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Old Shame is In-Universe only


* CreatorBacklash: Creator/AudreyHepburn felt miscast as Eliza Doolittle and felt that Creator/JulieAndrews should have got it.

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* CreatorBacklash: CreatorBacklash:
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Creator/AudreyHepburn felt miscast as Eliza Doolittle and felt that Creator/JulieAndrews should have got it.it.
** Jack Warner deeply regretted turning Creator/JulieAndrews down in favor of Creator/AudreyHepburn.



* OldShame: Jack Warner deeply regretted turning Creator/JulieAndrews down in favor of Creator/AudreyHepburn.
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* RefrainFromAssuming: Henry's song with the repeated line "Why can't a woman be more like a man?" is actually called "A Hymn to Him".
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Just being more accurate.


* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star that the next year she was the one playing [[Film/TheSoundOfMusic a role originated by someone else onstage]].
* GeorgeLucasAlteredVersion: When the film was given an 8K restoration in 2015, the sharp digital scans of the original negative revealed details that were never visible on any print before, including Audrey Hepburn's teeth fillings and the adhesive for Rex Harrison's toupee. The restoration team digitally removed these things, feeling that the filmmakers would not have wanted the public to see them.

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* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star that the next year she was the one playing [[Film/TheSoundOfMusic a role originated by someone else onstage]].
onstage]]. Allegedly, the humiliation [[NeverLiveItDown haunted Warner for the rest of his life]].
* GeorgeLucasAlteredVersion: When the film was given an 8K restoration in 2015, the sharp digital scans of the original negative revealed details that were never visible on any print before, including Audrey Hepburn's teeth fillings and the adhesive for Rex Harrison's toupee. The restoration team digitally removed these things, feeling that the filmmakers would not have wanted the public to see them.



* OldShame: Jack Warner regretted having to turn Creator/JulieAndrews down in favor of Creator/AudreyHepburn.

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* OldShame: Jack Warner deeply regretted having to turn turning Creator/JulieAndrews down in favor of Creator/AudreyHepburn.
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* IWantYouToMeetAnOldFriendOfMine: Audrey Hepburn's earliest film role was a brief part in ''Film/TheLavenderHillMob'', in which Alfred Doolittle's actor Stanley Holloway was one of the leads.

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* IWantYouToMeetAnOldFriendOfMine: Audrey Hepburn's earliest film role was a brief part in ''Film/TheLavenderHillMob'', in which Alfred Doolittle's actor Stanley Holloway Creator/StanleyHolloway was one of the leads.



** Creator/JamesCagney was originally offered the role of Alfred Doolittle. When he pulled out at the last minute, it went to the man who played it on Broadway, Stanley Holloway.

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** Creator/JamesCagney was originally offered the role of Alfred Doolittle. When he pulled out at the last minute, it went to the man who played it on Broadway, Stanley Holloway.Creator/StanleyHolloway.
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** During tryouts, Higgins tried to cheer Eliza up with a PepTalkSong called "Come to the Ball." The song was cut due to the show's excessive length, though a portion of it remains in the patter section of "I've Grown Accustomed To Her Face" - making it a DarkReprise of a song that isn't actually in the show.

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** During tryouts, Higgins tried to cheer Eliza up with a PepTalkSong called "Come to the Ball." The Although the song was cut due to the show's excessive length, though cut, a portion of it remains in the patter section of "I've Grown Accustomed To Her Face" - making it a DarkReprise of a song that isn't actually in the show.
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* WorkingTitle: ''Liza'', ''Lady Liza'', ''My Lady Liza'', ''Fanfaroon''[[note]] An old-fashioned term meaning "braggart," presumably referring to Higgins. [[/note]], and ''Come to the Ball''. The title didn't officially become ''My Fair Lady'' until the second week of rehearsals.


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* WorkingTitle: ''Liza'', ''Lady Liza'', ''My Lady Liza'', ''Fanfaroon''[[note]] An old-fashioned term meaning "braggart," presumably referring to Higgins. [[/note]], and ''Come to the Ball''. The title didn't officially become ''My Fair Lady'' until the second week of rehearsals.

