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** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
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** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.again and particularly hated "terrorizing" Audrey Hepburn.
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grammar
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* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris. Creator/AlanArkin also claimed in an interview that he chose to play Roat as though her were "on every conceivable drug known to man," an element not original to the play.
to:
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris. Creator/AlanArkin also claimed in an interview that he chose to play Roat as though her he were "on every conceivable drug known to man," an element not original to the play.
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Changed line(s) 13 (click to see context) from:
** Creator/CarolReed was a consideration for the director position, but Audrey Hepburn and her husband, producer Creator/MelFerrer, wanted Creator/TerenceYoung on the job since they were already friends with him.
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** Creator/CarolReed was a consideration for the director position, but Audrey Hepburn Creator/AudreyHepburn and her husband, producer Creator/MelFerrer, wanted Creator/TerenceYoung on the job since they were already friends with him.
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** Jack L. Warner first considered Creator/GeorgeCScott for the role of Harry Roat and Creator/RobertRedford for the role of Mike Talman before casting Creator/AlanArkin and Richard Crenna in the parts.
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** Jack L. Warner first considered Creator/GeorgeCScott for the role of Harry Roat and Creator/RobertRedford for the role of Mike Talman before casting Creator/AlanArkin and Richard Crenna Creator/RichardCrenna in the parts.
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Changed line(s) 8 (click to see context) from:
** The villainous role of Harry Roat is also extremely atypical for Alan Arkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
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** The villainous role of Harry Roat is also extremely atypical for Alan Arkin, Creator/AlanArkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
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* AwesomeDearBoy: Alan Arkin said the role of Harry Roat was easy to get, as most of the actors approached prior didn't want to play a role that terrorized Creator/AudreyHepburn. Arkin said he jumped at the chance to play the part.
to:
* AwesomeDearBoy: Alan Arkin Creator/AlanArkin said the role of Harry Roat was easy to get, as most of the actors approached prior didn't want to play a role that terrorized Creator/AudreyHepburn. Arkin said he jumped at the chance to play the part.
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* EnforcedMethodActing: In regards to the audience. In some theatrical productions -- and even some showings of the cinematic adaptation -- ''every'' light, including those in the foyer, are is either turned off or covered during the climax to make it harder for audience members' eyes to adjust and heighten tension.
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* EnforcedMethodActing: In regards to the audience. In some theatrical productions -- and even some showings of the cinematic adaptation -- ''every'' light, including those in the foyer, are is either turned off or covered during the climax to make it harder for audience members' eyes to adjust and heighten tension.
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* EnforcedMethodActing: In regards to the audience. In some theatrical productions -- and even some showings of the cinematic adaptation -- ''every'' light, including those in the foyer, are is either turned off or covered during the climax to make it harder for audience members' eyes to adjust and heighten tension.
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Old Shame is now an In Universe only trope. Out Of Universe example goes to Creator Backlash and that trope requires a source that the author expresses regret of their past work.
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* OldShame: The 1998 Broadway revival was not well-received despite excellent early ticket sales, with Creator/QuentinTarantino's turn as Harry Roat torn to shreds by most critics. Few of the cast and crew of this production are willing to talk about it, even decades later.
to:
* OldShame: CreatorBacklash: The 1998 Broadway revival was not well-received despite excellent early ticket sales, with Creator/QuentinTarantino's turn as Harry Roat torn to shreds by most critics. Few of the cast and crew of this production are willing to talk about it, even decades later.
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* AwesomeDearBoy: Alan Arkin said the role of Harry Roat was easy to get, as most of the actors approached prior didn't want to play a role that terrorized Creator/AudreyHepburn. Arkin said he jumped at the chance to play the part.
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Deleted line(s) 7 (click to see context) :
* UnintentionalPeriodPiece: Most modern productions of the play explicitly set it in the 1960s (the decade the play was originally produced) since tropes like CutPhoneLines and the need for the villains to rely on a phone booth (rather than cell phones) do not apply in the twenty-first century.
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Deleted line(s) 2 (click to see context) :
* AFIS100Years100Thrills: #55
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Changed line(s) 13 (click to see context) from:
** Creator/CarolReed was a consideration for the director position, but Audrey Hepburn and producer Mel Ferrer wanted Terence Young on the job since they were already friends with him.
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** Creator/CarolReed was a consideration for the director position, but Audrey Hepburn and her husband, producer Mel Ferrer Creator/MelFerrer, wanted Terence Young Creator/TerenceYoung on the job since they were already friends with him.
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Changed line(s) 1 (click to see context) from:
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris. Alan Arkin also claimed in an interview that he chose to play Roat as though her were "on every conceivable drug known to man," an element not original to the play.
to:
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris. Alan Arkin Creator/AlanArkin also claimed in an interview that he chose to play Roat as though her were "on every conceivable drug known to man," an element not original to the play.
