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* NouveauRiche: The Hubbards remind William Marshall that they are not aristocrats but traders as they close a deal with him that will make them definitely rich. Dialogue explains how the Hubbards made their money by cheating and exploiting the ignorant black population of the town. In the backstory Oscar was able to use his new wealth to marry ImpoverishedPatrician Birdie and take control of her farm.

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* NouveauRiche: The Hubbards remind William Marshall that they are not aristocrats but traders as they close a deal with him that will make them definitely rich. Dialogue explains how the Hubbards made their money by cheating and exploiting the ignorant uneducated black population of the town. In the backstory Oscar was able to use his new wealth to marry ImpoverishedPatrician Birdie and take control of her farm.
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* YourDaysAreNumbered: Horace is dying of heart disease. This makes him less willing than he used to be to put up with Regina.

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* YourDaysAreNumbered: Horace is dying of heart disease. This makes him less willing than he used to be to put up with Regina.Regina.

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''The Little Foxes'' is a 1939 play by Creator/LillianHellman.

The Hubbards are a BigScrewedUpFamily in a small town somewhere in the DeepSouth. Brothers Oscar and Ben Hubbard are selfish and greedy. Oscar mentally and physically abuses his broken-down wife, Birdie; their son, Leo, is shiftless and lazy. Oscar and Ben's sister, Regina, was left out of their father's inheritance because she's a woman, so at some point in the backstory she married Horace Giddens, a local businessman. Horace has done well for himself but his marriage with Regina has long since curdled into mutual hatred. The only thing they have in common is their daughter, Alexandra, who is honorable and decent like her father instead of mean and greedy like her mother and her mother's family.

The Hubbards have hit upon a new business opportunity: namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis as Regina, Creator/HerbertMarshall as Horace, and Creator/TeresaWright in her film debut as Alexandra. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.

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''The Little Foxes'' is a 1939 play written by Creator/LillianHellman.

The Hubbards are a BigScrewedUpFamily in a small town somewhere in the DeepSouth. Brothers Oscar and Ben Hubbard are selfish and greedy. Oscar both mentally and physically abuses his broken-down wife, Birdie; Birdie, and their son, Leo, is shiftless and lazy. Oscar and Ben's sister, Regina, was left out of their father's inheritance because she's due to being a woman, so at some point in prior to the backstory play's events she married Horace Giddens, a local businessman. Horace has done well for himself himself, but his marriage with Regina has long since curdled into mutual hatred. The only thing they have in common is their daughter, Alexandra, who is honorable and decent like her father instead of rather than mean and greedy like her mother and her mother's family.

The Hubbards have hit upon a new business opportunity: namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she Regina doesn't control the family finances--and finances -- and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis as Regina, Creator/HerbertMarshall as Horace, and Creator/TeresaWright in her film debut as Alexandra. Four actors--Dan actors from the original Broadway production (Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised Collinge) reprised their roles from the stage play. roles, while Lillian Hellman adapted her own play for wrote the screen.
screenplay adaptation herself.
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* CompleteTheQuoteTitle: It's from Song of Solomon 2:15. "Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes."

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* CompleteTheQuoteTitle: It's from Song Literature/{{Song of Solomon 2:15. Solomon}} 2:15 (KJV): "Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes."
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-->-- '''Alexandra Giddens'''



The Hubbard family is a BigScrewedUpFamily in a small town somewhere in the DeepSouth. Brothers Oscar and Ben Hubbard are selfish and greedy. Oscar mentally and physically abuses his broken-down wife Birdie; their son Leo is shiftless and lazy. Oscar and Ben's sister, Regina (Davis), was left out of their father's inheritance because she's a woman, so at some point in the backstory she married Horace Giddens (Marshall), a local businessman. Horace has done well for himself but his marriage with Regina has long since curdled into mutual hatred. The only thing they have in common is their daughter, Alexandra (Wright), who is honorable and decent like her father instead of mean and greedy like her mother and her mother's family.

The Hubbards have hit upon a new business opportunity, namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Creator/HerbertMarshall, and Creator/TeresaWright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.

to:

The Hubbard family is Hubbards are a BigScrewedUpFamily in a small town somewhere in the DeepSouth. Brothers Oscar and Ben Hubbard are selfish and greedy. Oscar mentally and physically abuses his broken-down wife wife, Birdie; their son Leo son, Leo, is shiftless and lazy. Oscar and Ben's sister, Regina (Davis), Regina, was left out of their father's inheritance because she's a woman, so at some point in the backstory she married Horace Giddens (Marshall), Giddens, a local businessman. Horace has done well for himself but his marriage with Regina has long since curdled into mutual hatred. The only thing they have in common is their daughter, Alexandra (Wright), Alexandra, who is honorable and decent like her father instead of mean and greedy like her mother and her mother's family.