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* WhatCouldHaveBeen: The concept of a ''Theatre/{{Pygmalion}}'' musical was first proposed by producer Cheryl Crawford, as a vehicle for Mary Martin with songs by Creator/RodgersAndHammerstein''. Even after Lerner and Lowe took on the project instead, Mary Martin was still the first choice for the role of Eliza, but she turned it down.

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* WhatCouldHaveBeen: The concept of a ''Theatre/{{Pygmalion}}'' musical was first proposed by producer Cheryl Crawford, as a vehicle for Mary Martin with songs by Creator/RodgersAndHammerstein''.Creator/RodgersAndHammerstein. Even after Lerner and Lowe took on the project instead, Mary Martin was still the first choice for the role of Eliza, but she turned it down.
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* WhatCouldHaveBeen: The concept of a ''Theatre/{{Pygmalion}}'' musical was first proposed by producer Cheryl Crawford, as a vehicle for Mary Martin with songs by Creator/RodgersAndHammerstein''. Even after Lerner and Lowe took on the project instead, Mary Martin was still the first choice for the role of Eliza, but she turned it down.
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* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star that the next year she was the one playing [[Film/TheSoundOfMusic roles originated by others onstage]].

to:

* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star that the next year she was the one playing [[Film/TheSoundOfMusic roles a role originated by others someone else onstage]].
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\n* WorkingTitle: ''Liza'', ''Lady Liza'', ''My Lady Liza'', ''Fanfaroon''[[note]] An old-fashioned term meaning "braggart," presumably referring to Higgins. [[/note]], and ''Come to the Ball''. The title didn't officially become ''My Fair Lady'' until the second week of rehearsals.




** Creator/CaryGrant refused the role of Henry Higgins, telling Jack Warner not only would he not be in the film, he wouldn't go and see it unless Creator/RexHarrison was cast. Creator/PeterOToole was also offered the role, but he wanted too much money. Creator/RichardBurton, Creator/NoelCoward, Creator/TrevorHoward, Creator/RockHudson, Creator/LaurenceOlivier, Creator/MichaelRedgrave and Creator/GeorgeSanders were all considered for the role.

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** Creator/CaryGrant refused the role of Henry Higgins, telling Jack Warner not only would he not be in the film, he wouldn't go and see it unless Creator/RexHarrison was cast. Creator/PeterOToole was also offered the role, but he wanted too much money. [[note]] He would later play Higgins in a non-musical TV movie of ''Theatre/{{Pygmalion}}'' in 1983, as well as in two stage productions of the play. [[/note]] Creator/RichardBurton, Creator/NoelCoward, Creator/TrevorHoward, Creator/RockHudson, Creator/LaurenceOlivier, Creator/MichaelRedgrave and Creator/GeorgeSanders were all considered for the role.
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* UncreditedRole: Creator/GwendolynWatts as a cook.
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* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star than the next year she was the one playing [[Film/TheSoundOfMusic roles originated by others onstage]].

to:

* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star than that the next year she was the one playing [[Film/TheSoundOfMusic roles originated by others onstage]].
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** Another curious example occurs in the song "The Street Where You Live", when Freddy sings the line, "People stop and stare, they don't bother me / For there's nowhere else on earth that I would rather be". The rhyme would completely fail in American English, where "rather" rhymes with "gather". Fortunately, Freddy is singing the Queen's English, in which "rather" rhymes with "father". They rhyme ''still'' fails in British English, because of the subtle distinction that Brits (and, indeed, most English speakers) make between the short "o" of "bother" and the long "a" of "father". However, most Americans make no such distinction (except for the traditional Boston accent): for them, "father" and "bother" are a perfect rhyming pair![[note]]This conflation, known as the "father-bother merger", is one of the distinguishing features of North American English.[[/note]] So the rhyme works -- but only if it's ''said'' by a Brit and ''heard'' by an American.

