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* DyeingForYourArt: Creator/TanyaRoberts took the part seriously enough to take up bodybuilding, dye har hair blonde and to practise riding bareback while levelling up a cross-bar.
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* DyeingForYourArt: Creator/TanyaRoberts took the part seriously enough to take up bodybuilding, dye har her hair blonde and to practise practice riding bareback while levelling leveling up a cross-bar.
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* DyeingForYourArt: Creator/TanyaRoberts took the part seriously enough to take up bodybuilding, dye har hair blonde and to practise riding bareback while levelling up a cross-bar.
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* CreatorBacklash: Only one year after the release, Creator/TanyaRoberts already criticized the movie in a interview: "The script I read in California was good but the script I read in Kenya wasn't."
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* PortrayedByDifferentSpecies: Sheena rides a "zebra" that is played by a horse with stripes painted on it.
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* WhatCouldHaveBeen: Creator/JodieFoster turned down the lead role as she was busy studying at Yale University. At some point Creator/BoDerek was considered for the title role, and Creator/HarrisonFord was offered the male lead
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* WhatCouldHaveBeen: Creator/JodieFoster turned down the lead role as she was busy studying at Yale University. At some point Creator/BoDerek was considered for the title role, and Creator/HarrisonFord was offered the male leadlead.
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* SavedFromDevelopmentHell: Producer Paul Aratow landed a development deal with Creator/UniversalPictures as early as 1975 as a proposed starring vehicle for Creator/RaquelWelch. However, numerous script rewrites led to the project being put into turnaround. The project was picked up by Creator/UnitedArtists, then after a failed script put in turnaround to Filmways (later Creator/OrionPictures) where another failed script led to another turnaround deal at Avco-Embassy, who courteously released the project before their contract had expired to Columbia pictures. The first screenwriter at Creator/{{Columbia}} (in 1980) was Leslie Stevens. At Columbia the script was subsequently completely rewritten by David Newman and later tweaked by Lorenzo Semple Jr. The production was green-lighted in 1982.
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* SavedFromDevelopmentHell: Producer Paul Aratow landed a development deal with Creator/UniversalPictures as early as 1975 as a proposed starring vehicle for Creator/RaquelWelch. However, numerous script rewrites led to the project being put into turnaround. The project was picked up by Creator/UnitedArtists, then after a failed script put in turnaround to Filmways (later Creator/OrionPictures) where another failed script led to another turnaround deal at Avco-Embassy, who courteously released the project before their contract had expired to Columbia pictures. The first screenwriter at Creator/{{Columbia}} Creator/ColumbiaPictures (in 1980) was Leslie Stevens. At Columbia the script was subsequently completely rewritten by David Newman and later tweaked by Lorenzo Semple Jr. The production was green-lighted in 1982.
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* BoxOfficeBomb: Budget, $25 million. Box office, $5,778,353.
* CreatorKiller: Writer Lorenzo Semple Jr.'s career began to wind down after this movie, as did director John Guillermin (they only worked on one more movie).
* SavedFromDevelopmentHell: Producer Paul Aratow landed a development deal with Creator/UniversalPictures as early as 1975 as a proposed starring vehicle for Creator/RaquelWelch. However, numerous script rewrites led to the project being put into turnaround. The project was picked up by Creator/UnitedArtists, then after a failed script put in turnaround to Filmways (later Creator/OrionPictures) where another failed script led to another turnaround deal at Avco-Embassy, who courteously released the project before their contract had expired to Columbia pictures. The first screenwriter at Creator/{{Columbia}} (in 1980) was Leslie Stevens. At Columbia the script was subsequently completely rewritten by David Newman and later tweaked by Lorenzo Semple Jr. The production was green-lighted in 1982.
* WhatCouldHaveBeen: Creator/JodieFoster turned down the lead role as she was busy studying at Yale University. At some point Creator/BoDerek was considered for the title role, and Creator/HarrisonFord was offered the male lead
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* CreatorKiller: Writer Lorenzo Semple Jr.'s career began to wind down after this movie, as did director John Guillermin (they only worked on one more movie).
* SavedFromDevelopmentHell: Producer Paul Aratow landed a development deal with Creator/UniversalPictures as early as 1975 as a proposed starring vehicle for Creator/RaquelWelch. However, numerous script rewrites led to the project being put into turnaround. The project was picked up by Creator/UnitedArtists, then after a failed script put in turnaround to Filmways (later Creator/OrionPictures) where another failed script led to another turnaround deal at Avco-Embassy, who courteously released the project before their contract had expired to Columbia pictures. The first screenwriter at Creator/{{Columbia}} (in 1980) was Leslie Stevens. At Columbia the script was subsequently completely rewritten by David Newman and later tweaked by Lorenzo Semple Jr. The production was green-lighted in 1982.
* WhatCouldHaveBeen: Creator/JodieFoster turned down the lead role as she was busy studying at Yale University. At some point Creator/BoDerek was considered for the title role, and Creator/HarrisonFord was offered the male lead
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