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* SpiritualAntithesis: To ''WesternAnimation/ScoobyDooAndTheWitchsGhost'', given their similar genre (family/horror/comedy/mystery), settings (Salem-esque, Massachusetts), and subject manner (how a town's witch-related legends and past affects them in the present). However, ''[=ParaNorman=]'' inverts the order of the films' shared plot points to create significantly contrasting themes. In ''The Witch's Ghost,'' the witch is presented as an innocent and unjustly executed HeroWithBadPublicity by her descendant and the twist is that she was evil and her ghost enacts a curse upon the town in the third act. In ''[=ParaNorman=]'', the inciting incident is that the curse of an executed witch is coming into effect over a Massachusetts town and the third act ''twist'' is that the "witch"'s descendant discovers the "witch" was innocent and unjustly executed, and the curse is her restless ghost lashing out from the trauma of being murdered by her community. ''[=ParaNorman=]'' can easily read as a brutally honest update on ''Scooby Doo and the Witch's Ghost,'' considering ''[=ParaNorman=]'' focuses heavily on the cruelty that was committed onto its "witch" during the Trials and how society has perpetuated the narrative of the victims being villains to make history more palatable, in direct contrast to ''The Witch's Ghost,'' which leans into the narratives behind the executions by not only portraying its witch as truly evil and implicitly justifying her execution but also casting her surviving descendant's attempts to clear her name in the historical record as a villainous plot to trick people. It's likely that the dialogue between the two films is deliberate, because while he never specifically addresses ''The Witch's Ghost,'' ''Scooby Doo'' is referred to by director Christ Butler [[https://thefilmstage.com/video-interview-paranorman-co-directors-chris-butler-sam-fell-talk-scooby-doo-influence-bullying-puppet-hospitals-more/ as being a "defining influence"]] on ''[=ParaNorman=].'''' The two films even have similar (and similarly inverted) book-finding subplots; in ''The Witch's Ghost,'' the cast are seeking the witch's allegedly mundane book, which turns out at the end of the second act to be a spellbook that is eventually used against her to return her to the grave. In ''[=ParaNorman=],'' Norman begins the second act trying to retrieve a book he believes can help him magically return the witch to her grave, but it turns out to be an ordinary book only significant because of its sentimental value to the "witch."
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* SpiritualAntithesis: To ''WesternAnimation/ScoobyDooAndTheWitchsGhost'', given their similar genre (family/horror/comedy/mystery), settings (Salem-esque, Massachusetts), and subject manner (how a town's witch-related legends and past affects them in the present). However, ''[=ParaNorman=]'' inverts the order of the films' shared plot points to create significantly contrasting themes. In ''The Witch's Ghost,'' the witch is presented as an innocent and unjustly executed HeroWithBadPublicity by her descendant and the twist is that she was evil and her ghost enacts a curse upon the town in the third act. In ''[=ParaNorman=]'', the inciting incident is that the curse of an executed witch is coming into effect over a Massachusetts town and the third act ''twist'' is that the "witch"'s descendant discovers the "witch" was innocent and unjustly executed, and the curse is her restless ghost lashing out from the trauma of being murdered by her community. ''[=ParaNorman=]'' can easily read as a brutally honest update on ''Scooby Doo and the Witch's Ghost,'' considering ''[=ParaNorman=]'' focuses heavily on the cruelty that was committed onto its "witch" during the Trials and how society has perpetuated the narrative of the victims being villains to make history more palatable, in direct contrast to ''The Witch's Ghost,'' which leans into the narratives behind the executions by not only portraying its witch as truly evil and implicitly justifying her execution but also casting her surviving descendant's attempts to clear her name in the historical record as a villainous plot to trick people. It's likely that the dialogue between the two films is deliberate, because while he never specifically addresses ''The Witch's Ghost,'' ''Scooby Doo'' is referred to by director Christ Butler [[https://thefilmstage.com/video-interview-paranorman-co-directors-chris-butler-sam-fell-talk-scooby-doo-influence-bullying-puppet-hospitals-more/ as being a "defining influence"]] on ''[=ParaNorman=].'''' '' The two films even have similar (and similarly inverted) book-finding subplots; in ''The Witch's Ghost,'' the cast are seeking the witch's allegedly mundane book, which turns out at the end of the second act to be a spellbook that is eventually used against her to return her to the grave. In ''[=ParaNorman=],'' Norman begins the second act trying to retrieve a book he believes can help him magically return the witch to her grave, but it turns out to be an ordinary book only significant because of its sentimental value to the "witch."
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Following the example of the Spiritual Successor below, I'm removing the spoiler tags. Sorry for any inconvenience.
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* SpiritualAntithesis: To ''WesternAnimation/ScoobyDooAndTheWitchsGhost'', given their similar genre (family/horror/comedy/mystery), settings (Salem-esque, Massachusetts), and subject manner (how a town's witch-related legends and past affects them in the present). However, ''[=ParaNorman=]'' inverts the order of the films' shared plot points to create significantly contrasting themes. In ''The Witch's Ghost,'' the witch is presented as an innocent and unjustly executed HeroWithBadPublicity by her descendant and [[spoiler: the twist is that she was evil and her ghost enacts a curse upon the town in the third act.]] In ''[=ParaNorman=]'', the inciting incident is that the curse of an executed witch is coming into effect over a Massachusetts town and the third act ''twist'' is that the "witch"'s descendant discovers the "witch" was innocent and unjustly executed, and the curse is her restless ghost lashing out from the trauma of being murdered by her community. ''[=ParaNorman=]'' can easily read as a brutally honest update on ''Scooby Doo and the Witch's Ghost,'' considering ''[=ParaNorman=]'' focuses heavily on the cruelty that was committed onto its "witch" during the Trials and how society has perpetuated the narrative of the victims being villains to make history more palatable, in direct contrast to ''The Witch's Ghost,'' which [[spoiler:leans into the narratives behind the executions by not only portraying its witch as truly evil and implicitly justifying her execution, execution but also casting her surviving descendant's attempts to clear her name in the historical record as a villainous plot to trick people.]] It's likely that the dialogue between the two films is deliberate, because while he never specifically addresses ''The Witch's Ghost,'' ''Scooby Doo'' is referred to by director Christ Butler [[https://thefilmstage.com/video-interview-paranorman-co-directors-chris-butler-sam-fell-talk-scooby-doo-influence-bullying-puppet-hospitals-more/ as being a "defining influence"]] on ''[=ParaNorman=].'''' The two films even have similar (and similarly inverted) book-finding subplots; in ''The Witch's Ghost,'' the cast are seeking the witch's allegedly mundane book, [[spoiler:which turns out at the end of the second act to be a spellbook that is eventually used against her to return her to the grave.]] In ''[=ParaNorman=],'' Norman begins the second act trying to retrieve a book he believes can help him magically return the witch to her grave, but it turns out to be an ordinary book only significant because of its sentimental value to the "witch."