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** Another curious example occurs in the song "The Street Where You Live", when Freddy sings the line, "People stop and stare, they don't bother me / For there's nowhere else on earth that I would rather be". The rhyme would completely fail in American English, where "rather" rhymes with "gather". Fortunately, Freddy is singing the Queen's English, in which "rather" rhymes with "father". They The rhyme ''still'' fails in British English, because of the subtle distinction that Brits (and, indeed, most English speakers) make between the short "o" of "bother" and the long "a" of "father". However, most Americans make no such distinction (except for the traditional Boston accent): for them, "father" and "bother" are a perfect rhyming pair![[note]]This conflation, known as the "father-bother merger", is one of the distinguishing features of North American English.[[/note]] So the rhyme works -- but only if it's ''said'' by a Brit and ''heard'' by an American.
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* LifeImitatesArt: When she was cast in the demanding role of Eliza, Creator/JulieAndrews was only twenty had never acted in anything more complex than ''Theatre/TheBoyFriend''. During rehearsals, director Moss Hart dismissed the rest of the cast and coached her, word by word, through the dialogue, telling her how to deliver every line and essentially acting as the real-life Higgins to her Eliza.

to:

* LifeImitatesArt: When she was cast in the demanding role of Eliza, Creator/JulieAndrews was only twenty and had never acted in anything more complex than ''Theatre/TheBoyFriend''. During rehearsals, director Moss Hart dismissed the rest of the cast for two days and coached her, word by word, through the dialogue, telling her how to deliver every line and essentially acting as the real-life Higgins to her Eliza.
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None


* LifeImitatesArt: When she was cast in the demanding role of Eliza, Creator/JulieAndrews was only twenty had never acted in anything more complex than ''TheBoyFriend''. During rehearsals, director Moss Hart dismissed the rest of the cast and coached her, word by word, through the dialogue, telling her how to deliver every line and essentially acting as the real-life Higgins to her Eliza.

to:

* LifeImitatesArt: When she was cast in the demanding role of Eliza, Creator/JulieAndrews was only twenty had never acted in anything more complex than ''TheBoyFriend''.''Theatre/TheBoyFriend''. During rehearsals, director Moss Hart dismissed the rest of the cast and coached her, word by word, through the dialogue, telling her how to deliver every line and essentially acting as the real-life Higgins to her Eliza.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LifeImitatesArt: When she was cast in the demanding role of Eliza, Creator/JulieAndrews was only twenty had never acted in anything more complex than ''TheBoyFriend''. During rehearsals, director Moss Hart dismissed the rest of the cast and coached her, word by word, through the dialogue, telling her how to deliver every line and essentially acting as the real-life Higgins to her Eliza.
Is there an issue? Send a MessageReason:
None

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* ChannelHop: The film was produced by Creator/WarnerBros, but their contract with Creator/{{CBS}}, who backed the Broadway show, stipulated that the rights would revert to them eight years later in 1972. CBS licensed the film to Creator/TwentiethCenturyFox throughout the 1980's and 90's, and rights are currently held by Creator/{{Paramount}} due to their ownership of CBS.


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* GeorgeLucasAlteredVersion: When the film was given an 8K restoration in 2015, the sharp digital scans of the original negative revealed details that were never visible on any print before, including Audrey Hepburn's teeth fillings and the adhesive for Rex Harrison's toupee. The restoration team digitally removed these things, feeling that the filmmakers would not have wanted the public to see them.

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* AccentDepundent:
** [[InvokedTrope Invoked]] in the song "Show Me", where one of the couplets ("Haven't your arms Hungered for mine?/Please don't explain, Show me!") only rhymes if Eliza briefly [[OohMeAccentsSlipping slips back into her Cockney accent]] (where "explain" is pronounced "expl'ine").
** Another curious example occurs in the song "The Street Where You Live", when Freddy sings the line, "People stop and stare, they don't bother me / For there's nowhere else on earth that I would rather be". The rhyme would completely fail in American English, where "rather" rhymes with "gather". Fortunately, Freddy is singing the Queen's English, in which "rather" rhymes with "father". They rhyme ''still'' fails in British English, because of the subtle distinction that Brits (and, indeed, most English speakers) make between the short "o" of "bother" and the long "a" of "father". However, most Americans make no such distinction (except for the traditional Boston accent): for them, "father" and "bother" are a perfect rhyming pair![[note]]This conflation, known as the "father-bother merger", is one of the distinguishing features of North American English.[[/note]] So the rhyme works -- but only if it's ''said'' by a Brit and ''heard'' by an American.



** "Say A Prayer For Me Tonight" was written for this show, but cut and used later in ''Gigi''.

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** "Say A Prayer For Me Tonight" was written for this show, but cut and used later in ''Gigi''.''Theatre/{{Gigi}}''.