The Hubbards have hit upon a new business opportunity, opportunity: namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Creator/HerbertMarshall, Creator/BetteDavis as Regina, Creator/HerbertMarshall as Horace, and Creator/TeresaWright in her film debut.debut as Alexandra. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.
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* VillainProtagonist: All Regina wants is to receive the wealth that her brothers inherit (since only they can be heirs), yet she is also hostile towards her husband and daughter, and evens murders her husband when she does nothing to save him when he suffers a heart attack- [[KarmaHoudini and suffers no consequences for any of it.]]
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The Hubbards have hit upon a new business opoortunity, namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

to:

The Hubbards have hit upon a new business opoortunity, opportunity, namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.
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In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Creator/TeresaWright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.

to:

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, Creator/HerbertMarshall, and Creator/TeresaWright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.
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* BitchSlap: Oscar overhears his wife Birdie warning Alexandra about the ArrangedMarriage planned between her and Oscar's son (and [[VillainousIncest Alexandra's cousin]]) Leo. As Alexandra heads off to bed and Birdie, about to leave with Oscar, passes him near the doorway, he cruelly slaps her across the face. Alexandra tries to approach Birdie to see what happened to her, but she dismisses her and tells her that she only twisted her ankle.
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In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Teresa Wright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.

to:

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Teresa Wright Creator/TeresaWright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play. Lillian Hellman adapted her own play for the screen.


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-> "Addie said there were people who ate the earth and those that stood around and watched them do it. And just then Uncle Ben said the same thing. Really the same thing. Tell him from me, Mama, I'm not going to watch you do it."

''The Little Foxes'' was a 1939 play by Creator/LillianHellman.

to:

-> "Addie ->''"Addie said there were people who ate the earth and those that stood around and watched them do it. And just then Uncle Ben said the same thing. Really the same thing. Tell him from me, Mama, I'm not going to watch you do it."

"''

''The Little Foxes'' was is a 1939 play by Creator/LillianHellman.
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* ArmorPiercingQuestion: The last line (of the movie at least), from Alexandra to Regina. After Regina steals a glance at the room that contains her freshly-dead husband, she asks Alexandra to stay with her in her room. Alexandra asks "Why, Mama? Are you afraid?" Then she leaves, and the movie ends with Regina watching her go from the window.

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* ArmorPiercingQuestion: The last line (of of the play and movie at least), (and last spoken line of the opera), from Alexandra to Regina. After Regina steals a glance at the room that contains her freshly-dead husband, she asks Alexandra to stay with her in her room. Alexandra asks "Why, Mama? Are asks, "Are you afraid?" afraid, Mama?" Then she leaves, and the movie ends with Regina watching her go from the window.

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* DeadpanSnarker: Horace often snarks at the behavior of his in-laws, such as noting that his brother-in-law [[ItsAllAboutMe Oscar]] is being "unselfish" all of the sudden.



* NouveauRiche: The Hubbards remind William Marshall that they are not aristocrats but traders as they close a deal with him that will make them definitely rich. Dialogue explains how the Hubbards made their money by cheating and exploiting the ignorant black population of the town. In the backstory Oscar was able to use his new wealth to marry ImpoverishedAristocrat Birdie and take control of her farm.

to:

* NouveauRiche: The Hubbards remind William Marshall that they are not aristocrats but traders as they close a deal with him that will make them definitely rich. Dialogue explains how the Hubbards made their money by cheating and exploiting the ignorant black population of the town. In the backstory Oscar was able to use his new wealth to marry ImpoverishedAristocrat ImpoverishedPatrician Birdie and take control of her farm.
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* WhiteSheep: Alexandra. Out of the whole family, the only ones are can be called decent or good are Birdie, Horace, and Alexandra; Alexandra stands out since she's the only one who is blood related to the Hubbards.
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* CostumeEvolution: Alexandra starts out the film in these frilly, girlish outfits that express her optimism. After [[spoiler: her father dies]], she's a bit more jaded yet with the big hair ribbon holding her long hair with less frills and leaves her bad mom.
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* SlutShaming: Alexandra is scolded by her father for snubbing a friend's "powdered" acquaintance.
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* ArmorPiercingQuestion: The last line (of the movie at least), from Alexandra to Regina. After Alexandra steals a glance at the room that contains her freshly-dead husband, she asks Alexandra to stay with her in her room. Alexandra asks "Why, Mama? Are you afraid?" Then she leaves, and the movie ends with Regina watching her go from the window.

to:

* ArmorPiercingQuestion: The last line (of the movie at least), from Alexandra to Regina. After Alexandra Regina steals a glance at the room that contains her freshly-dead husband, she asks Alexandra to stay with her in her room. Alexandra asks "Why, Mama? Are you afraid?" Then she leaves, and the movie ends with Regina watching her go from the window.
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''The Little Foxes'' was a 1939 play by Lillian Hellman.

to:

''The Little Foxes'' was a 1939 play by Lillian Hellman.Creator/LillianHellman.
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A 1951 operatic adaptation of the play, ''Regina'', was written by Marc Blitzstein.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/bette_davis_the_little_foxes.jpg]]
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In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Teresa Wright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play.

to:

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Teresa Wright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play.
play. Lillian Hellman adapted her own play for the screen.
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Added DiffLines:

-> "Addie said there were people who ate the earth and those that stood around and watched them do it. And just then Uncle Ben said the same thing. Really the same thing. Tell him from me, Mama, I'm not going to watch you do it."

