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* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Demon Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the Creator/DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
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* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Demon Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the Creator/DreamWorks Creator/DreamWorksSKG power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
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** This was one of two major works for Jennifer Love Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
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** This was one of two major works for Jennifer Love Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' ''WesternAnimation/{{The Hunchback of Notre Dame|II}}'' being the other, that didn't help her career out as much as one would hope.
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** While it didn't completely end Jackie Chan's career, it was the beginning of the end of his popularity in America, as it showed that Hollywood's perchance for safer techniques like CGI effects and stunt doubles didn't bode well with the high risk, high pay-off method that made Chan's Hong Kong films work.
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** While it didn't completely end Jackie Chan's Creator/JackieChan's career, it was the beginning of the end of his popularity in America, as it showed that Hollywood's perchance for safer techniques like CGI effects and stunt doubles didn't bode well with the high risk, high pay-off method that made Chan's Hong Kong films work.
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** While it didn't completely end Jackie Chan's career, it was the beginning of the end of his popularity in America. The heavy amount of special effects which robbed him the opportunity to show off his amazing stunt work was a sign that Hollywood's safer way of doing things didn't bode with the "high risk, high pay-off" method Chan was used to from his MartialArtsFilms.
to:
** While it didn't completely end Jackie Chan's career, it was the beginning of the end of his popularity in America. The heavy amount of special effects which robbed him the opportunity to show off his amazing stunt work was a sign America, as it showed that Hollywood's perchance for safer way of doing things techniques like CGI effects and stunt doubles didn't bode well with the "high high risk, high pay-off" pay-off method Chan was used to from his MartialArtsFilms.that made Chan's Hong Kong films work.
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* StarDerailingRole: This was one of two major works for Jennifer Love Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
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* StarDerailingRole: StarDerailingRole
** This was one of two major works for Jennifer Love Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one wouldhope.hope.
** While it didn't completely end Jackie Chan's career, it was the beginning of the end of his popularity in America. The heavy amount of special effects which robbed him the opportunity to show off his amazing stunt work was a sign that Hollywood's safer way of doing things didn't bode with the "high risk, high pay-off" method Chan was used to from his MartialArtsFilms.
** This was one of two major works for Jennifer Love Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would
** While it didn't completely end Jackie Chan's career, it was the beginning of the end of his popularity in America. The heavy amount of special effects which robbed him the opportunity to show off his amazing stunt work was a sign that Hollywood's safer way of doing things didn't bode with the "high risk, high pay-off" method Chan was used to from his MartialArtsFilms.
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The villain's girlfriend is played by Mia Cottet, not Mrs. Mann.
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* RetroactiveRecognition: Creator/LeslieMann as the bimbotic girlfriend is going to catch some people by surprise.
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* StarDerailingRole: This was one of two major works for Jennifer Love Hewlett in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
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* StarDerailingRole: This was one of two major works for Jennifer Love Hewlett Hewitt in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
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* RetroactiveRecognition: Creator/LeslieMann as the bimbotic girlfriend is going to catch some people by surprise.
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* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the Creator/DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
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* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Demon Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the Creator/DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.up.
* StarDerailingRole: This was one of two major works for Jennifer Love Hewlett in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
* StarDerailingRole: This was one of two major works for Jennifer Love Hewlett in 2002, with the Disney DirectToVideo sequel to ''Disney/TheHunchbackOfNotreDame'' being the other, that didn't help her career out as much as one would hope.
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* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
to:
* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the DreamWorks Creator/DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
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* BoxOfficeBomb: Budget, $60 million. Box office, $50,547,998 (domestic), $104,391,623 (worldwide).
* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
* CreatorKiller: While Chan's career suffered no problems, a sizable chunk of the rest of the crew took varying levels of damage to their careers, and some of them ended up in the cinema Netherworld for some time (it's been an indefinite stay for writer Michael Leeson, who's only done television work since). Producer Adam Schroeder eventually escaped and returned to movie producing in The New 10's. This film is also part of a bad spell that led to the DreamWorks power trio of Steven Spielberg, Jeffrey Katzenberg and David Geffin breaking up.
