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*** "Why Can't We Be Friends?" by [[Music/WarBand War]]
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** "Knowing Me, Knowing You" by ABBA: Todd says he thinks they're "[[https://twitter.com/shadowtodd/status/1152258507342852096?s=21 just awful]]" and doesn't understand why history looks back upon them so positively. While he likes "Dancing Queen", it's likely this song would show up on his Worst list.
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** "Knowing Me, Knowing You" by ABBA: Todd says he thinks they're "[[https://twitter.com/shadowtodd/status/1152258507342852096?s=21 just awful]]" and doesn't understand [[VindicatedByHistory why history looks back upon them so positively.positively]]. While he likes "Dancing Queen", it's likely this song would show up on his Worst list.
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** "Higher" by Creed: Implied in the ''Song vs. Song'' podcast, where he claims that Fall Out Boy's "Sugar, We're Going Down" 'rescued' the main guitar riff. He later outright said he dislikes in in the Best Hit Songs of 2022 video.
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** "Higher" by Creed: Implied in the ''Song vs. Song'' podcast, where he claims that Fall Out Boy's "Sugar, We're Going Down" 'rescued' the main guitar riff. He later outright said he dislikes in it in the Best Hit Songs of 2022 video.
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** “Jesus Take the Wheel” by Carrie Underwood: Hinted [[https://twitter.com/ShadowTodd/status/1236427013633781761 here]]. He later outright said he dislikes in in the Best Hit Songs of 2022 video.
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** “Jesus Take the Wheel” by Carrie Underwood: Hinted [[https://twitter.com/ShadowTodd/status/1236427013633781761 here]]. He later outright said he dislikes in it in the Best Hit Songs of 2022 video.
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** "Higher" by Creed: Implied in the ''Song vs. Song'' podcast, where he claims that Fall Out Boy's "Sugar, We're Going Down" 'rescued' the main guitar riff.
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** "Higher" by Creed: Implied in the ''Song vs. Song'' podcast, where he claims that Fall Out Boy's "Sugar, We're Going Down" 'rescued' the main guitar riff. He later outright said he dislikes in in the Best Hit Songs of 2022 video.
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** “Jesus Take the Wheel” by Carrie Underwood: Hinted [[https://twitter.com/ShadowTodd/status/1236427013633781761 here]].
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** “Jesus Take the Wheel” by Carrie Underwood: Hinted [[https://twitter.com/ShadowTodd/status/1236427013633781761 here]]. He later outright said he dislikes in in the Best Hit Songs of 2022 video.
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** "One More Night" by Phil Collins
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** "One More Night" by Phil CollinsCollins: Todd could either have a soft spot for this much like “In Too Deep”, or he could find it too schmaltzy for his taste.
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** "Can't Nobody Hold Me Down" by Puff Daddy featuring Mase: Todd has complained about Puffy’s lazy sampling in the past, and he might object to his use of “The Message” by Grandmaster Flash for a basic player’s anthem.
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** "Crank That (Soulja Boy)" by Soulja Boy Tell 'Em: In the "Watch Me (Whip[=/=]Nae Nae)" review, he called "Crank That" one of the worst songs ever, which suggested that it would reach #1. However, in the "Toosie Slide" review, Todd admits that he has (to some degree) come around to old dance crazes because they at least had some youthful energy, so this probably won't make a high spot even if it makes the list at all.
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** "Crank That (Soulja Boy)" by Soulja Boy Tell 'Em: In the "Watch Me (Whip[=/=]Nae Nae)" review, he called "Crank That" one of the worst songs ever, which suggested that it would reach #1. However, in the "Toosie Slide" review, Todd admits that he has (to some degree) come around to old dance crazes because they at least had some youthful energy, so this probably won't make a high spot even if it makes the list at all. In his "Old Town Road" review, he said that "If I had been reviewing music back in 2007, I'd have called it the worst song of the year and I'd have gotten no pushback." but did go on to state that it was "VindicatedByHistory".
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** “Little Willy” by Sweet: On the one hand, he could find the song to be fun song by an underrated glam rock band that bridges their old style with their new. On the other, he could find it to be just an insipid bubblegum song.
