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Changed line(s) 1 (click to see context) from:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy, ''The Tenth Doctor and River Song'' boxset, and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
to:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy, ''The Tenth Doctor and River Song'' boxset, the 10th Doctors appearance in the War Master story ''The Last Line'', and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
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Changed line(s) 1 (click to see context) from:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
to:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy Trilogy, ''The Tenth Doctor and River Song'' boxset, and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
Is there an issue? Send a MessageReason:
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Changed line(s) 1 (click to see context) from:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production after when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
to:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production after when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
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Added DiffLines:
* AbsurdlyShortProductionTime: This story, along with the rest of the ''Out Of Time'' Trilogy and the ''Dalek Universe'' Trilogy (as well as, possibly, the ''Tenth Doctor, Classic Companions'' set) were all rushed into production after when the COVID-19 Pandemic hit and David Tennant was suddenly available for a 20 day stretch to record. Big Finish normally spend a couple of months pitching and writing scripts for their mainline ''Adventures'' audios but the scripts for these stories only had ''three weeks'' to be ready in time for recording.
