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* EurekaMoment: The cat has one when he comes up with the idea to disguise himself as a skunk; an idea he later regrets.
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* StealthPun: Pepé tells the cat "Without you, I'm not worth a ''scent''".
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* SomethingElseAlsoRises: When Pepé first appears with just his tail visible, he gets a whiff of the cat's mock skunk odor which causes his tail to stiffen and shoot straight up in the air.


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* TemptingFate: It's only directly after the cat laments how there's nobody to bother him that Pepé make his appearance and ''very much'' bothers him.
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* FullBodyDisguise / LatexPerfection: The cat's WesternAnimation/BugsBunny disguise definitely qualifies, as it's perfectly flawless and makes you think it's the real Bugs [[TheCameo making a cameo]]... but Pepé immediately sees through it and yanks Bugs's mask off to start wooing the cat again.

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* FullBodyDisguise / LatexPerfection: FullBodyDisguise: The cat's WesternAnimation/BugsBunny disguise definitely qualifies, as it's perfectly flawless and makes you think it's the real Bugs [[TheCameo making a cameo]]... but Pepé immediately sees through it and yanks Bugs's LatexPerfection mask off to start wooing the cat again.
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* BigBallOfViolence: The dog gets into one with that cat who manages to escape with him fighting himself for a few seconds. The cartoon ends with him willingly getting into another one with the same dog.
* BigEater: The cat eats a pile of meat that's bigger then he is.

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* BigBallOfViolence: The dog gets into one with that cat who manages to escape with him fighting himself for a few seconds. The cartoon ends with him willingly getting into another one with the same dog.
dog (better than being chased by a skunk).
* BigEater: The cat eats a pile of meat that's bigger then than he is.

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The story follows a homeless cat who gets sick of being bullied by every human and dog that crosses his path, so he gets the idea of using paint to disguise himself as a skunk so everyone will leave him alone; and it works. The only problem is, his new appearance attracts the attention of a certain amorous French skunk who mistakes him for a ''female'' skunk and gets... frisky to say the least. His every attempt to escape his lovesick pursuer is foiled and his only savior is the skunk's wife who appears with their kids and beats the tar out of her husband, allowing the cat to make his get-a-way. The cat washes off his disguise and continues to happily let himself get beaten by the humans and dog from earlier and comments, "Ah, this is the life".

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The story follows a homeless cat who gets sick of being bullied by every human and dog that crosses his path, so he gets the idea of using paint to disguise himself as a skunk so everyone will leave him alone; and it works. The only problem is, his new appearance attracts the attention of a certain amorous French skunk who mistakes him for a ''female'' skunk and gets... frisky to say the least. His every attempt to escape his lovesick pursuer is foiled and in the end his only savior is the skunk's wife who appears with their kids and beats the tar out of her husband, allowing the cat to make his get-a-way. The cat washes off his disguise and continues to happily let himself get beaten by the humans and dog from earlier and comments, "Ah, this is the life".



* ChewToy: Every human and dog has it out for this cat.



* GrassIsGreener: The cat learns that while his life as a ChewToy was pretty bad, it definitly beats being pursued by lovesick male skunks.

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* GrassIsGreener: The cat learns that while his life as a ChewToy was pretty bad, it definitly definitely beats being pursued by lovesick male skunks.

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** Probably the biggest example of EarlyInstallmentWeirdness here is the twist ending where Pepé is revealed to be married with children and that his French accent isn't real. However, [[JustifiedTrope there is a good reason behind this]]: Originally, this was going to be the only Pepé Le Pew cartoon (and he's not even named "Pepé" here; it's Henry). It became a series when Eddie Selzer told Chuck Jones not to make another one because he didn't think it was funny (despite audiences finding it funny).

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** Probably the biggest example of EarlyInstallmentWeirdness here is the twist ending where Pepé is revealed to be married with children and that his French accent isn't real.real (with his real voice being Creator/MelBlanc's natural speaking voice of the time, no less!). However, [[JustifiedTrope there is a good reason behind this]]: Originally, this was going to be the only Pepé Le Pew cartoon (and he's not even named "Pepé" here; it's Henry). It became a series when Eddie Selzer told Chuck Jones not to make another one because he didn't think it was funny (despite audiences finding it funny).



