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Franz von Moor, second son of the old count, starts an intrigue against his older brother Karl, to become the heir instead. Also, he tries to hit on Karl's LoveInterest Amalia. Meanwhile Karl, with some nudge from his buddy Spiegelberg, decides to join a band of robbers and becomes their captain (he hopes to become someone who helps the weaker, like RobinHood). Things escalate soon.

to:

Franz von Moor, second son of the old count, starts an intrigue against his older brother Karl, to become the heir instead. Also, he tries to hit on Karl's LoveInterest Amalia. Meanwhile Karl, with some nudge from his buddy Spiegelberg, decides to join a band of robbers and becomes their captain (he hopes to become someone who helps the weaker, like RobinHood).Myth/RobinHood). Things escalate soon.
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* DramatisPersonae: As befitting a classical drama, all characters snd their positions are listed at the beginning of the play.

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* DramatisPersonae: As befitting a classical drama, all characters snd and their positions are listed at the beginning of the play.

Added: 51

Changed: 1077

Removed: 27

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Zero Context examples, typos



* AntiHero: Karl is a WellIntentionedExtremist.

to:

\n* %%
%% Zero-Context Examples have been commented out. Please write up a full example before removing the comment markup.
%%
%%*
AntiHero: Karl is a WellIntentionedExtremist.



* BastardBastard: Hermann, whom Franz uses in his schemes.
* BeautyEqualsGoodness: Or rather, Evil Equals Ugliness. As in the case of Franz Moor, who lampshades it when he laments his bad looks, referring in an un-PC way to his "negro lips" and "Hottentot eyes".
** though it's debatable whether Franz is truly ugly or just thinks he is due to having been TheUnfavorite for so many years, as other characters never refer to his looks. There are usually two ways to address this topic in different productions: Either the monologue is taken literally and the actor is turned immensely hideous, or they cast a certified PrettyBoy to show the audience just how caught up in his own psychosis Franz is
* BloodOath: Karl swore it.

to:

* %%* BastardBastard: Hermann, whom Franz uses in his schemes.
* BeautyEqualsGoodness: Or rather, Evil Equals Ugliness. As in the case of Franz Moor, who lampshades it when he laments his bad looks, referring in an un-PC way to his "negro lips" and "Hottentot eyes".
** though
eyes". Though it's debatable whether Franz is truly ugly or just thinks he is due to having been TheUnfavorite for so many years, as other characters never refer to his looks. There are usually two ways to address this topic in different productions: Either the monologue is taken literally and the actor is turned immensely hideous, or they cast a certified PrettyBoy to show the audience just how caught up in his own psychosis Franz is
*
is.
%%*
BloodOath: Karl swore it.



* CainAndAbel: Franz and Karl. It is an unusual example because the younger brother is the more villainous.

to:

* %%* CainAndAbel: Franz and Karl. It is an unusual example because the younger brother is the more villainous.



* CrossCastRole: Quite a few famous productions cast an actres as one of the brothers. Franz gets this treatment far more often than Karl.
* [[DamnItFeelsGoodToBeAGangster Damn It Feels Good To Be A Robber]]: The robbers sing a song at the campfire.
* DefectorFromDecadence: Karl. "I am disgusted with this age of puny scribblers [[Literature/ParallelLives when I read of great men in my Plutarch]]."

to:

* CrossCastRole: Quite a few famous productions cast an actres actress as one of the brothers. Franz gets this treatment far more often than Karl.
* [[DamnItFeelsGoodToBeAGangster Damn It Feels Good To Be A Robber]]: DamnItFeelsGoodToBeAGangster: The robbers sing a song at the campfire.
* %%* DefectorFromDecadence: Karl. "I am disgusted with this age of puny scribblers [[Literature/ParallelLives when I read of great men in my Plutarch]]."



* DramatisPersonae: as befitting a classical drama, all characters snd their positions are listed at the beginning of the play.
* DrivenToSuicide: [[spoiler:Franz and Schweizer.]]
* ForTheEvulz: Spiegelberg and Schufterle.

to:

* DramatisPersonae: as As befitting a classical drama, all characters snd their positions are listed at the beginning of the play.
* %%* DrivenToSuicide: [[spoiler:Franz and Schweizer.]]
* %%* ForTheEvulz: Spiegelberg and Schufterle.