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* SpiritualAntithesis: To ''WesternAnimation/ScoobyDooAndTheWitchsGhost'', given their similar genre (family/horror/comedy/mystery), settings (Salem-esque, Massachusetts), and subject manner (how a town's witch-related legends and past affects them in the present). However, ''[=ParaNorman=]'' inverts the order of the films' shared plot points to create significantly contrasting themes. In ''The Witch's Ghost,'' the witch is presented as an innocent and unjustly executed HeroWithBadPublicity by her descendant and [[spoiler: the twist is that she was evil and her ghost enacts a curse upon the town in the third act.]] act. In ''[=ParaNorman=]'', the inciting incident is that the curse of an executed witch is coming into effect over a Massachusetts town and the third act ''twist'' is that the "witch"'s descendant discovers the "witch" was innocent and unjustly executed, and the curse is her restless ghost lashing out from the trauma of being murdered by her community. ''[=ParaNorman=]'' can easily read as a brutally honest update on ''Scooby Doo and the Witch's Ghost,'' considering ''[=ParaNorman=]'' focuses heavily on the cruelty that was committed onto its "witch" during the Trials and how society has perpetuated the narrative of the victims being villains to make history more palatable, in direct contrast to ''The Witch's Ghost,'' which [[spoiler:leans leans into the narratives behind the executions by not only portraying its witch as truly evil and implicitly justifying her execution, execution but also casting her surviving descendant's attempts to clear her name in the historical record as a villainous plot to trick people.]] people. It's likely that the dialogue between the two films is deliberate, because while he never specifically addresses ''The Witch's Ghost,'' ''Scooby Doo'' is referred to by director Christ Butler [[https://thefilmstage.com/video-interview-paranorman-co-directors-chris-butler-sam-fell-talk-scooby-doo-influence-bullying-puppet-hospitals-more/ as being a "defining influence"]] on ''[=ParaNorman=].'''' The two films even have similar (and similarly inverted) book-finding subplots; in ''The Witch's Ghost,'' the cast are seeking the witch's allegedly mundane book, [[spoiler:which which turns out at the end of the second act to be a spellbook that is eventually used against her to return her to the grave.]] grave. In ''[=ParaNorman=],'' Norman begins the second act trying to retrieve a book he believes can help him magically return the witch to her grave, but it turns out to be an ordinary book only significant because of its sentimental value to the "witch."
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I decided to leave spoilers on Scooby Doo plot points since I think a visitor to the page can only reasonably expect Para Norman spoilers on the Para Norman page and I don't want to spoil the twist of another film. Apologies if this is the wrong call.
* SpiritualAntithesis: To ''WesternAnimation/ScoobyDooAndTheWitchsGhost'', given their similar genre (family/horror/comedy/mystery), settings (Salem-esque, Massachusetts), and subject manner (how a town's witch-related legends and past affects them in the present). However, ''[=ParaNorman=]'' inverts the order of the films' shared plot points to create significantly contrasting themes. In ''The Witch's Ghost,'' the witch is presented as an innocent and unjustly executed HeroWithBadPublicity by her descendant and [[spoiler: the twist is that she was evil and her ghost enacts a curse upon the town in the third act.]] In ''[=ParaNorman=]'', the inciting incident is that the curse of an executed witch is coming into effect over a Massachusetts town and the third act ''twist'' is that the "witch"'s descendant discovers the "witch" was innocent and unjustly executed, and the curse is her restless ghost lashing out from the trauma of being murdered by her community. ''[=ParaNorman=]'' can easily read as a brutally honest update on ''Scooby Doo and the Witch's Ghost,'' considering ''[=ParaNorman=]'' focuses heavily on the cruelty that was committed onto its "witch" during the Trials and how society has perpetuated the narrative of the victims being villains to make history more palatable, in direct contrast to ''The Witch's Ghost,'' which [[spoiler:leans into the narratives behind the executions by not only portraying its witch as truly evil and implicitly justifying her execution, execution but also casting her surviving descendant's attempts to clear her name in the historical record as a villainous plot to trick people.]] It's likely that the dialogue between the two films is deliberate, because while he never specifically addresses ''The Witch's Ghost,'' ''Scooby Doo'' is referred to by director Christ Butler [[https://thefilmstage.com/video-interview-paranorman-co-directors-chris-butler-sam-fell-talk-scooby-doo-influence-bullying-puppet-hospitals-more/ as being a "defining influence"]] on ''[=ParaNorman=].'''' The two films even have similar (and similarly inverted) book-finding subplots; in ''The Witch's Ghost,'' the cast are seeking the witch's allegedly mundane book, [[spoiler:which turns out at the end of the second act to be a spellbook that is eventually used against her to return her to the grave.]] In ''[=ParaNorman=],'' Norman begins the second act trying to retrieve a book he believes can help him magically return the witch to her grave, but it turns out to be an ordinary book only significant because of its sentimental value to the "witch."
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** Interestingly enough, it arguably qualifies as one to ''WesternAnimation/ScoobyDooOnZombieIsland''. Both are very dark, deconstructive, and cynical movies about a cast of young people fighting the accursed undead that (initially) no one believes are real. They also have a nearly identical plot twist at their cores: the supposedly evil zombies who are apparently "hunting" the protagonists were responsible in life for the female villain(s)' StartOfDarkness, and the zombies are actually trying to ''help'' the protagonists to be freed from their curse and [[TheAtoner atone for the evil they did]] when they were alive.
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** Interestingly enough, given how the film is a SpiritualAntithesis to ''WesternAnimation/ScoobyDooAndTheWitchsGhost,'' it arguably qualifies as one to ''WesternAnimation/ScoobyDooOnZombieIsland''. Both are very dark, deconstructive, and cynical movies about a cast of young people fighting the accursed undead that (initially) no one believes are real. They also have a nearly identical plot twist at their cores: the supposedly evil zombies who are apparently "hunting" the protagonists were responsible in life for the female villain(s)' StartOfDarkness, and the zombies are actually trying to ''help'' the protagonists to be freed from their curse and [[TheAtoner atone for the evil they did]] when they were alive.
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* DidntThinkThisThrough: Mr. Penderghast's spirit passes on, his duty fulfilled by getting Norman to promise he'll read from the book at the witch's grave to stop the witch's curse. Apparently it didn't occur to him in life or death that Norman wouldn't know where the witch's grave was. Ironically, it's thanks to this failure that Norman is able to find the grave (the zombies that come back to life do know where the grave is) AND lift the curse for good.
