character development would be the character of Grumpy, arguably the most important character in the film aside from Snow White herself.
Another obstacle was getting the animation to be on par with a live-action film -- even the best Silly Symphonies and Mickey Mouse cartoons during the early 1930s were still rigid and crude in their motion. As a result, life-drawing classes and frame-by-frame studying of live-action film took place, in an ambitious attempt to get the most life-like animation possible. The Silly Symphonies began to be used as testing grounds for the work that would go into Snow White -- from advancements in story and character
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* AnAesop: Don’t be envious. The Queen harms other people, gives herself a lot of trouble, and finally causes her own death out of petty resentment of Snow White for being just a bit prettier than her.
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* TwentiesBobHaircut: While set in the distant past, Snow White's hairdo [[http://www.frockflicks.com/disney-princess-historical-influences-snow-white-1937/ reflects the era]] her film was released, as exemplified by the likes of Creator/LorettaYoung and Creator/VivienLeigh.
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[[/folder]]
[[folder: H - Y]]
[[folder: H - Y]]
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* TwentiesBobHaircut: While set in the distant past, Snow White's hairdo [[http://www.frockflicks.com/disney-princess-historical-influences-snow-white-1937/ reflects the era]] her film was released, as exemplified by the likes of Creator/LorettaYoung and Creator/VivienLeigh.
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[[/folder]]
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Adding context to some examples.
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%%Administrivia/ZeroContextExample* LoveTheme: "One Song."
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* TheRuntAtTheEnd: The turtle among Snow White's animal friends. Turtles are slow, naturally.
%%Administrivia/ZeroContextExample** Dopey.
%%Administrivia/ZeroContextExample** Dopey.
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* TheRuntAtTheEnd: TheRuntAtTheEnd:
** The turtle among Snow White's animal friends. Turtles are slow, naturally.
%%Administrivia/ZeroContextExample** Dopey.** Dopey when they leave the mine. He tends to go a bit slower than the other drarves, and has to keep having to catch up while they march.
** The turtle among Snow White's animal friends. Turtles are slow, naturally.
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While Creator/{{Disney}} itself may have all started by a [[WesternAnimation/MickeyMouse mouse]] ([[WesternAnimation/AliceComedies well]], [[WesternAnimation/OswaldTheLuckyRabbit maybe]]), if there is one thing we should never lose sight of, the Franchise/DisneyAnimatedCanon was all started by a princess and seven dwarfs.
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While Creator/{{Disney}} itself may have all started by a [[WesternAnimation/MickeyMouse mouse]] ([[WesternAnimation/AliceComedies well]], [[WesternAnimation/OswaldTheLuckyRabbit maybe]]), mouse]], if there is one thing we should never lose sight of, the Franchise/DisneyAnimatedCanon was all started by a princess and seven dwarfs.
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* AnOddPlaceToSleep: When the Seven Dwarfs let Snow White sleep in their beds, they all have to find new places to sleep. A reluctant Grumpy sleeps in a stewpot, Bashful sleeps in a drawer, Happy sleeps in a cupboard, Doc sleeps in [[KitchenSinkIncluded the kitchen sink]], Sneezy and Dopey sleep on a bench (with the former using the latter's rear end as a pillow), and Sleepy sleeps on a pile of logs.
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* NightmareHands: As Snow White runs terrified through the forest, she imagines tree branches snagging on her skirt as claws clutching at her.
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While Creator/{{Disney}} itself may have all started with a [[WesternAnimation/MickeyMouse mouse]] ([[WesternAnimation/AliceComedies well]], [[WesternAnimation/OswaldTheLuckyRabbit maybe]]), if there is one thing we should never lose sight of, the Franchise/DisneyAnimatedCanon was all started by a princess and seven dwarfs.
to:
While Creator/{{Disney}} itself may have all started with by a [[WesternAnimation/MickeyMouse mouse]] ([[WesternAnimation/AliceComedies well]], [[WesternAnimation/OswaldTheLuckyRabbit maybe]]), if there is one thing we should never lose sight of, the Franchise/DisneyAnimatedCanon was all started by a princess and seven dwarfs.
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While Creator/{{Disney}} itself may have all started with a [[WesternAnimation/MickeyMouse mouse]] ([[WesternAnimation/AliceComedies well]], [[WesternAnimation/OswaldTheLuckyRabbit maybe]]), if there is one thing we should never lose sight of, the Franchise/DisneyAnimatedCanon was all started by a princess and seven dwarfs.
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* WishingWell: Snow White wishes for a prince at one of these.
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* WishingWell: Snow White wishes for a prince at one of these.
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* VillainousBreakdown: The Queen suffers this, but initially a rare cold-blooded one once she realizes Snow White is still alive. Then after she transforms herself into an old witch, she definitely loses her temper and lets her emotions run the show.
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* VillainousBreakdown: The Queen suffers this, but initially a rare cold-blooded one once she realizes Snow White is still alive. Then after she transforms herself into an old witch, she definitely loses her temper sanity and lets her emotions run the show.
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* AccidentalArt: Dopey gets an awesome drum solo during the Silly Song. He was trying to smash a fly with drumsticks at the time.
