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Changed line(s) 116 (click to see context) from:
*** "T.I.M.E." featuring Music/JoshTurner has Turner replacing one of the final lines of "[[SpellingSong Women spell love T.I.M.E.]]" to "Women spell love Josh and Randy", causing Randy to briefly crack up.
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*** "T.I.M.E." featuring Music/JoshTurner has Turner replacing one of the final lines of that's supposed today, "[[SpellingSong Women spell love T.I.M.E.]]" to "Women spell love Josh and Randy", causing Randy to briefly crack up.
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Changed line(s) 113 (click to see context) from:
* Music/RandyTravis recorded a cover of Brook Benton's "It's Just a Matter of Time" for a multi-artist covers album. When he liked how the cover turned out, he decided to put it on one of his own albums and release it as a single. His version went to #1 on the country charts in December 1989.
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* Music/RandyTravis Music/RandyTravis
** Randy recorded a cover of Brook Benton's "It's Just a Matter of Time" for a multi-artist covers album. When he liked how the cover turned out, he decided to put it on one of his own albums and release it as a single. His version went to #1 on the country charts in December1989.1989.
** Some of the tracks in his 25th Anniversary Celebration albums have ad-libs and
*** "T.I.M.E." featuring Music/JoshTurner has Turner replacing one of the final lines of "[[SpellingSong Women spell love T.I.M.E.]]" to "Women spell love Josh and Randy", causing Randy to briefly crack up.
*** His "Better Class of Losers"/"She's got the Rhythm (And I've Got the Blues)" medley duet with Music/AlanJackson ends with Jackson quipping, "I think I nailed that, didn't I?" and the two singers sharing a laugh. It's probably not intended to be there, but it does fit the laidback tune of the songs.
** Randy recorded a cover of Brook Benton's "It's Just a Matter of Time" for a multi-artist covers album. When he liked how the cover turned out, he decided to put it on one of his own albums and release it as a single. His version went to #1 on the country charts in December
** Some of the tracks in his 25th Anniversary Celebration albums have ad-libs and
*** "T.I.M.E." featuring Music/JoshTurner has Turner replacing one of the final lines of "[[SpellingSong Women spell love T.I.M.E.]]" to "Women spell love Josh and Randy", causing Randy to briefly crack up.
*** His "Better Class of Losers"/"She's got the Rhythm (And I've Got the Blues)" medley duet with Music/AlanJackson ends with Jackson quipping, "I think I nailed that, didn't I?" and the two singers sharing a laugh. It's probably not intended to be there, but it does fit the laidback tune of the songs.
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Changed line(s) 309 (click to see context) from:
** About three minutes into "Hey Jude," somebody (it's disputed who said it, but it was either Paul or John) mumbles "[[PrecisionFStrike Fucking]] hell!", apparently because Paul hit the wrong note on his piano.
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** About three minutes into "Hey Jude," somebody (it's disputed who said it, but it was either Paul or John) mumbles "[[PrecisionFStrike Fucking]] hell!", apparently either because Paul accidentally hit the wrong note on his piano.piano, or John's headphones were set too loud and startled him.
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Deleted line(s) 388 (click to see context) :
* That odd piano chord at the beginning of "Roxanne" by Music/ThePolice was {{Music/Sting}} accidentally leaning against a live keyboard. You also hear him chuckle. But that was the take that they liked, so that is the one on the album.
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Added The Police / Roxanne to Rock
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* That odd piano chord at the beginning of "Roxanne" by Music/ThePolice was {{Music/Sting}} accidentally leaning against a live keyboard. You also hear him chuckle. But that was the take that they liked, so that is the one on the album.
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Changed line(s) 287 (click to see context) from:
* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per [[https://en.wikipedia.org/wiki/Love_Rollercoaster#Urban_legend Wikipedia]]: "between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version", Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Music/MinnieRiperton or Music/MariahCarey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album ''Honey'' became badly burned in the process of shooting [[note]]The cover art depicts her nude from the waist up eating from a jar of brightly glowing honey - the myth had it that the honey was heated up to dangerous temperatures to achieve the effect[/note]], and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
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* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per [[https://en.wikipedia.org/wiki/Love_Rollercoaster#Urban_legend Wikipedia]]: "between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version", Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Music/MinnieRiperton or Music/MariahCarey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album ''Honey'' became badly burned in the process of shooting [[note]]The cover art depicts her nude from the waist up eating from a jar of brightly glowing honey - the myth had it that the honey was heated up to dangerous temperatures to achieve the effect[/note]], effect[[/note]], and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
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Changed line(s) 287 (click to see context) from:
* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per Wikipedia: ''between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version'', Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Minnie Riperton or Mariah Carey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album "Honey" became badly burned in the process of shooting [[note]](the cover art depicts her nude from the waist up eating from a jar of brightly glowing honey - the myth had it that the honey was heated up to dangerous temperatures to achieve the effect)[/note]], and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
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* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per Wikipedia: ''between [[https://en.wikipedia.org/wiki/Love_Rollercoaster#Urban_legend Wikipedia]]: "between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version'', version", Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Minnie Riperton Music/MinnieRiperton or Mariah Carey.Music/MariahCarey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album "Honey" ''Honey'' became badly burned in the process of shooting [[note]](the [[note]]The cover art depicts her nude from the waist up eating from a jar of brightly glowing honey - the myth had it that the honey was heated up to dangerous temperatures to achieve the effect)[/note]], effect[/note]], and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
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Changed line(s) 288 (click to see context) from:
* The version of 'Valerie' sung by Music/AmyWinehouse (said to have been done in one take) and featured on her album ''Music/BackToBlack'' starts with producer Mark Ronson saying, "All right, it's rolling." and Amy murmuring, "I'm sorry Charlie Murphy; I was having too much fun."