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* NiceJobBreakingItHero: Mr. Penderghast and his predecessors all diligently protected the town from the Witch's curse... but keeping the witch's and Putritans' spirits trapped for centuries while only stalling the curse for a year at the time. Ironically, it's only Mr. Penderghast's scew up in not telling his successor what unmarked place in the wood he should perform the "ritual" in that allows it to be lifted permanently.
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* DoesThisRemindYouOfAnything: Played both for drama ''and'' laughs, sometimes simultaneously. The second half of the movie plays almost all of the classic ZombieApocalypse tropes totally straight, except that it's the terrified, outnumbered, and helpless ''zombies'' who are [[InvertedTrope running from the bloodthirsty mob of townspeople.]]
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* DoesThisRemindYouOfAnything: Played both for drama ''and'' laughs, sometimes simultaneously. The second half of the movie plays almost all of the classic ZombieApocalypse tropes totally straight, except that it's the terrified, outnumbered, and helpless ''zombies'' who are [[InvertedTrope [[JustTheIntroductionToTheOpposites running from the bloodthirsty mob of townspeople.]]
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* JerkWithAHeartOfGold: Courtney is a typical self-centered teenager, but she's not a bad person and she's the first one to convince the town to give her little brother a break.
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* JerkWithAHeartOfGold: Courtney is a typical self-centered teenager, but she's not a bad person and she's the first one to convince the town to give her little brother a break.
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Film/LetMeIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse.
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Film/LetMeIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish useless adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse.
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* ScarilySpecificStory: PlayedForDrama. Norman was originally tasked with reading a generic bedtime story that had been used to keep the witch [[RipVanWinkle asleep for years]], though it quickly ends up destroyed. When Norman finally confronts the witch, he decides to tell her a story about a little girl who [[ISeeDeadPeople could see ghosts]] but was [[DeathOfAChild killed]] because everyone was afraid of her, mirroring the witch's own tragic past. Ultimately, he succeeds in finally calming her down and allowing her to see she's NotSoDifferent to the townspeople who tormented her.
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[[caption-width-right:350:[[TagLine It’s all fun and games until someone raises the dead.]]]]
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/paranorman_9144.jpg]]
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse.
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn [[Film/LetMeIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse.
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* RightForTheWrongReasons: Well, the Puritans were quite right that Agatha had powers and would become an "evil witch", they just didn't consider that she would do so [[ThenLetMeBeEvil as a direct consequence]] of their [[SelfFulfillingProphecy accusations.]]
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* RightForTheWrongReasons: RightForTheWrongReasons:
** Well, the Puritans were quite right that Agatha had powers and would become an "evil witch", they just didn't consider that she would do so [[ThenLetMeBeEvil as a direct consequence]] of their [[SelfFulfillingProphecy accusations.]]]]
** When defending the zombies from the angry mob one of the townsfolk call Norman a [[{{Necromancy}} necromancer.]] While Norman obviously didn't raise the zombies like most common depictions, his [[ISeeDeadPeople ability]] is actually closer to the ''original'' idea of necromancy; communing with the dead to divine the future.
** Well, the Puritans were quite right that Agatha had powers and would become an "evil witch", they just didn't consider that she would do so [[ThenLetMeBeEvil as a direct consequence]] of their [[SelfFulfillingProphecy accusations.
** When defending the zombies from the angry mob one of the townsfolk call Norman a [[{{Necromancy}} necromancer.]] While Norman obviously didn't raise the zombies like most common depictions, his [[ISeeDeadPeople ability]] is actually closer to the ''original'' idea of necromancy; communing with the dead to divine the future.
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* SuburbanGothic: the quiet suburb of Blithe Hollow is filled to the brim with ghosts, who can only be seen by the protagonist, Norman. When the town is invaded by zombies, the human residents quickly prove to be more AxCrazy than the undead.
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Repetition. The previous clause already makes clear that the curse is a danger for the town
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse on the town.
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is considered an outcast by the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse on the town.
curse.
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Repetition, grammar mistakes
Changed line(s) 16,17 (click to see context) from:
The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is called an outcast by most of the town, most of which populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse on the town.
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The film follows the titular protagonist, Norman (voiced by [[Film/TheRoad Kodi]] [[Literature/LetTheRightOneIn Smit-McPhee]]), living in a small town in Massachusetts. With the "gift" of speaking to the dead, Norman is called considered an outcast by most the majority of the town, most of which is populated by [[AdultsAreUseless childish adults]] and a nasty population of kids. When the town comes under siege by [[ZombieApocalypse zombies,]] [[OurGhostsAreDifferent ghosts]] and [[WickedWitch witches]], only he can actually save the town from these creatures, not to mention a three centuries-old curse on the town.
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Typo
Changed line(s) 91 (click to see context) from:
** 1When Mitch accidentally runs over a zombie, the head comes to life and growls at him. He freaks out and kicks it. When he gets back in the car, Courtney and the others are freaking out over a man apparently coming back to life, Mitch is more impressed by [[LovableJock how far he kicked the zombie's head]].
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** 1When When Mitch accidentally runs over a zombie, the head comes to life and growls at him. He freaks out and kicks it. When he gets back in the car, Courtney and the others are freaking out over a man apparently coming back to life, Mitch is more impressed by [[LovableJock how far he kicked the zombie's head]].
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*** Agatha being nothing more than a child when she was tried for being a witch is unto itself a harsh but true reality about witch hunts. In those days, witch hunts made no distinction if you were man or woman, old or young: ''anyone'' can be a victim to mass hysteria.
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* GypsyCurse: What Aggie inflicts on the town for her unjust condemnation.
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Is now Supernatural Is Green
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* GreenIsUnnatural: All the ghosts glow pale green to underscore their undead state. The witch's powers glow bright green to emphasize her supposed evil nature.
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* SupernaturalIsGreen: All the ghosts glow pale green to underscore their undead state. The witch's powers glow bright green to emphasize her supposed evil nature.
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* GreenIsUnnatural: All the ghosts glow pale green to underscore their undead state. The witch's powers glow bright green to emphasize her supposed evil nature.
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* BlackComedyPetDeath: The film has Bub, a ghost dog belonging to Norman's best friend, who died from [[{{Irony}} being run over by an animal rescue van]] and whose butt the best friend accidentally kisses, mistaking it for his head.
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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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* AdorablyPrecociousChild: Norman.
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* AloofBigSister: Courtney.
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* AllOfTheOtherReindeer: {{Deconstruction}}. Norman tries to take the constant bullying with grace but often finds his heroics hampered by [[FatBestFriend almost]] every living person's low opinion of him. It doesn't help that the witch (in fact, an 11 year old girl) ''died'' because of this.
