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** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Film/MeetingPeopleIsEasy''), but Thom Yorke's CreatorBreakdown meant that the sessions were abandoned. The band would revisit it again in the 2010s as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.

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** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Film/MeetingPeopleIsEasy''), but Thom Yorke's CreatorBreakdown meant that led to the sessions were being abandoned. The band would revisit it again in the 2010s as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit it again in the 2010s as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.

to:

** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Meeting People is Easy''), ''Film/MeetingPeopleIsEasy''), but the band were unhappy with it and Thom Yorke's CreatorBreakdown meant that the sessions were abandoned. The band would revisit it again in the 2010s as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit again in 2015 as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.

to:

** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit it again in 2015 the 2010s as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''The Avengers'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit again in 2015 as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.

to:

** "Man of War" was demoed early in the album's development, and was worked on in 1998 as a potential song for the ''The Avengers'' ''[[Film/TheAvengers1998 The Avengers]]'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit again in 2015 as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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** "Man of War" was sent in as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.

to:

** "Man of War" was sent demoed early in the album's development, and was worked on in 1998 as a potential song for the ''The Avengers'' soundtrack (as seen in ''Meeting People is Easy''), but the band were unhappy with it and the sessions were abandoned. The band would revisit again in 2015 as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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* ReferencedBy: In ''Series/{{Yellowjackets}}'', "Climbing Up the Walls" is used to underscore the scene where [[spoiler:the Yellowjackets cannibalize Jackie's accidentally roasted corpse]].

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* BuryYourArt: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned out, with Thom Yorke outright calling it "shite." Hilton eventually made the video available on his website, but eventually took it down for unspecified reasons; despite this, fan reuploads can be found online.



* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned out. Hilton eventually made the video available on his website, but eventually took it down for unspecified reasons; despite this, fan reuploads can be found online.

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* CutSong: The three "new" songs on ''OKNOTOK'' -- "I Promise", "Man of War", and "Lift" -- were all previously outtakes from the ''OK Computer'' sessions. "Lift" in particular was the original leadoff single for the 1997 album, but difficulties with creating a satisfactory version led to it being left off back then.



* GenreTurningPoint: The album's immense success moved AlternativeRock out of {{Britpop}} and {{grunge}}, the latter of which was on life support by '97, and into a more melancholic and electronic direction. 1998 alone saw [[Music/{{REM}} three of]] [[Music/TheSmashingPumpkins alt-rock's]] [[Music/AlanisMorissette biggest acts]] shift to electronic rock, and much of the post-Britpop movement in the 2000's would take heavy influence from Radiohead thanks to ''OK Computer''.

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* GenreTurningPoint: The album's immense success moved AlternativeRock out of {{Britpop}} and {{grunge}}, the latter of which was on life support by '97, and into a more melancholic and electronic direction. 1998 alone saw [[Music/{{REM}} three of]] [[Music/TheSmashingPumpkins alt-rock's]] [[Music/AlanisMorissette biggest acts]] shift to electronic rock, and much of the post-Britpop movement in the 2000's 2000s would take heavy influence from Radiohead thanks to ''OK Computer''.



** "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they'd revisit again in multiple forms over the years before eventually including a studio version on ''OKNOTOK'', with earlier demos also appearing on ''[=MiniDiscs=] [Hacked]''. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle.

to:

** "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they'd revisit again in multiple forms over the years before eventually including a studio version on ''OKNOTOK'', with earlier demos also appearing on ''[=MiniDiscs=] [Hacked]''. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle.handle.
** "Man of War" was sent in as the theme song to ''Film/{{Spectre}}'', only for it to be turned down on the grounds that it wasn't written specifically for the film and thus wouldn't be eligible for a "Best Original Song" Oscar (Radiohead's next submission, a TitleTrack for ''Spectre'', was also turned down for being too unfitting). "Man of War" would ultimately appear as one of the three previously unreleased songs on ''OKNOTOK'' instead.
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* ShortRunInPeru: The album released in Japan 26 days before coming out in the band's native UK (May 21 vs. June 16).
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** The original plan for the album's promotional cycle was to create music videos for every track on the record. However, according to Grant Gee (who directed the "No Surprises" video), the idea was scrapped after the "Paranoid Android" and "Karma Police" went over-budget.