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* AccidentalArt: Dopey gets an awesome drum solo during the Silly Song. He Song; he was trying to smash a fly with drumsticks at the time.
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* TwentiesBobHaircut: While set in the distant past, Snow White's hairdo [[http://www.frockflicks.com/disney-princess-historical-influences-snow-white-1937/ reflects the era]] her film was released, as exemplified by the likes of Loretta Young and Vivien Leigh.
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* TwentiesBobHaircut: While set in the distant past, Snow White's hairdo [[http://www.frockflicks.com/disney-princess-historical-influences-snow-white-1937/ reflects the era]] her film was released, as exemplified by the likes of Loretta Young Creator/LorettaYoung and Vivien Leigh.Creator/VivienLeigh.
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
to:
Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story by Creator/TheBrothersGrimm fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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* ForcedBath: Snow White tells the dwarfs to wash up or they won't get anything to eat. Grumpy is the only one who refuses to wash, so the other six dwarves promptly drag him to the tub and roughly scrub him down, while tying ribbons into his beard and draping a flower crown around his head to embarrass him.
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Moving up from the trivia page.
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* CrossCastRole: For the 1979 Radio City Music Hall stage production, actor Charles Edward Hall portrayed the Queen in her WickedWitch disguise.
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* ButtMonkey: The Queen's unnamed raven. He almost gets blown away by a blast of wind the Queen summoned for her potion's ingredients, gets scared by the old witch appareance and he's offered the poison apple as a cruel joke.
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* ButtMonkey: The Queen's unnamed raven. He almost gets blown away by a blast of wind the Queen summoned for her potion's ingredients, gets scared by the old witch appareance appearance and he's offered the poison apple as a cruel joke.
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* RhymingWizardry: The Evil Queen, when preparing the poisoned apple.
-->'''Queen:''' ''Dip the apple in the brew... let the poison death seep through.''
-->'''Queen:''' ''When she rips the tender peel to taste the apple from my hand... her breath will still, her blood congeal, then I'll be fairest in the land!''
-->'''Queen:''' ''Dip the apple in the brew... let the poison death seep through.''
-->'''Queen:''' ''When she rips the tender peel to taste the apple from my hand... her breath will still, her blood congeal, then I'll be fairest in the land!''
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first hand-drawn one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first hand-drawn cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first [[https://en.wikipedia.org/wiki/Traditional_animation cel-animated]] one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first [[https://en.wikipedia.org/wiki/Traditional_animation cel-animated]] hand-drawn one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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* CreepyCrows : The Queen's pet raven in the dungeon. Though while sinister-looking he's just the Queen's pet and doesn't seem to be evil like her mistress by whom he seems to be very intimidated.
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* CreepyCrows : The Queen's pet raven in the dungeon. Though while sinister-looking he's just the Queen's pet and doesn't seem to be evil like her mistress by whom he seems to be very intimidated.
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* ButtMonkey: The Queen's unnamed raven. He almost gets blown away by a blast of wind the Queen summoned for her potion's ingredients, gets scared by the old witch appareance and he's offered the poison apple as a cruel joke.
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* CreepyCrows : The Queen's pet raven in the dungeon. Though while sinister-looking he's just the Queen's pet and doesn't seem to be evil like her mistress by whom he seems to be very intimidated.
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* HellIsThatNoise: Among the ingredients of the Queen's potion there's the Scream of Fright which is a white liquid that releases a cloud-like ghost who lets out a terryfing femine scream.
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** Before that, the Queen, now in her hag status, silently searches in his book for a "special sort of death" for Snow White until she shouts "AH !!" when she finds it causing her raven hidden in a skull to jump behind a desk.
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Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
to:
Creator/WaltDisney made "Literature/SnowWhite" into an animated movie in [[UsefulNotes/TheGoldenAgeOfAnimation 1937]], the first full-length animated feature film in the English-speaking world ("English-speaking" being an [[https://en.wikipedia.org/wiki/List_of_animated_feature_films_before_1940 important disclaimer]], though it was at least definitely the first cel-animated [[https://en.wikipedia.org/wiki/Traditional_animation cel-animated]] one) and the first entry in the Franchise/DisneyAnimatedCanon. Using a number of new technologies and animation techniques, the film set high standards for future projects and can be considered a defining moment in animation history. Disney adapted the Grimms' story fairly closely, but allowed Snow White and her prince to meet earlier in the story (removing some of the {{Squick}}), and made the dwarfs into individual characters. He condensed the three assassination attempts into one and gave the queen a much more family-friendly DisneyVillainDeath (though, all things considered, it's arguably ''more'' violent than the original one.)
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* SurprisinglyCreepyMoment: The movie starts quite happy and lighthearted. Then there's the dark forest running sequence where Snow White imagines being threatened by fearsome monsters who wouldn't be out of place in an horror movie.
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Daylight Horror is now a disambiguation page.
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* DaylightHorror: When the Queen, transformed into an old hag, tricks Snow White into eating the poisoned apple and Snow White subsequently seemingly dies, it's in broad daylight.