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* AllOfTheOtherReindeer: {{Deconstruction}}. Norman tries to take the constant bullying with grace but often finds his heroics hampered by [[FatBestFriend almost]] every living person's low opinion of him. It doesn't help that the witch (in fact, an 11 year old 11-year-old girl) ''died'' because of this.
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** Don't automatically take your own viewpoint for correct. All of the problems in the film are caused by a lack of critical thinking, on both the apparent good and evil sides. First this applies to the Puritan jury who killed Agatha out of fear, then this applies to the people of the present day fighting the zombies, then it applies to Agatha herself for condemning the Puritans to be zombies.
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** Don't automatically take your own viewpoint for correct. All of the problems in the film are caused by a lack of critical thinking, on both the apparent good and evil sides. First this applies to the Puritan jury who killed Agatha out of fear, then this applies to the people of the present day present-day fighting the zombies, then it applies to Agatha herself for condemning the Puritans to be zombies.
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* ArmorPiercingQuestion: Norman, to the Zombie after finding out what they did to Agatha.
->''"How could you?"''
->''"How could you?"''
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* ArmorPiercingQuestion: ArmorPiercingQuestion:
** Norman, to the Zombie after finding out what they did to Agatha.
->''"How --->'''Norman:''' How could you?"''you?
** Norman, to the Zombie after finding out what they did to Agatha.
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--->'''Agatha:''' I'll make you ''suffer''!
--->'''Norman:''' Why?
--->'''Agatha:''' (searching for an answer) Because...because...
--->'''Norman:''' Why?
--->'''Agatha:''' (searching for an answer) Because...because...
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--->'''Agatha:''' I'll make you ''suffer''!
--->'''Norman:''' Why?
--->'''Agatha:''' (searching''suffer''!\\
'''Norman:''' Why?\\
'''Agatha:''' ''[searching for ananswer) Because...answer]'' Because... because...
--->'''Norman:''' Why?
--->'''Agatha:''' (searching
'''Norman:''' Why?\\
'''Agatha:''' ''[searching for an
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* BigEater: Neil.
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* TheBully: Alvin.
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* DumbJock: Mitch.
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* EatingTheEyeCandy: Courtney is ''delighted'' when Mitch answers the door wearing nothing but a towel.
-->'''Mitch''': Uh... Can I help you?
-->[Beat]
-->'''Courtney''': ''Hell yeah''.
-->'''Mitch''': Uh... Can I help you?
-->[Beat]
-->'''Courtney''': ''Hell yeah''.
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* EatingTheEyeCandy: Courtney is ''delighted'' when Mitch answers the door wearing nothing [[ShirtlessScene nothing]] but a towel.
-->'''Mitch''':ModestyTowel.
-->'''Mitch:''' Uh... Can I helpyou?
-->[Beat]
-->'''Courtney''':you?\\
[{{Beat}}]\\
'''Courtney:''' ''Hell yeah''.
-->'''Mitch''':
-->'''Mitch:''' Uh... Can I help
-->[Beat]
-->'''Courtney''':
[{{Beat}}]\\
'''Courtney:''' ''Hell yeah''.
Changed line(s) 135 (click to see context) from:
* FatBestFriend: Neil.
to:
Changed line(s) 140 (click to see context) from:
* ForcedMeme: In-universe: "That's ''so'' Alvin!"
to:
* ForcedMeme: In-universe: InUniverse: "That's ''so'' Alvin!"
Changed line(s) 149 (click to see context) from:
* {{Forgiveness}}: One of the main themes of the film.
to:
Changed line(s) 165 (click to see context) from:
* GymBunny: [[StraightGay Mitch]].
to:
Changed line(s) 194,195 (click to see context) from:
* ISeeDeadPeople: And it's a whole lot more prosaic to him than to the TropeNamer.
** And considerably more fatal for Agatha.
** And considerably more fatal for Agatha.
to:
**
Changed line(s) 206 (click to see context) from:
* {{Leitmotif}}: Both Norman and Neil have very noticeable ones, Norman's being a clarinet with acoustic guitar in the background, and Neil's being a simple keyboard riff with a xylophone and what seems to be bongos in the background.
to:
* {{Leitmotif}}: {{Leitmotif}}:
** Both Norman and Neil have very noticeable ones, Norman's being a clarinet with acoustic guitar in the background, and Neil's being a simple keyboard riff with a xylophone and what seems to be bongos in the background.
** Both Norman and Neil have very noticeable ones, Norman's being a clarinet with acoustic guitar in the background, and Neil's being a simple keyboard riff with a xylophone and what seems to be bongos in the background.
Changed line(s) 237,239 (click to see context) from:
* OneOfTheKids: Mitch.
* OnlySaneMan: Norman's grandmother.
* OurGhostsAreDifferent: Agatha Prenderghast has very [[ShockAndAwe interesting]] powers, carried over, presumably, from life. However, she's the only one -- all the other ghosts are talkative at best.
* OnlySaneMan: Norman's grandmother.
* OurGhostsAreDifferent: Agatha Prenderghast has very [[ShockAndAwe interesting]] powers, carried over, presumably, from life. However, she's the only one -- all the other ghosts are talkative at best.
to:
*
** Agatha Prenderghast has very [[ShockAndAwe interesting]] powers, carried over, presumably, from life. However, she's the only one -- all the other ghosts are talkative at best.
Changed line(s) 256,257 (click to see context) from:
-->'''Mitch''': Can I help you?
-->'''Courtney''': Hell yeah!
-->'''Courtney''': Hell yeah!
to:
-->'''Courtney''':
'''Courtney:''' Hell yeah!
Changed line(s) 266 (click to see context) from:
* TheReveal: The witch is just a scared and angry little girl, and the spell book really isn't anything but a bedtime story. Oh and Mitch is gay.
to:
* TheReveal: The witch is just a scared and angry little girl, and the spell book spellbook really isn't anything but a bedtime story. Oh and Mitch is gay.
Changed line(s) 299 (click to see context) from:
** It could also be seen as this to WesternAnimation/{{Coraline}}. It's made by the same studio, in stop-motion and it's about an eleven year old kid going up against a supernatural threat.
to:
** It could also be seen as this to WesternAnimation/{{Coraline}}. It's made by the same studio, in stop-motion and it's about an eleven year old 11-year-old kid going up against a supernatural threat.
Changed line(s) 304,305 (click to see context) from:
'''Norman''': I think you'll be safe.
** It takes Alvin a couple seconds to realize what Norman meant, but he doesn't react to it due to the zombies appearing.
