Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* ChannelHop: In the U.S., this was New Order's first album to be released by Music/QuincyJones' Creator/WarnerBrosRecords-distributed Qwest Records. Qwest would eventually reissue the band's earlier albums as well as Music/JoyDivision's back catalog. The Qwest deal would be the start of a long association of the band with Creator/WarnerMusicGroup, which would carry over to the other side of the Atlantic in the wake of Factory's demise when the band signed to London Records.
to:
* ChannelHop: In the U.S., this was New Order's first album to be released by Music/QuincyJones' Creator/WarnerBrosRecords-distributed Qwest Records.Records instead of Creator/FactoryRecords' US branch. Qwest would eventually reissue the band's earlier albums as well as Music/JoyDivision's back catalog. The Qwest deal would be the start of a long association of the band with Creator/WarnerMusicGroup, which would carry over to the other side of the Atlantic in the wake of Factory's demise when the band signed to London Records.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* {{Blooper}}: While the third verse in "The Perfect Kiss" is removed in the album edit, the first split-second of it is still mistakenly left in, resulting in careful listeners being able to hear Bernard Sumner sing "wh--" before being abruptly cut off.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* ChannelHop: In the U.S., this was New Order's first album to be released by Music/QuincyJones' Creator/WarnerBrosRecords-distributed Qwest Records. Qwest would eventually reissue the band's earlier albums as well as Music/JoyDivision's back catalog.
to:
* ChannelHop: In the U.S., this was New Order's first album to be released by Music/QuincyJones' Creator/WarnerBrosRecords-distributed Qwest Records. Qwest would eventually reissue the band's earlier albums as well as Music/JoyDivision's back catalog. The Qwest deal would be the start of a long association of the band with Creator/WarnerMusicGroup, which would carry over to the other side of the Atlantic in the wake of Factory's demise when the band signed to London Records.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ChannelHop: In the U.S., this was New Order's first album to be released by Music/QuincyJones' Creator/WarnerBrosRecords-distributed Qwest Records. Qwest would eventually reissue the band's earlier albums as well as Music/JoyDivision's back catalog.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* RarelyPerformedSong: Despite being a fan-favorite, "The Perfect Kiss" disappeared from their concerts between 1993 and 2006, due to difficulties with converting the sample programming to newer equipment.
to:
* RarelyPerformedSong: Despite being a fan-favorite, "The Perfect Kiss" disappeared from their the band's concerts between 1993 and 2006, due to difficulties with converting the sample programming to newer equipment.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* RarelyPerformedSong: Despite being a fan-favorite, "The Perfect Kiss" disappeared from their concerts between 1993 and 2006, due to difficulties with converting the sample programming to newer equipment.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* PopCultureUrbanLegends: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version. Eventually he compromised by designing the label itself, with a typography credit attributed to "Peter Saville Associates". However, Saville himself debunked this rumor on April 17, 2020, clarifying that he was never commissioned to design a sleeve in the first place.
to:
* PopCultureUrbanLegends: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version. Eventually he compromised by designing the label itself, with a typography credit attributed to "Peter Saville Associates". However, Saville himself debunked this rumor on April 17, 2020, clarifying that he was never commissioned to design a sleeve in the first place.
Is there an issue? Send a MessageReason:
None
Added line(s) 3 (click to see context) :
* PopCultureUrbanLegends: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version. Eventually he compromised by designing the label itself, with a typography credit attributed to "Peter Saville Associates". However, Saville himself debunked this rumor on April 17, 2020, clarifying that he was never commissioned to design a sleeve in the first place.
Deleted line(s) 3 (click to see context) :
* WriterRevolt: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version. Eventually he compromised by designing the label itself, with a typography credit attributed to "P/S/A" (Peter Saville Associates).
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* WriterRevolt: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version.
to:
* WriterRevolt: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version. Eventually he compromised by designing the label itself, with a typography credit attributed to "P/S/A" (Peter Saville Associates).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* WriterRevolt: One account behind the plain packaging of the "Sub-Culture" single-- a generic black sleeve with a cutout for the disc label-- claims that Peter Saville openly refused to design a cover for the release, being dissatisfied with John Robie's mixing compared to the album version.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ShrugOfGod: When asked about the meaning of "The Perfect Kiss" in an interview with ''GQ'' Magazine, Bernard Sumner simply responded "I haven't a clue what this is about."
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CreatorsFavoriteEpisode: In [[https://www.vice.com/en/article/65z5kb/new-order-rank-your-records a 2015 interview]] with ''Vice'', Stephen Morris listed ''Low-Life'' as his personal favorite New Order album, describing it as the culmination of everything the band had been building up to since their Music/JoyDivision days and feeling that it marked the point where they truly got the hang of producing their own albums.
----
----