* FullBodyDisguise / LatexPerfection: The cat's WesternAnimation/BugsBunny disguise definitely qualifies, as it's perfectly flawless and makes you think it's the real Bugs [[TheCameo making a cameo]]... but Pepé immediately sees through it and yanks Bugs's mask off to start wooing the cat again.



* {{Leitmotif}}: When "Bugs" appears, the Merrie Melodies theme plays.

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* {{Leitmotif}}: When "Bugs" appears, the Merrie Melodies theme plays.("Merrily We Roll Along") plays.
* MasterOfDisguise: The Cat is shown to be surprisingly skilled at disguise; he does a really good job painting himself up like a skunk and giving himself the bad odor associated with skunks (so good it fools Pepé), and later on in an attempt to evade Pepé he flawlessly disguises himself in a Bugs Bunny suit and mask (but this does not fool Pepé).
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No longer a trope.


* YourCheatingHeart: The ending reveals that Pepé was actually married and his wife was ''very'' crossed with him.
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Odor-albe Kitty is a 1945 WesternAnimation/LooneyTunes cartoon directed by Creator/ChuckJones. Notable for being the first appearance of WesternAnimation/PepeLePew (who was called Henry in this cartoon, but will be referred to as Pepé for clarity's sake).

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Odor-albe Kitty "Odor-Able Kitty" is a 1945 WesternAnimation/LooneyTunes cartoon directed by Creator/ChuckJones. Notable for being the first appearance of WesternAnimation/PepeLePew (who was called Henry in this cartoon, but will be referred to as Pepé for clarity's sake).



!!Tropes:

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!!Tropes:!!"Odor-Able Kitty" provides examples of:
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** The cat in this short purposely makes himself a skunk so he can get back at the people who abuse him. Usually, in a Pepe Le Pew cartoon, the female cat gets painted accidentally (usually sliding under something that was freshly painted white[[note]]though the next cartoon after this ["Scent-imental Over You"] had a female chihuahua glue skunk fur on her and 1949's "For Scent-imental Reasons" had the female cat get white hair dye poured down her back after the perfume shop owner throws her inside to get Pepe out[[/note]]) or a human character paints her for some reason ("Past Perfumance" had a director paint the female cat for a role in a movie and "Two Scents Worth" had a French thief paint a female cat up like a skunk so he can rob a bank).[[note]]However, there are exceptions: "Scent-imental Romeo" from 1951 would have something similar to "Odor-Able Kitty" where the cat paints a white stripe down her back after the zookeeper denies her food and shoos her away, as would "Wild Over You" from 1953, where the escaped wildcat painting herself like a skunk to escape being captured by the zookeepers, the Sylvester and Tweety cartoon "Dog Pounded" from 1954 had Sylvester paints a white stripe down his back so he can scare off the dogs guarding Tweety, and "Heaven Scent" from 1956 had the female stray cat intentionally sliding across a flagpole that was freshly painted white and making herself look like a skunk to scare away the dogs chasing her and the fishmonger who wouldn't feed her. And then there's "Really Scent" from 1959, where the cat was shown born with a white stripe down her back and only able to get Pepe because the male cats are too scared to be with a cat who looks like a skunk[[/note]].

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** The cat in this short purposely makes himself a skunk so he can get back at the people who abuse him. Usually, in a Pepe Le Pew cartoon, the female cat gets painted accidentally (usually sliding under something that was freshly painted white[[note]]though the next cartoon after this ["Scent-imental Over You"] had a female chihuahua glue skunk fur on her and 1949's "For Scent-imental Reasons" had the female cat get white hair dye poured down her back after the perfume shop owner throws her inside to get Pepe out[[/note]]) or a human character paints her for some reason ("Past Perfumance" had a director paint the female cat for a role in a movie and "Two Scents Worth" had a French thief paint a female cat up like a skunk so he can rob a bank).[[note]]However, there are exceptions: "Scent-imental Romeo" from 1951 would have has something similar to "Odor-Able Kitty" where the cat paints a white stripe down her back after the zookeeper denies her food and shoos her away, as would away; "Wild Over You" from 1953, where 1953 has the escaped wildcat painting herself like a skunk to escape being captured by the zookeepers, the Sylvester and Tweety cartoon "Dog Pounded" from 1954 had Sylvester paints a white stripe down his back so he can scare off the dogs guarding Tweety, and "Heaven Scent" from 1956 had the female stray cat intentionally sliding across a flagpole that was freshly painted white and making herself look like a skunk to scare away the dogs chasing her and the fishmonger who wouldn't feed her. And then there's "Really Scent" from 1959, where the cat was shown born with a white stripe down her back and only able to get Pepe because the male cats are too scared to be with a cat who looks like a skunk[[/note]].