** It takes Alvin a couple seconds to realize what Norman meant, but he doesn't react to it due to the zombies appearing.
to:
** It takes Alvin a couple of seconds to realize what Norman meant, but he doesn't react to it due to the zombies appearing.
Changed line(s) 307,308 (click to see context) from:
** After the credits, a stop-motion video of how Norman's figure was made is shown. He then gets up and walks off screen.
** Which is made rather impressive when you consider that the entire 10 second sequence had to have taken over two weeks of taking a picture, nudging a part, taking a picture, nudging a part, taking a picture, nudging a part...
** Which is made rather impressive when you consider that the entire 10 second sequence had to have taken over two weeks of taking a picture, nudging a part, taking a picture, nudging a part, taking a picture, nudging a part...
to:
** After the credits, a stop-motion video of how Norman's figure was made is shown. He then gets up and walks off screen.
off-screen.
** Which is made rather impressive when you consider that the entire10 second 10-second sequence had to have taken over two weeks of taking a picture, nudging a part, taking a picture, nudging a part, taking a picture, nudging a part...
** Which is made rather impressive when you consider that the entire
Changed line(s) 320,323 (click to see context) from:
-->'''Sandra:''' Oh my gosh. Do you think this has got anything to do with Norman?
-->'''Perry:''' Of course not.
-->'''Random Stranger:''' Everyone Look!
-->(Cue Norman climbing City Hall)
-->'''Perry:''' Of course not.
-->'''Random Stranger:''' Everyone Look!
-->(Cue Norman climbing City Hall)
to:
-->'''Sandra:''' Oh my gosh. Do you think this has got anything to do with Norman?
-->'''Perry:'''Norman?\\
'''Perry:''' Of coursenot.
-->'''Randomnot.\\
'''Random Stranger:''' EveryoneLook!
-->(CueLook!\\
''[Cue Norman climbing CityHall)Hall]''
-->'''Perry:'''
'''Perry:''' Of course
-->'''Random
'''Random Stranger:''' Everyone
-->(Cue
''[Cue Norman climbing City
Changed line(s) 333 (click to see context) from:
* UndeadChild: Agatha, tragically.
to:
Changed line(s) 356 (click to see context) from:
* YourBrainWontBeMuchOfAMeal: See StealthInsult above.
to:
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Changed line(s) 53 (click to see context) from:
* BigBad: The witch's ghost... [[SubvertedTrope or so it seems at first]].
to:
* BigBad: The Agatha Penderghast, a witch's ghost... [[SubvertedTrope or so it seems at first]].ghost who has unleashed zombies on the town to avenge her execution, albeit on the zombies as opposed to the townspeople.
Is there an issue? Send a MessageReason:
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Added DiffLines:
* FightingBackIsWrong: The {{Aesop}} of the story is that bullying is wrong even if they did it first. The villain is trying to get revenge on the people who killed her, but in the end Norman makes her realize that she has become as bad as they are.
Is there an issue? Send a MessageReason:
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Changed line(s) 40,43 (click to see context) from:
* ArmorPiercingQuestion: During the climax.
-->'''Agatha:''' I'll make you ''suffer''!
-->'''Norman:''' Why?
-->'''Agatha:''' (searching for an answer) Because...because...
-->'''Agatha:''' I'll make you ''suffer''!
-->'''Norman:''' Why?
-->'''Agatha:''' (searching for an answer) Because...because...
to:
* ArmorPiercingQuestion: Norman, to the Zombie after finding out what they did to Agatha.
->''"How could you?"''
** During the climax.
-->'''Agatha:''' --->'''Agatha:''' I'll make you ''suffer''!
-->'''Norman:''' --->'''Norman:''' Why?
-->'''Agatha:''' --->'''Agatha:''' (searching for an answer) Because...because...
->''"How could you?"''
** During the climax.
Changed line(s) 46 (click to see context) from:
* TheAtoner: The Judge (as well as the other zombies) know that the curse is their fault because of what they did to Agatha, and they had only wanted to tell Norman how to stop it.
to:
* TheAtoner: The Judge (as well as the other zombies) know that the curse is their fault because of what they did to Agatha, and they had a little girl. They were only wanted trying to tell Norman how to stop it.
Is there an issue? Send a MessageReason:
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Added DiffLines:
* SpiritAdvisor: Zig-zagged all over the place. Played straight with Norman's grandmother, who advises and loves him after death just as she did while alive. Subverted with most other ghosts, including Mr. Prenderghast, who are too wrapped up in their own obsessions to offer much useful guidance. Inverted with Norman and Aggie, as he is a living person trying to help guide a spirit.
Is there an issue? Send a MessageReason:
None
Changed line(s) 269 (click to see context) from:
* SchizoTech: A lot of the scenery and vehicles have a distinct look of being from TheSeventies, especially the Babcock's station wagon and Mitch's van. Also, all the TV's are old-style CRT. Nonetheless, even the kids have pre-smart cell phones and they use the internet to search for information about the witch.
to:
* SchizoTech: A lot of the scenery and vehicles have a distinct look of being from TheSeventies, especially the Babcock's station wagon and Mitch's van. Also, all the TV's are old-style CRT. Nonetheless, even the kids have pre-smart cell phones and they use the internet to search for information about the witch. Note that the film is canonically set in 2012, the 300th anniversary of the witch being executed in 1712.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* PoorCommunicationKills:
** Little girl Aggie had no idea how to explain her ability to see and speak to the dead in terms that her [[TheFundamentalist accusers]] could see in any way except as "witchcraft". In trying, she basically admits to being "guilty" and dies for it.
** Old Mr Prenderghast clearly had ''decades'' during which he could have written out detailed instructions for whoever took over the task of keeping the witch asleep. Indeed, that information probably ''was'' in his study. But, being rather insane, his collection of information is a tangled mess that only makes sense to his irrational mind. He also seems to assume that Norman already knows what to do and just needs to be pushed into doing it.
** Little girl Aggie had no idea how to explain her ability to see and speak to the dead in terms that her [[TheFundamentalist accusers]] could see in any way except as "witchcraft". In trying, she basically admits to being "guilty" and dies for it.
** Old Mr Prenderghast clearly had ''decades'' during which he could have written out detailed instructions for whoever took over the task of keeping the witch asleep. Indeed, that information probably ''was'' in his study. But, being rather insane, his collection of information is a tangled mess that only makes sense to his irrational mind. He also seems to assume that Norman already knows what to do and just needs to be pushed into doing it.