* HollywoodAtheist: Franz is one of the evil kind.

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* %%* HollywoodAtheist: Franz is one of the evil kind.



* ItsGoingDown: [[spoiler:The Moor castle ends up in flames.]]
* LastNameBasis: the robbers among each other, to the extend that, besides Karl, Spiegelberg is the only one who even has a cannonically mentioned first name.
* LoveInterest: Amalia loves Karl, but Franz also wants her.

to:

* %%* ItsGoingDown: [[spoiler:The Moor castle ends up in flames.]]
* LastNameBasis: the The robbers among each other, to the extend extent that, besides Karl, Spiegelberg is the only one who even has a cannonically mentioned first name.
* %%* LoveInterest: Amalia loves Karl, but Franz also wants her.



* {{Monologuing}}: Franz does it several times.
* MyGodWhatHaveIDone: Karl
* OldRetainer: Daniel

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* %%* {{Monologuing}}: Franz does it several times.
* %%* MyGodWhatHaveIDone: Karl
* %%* OldRetainer: Daniel



* QuoteOverdosed
* RapePillageAndBurn
* RealisticDictionIsUnrealistic

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* %%* QuoteOverdosed
* %%* RapePillageAndBurn
* %%* RealisticDictionIsUnrealistic
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Spiegelberg is a robber who rejoices in violence, looting and raping. Nobody expects him to be a hero in the first place.


* AntiHero: Karl is a WellIntentionedExtremist. Spiegelberg is a HeroInNameOnly.

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* AntiHero: Karl is a WellIntentionedExtremist. Spiegelberg is a HeroInNameOnly.

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Removed: 35



* LoveInterest: Amalia. She loves Karl, but Franz also wants her. Making it a triangle #4.
** Actually Hermann also wants her.

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* LoveInterest: Amalia. She Amalia loves Karl, but Franz also wants her. Making it a triangle #4.
** Actually Hermann also wants her.
her.
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* HeelFaceTurn: Hermann brings food to the old count whom Franz had locked up to let him starve to death.


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** Actually Hermann also wants her.
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YMMV. Moving.


* HoYay: There is a very tender moment between Karl and his second in command Schweizer in the third act, after the robbers have battled an army of Bohemian soldiers. Karl, seeing the scars Schweizer carried away, gently strokes his forhead and tells him that his scars are beautiful. Of course, while this may seem homoerotic to modern readers, that degree of physical affection between young men was considered normal in Schiller's day.
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** though it's debatable whether Franz is truly ugly or just thinks he is due to having been TheUnfavorite for so many years, as other characters never refer to his looks. There are usually two ways to address this topic in different productions: Either the monologue is taken literally and the actor is turned immensely hideous, or they cast a certified PrettyBoy to show the audience just how caught up in his own psychosis Franz is
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None

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* WeWereYourTeam: [[spoiler:When Karl tries to leave the gang, the others confront him, reminding him of his BloodOath and calling him a traitor.]]

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Changed: 2

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* RealisticDictionIsUnrealistic:

to:

* RealisticDictionIsUnrealistic: RealisticDictionIsUnrealistic
* SlidingScaleOfIdealismVsCynicism: Karl starts out pretty high on the idealistic side, with Franz serving as the cynic. He does, however, lose much of his idealism over the course of the play.
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* BandOfBrothers: The robbers (or at least those loyal to Karl) soon become one of these, going out of their way to save on of their own from execution.

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* BandOfBrothers: The robbers (or at least those loyal to Karl) soon become one of these, going out of their way to save on one of their own from execution.



* LovesMyAlterEgo: Amalia has sworn to be faithful to Karl, even after she believes him to be dead. She becomes overridden with guilt when she starts to fall fo the mysterious "count Brand", not knowing that he is Karl in disguise.

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* LovesMyAlterEgo: Amalia has sworn to be faithful to Karl, even after she believes him to be dead. She becomes overridden with guilt when she starts to fall fo for the mysterious "count Brand", not knowing that he is Karl in disguise.
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*LastNameBasis: the robbers among each other, to the extend that, besides Karl, Spiegelberg is the only one who even has a cannonically mentioned first name.
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None

Added DiffLines:

*CainAndAbel: Franz and Karl. It is an unusual example because the younger brother is the more villainous.