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* OldShame: The 1998 Broadway revival was not well-received despite excellent early ticket sales, with Quentin Tarantino's turn as Harry Roat torn to shreds by most critics. Few of the cast and crew of this production are willing to talk about it, even decades later.
* PlayingAgainstType: This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
* PlayingAgainstType: This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
to:
* OldShame: The 1998 Broadway revival was not well-received despite excellent early ticket sales, with Quentin Tarantino's Creator/QuentinTarantino's turn as Harry Roat torn to shreds by most critics. Few of the cast and crew of this production are willing to talk about it, even decades later.
*PlayingAgainstType: PlayingAgainstType:
** This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
** The villainous role of Harry Roat is also extremely atypical forCreator/AlanArkin, Alan Arkin, who tends to go for more comedic parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
*
** This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
** The villainous role of Harry Roat is also extremely atypical for
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Changed line(s) 1 (click to see context) from:
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris.
to:
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris. Alan Arkin also claimed in an interview that he chose to play Roat as though her were "on every conceivable drug known to man," an element not original to the play.
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* OldShame: The 1998 Broadway revival was not well-received despite excellent early ticket sales, with Quentin Tarantino's turn as Harry Roat torn to shreds by most critics. Few of the cast and crew of this production are willing to talk about it, even decades later.
Changed line(s) 5 (click to see context) from:
** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic roles.
to:
** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic roles.parts. He claimed the experience of playing a villain was so uncomfortable that he never wanted to do it again.
Added DiffLines:
** Creator/CarolReed was a consideration for the director position, but Audrey Hepburn and producer Mel Ferrer wanted Terence Young on the job since they were already friends with him.
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** The villainous role of Harry Roat is also extremely atypical for Creator/AlanArkin, who tends to go for more comedic roles.
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None
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* UnintentionalPeriodPiece: Most modern productions of the play explicitly set it in the 1960s (the decade the play was originally produced) since tropes like CutPhoneLines and the need for the villains to rely on a phone booth (rather than cell phones) do not apply in the twenty-first century.
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Added line(s) 2 (click to see context) :
* ActorInspiredElement: During the credits there is no credit for costumes, this is because Creator/AudreyHepburn herself picked the clothes she wore from the stores in Paris.
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* AsLongAsItSoundsForeign: A variation. The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
to:
* AsLongAsItSoundsForeign: A variation. The Braille "phone number" that BillingDisplacement: Although Creator/AudreyHepburn is given top-billing, she does not appear until over 21 minutes into the film.
* PlayingAgainstType: This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
* WhatCouldHaveBeen:
** Creator/JulieAndrews was considered for the role of Susyreads is nonsense. It isn't even a number. It transliterates to "shchsting."Hendrix.
** Jack L. Warner first considered Creator/GeorgeCScott for the role of Harry Roat and Creator/RobertRedford for the role of Mike Talman before casting Creator/AlanArkin and Richard Crenna in the parts.
** Creator/SeanConnery was mentioned in press as possible choice for role of Harry Roat.
* PlayingAgainstType: This was Creator/AudreyHepburn's only horror film, despite it more commonly being categorized as a suspense-thriller.
* WhatCouldHaveBeen:
** Creator/JulieAndrews was considered for the role of Susy
** Jack L. Warner first considered Creator/GeorgeCScott for the role of Harry Roat and Creator/RobertRedford for the role of Mike Talman before casting Creator/AlanArkin and Richard Crenna in the parts.
** Creator/SeanConnery was mentioned in press as possible choice for role of Harry Roat.
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Deleted line(s) 3 (click to see context) :
* HeyItsThatGuy: A young [[VideoGame/KingsQuestVIHeirTodayGoneTomorrow Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
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Added line(s) 2 (click to see context) :
* AsLongAsItSoundsForeign: A variation. The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
Deleted line(s) 2 (click to see context) :
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
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Changed line(s) 1,2 (click to see context) from:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
to:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow [[VideoGame/KingsQuestVIHeirTodayGoneTomorrow Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting.""
----
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting.
----
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Changed line(s) 1 (click to see context) from:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
to:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.version.
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
* The Braille "phone number" that Susy reads is nonsense. It isn't even a number. It transliterates to "shchsting."
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Changed line(s) 1 (click to see context) from:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robbie]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
to:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robbie]] Robby]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.
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Added Trivia tab.
Added DiffLines:
* HeyItsThatGuy: A young [[KingsQuestVIHeirTodayGoneTomorrow Robbie]] Disney/{{Be|autyAndTheBeast}}nson makes a cameo outside the airport at the very beginning of the film version.