Is there an issue? Send a MessageReason:
1. I don't see the point of them being from the curse vs. Agatha's opinion of them, but it doesn't seem to be something the film lingers on, and the idea is not that she generalized all Puritans, but punished the ones who hurt her. 2. At no point does a ghost warn somebody about what will happen to them after death. Mr. Prenderghast just guides Norman with his imminent task in life and and has nothing to say about the afterlife. 3. The witch remembering her name is powerful, but not something that turns the film upside-down or changes its course. 4. The Giving Them The Strip example addresses nothing related to What Happened To The Mouse.
Changed line(s) 44 (click to see context) from:
* AsideGlance: InUniverse. The actress in the cheesy zombie movie Norman watches screams at her attacker, stops to cast an annoyed look off-camera (presumably at the director), and then screams again.
to:
* AsideGlance: InUniverse. The actress in the cheesy zombie movie Norman watches screams in horror at the zombie walking toward her, but he's walking so slowly and forcing her attacker, to scream for so long that she stops to cast an annoyed look off-camera (presumably at the director), and then screams again.resumes screaming.
Changed line(s) 49 (click to see context) from:
* BadBadActing: The kids in the school pageant speak with such unenthusiastic monotone, that Norman's prophetic outburst if anything made it a thousand times better.
to:
* BadBadActing: The kids in the school pageant speak with such unenthusiastic monotone, that Norman's prophetic outburst outburst, if anything anything, made it a thousand times better.
Changed line(s) 56 (click to see context) from:
%% * BlackComedy
to:
Changed line(s) 59 (click to see context) from:
** Neil.
to:
** Neil.Neil, who considers reading a 26-page manual an achievement.
Changed line(s) 61 (click to see context) from:
** Alvin couldn't even ''spell his '''own''' name''.
to:
** Alvin couldn't can't even ''spell his '''own''' name''.name'' when trying to make bathroom graffiti.
Changed line(s) 65 (click to see context) from:
* BrickJoke: The cheesy zombie flick Norman watches in the opening cuts away just as the girl is attacked by the zombie. At the BookEnds ending, the now zombified girl is briefly seen munching on a severed limb.
to:
* BrickJoke: The cheesy zombie flick Norman watches in the opening cuts away just as the girl is attacked by the zombie. At the BookEnds ending, the now zombified now-zombified girl is briefly seen munching on a severed limb.
Changed line(s) 68 (click to see context) from:
* CamelCase: [=ParaNorman=].
to:
* CamelCase: [=ParaNorman=].The title, ''[=ParaNorman=]'', since it's a portmanteau including a proper noun.
Changed line(s) 73 (click to see context) from:
* CelestialDeadline: Norman was supposed to read from the book at the witch's grave before sunset.
to:
* CelestialDeadline: Norman was is supposed to read from the book at the witch's grave before sunset.sunset. When he finds the apparent spot, it doesn't work and the curse takes effect, but that's because he was at the Puritans' burial site, not the witch's.
Changed line(s) 80 (click to see context) from:
* ComicallyMissingThePoint: When Mitch accidentally runs over a zombie, the head comes to life and growls at him. He freaks out and kicks it. When he gets back in the car, Courtney and the others are freaking out over a man apparently coming back to life, Mitch is more impressed by [[LovableJock how far he kicked the zombie's head]].
to:
* ComicallyMissingThePoint: When ComicallyMissingThePoint:
** 1When Mitch accidentally runs over a zombie, the head comes to life and growls at him. He freaks out and kicks it. When he gets back in the car, Courtney and the others are freaking out over a man apparently coming back to life, Mitch is more impressed by [[LovableJock how far he kicked the zombie's head]].
** 1When Mitch accidentally runs over a zombie, the head comes to life and growls at him. He freaks out and kicks it. When he gets back in the car, Courtney and the others are freaking out over a man apparently coming back to life, Mitch is more impressed by [[LovableJock how far he kicked the zombie's head]].
Changed line(s) 99 (click to see context) from:
** Judge Hopkins is a deconstruction of the HangingJudge, as he legitimately did [[IDidWhatIHadToDo what he thought was best]] and his decision wasn't motivated by sadism or cruelty, but by a values system that [[ValuesDissonance all the people of Blithe Hollow agreed with.]] He's also a deconstruction of the stereotypical zombie characters, he and his fellow zombies have come to regret their actions over the [[FateWorseThanDeath hundreds of years]] they've been dead, and in the climax, it's ''[[{{Irony}} the zombies]]'' who flee in terror from the hordes of [[HumansAreTheRealMonsters bloodthirsty townspeople.]]
to:
** Judge Hopkins is a deconstruction of the HangingJudge, as he legitimately did [[IDidWhatIHadToDo what he thought was best]] and his decision wasn't motivated by sadism or cruelty, but by a values system that [[ValuesDissonance all the people of Blithe Hollow agreed with.]] He's also a deconstruction of the stereotypical zombie characters, as he and his fellow zombies have come to regret their actions over the [[FateWorseThanDeath hundreds of years]] they've been dead, and in the climax, it's ''[[{{Irony}} the zombies]]'' who flee in terror from the hordes of [[HumansAreTheRealMonsters bloodthirsty townspeople.]]
Changed line(s) 101 (click to see context) from:
** The townspeople of Blithe Hollow are shown to be NotSoDifferent from the zombies, reacting to their appearance with extreme violence and aggression. Thanks to modern technology and a massive numbers advantage, [[RealityEnsues the townspeople pose far more of a threat to the slow-moving, shambling zombies than the zombies do to them]]. Their lynch-mob mentality gets so bad that they actively try to ''[[WouldHurtAChild kill]]'' Norman, who's only a child, just for being different -- [[HistoryRepeats exactly like]] the zombies when they were alive.
to:
** The townspeople of Blithe Hollow are shown to be NotSoDifferent from the zombies, reacting to their appearance with extreme violence and aggression.aggression, and with shots of their attacks deliberately paralleling iconic zombie attack scenes. Thanks to modern technology and a massive numbers advantage, [[RealityEnsues the townspeople pose far more of a threat to the slow-moving, shambling zombies than the zombies do to them]]. Their lynch-mob mentality gets so bad that they actively try to ''[[WouldHurtAChild kill]]'' Norman, who's only a child, just for being different -- [[HistoryRepeats exactly like]] the zombies when they were alive.
Changed line(s) 117 (click to see context) from:
* EnfantTerrible: A extra animated as a little girl tears off a zombie's arm and later on lights her teddy bear on fire in order to set the town hall alight.
to:
* EnfantTerrible: A extra animated as a little girl tears off a zombie's arm and later on lights her teddy bear on fire in order to set the town hall alight.
Changed line(s) 138 (click to see context) from:
** The practice for the school play, especially the line about the portrayal of the witch not being historically accurate.
to:
** The practice for the school play, especially the line Salma's concern about the portrayal of the witch not being historically accurate.