to:

** The original plan for the album's promotional cycle was to create music videos for every track on the record. However, according to Grant Gee (who directed the "No Surprises" video), the idea was scrapped after the "Paranoid Android" and "Karma Police" went over-budget.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* GenreTurningPoint: The album's immense success moved AlternativeRock out of {{Britpop}} and {{grunge}}, the latter of which was on life support by '97, and into a more melancholic and electronic direction. 1998 alone saw [[Music/{{REM}} three of]] [[Music/TheSmashingPumpkins alt-rock's]] [[Music/AlanisMorissette biggest acts]] shift to electronic rock, and much of the post-Britpop movement in the 2000's would take heavy influence from Radiohead thanks to ''OK Computer''.
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None


* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned out. The video eventually leaked however, and fan reuploads can be found online.

to:

* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned out. The video Hilton eventually leaked however, and made the video available on his website, but eventually took it down for unspecified reasons; despite this, fan reuploads can be found online.
Is there an issue? Send a MessageReason:
None


* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned down. The video eventually leaked however, and fan reuploads can be found online.

to:

* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned down.out. The video eventually leaked however, and fan reuploads can be found online.



** The original plan for the album's promotional cycle was to create music videos for every track on the album. However, according to Grant Gee (who directed the "No Surprises" video), the idea was scrapped after the "Paranoid Android" and "Karma Police" went over-budget.

to:

** The original plan for the album's promotional cycle was to create music videos for every track on the album.record. However, according to Grant Gee (who directed the "No Surprises" video), the idea was scrapped after the "Paranoid Android" and "Karma Police" went over-budget.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* KeepCirculatingTheTapes: An AnimatedMusicVideo for "Let Down" was created by Simon Hilton, only to be rejected by the band because they didn't like how it turned down. The video eventually leaked however, and fan reuploads can be found online.


Added DiffLines:

** The original plan for the album's promotional cycle was to create music videos for every track on the album. However, according to Grant Gee (who directed the "No Surprises" video), the idea was scrapped after the "Paranoid Android" and "Karma Police" went over-budget.

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* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they'd revisit again in multiple forms over the years before eventually including a studio version on ''OKNOTOK'', with earlier demos also appearing on ''[=MiniDiscs=] [Hacked]''. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle.

to:

* WhatCouldHaveBeen: WhatCouldHaveBeen:
** "Fitter Happier" was at one point considered for the album's opening track; it was ultimately placed in the middle after the band decided that it was ''too'' unsettling as the opener.
**
"Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they'd revisit again in multiple forms over the years before eventually including a studio version on ''OKNOTOK'', with earlier demos also appearing on ''[=MiniDiscs=] [Hacked]''. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle.

Changed: 734

Removed: 1452

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* RefittedForSequel: "Lucky" was originally recorded for the 1995 charity album ''The Help Album'', designed to raise money for those affected by the Bosnian war. It was later revisited as the starting point for ''OK Computer'', with the original recording being included on this album.
* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle. After two decades of the song having only been officially heard in live performances and cultivating a "lost legend" status among fans, the studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', [[https://www.youtube.com/watch?v=QBGaO89cBMI receiving its own music video]] to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom, with [[https://www.youtube.com/watch?v=IDGdGdtD7To the most well-known of these drafts]] being more or less a direct translation of the [[https://www.youtube.com/watch?v=ripYh8-49Ek 1996 Pinkpop performance]] that had previously been widely circulated as a bootleg.

to:

* RefittedForSequel: "Lucky" was originally recorded for the 1995 charity album ''The Help Album'', designed to raise money for those affected by the Bosnian war. It was later revisited as the starting point for ''OK Computer'', with the original recording being included on this album.
* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later they'd revisit it live again in 2002 multiple forms over the years before eventually including a studio version on ''OKNOTOK'', with a considerably slower and more restrained arrangement.earlier demos also appearing on ''[=MiniDiscs=] [Hacked]''. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle. After two decades of the song having only been officially heard in live performances and cultivating a "lost legend" status among fans, the studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', [[https://www.youtube.com/watch?v=QBGaO89cBMI receiving its own music video]] to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom, with [[https://www.youtube.com/watch?v=IDGdGdtD7To the most well-known of these drafts]] being more or less a direct translation of the [[https://www.youtube.com/watch?v=ripYh8-49Ek 1996 Pinkpop performance]] that had previously been widely circulated as a bootleg.
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* AuthorPhobia: Both "Airbag" and "Lucky" were inspired by Thom Yorke's fear of motorized transport, itself the result of surviving a serious car crash prior to the formation of Radiohead.