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*DramatisPersonae: as befitting a classical drama, all characters snd their positions are listed at the beginning of the play.
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* AmbiguouslyJewish: Spiegelberg appears to be Jewish, beeing circumcised, a zionist, and bearer of a jewish sounding name. His religion is, however, never quite confirmed, and he uses some antisemitic idioms quite freely.

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* AmbiguouslyJewish: Spiegelberg appears to be Jewish, beeing being circumcised, a zionist, and bearer of a jewish sounding name. His religion is, however, never quite confirmed, and he uses some antisemitic idioms quite freely.
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* DrivenToSuicide: [[spoiler:Franz and Schweizer.]]


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* ItsGoingDown: [[spoiler:The Moor castle ends up in flames.]]


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* LovesMyAlterEgo: Amalia has sworn to be faithful to Karl, even after she believes him to be dead. She becomes overridden with guilt when she starts to fall fo the mysterious "count Brand", not knowing that he is Karl in disguise.

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* MissingMom: The Moor brothers don't seem to have a mother.



* ParentalFavoritism: Franz has always been TheUnfavorite to his older, more extroverted and handsome brother Karl.



* ThirdPersonPerson: You could be forgiven to think that there must be more than one character named Spiegelberg. The man just loves to talk about himself in third person.



* Toxic FriendInfluence: Without Spiegelberg, Karl and his friends would never have become outlaws.

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* Toxic FriendInfluence: ToxicFriendInfluence: Without Spiegelberg, Karl and his friends would never have become outlaws.



* WouldHurtAChild: Schufterle brags about having thrown a baby into the flames of a burning house. Karl expells him for that.

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* WouldHurtAChild: Schufterle brags about having thrown a baby into the flames of a burning house. Karl expells him for that.it.

Added: 389

Changed: 163

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* BandOfBrothers: The robbers (or at least those loyal to Karl) soon become one of these, going out of their way to save on of their own from execution.



* CrossCastRole: Quite a few famous productions cast an actres as one of the brothers. Franz gets this treatment far more often than Karl.



* HoYay: There is a very tender moment between Karl and his second in command Schweizer in the third act after the robbers have battled an army of Bohemian soldiers. Karl, seeing the scars Schweizer carried away, gently strokes his forhead and tells him that his scars are beautiful. In the same scene, Karl also rests his head in Grimm's lap.

to:

* HoYay: There is a very tender moment between Karl and his second in command Schweizer in the third act act, after the robbers have battled an army of Bohemian soldiers. Karl, seeing the scars Schweizer carried away, gently strokes his forhead and tells him that his scars are beautiful. In the same scene, Karl also rests his head Of course, while this may seem homoerotic to modern readers, that degree of physical affection between young men was considered normal in Grimm's lap.Schiller's day.



* MeaningfulName: Edelreich, Amalia's last name, consists of the German words for "noble" and "rich". Schufterle (one of the robbers) means "little scoundrel".Spiegelberg, whose name is German for "mirror mountain, mirrors Franz in many ways.

to:

* MeaningfulName: Edelreich, Amalia's last name, consists of the German words for "noble" and "rich". Schufterle (one of the robbers) means "little scoundrel". Spiegelberg, whose name is German for "mirror mountain, mountain", mirrors Franz in many ways.


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* Toxic FriendInfluence: Without Spiegelberg, Karl and his friends would never have become outlaws.

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Changed: 99

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* AmbiguouslyJewish: Spiegelberg appears to be Jewish, beeing circumcised, a zionist, and bearer of a jewish sounding name. His religion is, however, never quite confirmed, and he uses some antisemitic idioms quite freely.



* ForTheEvulz: Spiegelberg

to:

* ForTheEvulz: SpiegelbergSpiegelberg and Schufterle.



* HoYay: There is a very tender moment between Karl and his second in command Schweizer in the third act after the robbers have battled an army of Bohemian soldiers. Karl, seeing the scars Schweizer carried away, gently strokes his forhead and tells him that his scars are beautiful. In the same scene, Karl also rests his head in Grimm's lap.



