History Theatre / WesterosAnAmericanMusical

** [[spoiler:Tywin]] little after the end of "Congratshaelations".

** "Plot development": Robert.
** Ned Stark dies between the end of "Plot development" and the beginning of "Stannis Refuted".

* AnythingButThat: Littlefinger's reaction to the prospect of having [[ZeroPercentApprovalRating Stannis]] as a King.

** "Crownless": [[spoiler:Renly]]
** "Hisstorically Inaccurate": [[spoiler:The raven serving as narrator for Act I]]
** "Stark to Finish": [[spoiler:Robb and Catelyn]]
** "The Groom When It Happened": [[spoiler:Joffrey]]
** "Talk Less, Stab More": [[spoiler:Oberyn]]
** [[spoiler:Tywin]] little after the end of "Congratshaelations"

* NoFourthWall: The play keeps several BreakingTheFourthWall moments from the ''Theatre/{{Hamilton}}'' songs. On top of this, it has such things as characters casually pointing out differences between ''Literature/ASongOfIceAndFire'' and ''Series/GameOfThrones'' or acting out romantic scenes between specific pairs to please the audience. TheInteractiveNarrator also tries to kick the Sand Snakes out for showing up too early [[spoiler:and getting killed over it]].

** During "I'll Be Back", Daenerys asks the audience to not ask her where Viserys is. It can easily be read both as a nod to him being dead by that point and to the fact that Daenerys is the only Essos-located character seen in the play.

** Near the end of "Stark to Finish", [[spoiler:the Red Wedding]] gets interrupted due to Catelyn getting baffled by Jaime's physical absence from the play. Robb points out the fact that Jaime's capture by the Starks was mentioned earlier in the play ("Hand of the King" and "Robb Stark"). To top things off, the early part of "Stark to Finish" alludes to Catelyn herself releasing Jaime.

* NoFourthWall: The play keeps several BreakingTheFourthWall moments from the ''Theatre/{{Hamilton}}'' songs. On top of this, it has such things as characters casually pointing out differences between ''Literature/ASongOfIceAndFire'' and ''Series/GameOfThrones'', acting out romantic scenes between specific pairs to please the audience and the InteractiveNarrator trying to kick the Sand Snakes out for showing up too early [[spoiler:and getting killed over it]].

** In "Stark to Finish", [[spoiler:the Red Wedding]] gets interruped due to Catelyn getting baffled by Jaime's physical absence from the play. Robb points out the fact that Jaime's capture by the Starks was mentioned earlier in the play ("Hand of the King" and "Robb Stark"). To top things off, the early part of "Stark to Finish" alludes to Catelyn herself releasing Jaime.

** The raven first thinks she misread her cue card when she narrates about Ned Stark travelling to King's Landing with ''two'' daughters, due to only Sansa actually appearing in the paly and Arya getting relegated to a few mentions.

** [[spoiler:The Red Wedding]] gets interruped due to Catelyn suddenly getting baffled by Jaime's physical absence from the play. His capture is mentioned in both "Hand of the King" and "Robb Stark".

* TheGhost: Several characters get demoted to this, so many in fact that it gets pointed out:

** During "I'll Be Back", Daenerys asks the audience to not ask where Viserys is. While it can be due to him being dead by that point, it can also be a nod to the fact that she's the only Essos-located character seen in the play.
** When Stannis burns to curse Joffrey, Balon and Robb, that fire's response to Balon's leech being thrown in is Balon's voice complaining about not being in the play.
** Jaime's absence from the stage despite two different songs mentioning his capture.

* TwiceToldTale: The play is its own blend of the book and TV continuities, but also clearly expects the audience to be familiar with at least one of the official versions of the story it’s telling. Plot elements can get anything from proper exposition to AdaptationExplanationExtrication, depending on the whims of the InteractiveNarrator and characters. The fact that the plot is being retold with ''Theatre/{{Hamilton}}'' songs is also best appreciated if the originals were listened to beforehand.

* AdaptationalEarlyAppearance: The Sand Snakes accompany Oberyn to King’s Landing instead of Ellaria, resulting in them debuting the equivalent of an entire book early. This gets plenty of mention in their debut song, "Hisstorically Inaccurate".