Changed line(s) 141 (click to see context) from:
** Mitch's total lack of response to Courtney's flirting is a hint that he's not into ''[[StraightGay any]]'' women.
to:
** Mitch's total lack of response to Courtney's flirting is a hint that he's not into ''[[StraightGay any]]'' women.women, and that he's already taken.
Changed line(s) 153 (click to see context) from:
* GenreDeconstruction: Oh boy a lot. Zombies come back from the dead to wreak havoc on a sleepy town thanks to a witch's curse. Except the witch was an innocent little girl, the zombies are completely harmless and rather pathetic compared to anything in Norman's horror movies, and the town uses the little girl's trial and hanging to pull in tourists and sell cheesy merchandise.
to:
* GenreDeconstruction: Oh boy boy, there's a lot. Zombies come back from the dead to wreak havoc on a sleepy town thanks to a witch's curse. Except the witch was an innocent little girl, the zombies are completely harmless and rather pathetic compared to anything in Norman's horror movies, and the town uses the little girl's trial and hanging to pull in tourists and sell cheesy merchandise.
Changed line(s) 170 (click to see context) from:
* HeroicBSOD: Norman has a psychotic break when he learns that the witch was eleven years old when she died and the witchcraft she was accused of was the ability to talk to ghosts.
to:
* HeroicBSOD: Norman has a psychotic break one when he learns that the witch was eleven years old when she died and the witchcraft she was accused of was the ability to talk to ghosts.
Changed line(s) 185,189 (click to see context) from:
* {{Irony}}: "Spelling Bee next Wensday"
** Also pointed out by Neil, whose dog was ran over by an animal rescue truck.
** Alvin breaking into the library with the aid of a sandwich board advertising a 'crime prevention seminar'
** Agatha meant for the curse to hurt the 7 zombie puritans, but it didn't stop there; it almost go her descendant Norman killed by the townsfolk who feared him, almost like she was.
*** Also, she 'cursed' the 7 puritans in order for "everyone to see how rotten [puritans] were". Instead, something got lost in translation and the modern townsfolk think the puritan zombies are products of the curse rather than Aggie's generalization of puritans.
** Also pointed out by Neil, whose dog was ran over by an animal rescue truck.
** Alvin breaking into the library with the aid of a sandwich board advertising a 'crime prevention seminar'
** Agatha meant for the curse to hurt the 7 zombie puritans, but it didn't stop there; it almost go her descendant Norman killed by the townsfolk who feared him, almost like she was.
*** Also, she 'cursed' the 7 puritans in order for "everyone to see how rotten [puritans] were". Instead, something got lost in translation and the modern townsfolk think the puritan zombies are products of the curse rather than Aggie's generalization of puritans.
to:
* {{Irony}}: {{Irony}}:
** A sign reads "Spelling Bee nextWensday"
Wensday".
** Also pointed out by Neil, whose dog Bub was ran over by an animal rescue truck.
** Alvin breaking into the library with the aid of a sandwich board advertising a 'crime preventionseminar'
seminar'.
** Agatha meant for the curse to hurt the7 seven zombie puritans, Puritans, but it didn't stop there; its effects aren't so contained. In addition to punishing the zombies, it almost go gets her descendant Norman killed by the townsfolk who feared him, almost like she was.
*** Also, she 'cursed'was, when he tries to stop the 7 puritans in order for "everyone to see how rotten [puritans] were". Instead, something got lost in translation and the modern townsfolk think the puritan zombies are products of the curse rather than Aggie's generalization of puritans. curse.
** A sign reads "Spelling Bee next
** Also pointed out by Neil, whose dog Bub was ran over by an animal rescue truck.
** Alvin breaking into the library with the aid of a sandwich board advertising a 'crime prevention
** Agatha meant for the curse to hurt the
*** Also, she 'cursed'
Deleted line(s) 192 (click to see context) :
* JacobMarleyWarning: An example pretty close to the original since it is also about damned souls serving as a warning for the living about the horrific fate awaiting them after death if they make the same choices in life.
Changed line(s) 202 (click to see context) from:
** Old Man Prenderghast, as well.
to:
** Old Man Uncle Prenderghast, as well.
Changed line(s) 228 (click to see context) from:
* NotUsingTheZWord: Subverted. Courtney uses it but Norman tells her not to use "the z-word."
to:
* NotUsingTheZWord: Subverted. Courtney uses it around Judge Hopkins, but Norman tells her not to use "the z-word."
Changed line(s) 236 (click to see context) from:
* OurGhostsAreDifferent: Agatha Prenderghast has very [[ShockAndAwe interesting]] powers. However, she's the only one -- all the other ghosts are talkative at best.
to:
* OurGhostsAreDifferent: Agatha Prenderghast has very [[ShockAndAwe interesting]] powers.powers, carried over, presumably, from life. However, she's the only one -- all the other ghosts are talkative at best.
Changed line(s) 243 (click to see context) from:
* PoorMansPorn: Neil enjoys looking at his mother's aerobics instruction tape.
to:
* PoorMansPorn: Neil enjoys looking at freeze-framing his mother's aerobics instruction tape.tape to look at the ample-bottomed instructor.
Changed line(s) 246 (click to see context) from:
* PopularIsDumb: Courtney is a [[TheCheerleader cheerleader]] and Mitch is a [[DumbJock jock]].
to:
* PopularIsDumb: Courtney is a [[TheCheerleader cheerleader]] and Mitch is a [[DumbJock jock]].jock]], and both are popular kids.
Changed line(s) 255 (click to see context) from:
** Thanks to modern technology and a massive numbers advantage, the townspeople pose ''far'' more of a danger to the zombies than the zombies do to them. In fact, throughout most of the climax it's the ''[[{{Irony}} zombies]]'' who are running from the [[HumansAreTheRealMonsters humans]] than the other way around. It turns out that this was exactly the nature of the curse; to make the jury rise from the dead and be completely helpless against the humans. The living weren't being cursed nearly as much as the small group of people who condemned the witch.
to:
** Thanks to modern technology and a massive numbers advantage, the townspeople pose ''far'' more of a danger to the zombies than the zombies do to them. In fact, throughout most of the climax it's the ''[[{{Irony}} zombies]]'' who are running from the [[HumansAreTheRealMonsters humans]] than the other way around. It turns out that this was exactly the nature of the curse; to make the jury rise from the dead and be completely helpless against the humans.humans as punishment. The living weren't being cursed nearly as much as the small group of people who condemned the witch.