* MeaningfulName: Edelreich, Amalia's last name, consists of the German words for "noble" and "rich". Schufterle (one of the robbers) means "little scoundrel".

to:

* MeaningfulName: Edelreich, Amalia's last name, consists of the German words for "noble" and "rich". Schufterle (one of the robbers) means "little scoundrel".Spiegelberg, whose name is German for "mirror mountain, mirrors Franz in many ways.


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* TokenEvilTeammate: At first, it seems like Spiegelberg is this. It later turns out that at least a few more robbers are just as sadist as him.


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* WouldHurtAChild: Schufterle brags about having thrown a baby into the flames of a burning house. Karl expells him for that.
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* DefectorFromDecadence: Karl. "I am disgusted with this age of puny scribblers when I read of great men in my Plutarch."

to:

* DefectorFromDecadence: Karl. "I am disgusted with this age of puny scribblers [[Literature/ParallelLives when I read of great men in my Plutarch.Plutarch]]."
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Removed per TRS.


* {{Badass}}: At the end of Act II, Karl badmouths his fellow robbers while they're surrounded on all sides by an enemy army, giving them a step by step explanation for why they should betray him and even tying his own arm to a tree to make his capture easier. [[spoiler: They don't go for it.]]
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''The Robbers'' is a drama by [[DichterUndDenker German]] playwright Friedrich Schiller. It was his first play to be printed and performed and became his breakthrough success.

to:

''The Robbers'' is a drama by [[DichterUndDenker [[UsefulNotes/DichterAndDenker German]] playwright Friedrich Schiller. It was his first play to be printed and performed and became his breakthrough success.
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* Badass: At the end of Act II, Karl badmouths his fellow robbers while they're surrounded on all sides by an enemy army, giving them a step by step explanation for why they should betray him and even tying his own arm to a tree to make his capture easier. [[spoiler: They don't go for it.]]

to:

* Badass: {{Badass}}: At the end of Act II, Karl badmouths his fellow robbers while they're surrounded on all sides by an enemy army, giving them a step by step explanation for why they should betray him and even tying his own arm to a tree to make his capture easier. [[spoiler: They don't go for it.]]

Added: 395

Changed: 367

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'''The Robbers''' is a drama by [[DichterUndDenker German]] playwright Friedrich Schiller. Franz von Moor, second son of the old count, starts an intrigue against his older brother Karl, to become the heir instead. Also, he tries to hit on Karl's LoveInterest Amalia. Meanwhile Karl, with some nudge from his buddy Spiegelberg, decides to join a band of robbers and becomes their captain (he hopes to become someone who helps the weaker, like RobinHood). Things escalate soon.

to:

'''The Robbers''' ''The Robbers'' is a drama by [[DichterUndDenker German]] playwright Friedrich Schiller. It was his first play to be printed and performed and became his breakthrough success.

Franz von Moor, second son of the old count, starts an intrigue against his older brother Karl, to become the heir instead. Also, he tries to hit on Karl's LoveInterest Amalia. Meanwhile Karl, with some nudge from his buddy Spiegelberg, decides to join a band of robbers and becomes their captain (he hopes to become someone who helps the weaker, like RobinHood). Things escalate soon.



!! Tropes:



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* [[DamnItFeelsGoodToBeAGangster Damn It Feels Good To Be A Robber]]: The robbers sing a song at the campfire.


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* IWantThemAlive: Karl doesn't want Franz to get killed.


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* OldRetainer: Daniel
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Added DiffLines:

* Badass: At the end of Act II, Karl badmouths his fellow robbers while they're surrounded on all sides by an enemy army, giving them a step by step explanation for why they should betray him and even tying his own arm to a tree to make his capture easier. [[spoiler: They don't go for it.]]

Added: 309

Changed: 178

Removed: 602

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* CompleteMonster: Franz. He even imprisons his own father, at a water-and-bread diet.

to:

* CompleteMonster: Franz. He even imprisons BringMyBrownPants: Spiegelberg and his own father, at men break into a water-and-bread diet.nunnery to rape the nuns. Afterwards, Spiegelberg brags how some nuns "put their cells under water".
* ChildByRape: Spiegelberg brags how his men left the nuns "a souvenir".



* HarsherInHindsight: "Set me at the head of an army of fellows like myself, and out of Germany shall spring a republic compared to which Rome and Sparta will be but as nunneries." Well, there was a later German republic like that.