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* RecursiveAdaptation: ''My Fair Lady'' is based as much on the 1938 film version of ''Pygmalion'' as the original stage version, making it a case of stage -> screen -> stage.



* StarMakingRole: For Julie Andrews.

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* RecursiveAdaptation: ''My Fair Lady'' is based as much on the 1938 film version of ''Pygmalion'' as the original stage version, making it a case of stage -> screen -> stage.
* StarMakingRole: For Julie Andrews.Creator/JulieAndrews.
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* IWantYouToMeetAnOldFriendOfMine: Audrey Hepburn's earliest film role was a brief part in ''Film/TheLavenderHillMob'', in which Alfred Doolittle's actor Stanley Holloway was one of the leads.
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None

Added DiffLines:

* OldShame: Jack Warner regretted having to turn Creator/JulieAndrews down in favor of Creator/AudreyHepburn.
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None


* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner.

to:

* ExecutiveMeddling: Jack Warner (also personally producing the film this time) refused to let Creator/JulieAndrews reprise the role of Eliza that she'd originated on stage. Andrews got the last laugh as she instead did a little movie called ''Film/MaryPoppins'', winning an Oscar for which she even thanked Warner. That film made her a big enough star than the next year she was the one playing [[Film/TheSoundOfMusic roles originated by others onstage]].
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The first Hungarian Rhapsody was written by Liszt, who actually was Hungarian.


* AccidentallyCorrectWriting: A frequently-cut verse of "You Did It" has Higgins quoting Karpathy as saying "She's as Hungarian as the First Hungarian Rhapsody!". No points for guessing which nationality said music isn't.
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* WagTheDirector: The reason Higgins interrupts "Without You" before it can finish is that Rex Harrison felt Higgins would not stand silently and let Eliza sing to him without interruption; in one performance he actually walked offstage during the number to prove his point. (The original ending of the number was restored for the cast recording.)


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* WagTheDirector: The reason Higgins interrupts "Without You" before it can finish is that Rex Harrison felt Higgins would not stand silently and let Eliza sing to him without interruption; in one tryout performance he actually walked offstage during the number to prove his point. (The original ending of the number was restored for the cast recording.)

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to:

\n* WagTheDirector: The reason Higgins interrupts "Without You" before it can finish is that Rex Harrison felt Higgins would not stand silently and let Eliza sing to him without interruption; in one performance he actually walked offstage during the number to prove his point. (The original ending of the number was restored for the cast recording.)

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\n* StarMakingRole: For Julie Andrews.

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\n** A ballet where the servants help Eliza prepare for the ball was also cut during tryouts to keep the show's running time down.

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** Also, Creator/JeremyBrett as Freddy was dubbed by Bill Shirley (AKA [[Disney/OneHundredAndOneDalmatians Roger]] (singing) and [[Disney/SleepingBeauty Prince Philip]]). Out of all of them, Brett was the one who ''could'' sing (look him up on Website/YouTube), but his singing voice was thought too mature for Freddy. Brett was apparently not informed that he would be dubbed until afterwards. And he was ''pissed''.

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** Also, Creator/JeremyBrett as Freddy was dubbed by Bill Shirley (AKA [[Disney/OneHundredAndOneDalmatians [[WesternAnimation/OneHundredAndOneDalmatians Roger]] (singing) and [[Disney/SleepingBeauty [[WesternAnimation/SleepingBeauty Prince Philip]]). Out of all of them, Brett was the one who ''could'' sing (look him up on Website/YouTube), but his singing voice was thought too mature for Freddy. Brett was apparently not informed that he would be dubbed until afterwards. And he was ''pissed''.

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* CutSong:
** "Say A Prayer For Me Tonight" was written for this show, but cut and used later in ''Gigi''.
** There's an extra verse sometimes re-added to "You Did It" expanding on Karpathy's raves about Eliza's certain Hungarian birth.
** During tryouts, Higgins tried to cheer Eliza up with a PepTalkSong called "Come to the Ball." The song was cut due to the show's excessive length, though a portion of it remains in the patter section of "I've Grown Accustomed To Her Face" - making it a DarkReprise of a song that isn't actually in the show.

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