''The Little Foxes'' was a 1939 play by Lillian Hellman.

The Hubbard family is a BigScrewedUpFamily in a small town somewhere in the DeepSouth. Brothers Oscar and Ben Hubbard are selfish and greedy. Oscar mentally and physically abuses his broken-down wife Birdie; their son Leo is shiftless and lazy. Oscar and Ben's sister, Regina (Davis), was left out of their father's inheritance because she's a woman, so at some point in the backstory she married Horace Giddens (Marshall), a local businessman. Horace has done well for himself but his marriage with Regina has long since curdled into mutual hatred. The only thing they have in common is their daughter, Alexandra (Wright), who is honorable and decent like her father instead of mean and greedy like her mother and her mother's family.

The Hubbards have hit upon a new business opoortunity, namely, the construction of a cotton mill in town. All three of the Hubbard siblings desperately want the deal, which will make them a lot richer than they already are. However, the brothers need Regina's support, and she doesn't control the family finances--and her husband Horace is not that eager to fund the construction of a cotton mill that will enrich the Hubbards by exploiting the cheap labor available in the town.

In 1941 it was adapted into a feature film directed by Creator/WilliamWyler, starring Creator/BetteDavis, Herbert Marshall, and Teresa Wright in her film debut. Four actors--Dan Duryea, Charles Dingle, Carl Benton Reid, and Patricia Collinge--reprised their roles from the stage play.

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!!Tropes:

* AdaptationExpansion: The character of David the newspaper writer was added to the film to give Alexandra a love interest and to have a second sympathetic male character.
* AffablyEvil: Ben. While Regina is cold as ice and Oscar is almost cartoonishly brutish, Ben is cheerful, always chuckling, quick with a joke. He is also just as greedy as the other Hubbards and just as willing to lie, cheat, and steal.
* ArmorPiercingQuestion: The last line (of the movie at least), from Alexandra to Regina. After Alexandra steals a glance at the room that contains her freshly-dead husband, she asks Alexandra to stay with her in her room. Alexandra asks "Why, Mama? Are you afraid?" Then she leaves, and the movie ends with Regina watching her go from the window.
* BigScrewedUpFamily: The Hubbards. The planned first-cousin marriage between Alexandra and Leo would not have been the first in the family. All the Hubbard siblings are greedy and selfish and hate each other. Oscar basically forces Leo to steal $75,000 in bonds from Horace.
* BrokenBird: Birdie married twenty years ago into the Hubbard family, and received a husband who browbeats and humiliates her and smacks her around, and stole her family's plantation. She is a cringing, weepy shell of a woman who drinks constantly.
* CigaretteOfAnxiety: Leo has to go outside and grab a smoke after Horace shows up unexpectedly at the bank.
* CompleteTheQuoteTitle: It's from Song of Solomon 2:15. "Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes."
* DomesticAbuse: Oscar slaps Birdie across the face. It's pretty clear that this is a common occurrence.
* FaceFramedInShadow: Oscar is framed this way at the Giddens home right before he slaps Birdie.
* GracefulLoser: When Regina demands 75% of the mill, Ben accepts cheerfully, as fits his AffablyEvil character, but he also implies that he may investigate the suspicious nature of Horace's death.
* HaveAGayOldTime: "You're being very gay with my money."
* JacobMarleyWarning: Birdie warns her niece-in-law Alexandra: "Don't love me. Because in twenty years you'll just be like me. They'll do all the same things to you."
* LadyDrunk: Birdie, as she candidly admits, to escape her miserable existence. The stories about her "headaches" are a lie.
--> "I drink...all by myself."
* LiteraryAllusionTitle: See CompleteTheQuoteTitle above.
* MurderByInaction: Right after telling Regina that he's cutting her out of his will, Horace has a heart attack. Regina watches, refusing to get his medicine, waiting until he collapses to call for help. Horace dies a few hours later.
* NouveauRiche: The Hubbards remind William Marshall that they are not aristocrats but traders as they close a deal with him that will make them definitely rich. Dialogue explains how the Hubbards made their money by cheating and exploiting the ignorant black population of the town. In the backstory Oscar was able to use his new wealth to marry ImpoverishedAristocrat Birdie and take control of her farm.
* PassedOverInheritance: Horace plans to write a new will disinheriting his wife Regina. She's lucky that he dies first.
* PyrrhicVictory: Regina defeats her brothers and gets control of the mill. But her daughter abandons her, leaving her alone in the world.
* SexlessMarriage: Regina has not let her husband sleep with her for years. She claimed that there was something medically wrong with her, and hated him for believing her lie.
* StealingFromTheTill: Leo, who works at the bank, is strong-armed by his father into stealing $75,000 of Horace's bonds after Horace refuses to fund the mill.
* TrainStationGoodbye: David bumps into someone as he follows the train saying goodbye to Alexandra.
* UpperClassTwit: Leo, a foppish young man who abuses horses and seems to use his job at the bank mostly as an opportunity for womanizing.
* YourDaysAreNumbered: Horace is dying of heart disease. This makes him less willing than he used to be to put up with Regina.

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