* IHaveNoSon: Their father to Karl. which makes the latter so desperate that he agrees to become a robber.

to:

* IHaveNoSon: Their father to Karl. which Which makes the latter so desperate that he agrees to become a robber.



* MisaimedFandom: Some people like to cite The Robbers' "Death or freedom!" They rarely think of the many unjustified crimes committed by them.



* MoralEventHorizon: Spiegelberg crosses it during the drama.



* PottyFailure: For once, PlayedForDrama. Spiegelberg and his men break into a nunnery to rape the nuns. Spiegelberg brags how some nuns "put their cells under water".


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* RapePillageAndBurn


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* VillainsDyingGrace: Karl is arguably a villain, but he decides to let a poor guy with eleven children bring him (Karl) to justice, so the poor man will get the thousand gold coins which are the prize on Karl's head.
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Added DiffLines:

'''The Robbers''' is a drama by [[DichterUndDenker German]] playwright Friedrich Schiller. Franz von Moor, second son of the old count, starts an intrigue against his older brother Karl, to become the heir instead. Also, he tries to hit on Karl's LoveInterest Amalia. Meanwhile Karl, with some nudge from his buddy Spiegelberg, decides to join a band of robbers and becomes their captain (he hopes to become someone who helps the weaker, like RobinHood). Things escalate soon.

You can read the English translation [[http://www.gutenberg.org/files/6782/6782-h/6782-h.htm here]].
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* AntiHero: Karl is a WellIntentionedExtremist. Spiegelberg is a HeroInNameOnly.
* BastardBastard: Hermann, whom Franz uses in his schemes.
* BeautyEqualsGoodness: Or rather, Evil Equals Ugliness. As in the case of Franz Moor, who lampshades it when he laments his bad looks, referring in an un-PC way to his "negro lips" and "Hottentot eyes".
* BloodOath: Karl swore it.
* CompleteMonster: Franz. He even imprisons his own father, at a water-and-bread diet.
* DefectorFromDecadence: Karl. "I am disgusted with this age of puny scribblers when I read of great men in my Plutarch."
* DisproportionateRetribution: When Roller, a member of the robbers, is caught in a city, they liberate him, burn down the city and kill 83 people.
* DownerEnding: [[spoiler: Karl confesses to his father that he's become leaders of the robbers, which kills the old man. Franz already has committed suicide. Amalia is willing to forgive Karl, but being a robber, he can't live together with her, so she begs him to kill her then, which he does. Then, Karl decides to turn himself in.]]
* ForTheEvulz: Spiegelberg
* HarsherInHindsight: "Set me at the head of an army of fellows like myself, and out of Germany shall spring a republic compared to which Rome and Sparta will be but as nunneries." Well, there was a later German republic like that.
* HollywoodAtheist: Franz is one of the evil kind.
* IGaveMyWord: Karl swore an oath to death to his robbers, so he can't return to a normal life.
* IHaveNoSon: Their father to Karl. which makes the latter so desperate that he agrees to become a robber.
* KickTheDog: Franz treats Daniel, loyal old servant of the family, like shit.
* LoveInterest: Amalia. She loves Karl, but Franz also wants her. Making it a triangle #4.
* ManipulativeBastard: Franz fakes letters from Karl and badmouthes him (accusing him to be a rapist and a killer) constantly to Amalia and their father, so that he'll disinherit Karl.
* MeaningfulName: Edelreich, Amalia's last name, consists of the German words for "noble" and "rich". Schufterle (one of the robbers) means "little scoundrel".
* MisaimedFandom: Some people like to cite The Robbers' "Death or freedom!" They rarely think of the many unjustified crimes committed by them.
* {{Monologuing}}: Franz does it several times.
* MoralEventHorizon: Spiegelberg crosses it during the drama.
* MyGodWhatHaveIDone: Karl
* PottyFailure: For once, PlayedForDrama. Spiegelberg and his men break into a nunnery to rape the nuns. Spiegelberg brags how some nuns "put their cells under water".
* QuoteOverdosed
* RealisticDictionIsUnrealistic:
* TheStarscream: Spiegelberg would have preferred to lead the robbers himself. [[spoiler:He eventually gets killed by a loyal robber.]]
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