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* HostilityOnTheSet: Creator/TonyCurtis and Creator/NatalieWood had previously costarred on two films (''King's Go Forth'' and ''Film/SexAndTheSingleGirl'') and had a very acrimonious relationship.
** Natalie Wood also couldn't get along with Jack Lemmon

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* HostilityOnTheSet: Creator/TonyCurtis and Creator/NatalieWood had previously costarred on two films (''King's Go Forth'' and ''Film/SexAndTheSingleGirl'') and had a very acrimonious relationship. \n** Natalie Wood also couldn't get along with Jack LemmonCreator/JackLemmon; apparently part of the reason that Wood was unhappy on the film was that she felt she was being sexually harassed by the both of them.

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** Natalie Wood also couldn't get along with Jack Lemmon



** Creator/CharltonHeston was originally offered the role of The Great Leslie. He considered it a "funny script" but had to turn the part down when the production schedule for ''Film/TheAgonyAndTheEcstasy'' was delayed. Creator/BlakeEdwards wanted Creator/RobertWagner, but studio executive Jack L. Warner insisted on Creator/TonyCurtis, possibly because of Creator/NatalieWood's recent divorce from Wagner. Creator/BurtLancaster was announced at one stage.

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** Creator/CharltonHeston was originally offered the role of The Great Leslie. He considered it a "funny script" but had to turn the part down when the production schedule for ''Film/TheAgonyAndTheEcstasy'' was delayed. Creator/BlakeEdwards first wanted Creator/GeorgePeppard, whom he had previously worked with, but Peppard was overseas filming "Operation Crossbow". Edwards then looked to Creator/RobertWagner, but studio executive Jack L. Warner insisted on Creator/TonyCurtis, possibly because of Creator/NatalieWood's recent divorce from Wagner. Creator/BurtLancaster was announced at one stage.
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Imdb claims that, but without source. Suzanne Finstad's biography of Natalie gives various reasons why she was unhappy during filming, but doesn't mention sexual harassment.


* HostilityOnTheSet: Creator/TonyCurtis and Creator/NatalieWood had previously costarred on two films (''King's Go Forth'' and ''Film/SexAndTheSingleGirl'') and had a very acrimonious relationship. Part of the reason that Wood was unhappy on the film was that she felt she was being sexually harassed by both Curtis and Creator/JackLemmon.

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* HostilityOnTheSet: Creator/TonyCurtis and Creator/NatalieWood had previously costarred on two films (''King's Go Forth'' and ''Film/SexAndTheSingleGirl'') and had a very acrimonious relationship. Part of the reason that Wood was unhappy on the film was that she felt she was being sexually harassed by both Curtis and Creator/JackLemmon.

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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." What eventually convinced Wood to make it was the promise by Warner executives that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', a role she greatly wished to have. She agreed, thinking that filming would be brief on Edwards' movie.

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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." What eventually convinced Wood to make it was the promise by Warner executives that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', a role she greatly wished to have. She agreed, thinking that filming would be brief on Edwards' movie.movie (it wasn't, and she suffered psychologically when making both movies).



* ThoseTwoActors: Creator/TonyCurtis and Creator/NatalieWood in their third (and final) film together, and Curtis and Creator/JackLemmon in their second of two. Although, ask anyone to name a Tony Curtis/Jack Lemmon film, they'll probably think of [[Film/SomeLikeItHot the other one]].

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* ThoseTwoActors: ThoseTwoActors:
**
Creator/TonyCurtis and Creator/NatalieWood in their third (and final) film together, and Curtis and Creator/JackLemmon in their second of two. Although, ask anyone to name a Tony Curtis/Jack Lemmon film, they'll probably think of [[Film/SomeLikeItHot the other one]].one]].
** One out of six films to have both Tony Curtis and Creator/LarryStorch in its cast (they were friends, also).
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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." Instead of more money, Warner promised Wood that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', a role she greatly wished to have. Wood agreed, thinking that filming would be brief on Edwards' movie.

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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." Instead of more money, What eventually convinced Wood to make it was the promise by Warner promised Wood executives that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', a role she greatly wished to have. Wood She agreed, thinking that filming would be brief on Edwards' movie.
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* DuelingWorks: The far more commercially and critically successful ''Film/ThoseMagnificentMenInTheirFlyingMachines'', which is also a {{Slapstick}} EpicMovie about a long distance race in the immediate pre-UsefulNotes/WorldWarI days and boasts some similar character archetypes, had been released not a month prior by [[Creator/TwentiethCenturyStudios Twentieth Century Fox]], which hurt ''The Great Race'' in both departments (though it still made over double its budget at the box office). Both have reached something of a CultClassic status since. ''Those Magnificent Men...'' would spawn a sequel in 1969, ''Monte Carlo or Bust!'', which starred ''The Great Race'''s Creator/TonyCurtis, oddly enough.

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* DuelingWorks: The far more commercially and critically successful ''Film/ThoseMagnificentMenInTheirFlyingMachines'', which is also a {{Slapstick}} EpicMovie about a long distance race in the immediate pre-UsefulNotes/WorldWarI days and boasts some similar character archetypes, had been released not a month prior by [[Creator/TwentiethCenturyStudios Twentieth Century Fox]], which hurt ''The Great Race'' in both departments (though it still made over double its budget at the box office). Both have reached something of a CultClassic status since. ''Those Magnificent Men...'' would spawn a sequel in 1969, ''Monte Carlo or Bust!'', which starred ''The Great Race'''s Creator/TonyCurtis, oddly enough.

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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." Instead of more money, Warner promised Wood that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', [[OneForTheMoneyOneForTheArt a role she greatly wished to have]]. Wood agreed, thinking that filming would be brief on Edwards' movie.

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* ContractualObligationProject: Creator/NatalieWood didn't want to be in the film, but Creator/WarnerBros executives talked her into it. At this point, Wood was unhappy with her career and her personal life, having recently divorced from Creator/RobertWagner in April 1962. Warner asked Creator/TonyCurtis if he would give a percentage of his film royalties to Wood, as an enticement, but Curtis refused. He said, "I couldn't give her anything to make her ''want'' to do the movie." Instead of more money, Warner promised Wood that if she completed ''The Great Race'', she could star in ''Film/InsideDaisyClover'', [[OneForTheMoneyOneForTheArt a role she greatly wished to have]].have. Wood agreed, thinking that filming would be brief on Edwards' movie.


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* OneForTheMoneyOneForTheArt: Creator/NatalieWood accepted to be in the film so that Creator/WarnerBros would accept to fund and release ''Film/InsideDaisyClover'', which was a passion project for her.
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* NonSingingVoice: Robin Ward sang "The Sweetheart Tree" instead of Creator/NatalieWood. Wood sang "My Country 'tis of Thee" herself earlier on... you can tell because she sounds off-key.

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* NonSingingVoice: Robin Ward sang "The Sweetheart Tree" instead of Creator/NatalieWood.Creator/NatalieWood (her real singing resurfaced in 2009, it can be heard [[https://youtu.be/APA1jFJjeXE here]]). Wood sang "My Country 'tis of Thee" herself earlier on... you can tell because she sounds off-key.
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** Creator/MickeyRooney, old friend and past collaborator of Blake Edwards, was approached for the role of Max, but he was currently busy shooting the short-lived TV vehicle ''Mickey'' and -- much to his regret -- had to pass on it. The role went to Peter Falk.

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