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* RefittedForSequel: "Lucky" was originally recorded for the 1995 charity album ''The Help Album'', designed to raise money for those affected by the Bosnian war. It was later revisited as the starting point for ''OK Computer'', with the original recording being included on this album.
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Misuse of this item.


* BigNameFan: Music/StevenWilson, who credited the album with re-legitimizing ambitious and experimental music in the public eye after the fall of classic ProgressiveRock during the late 70's and early 80's.
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* BreakthroughHit: This was the album that made Radiohead a household name.

to:

* BreakthroughHit: This was the album that made Saved Radiohead a household name.from OneHitWonder status and made them one of the most popular music acts of the late 20th/early 21st century.
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* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle. The studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', and would receive its own music video to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom.

to:

* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle. The After two decades of the song having only been officially heard in live performances and cultivating a "lost legend" status among fans, the studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', and would receive [[https://www.youtube.com/watch?v=QBGaO89cBMI receiving its own music video video]] to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom.ransom, with [[https://www.youtube.com/watch?v=IDGdGdtD7To the most well-known of these drafts]] being more or less a direct translation of the [[https://www.youtube.com/watch?v=ripYh8-49Ek 1996 Pinkpop performance]] that had previously been widely circulated as a bootleg.
Is there an issue? Send a MessageReason:
None


* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', and would receive its own music video to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom.

to:

* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The band themselves speculate that had the song been released back in 1997, it would've been their "second 'Creep'" and blown their popularity up to a level they wouldn't have been able to handle. The studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', and would receive its own music video to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom.
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Added DiffLines:

* BreakthroughHit: This was the album that made Radiohead a household name.
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* BigNameFan: Steven Wilson of Music/PorcupineTree, who credited the album with re-legitimizing ambitious and experimental music in the public eye after the fall of classic ProgressiveRock during the late 70's and early 80's.

to:

* BigNameFan: Steven Wilson of Music/PorcupineTree, Music/StevenWilson, who credited the album with re-legitimizing ambitious and experimental music in the public eye after the fall of classic ProgressiveRock during the late 70's and early 80's.
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Added DiffLines:

* BigNameFan: Steven Wilson of Music/PorcupineTree, who credited the album with re-legitimizing ambitious and experimental music in the public eye after the fall of classic ProgressiveRock during the late 70's and early 80's.
* GenreKiller: Along with the monumental levels of HypeBacklash towards Music/{{Oasis}}' ''Music/BeHereNow'' later that year, the success of ''OK Computer'' is credited with instigating the end of the {{Britpop}} movement that had taken the British music scene by storm during the 1990's, instead popularizing a gloomier, populist, more atmospheric style of rock music that would later become more common in rock in place of Britpop. The bands that survived Britpop's fall and Radiohead's rise were the ones that either moved away from the genre (such as Music/{{Blur}} and Music/ManicStreetPreachers), were too big to fail (Oasis kept having hits afterward, but were never as insurmountably huge again) or were unique enough that they were barely Britpop to begin with and could simply detach themselves from whatever Britpop trappings they had picked up (namely Music/{{Stereolab}} and Music/TheDivineComedy).
* WhatCouldHaveBeen: "Lift" was originally included within the earliest drafts of ''OK Computer'', and was planned to be the album's lead single. However, the pressure this position caused resulted in the band abandoning the track, feeling that their studio arrangement of it was unsatisfactory; they would later revisit it live in 2002 with a considerably slower and more restrained arrangement. The studio version of "Lift" would eventually make its way onto the 2017 ''OKNOTOK'' expanded reissue of ''OK Computer'', and would receive its own music video to promote the release. Multiple different drafts of "Lift" would be included in the ''[=MiniDiscs [Hacked]=]'' compilation in 2019, taken from a series of recordings from the ''OK Computer'' sessions that were previously leaked online and held for ransom.

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