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** “Little Willy” by Sweet: On the one hand, he could find the song to be fun song by an underrated a classic glam rock band that bridges their old bubblegum style with their new. hard rock style. On the other, he could just find it to be just an insipid bubblegum song.tune.
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** “Little Willy” by Sweet
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** “Little Willy” by SweetSweet: On the one hand, he could find the song to be fun song by an underrated glam rock band that bridges their old style with their new. On the other, he could find it to be just an insipid bubblegum song.
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put a link on daniel powter
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** "Bad Day" by Daniel Powter: He has called this song terrible.
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** "Bad Day" by Daniel Powter: {{Music/Daniel Powter}}: He has called this song terrible.
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Dork Age was renamed
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** "Time Will Reveal" by [=DeBarge=]: Todd mentioned, in the Rockwell OHW, that El [=DeBarge=] represented Creator/{{Motown}} being in the midst of a DorkAge during the mid-1980s.
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** "Time Will Reveal" by [=DeBarge=]: Todd mentioned, in the Rockwell OHW, that El [=DeBarge=] represented Creator/{{Motown}} being in the midst of a DorkAge an AudienceAlienatingEra during the mid-1980s.
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** "I Don't Wanna Go on with You Like That" by Elton John: By this point, Elton John was in his second DorkAge.
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** "I Don't Wanna Go on with You Like That" by Elton John: By this point, Elton John was in his second DorkAge.AudienceAlienatingEra.
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** "Oochie Wally" by Nas and Bravehearts: Sadly one of Nas' biggest Billboard hits, emblematic of his brief DorkAge between ''Nastradamus'' and his [[CareerResurrection comeback album]] at the end of the year, ''Stillmatic''.
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** "Oochie Wally" by Nas and Bravehearts: Sadly one of Nas' biggest Billboard hits, emblematic of his brief DorkAge AudienceAlienatingEra between ''Nastradamus'' and his [[CareerResurrection comeback album]] at the end of the year, ''Stillmatic''.
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** "We'll Be Together" by Sting: Even though Todd bemoaned the lack of Sting in the 1987 year-end list, he compared it negatively to "Music for a Sushi Restaurant" in the Worst Hit Songs of 2022 video, saying that the song was "Sting at his fake-funkiest".
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* Worst Hit Songs of 1988: [[https://twitter.com/shadowtodd/status/1161505762377641985?s=21 He's hinted via a tweet]] he has a a very high view of 1988, but even the brightest years still havr shadows.
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* Worst Hit Songs of 1988: [[https://twitter.com/shadowtodd/status/1161505762377641985?s=21 He's hinted via a tweet]] he has a a very high view of 1988, but even the brightest years still havr have shadows.
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* Worst Hit Songs of 1988:
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* Worst Hit Songs of 1988:1988: [[https://twitter.com/shadowtodd/status/1161505762377641985?s=21 He's hinted via a tweet]] he has a a very high view of 1988, but even the brightest years still havr shadows.
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I didn’t see this mentioned here so please remove it if it was already Jossed
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** "Some Cut" by Trillville featuring Cutty: This song’s beat is based on a sample of a bed squeaking which lasts the entire song, which Todd might find irritating. He might also find the overly violent sexual imagery in the lyrics to be distasteful.
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Todd has repeatedly emphasized his love of "Raindrops Keep Fallin' on My Head", such as when B.J. Thomas died and during the Best of 2020 list. It would be more of a contender for a Top 10 Best Hit Songs of 1970.
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** "Raindrops Keep Falling on my Head" by B.J. Thomas: While Todd could find it to be an endearingly cheesy song, he could also find it to be edgeless pop fluff.
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** "Raindrops Keep Falling on my Head" by B.J. Thomas: While Todd could find it to be an endearingly cheesy song, he could also find it to be edgeless pop fluff.
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** "Young Turks" by Rod Stewart
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** "Young Turks" by Rod StewartStewart: Though there's a possibility for him to like this song, there's an equal possibility for him to consider another bad output from a sellout artist.