Changed line(s) 266 (click to see context) from:
* SchizoTech: A lot of the scenery and vehicles have a distinct look of being from TheSeventies, especially the Babcock's station wagon and Mitch's van. Also, all the TV's are old-style CRT. Nonetheless, even the kids have cell phones and they use the internet to search for information about the witch.
to:
* SchizoTech: A lot of the scenery and vehicles have a distinct look of being from TheSeventies, especially the Babcock's station wagon and Mitch's van. Also, all the TV's are old-style CRT. Nonetheless, even the kids have pre-smart cell phones and they use the internet to search for information about the witch.
Changed line(s) 281 (click to see context) from:
* SignsOfDisrepair: At one point the "Witchy Weiners" sign falls down... and the W in Witchy goes out.
to:
* SignsOfDisrepair: At one point the "Witchy Weiners" sign falls down... and the W in Witchy goes eventually blinks out.
Changed line(s) 302 (click to see context) from:
* StraightGay: Turns out Mitch is gay.
to:
* StraightGay: Turns out Mitch is gay.gay and has a boyfriend, disappointing Courtney, who had been trying to flirt with him for the whole film.
Changed line(s) 309,310 (click to see context) from:
* TakeThat: "What are you thinking; firing at civilians?! That's for the police to do!"
* TalkingTheMonsterToDeath: Norman puts Aggie's soul at rest, through simple discussion and reasoning.
* TalkingTheMonsterToDeath: Norman puts Aggie's soul at rest, through simple discussion and reasoning.
to:
* TakeThat: "What are you thinking; firing at civilians?! That's That is for the police to do!"
* TalkingTheMonsterToDeath: Norman puts Aggie's soul at rest, through simple (though very persistent) discussion and reasoning.
* TalkingTheMonsterToDeath: Norman puts Aggie's soul at rest, through simple (though very persistent) discussion and reasoning.
Changed line(s) 312 (click to see context) from:
* TemptingFate: When the Witch's Ghost is wreaking havoc amongst the town, Norman's mother, Sandra, asks her husband, Perry, if it has anything to do with Norman.
to:
* TemptingFate: When the Witch's Ghost witch's ghost is wreaking havoc amongst the town, Norman's mother, Sandra, asks her husband, Perry, if it has anything to do with Norman.
Changed line(s) 327,329 (click to see context) from:
* VillainousBreakdown: ''"I don't like this story!"''
* TheVoiceless: All the zombies, except for the Judge, who can be understood by Norman.
* WellDoneSonGuy: Norman, with his dad literally saying "well done son." near the end of the movie.
* TheVoiceless: All the zombies, except for the Judge, who can be understood by Norman.
* WellDoneSonGuy: Norman, with his dad literally saying "well done son." near the end of the movie.
to:
* VillainousBreakdown: Agatha, when Norman takes apart her actions and ideology, telling her that she isn't morally superior after all. ''"I don't like this story!"''
* TheVoiceless: All the zombies, except for the Judge, whocan be understood by is the only one to speak to Norman.
* WellDoneSonGuy: Norman, with his dad literally saying"well done "Well done, son." near the end of the movie.
* TheVoiceless: All the zombies, except for the Judge, who
* WellDoneSonGuy: Norman, with his dad literally saying
Changed line(s) 331,332 (click to see context) from:
** In the opening scene, we're introduced to Norman's grandmother and all seems normal, but when he passes on her request about the thermostat to his father, he angrily chews him out for saying like that since [[DeadAllAlong she died a while ago]], establishing Norman's ghost-seeing powers in a rather abrupt manner.
** One of Norman's magic-induced flashbacks makes a ''girlish sob'' into a WhamLine of epic proportions.
** One of Norman's magic-induced flashbacks makes a ''girlish sob'' into a WhamLine of epic proportions.
to:
** In the opening scene, we're introduced to Norman's grandmother and all seems normal, but when he passes on relays her request about the thermostat to his father, he angrily chews him out for saying like that since [[DeadAllAlong she died a while ago]], establishing Norman's ghost-seeing powers in a rather abrupt manner.
** One of Norman's magic-induced flashbacks makes a ''girlish sob'' into a WhamLine of epicproportions.proportions, revealing who the witch actually was: a sweet 11-year-old girl.
** One of Norman's magic-induced flashbacks makes a ''girlish sob'' into a WhamLine of epic
Changed line(s) 334,335 (click to see context) from:
** After Norman calms the witch: "Aggie... My name was Aggie..."
** Also this bit.
** Also this bit.
to:
** After Norman calms the witch: "Aggie... My name was Aggie..."
** AlsoAlso, this bit.bit:
** Also
Deleted line(s) 338 (click to see context) :
* WhatHappenedToTheMouse: '''Subverted''', see "GivingThemTheStrip" above.
Changed line(s) 341 (click to see context) from:
** Played straight before the final confrontation. Agatha uses trees to trap and separate Norman's family, then attempts to use spiked roots to impale Norman.
to:
** Played straight before the final confrontation. Agatha uses trees to trap and separate Norman's Norman from his family, then attempts to use spiked roots to impale Norman.Norman to prevent him from reaching her.
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* WideEyesAndShrunkenIrises: Realistically done and a really nice touch to TheReveal. When Norman gets a vision of the Blithe Hollow witch trial, he doesn't see the accused, until he hears someone crying from behind him. [[http://24.media.tumblr.com/aae5a8e4e6905839705f4fc7936e5bec/tumblr_mi4kbtVSnl1qhdexto2_500.gif His eyes widen in shock]] and he turns around to see Agatha, the "witch" of Blithe Hollow, is a girl his age.
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* WideEyesAndShrunkenIrises: Realistically done and a really nice touch to TheReveal. When Norman gets a vision of the Blithe Hollow witch trial, he thinks he's being placed in her role again and doesn't see the accused, until he hears someone crying from behind him. [[http://24.media.tumblr.com/aae5a8e4e6905839705f4fc7936e5bec/tumblr_mi4kbtVSnl1qhdexto2_500.gif His eyes widen in shock]] and he turns around to see that Agatha, the "witch" of Blithe Hollow, is a girl his age.
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** Thanks to modern technology and a massive numbers advantage, the townspeople pose ''far'' more of a danger to the zombies than the zombies do to them. In fact, throughout most of the climax it's the ''[[{{Irony}} zombies]]'' who are running from the [[HumansAreTheRealMonsters humans]] than the other way around.
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** Thanks to modern technology and a massive numbers advantage, the townspeople pose ''far'' more of a danger to the zombies than the zombies do to them. In fact, throughout most of the climax it's the ''[[{{Irony}} zombies]]'' who are running from the [[HumansAreTheRealMonsters humans]] than the other way around. It turns out that this was exactly the nature of the curse; to make the jury rise from the dead and be completely helpless against the humans. The living weren't being cursed nearly as much as the small group of people who condemned the witch.