** Unlike most Pepe Le Pew cartoons (barring "Odor of the Day", "Dog Pounded", "Two Scents Worth", "A Scent of the Matterhorn" and "Louvre Come Back to Me"), this was written by Tedd Pierce rather than Michael Maltese (though the next cartoon, "Scent-imental Over You" had Pierce and Maltese as writers).

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** Unlike most Pepe Le Pew cartoons (barring "Odor of the Day", "Dog Pounded", "Two Scents Worth", "Heaven Scent", "A Scent of the Matterhorn" and "Louvre Come Back to Me"), this was written by Tedd Pierce rather than Michael Maltese Maltese[[note]]"Odor of the Day" was written by Lloyd Turner, "Dog Pounded" was written by Warren Foster, "Two Scents Worth", "Heaven Scent", and "A Scent of the Matterhorn" were written by Chuck Jones himself; and "Louvre Come Back to Me" was written by John Dunn[[/note]] (though the next cartoon, "Scent-imental Over You" had Pierce and Maltese as writers).
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** The cartoon isn't set in France (or a French-speaking part of the world, like North Africa ["Little Beau Pepe" and "The Cats Bah"] or the Swiss Alps ["Two Scents Worth" and "A Scent of the Matterhorn"]). Rather, it's set in America. The second cartoon in the series ("Scent-imental Over You"), Arthur Davis' "Odor of the Day" ([[WhereTheHellIsSpringfield though the exact location is vague]]), and "Really Scent" are the only other Pepé cartoons to be American-based (thought "Really Scent" splits the difference and sets it in a part of America with French culture: New Orleans, Louisiana).

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** The cartoon isn't set in France (or a French-speaking part of the world, like North Africa ["Little Beau Pepe" and "The Cats Bah"] or the Swiss Alps ["Two Scents Worth" and "A Scent of the Matterhorn"]). Rather, it's set in America. The second cartoon in the series ("Scent-imental Over You"), Arthur Davis' "Odor of the Day" ([[WhereTheHellIsSpringfield though the exact location is vague]]), and "Really Scent" are the only other Pepé cartoons to be American-based (thought (though "Really Scent" splits the difference and sets it in a part of America with French culture: New Orleans, Louisiana).
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** The cartoon isn't set in France (or a French-speaking part of the world, like North Africa ["Little Beau Pepe" and "The Cats Bah"] or the Swiss Alps ["Two Scents Worth"]). Rather, it's set in America. The second cartoon in the series ("Scent-imental Over You"), Arthur Davis' "Odor of the Day" ([[WhereTheHellIsSpringfield though the exact location is vague]]), and "Really Scent" are the only other Pepé cartoons to be American-based ("Really Scent" splits the difference and sets it in a part of America with French culture: New Orleans, Louisiana).

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** The cartoon isn't set in France (or a French-speaking part of the world, like North Africa ["Little Beau Pepe" and "The Cats Bah"] or the Swiss Alps ["Two Scents Worth"]).Worth" and "A Scent of the Matterhorn"]). Rather, it's set in America. The second cartoon in the series ("Scent-imental Over You"), Arthur Davis' "Odor of the Day" ([[WhereTheHellIsSpringfield though the exact location is vague]]), and "Really Scent" are the only other Pepé cartoons to be American-based ("Really (thought "Really Scent" splits the difference and sets it in a part of America with French culture: New Orleans, Louisiana).

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