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That song doesn't qualify under Todd's definitions of a hit
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** "Dance With My Father" by Luther Vandross: It's likely Todd could find this song to be Adult Contemporary dirge.
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I love this song and it's a childhood staple, but yeah I can see how Todd could easily despise it.
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** "Dance With My Father" by Luther Vandross: It's likely Todd could find this song to be Adult Contemporary dirge.
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** "Wind Beneath My Wings" by Bette Midler
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** “Danny’s Song” by Loggins and Messina: While it's possible Todd may like the original better than the Anne Murray cover, Todd isn't exactly the biggest fan of Kenny Loggins. So it's likely for him to dislike this.
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** “I Know You See It” by Yung Joc
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** “I Know You See It” by Yung JocJoc: WebVideo/TheRapCritic famously had a horrified reaction to the “[[ShareTheMalePain bubble yum]]” line, it’s not unreasonable to assume that Todd would react similarly.
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** “Play” by David Banner
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** “Play” by David BannerBanner: Todd could find the borderline-pornographic lyrics to be too distasteful.
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** "Chain Hang Low" by Jibbs
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** "Chain Hang Low" by JibbsJibbs: A ringtone rap song that steals the melody of “Do Your Ears Hang Low?” could be a recipe for disaster to Todd.
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** "Father and Son" by Cat Stevens: This song is loved by a lot of people but Todd has stated that he hates Cat Stevens.
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** "Don't Take the Girl" by Tim [=McGraw=]: A much-maligned country song (one of the very few to crossover in the 90s due to Billboard’s eligibility rules) that tells the story of a boy’s evolving relationship with a girl from childhood to marriage, Todd might find the tone to be too saccharine for such a dark story.
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** "Don't Take the Girl" by Tim [=McGraw=]: A much-maligned country song (one of the very few to crossover in the early 90s due to Billboard’s eligibility rules) that tells the story of a boy’s evolving relationship with a girl from childhood to marriage, Todd might find the tone to be too saccharine for such a dark story.
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** "Don't Take the Girl" by Tim McGraw: A much-maligned country song (one of the very few to crossover in the 90s due to Billboard’s eligibility rules) that tells the story of a boy’s evolving relationship with a girl from childhood to marriage, Todd might find the tone to be too saccharine for such a dark story.
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** "Don't Take the Girl" by Tim McGraw: [=McGraw=]: A much-maligned country song (one of the very few to crossover in the 90s due to Billboard’s eligibility rules) that tells the story of a boy’s evolving relationship with a girl from childhood to marriage, Todd might find the tone to be too saccharine for such a dark story.
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** "Don't Take the Girl" by Tim McGraw: A much-maligned country song (one of the very few to crossover in the 90s due to Billboard’s eligibility rules) that tells the story of a boy’s evolving relationship with a girl from childhood to marriage, Todd might find the tone to be too saccharine for such a dark story.
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** "Run It!" by Chris Brown featuring Juelz Santana: As Chris Brown's breakthrough single, its inclusion is all but guaranteed. It's a highly inappropriate song for a boy ''aged 16'' at the time to be performing. Also, the song's production stinks of Scott Storch.
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** "Run It!" by Chris Brown featuring Juelz Santana: As Chris Brown's breakthrough single, its inclusion is all but guaranteed. It's Todd said in the “Deuces” episode that he hated him even from the very beginning, saying that he came across too cocky for his age. Speaking of which, this is a highly inappropriate song for a boy ''aged 16'' at the time to be performing. Also, the song's production stinks of Scott Storch.
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** “Said I Loved You...But I Lied” by Michael Bolton: Not only is it a sappy easy listening ballad, its lyrics aren’t even very coherent.
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** “Said I Loved You...But I Lied” by Michael Bolton: Not only is it a sappy easy listening ballad, its lyrics aren’t even very coherent. The BaitAndSwitch title could also rub Todd up the wrong way (despite the title seeming mean-spirited on the surface, in the song he lied because his feelings are much stronger than love… [[NotMakingThisUpDisclaimer yes, really]]).