* InteractiveNarrator: The raven in Act I of the 2019 version.
* NoFourthWall: The play keeps several BreakingTheFourthWall moments from the ''Theatre/{{Hamilton}}'' songs. On top of this, it has such things as characters casually pointing out differences between ''Literature/ASongOfIceAndFire'' and ''Series/GameOfThrones'', act out romantic scenes between specific pairs to please the audience and the InteractiveNarrator trying to kick the Sand Snakes out for showing up too early [[spoiler:and getting killed over it]].

* NoFourthWall:The play keeps several BreakingTheFourthWall moments from ''Theatre/{{Hamilton}}''. On top of this, it has such things as characters casually pointing out differences between ''Literature/ASongOfIceAndFire'' and ''Series/GameOfThrones'', act out romantic scenes between specific pairs to please the audience and the InteractiveNarrator trying to kick the Sand Snakes out for showing up too early [[spoiler:and getting killed over it]].

* TwiceToldTale: The play is its own blend of the book and TV continuities, but also clearly expects the audience to be familiar with at least one of the official versions of the story it’s telling. Plot elements can get anything from proper exposition to AdaptationExplanationExtrication, depending on the whims of the narrator and characters. The fact that the plot is being retold with ''Theatre/{{Hamilton}}'' songs is also best appreciated if the originals were listened to beforehand.

''Westeros: An American Musical'' is a musical parody of ''Literature/ASongOfIceAndFire'' and it live-action tv adaptation ''Series/GameOfThrones'', set to music from ''Theatre/{{Hamilton}}''. The script writer is credited as Brian E.

The play focuses mostly on the events in King’s Landing and the Lannisters, with Stannis and his entourage being a close second. Robb Stark, Daenerys Targaryen and Jon Snow’s storylines get minor focus, while the rest range from brief mentions to complete absence. The plays [[NoFourthWall doesn't have much of a Fourth Wall]], either.

The play focuses mostly on the events in King’s Landing and the Lannisters, with Stannis and his entourage being a close second. Robb Stark, Daenerys Targaryen and Jon Snow’s storylines get minor focus, while the rest range from brief mentions to complete absence. The plays [[NoFOurthWall doesn't have much of a Fourth Wall]], either.

The play focuses mostly on the events in King’s Landing and the Lannisters, with Stannis and his entourage being a close second. Robb Stark, Daenerys Targaryen and Jon Snow’s storylines get minor focus, while the rest range from brief mentions to complete absence.

* TwiceToldTale: As much as the play tries to be its own blend of the book and TV continuities, it also clearly expects the audience to be familiar with at least one of the official versions of the story it’s telling. Plot elements can get anything from proper exposition to AdaptationExplanationExtrication, depending on the whims of the narrator and characters. The fact that the plot is being retold with ''Theatre/{{Hamilton}}'' songs is also best appreciated if the original were listened to beforehand.

** Edric Storm serves as Melisandre’s source of King’s blood, when he was replaced by Gendry in the TV series.

* TwiceToldTale: As much as the play tries to be its own blend of the book and TV continuities, it also clearly expects the audience to be familiar with at least one of the official versions of the story it’s telling. Plot elements can get anything from proper exposition to AdaptationExplanationExtrication, depending on the whims of the narrator and characters.

''Westeros: An American Musical'' is a musical parody of ''Literature/ASongOfIceAndFire'' and it live-action tv adaptation ''Series/GameOfThrones'', set to music from ''Theatre/Hamilton''. The script writer is credited as Brian E.

There are two versions of the play on the creator’s Website/YouTube channel. The first, released in a song-by-song format, was performed in 2018 and covers events from ''Literature/AGameOfThrones'' and ''Literature/AClashOfKings'' to the tune of songs taken from the first act of ''Theatre/Hamilton''. The second, performed in 2019, was released as two videos: Act I that is an expanded rework of the 2018 version, and Act II that covers events from ''Literature/AStormOfSwords'' with tunes mostly taken from Act II of ’’Theatre/Hamilton’’.

* AdaptationalEarlyAppearance: The Sand Snakes accompany Oberyn to King’s Landing instead of Ellaria, resulting in them debuting the equivalent of an entire book early.

** Roose Bolton wears pink, which is the main House Bolton color in the books. The TV show went with RedAndBlackEvilAllOver.

->''"Fools who trust too much soon wind up dead."''\\
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