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* The version of 'Valerie' sung by Music/AmyWinehouse (said to have been done in one take) and featured on her album ''Music/BackToBlack'' starts with producer Mark Ronson saying, "All right, it's rolling." and Amy murmuring, "I'm sorry Charlie Murphy; I was having too much fun."" The latter was a spontaneous ShoutOut to a ''Series/ChappellesShow'' skit.
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Changed line(s) 287 (click to see context) from:
* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per Wikipedia: ''between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version'', Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Minnie Riperton or Mariah Carey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album "Honey" became badly burned in the process of shooting, and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
to:
* The Ohio Players had inspired an urban legend with a ThrowItIn on the song "Love Rollercoaster". Per Wikipedia: ''between 1:24 and 1:28 on the single version, or between 2:32 and 2:36 on the album version'', Billy Beck lets out a high-pitched scream that sounds like a woman screaming in peril. The band was then teased by a DJ regarding the scream, asking if they had killed someone during the recording. The band chose to remain quiet on the issue, knowing full and well that the urban legend regarding the scream would prove to be more profitable. It wasn't until many years later that they finally revealed that it was nothing more than Billy Beck ad-libbing a high-pitched shriek in the manner of Minnie Riperton or Mariah Carey. A few urban legends regarding the origin of the scream popped up over the years. One prominent one being that Ester Cordet, the model who appeared on the cover of the album "Honey" became badly burned in the process of shooting, shooting [[note]](the cover art depicts her nude from the waist up eating from a jar of brightly glowing honey - the myth had it that the honey was heated up to dangerous temperatures to achieve the effect)[/note]], and had broken in to the studio threatening legal action. The band's manager then supposedly stabbed her to death during the recording, in which she let out the scream. To note that as of 2015, Ester Cordet is still alive.
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Changed line(s) 268 (click to see context) from:
** "Stuck With Me" ended up with its NonAppearingTitle this way - the band were working on one song they hadn't given a name yet and another one called "Stuck With Me", and someone at the studio accidentally swapped the labels for the master recordings. The band decided "Stuck With Me" fit the theme of the untitled song, and it became the new title. The original "Stuck With Me" (which incidentally ''did'' include a TitleDrop) became "Do Da Da" when it was released as a BSide (which later appeared on ''Shenanigans'').
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** "Stuck With Me" ended up with its NonAppearingTitle this way - the band were working on one song they hadn't given a name yet and another one called "Stuck With Me", and someone at the studio accidentally swapped the labels for the master recordings. The band decided "Stuck With Me" fit the theme of the untitled song, and it became the new title. The original "Stuck With Me" (which incidentally ''did'' include a TitleDrop) became "Do Da Da" when it was released as a BSide (which later appeared on the BSide album ''Shenanigans'').
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** "Miss You Much" ends with Janet asking "that's the end?" - the song ends immediately after the last repetition of the chorus, and this evidently caught her off guard.
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Changed line(s) 150 (click to see context) from:
* When Sheck Wes was recording "Mo Bamba", the laptop that was looping the beat he was rapping over froze, causing the music to cut off near the end of a bar. His sudden exclamation of [[ClusterFBomb "Oh, fuck! Shit! Bitch!"]] was a spontaneous reaction to this, but the laptop suddenly started working again so he improvised a rhyme ("Yeah, Sheck Wes, and I'm gettin' really rich").
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* When Sheck Wes was recording "Mo Bamba", the laptop that was looping the beat he was rapping over froze, causing the music to cut off near the end of a bar. His sudden exclamation of [[ClusterFBomb "Oh, fuck! Shit! Bitch!"]] was a spontaneous reaction to this, but the laptop suddenly started working again so he improvised a rhyme to cover for it ("Yeah, Sheck Wes, and I'm gettin' really rich").
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Changed line(s) 356,357 (click to see context) from:
* The famous riff of Music/GunsNRoses' "Sweet Child o' Mine" originated from Slash screwing around. He never intended the riff to be recorded, let alone immortalized.
** For the same song, they also weren't sure what to do for a breakdown, so Axl started saying to himself "Where do we go now?" and the producer recording the demos [[SureLetsGoWithThat told him to sing just that]].
** For the same song, they also weren't sure what to do for a breakdown, so Axl started saying to himself "Where do we go now?" and the producer recording the demos [[SureLetsGoWithThat told him to sing just that]].
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* Music/GunsNRoses:
** The famous riff ofMusic/GunsNRoses' "Sweet Child o' Mine" originated from Slash screwing around. He never intended the riff to be recorded, let alone immortalized.
** For the same song,immortalized. In addition, they also weren't sure what to do for a breakdown, so Axl started saying to himself "Where do we go now?" and the producer recording the demos [[SureLetsGoWithThat told him to sing just that]].
** The famous riff of
** For the same song,