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* DefiledForever: As far as the male characters, notably Dr. Schön, are concerned, Lulu is unwelcome in respectable society because of her history.

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* DefiledForever: As far as the male characters, notably Dr. Schön, are concerned, Lulu is unwelcome in respectable society because of her history.history, never mind their own responsibility in the matter.
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* CorruptionOfAMinor: Where to begin? Schigolch, as Lulu’s supposed father and first pimp, definitely qualifies.

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* CorruptionOfAMinor: Where to begin? Schigolch, as Lulu’s supposed father and first pimp, definitely qualifies.qualifies, as does Dr. Schön, who “rescued” her from the gutter as a child to raise as his own yet has regularly sex with her at the same time. That Lulu herself is just 15 when the play begins (18 when Jack the Ripper murders her) makes all her admirers guilty of this.
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* CorruptionOfAMinor: Where to begin? Schigolch, as Lulu’s supposed father and first pimp, definitely qualifies.
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In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a [[TheGardenOfEden serpent]], described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.

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In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a [[TheGardenOfEden [[GardenOfEden serpent]], described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.
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In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a [[ForbiddenFruit serpent]], described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.

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In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a [[ForbiddenFruit [[TheGardenOfEden serpent]], described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.
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* SoBeautifulItsACurse: More like "so seductive, it's a curse", since whether Lulu is classically beautiful is open to conjecture, but practically all the characters find her irresistibly seductive. It's especially jarring to remember that she is only an adolescent throughout the show and the implication that Schigolch introduced her to sex when she was only a child.

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* SoBeautifulItsACurse: More like "so seductive, it's a curse", since whether Lulu is classically beautiful is open to conjecture, but practically all the characters find her irresistibly seductive. It's especially jarring to remember that she is only an adolescent throughout the show and the implication that Schigolch introduced her to sex when she was only a child.
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* SelfFulfillingProphecy: Lulu's eventual end in prostitution is effectively set because Schigolch, and others, have treated her as a [[LustObject toy]] since childhood instead of giving her a safe, stable childhood.
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Lulu is now married to Dr Schön but is unfaithful to him with several other people (Schigolch, Alwa, the circus artist Rodrigo Quast and the lesbian Countess Geschwitz). Geschwitz remains the only person in the drama who actually cares about Lulu, though it hardly means anything to Lulu. On discovering this, Schön presses a revolver into her hand, urging her to kill herself. Instead, she uses it to shoot Schön, all the while declaring him the only man she has ever loved. She is imprisoned for her crime.

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Lulu is now married to Dr Schön but is unfaithful to him with several other people (Schigolch, Alwa, the circus artist Rodrigo Quast and the lesbian Countess Geschwitz). Geschwitz remains the only person in the drama who actually cares about Lulu, though it Lulu hardly means anything to Lulu.reciprocates. On discovering this, Schön presses a revolver into her hand, urging her to kill herself. Instead, she uses it to shoot Schön, all the while declaring him the only man she has ever loved. She is imprisoned for her crime.



* InnocentSoprano: Averted totally with Lulu herself. A former street child who has been groomed to be a rich man's concubine, she is anything but innocent.

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* InnocentSoprano: Averted totally with Lulu herself. A former street child who has been groomed to be a prostitute and then a rich man's concubine, she is anything but hardly innocent.
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* Blackmail: In Paris, the Marquis Casti-Piani knows that Germany's police are still after Lulu for the murder of Dr. Schön and he threatens her: he can either simply summon the police and claim the reward money or he can sell her to a brothel in Cairo, to which he has already sent a painting of her.

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* Blackmail: {{Blackmail}}: In Paris, the Marquis Casti-Piani knows that Germany's police are still after Lulu for the murder of Dr. Schön and he threatens her: he can either simply summon the police and claim the reward money or he can sell her to a brothel in Cairo, to which he has already sent a painting of her.



* ForbiddenFruit: Lulu herself. The male characters who lust after her often meet unfortunate fates, and to a modern audience Lulu is very much forbidden fruit considering her [[JailBait extreme youth]].

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* ForbiddenFruit: Lulu herself. The male characters who lust after her often meet unfortunate fates, and to a modern audience Lulu is very much forbidden fruit considering her [[JailBait [[JailbaitTaboo extreme youth]].

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* DeliberateValuesDissonance: In addition to Alban Berg's atonal opera score, the whole story is a gritty tale about sex, implied incest and child prostitution, crime, sadism, murder, and suicide.



* HumansAreBastards: Mostly averted with Countess Geschwitz. Not so much with the other characters.

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* ForbiddenFruit: Lulu herself. The male characters who lust after her often meet unfortunate fates, and to a modern audience Lulu is very much forbidden fruit considering her [[JailBait extreme youth]].
* HumansAreBastards: Mostly Practically averted with Countess Geschwitz. Not so much with the other characters. Even Lulu, who is often blamed for ruining men's lives, is just as much a victim of these men, ''especially'' given that she's underage for most of the story.
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In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a serpent, described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.

to:

In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a serpent, [[ForbiddenFruit serpent]], described as “the true animal, the wild, beautiful animal” and the “primal form of woman”.
Is there an issue? Send a MessageReason:
None


In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is described as “the true animal, the wild, beautiful animal” and the “primal form of woman”, whatever that means.

to:

In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a travelling circus. Lulu herself is likened to a serpent, described as “the true animal, the wild, beautiful animal” and the “primal form of woman”, whatever that means.
woman”.
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* BlackAndGreyMorality: The Countess Geschwitz does some questionable things, like trading places with Lulu in prison to help her escape, but she is by far the most upright character in the whole story, especially compared to the numerous male characters and Lulu herself, even if Lulu is herself a product of the corruption around her.


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* HumansAreBastards: Mostly averted with Countess Geschwitz. Not so much with the other characters.
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* InnocentFlowerGirl: Supposedly what Lulu was before the play began, but a number of flower girls in the late 1800s [[HumanTrafficking were actually in prostitution and sold flowers as a front]]. It fits with Lulu's history, considering that Schigolch (who may or may not be her father) seems to have been her first pimp.

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* InnocentFlowerGirl: Supposedly what Lulu was before the play began, but a number of flower girls in the late 1800s [[HumanTrafficking [[SecretSexWorker were actually in prostitution and sold flowers as a front]]. It fits with Lulu's history, considering that Schigolch (who may or may not be her father) seems to have been her first pimp.
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* PimpingTheOffspring: What Schigolch is implied to have done with Lulu.
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* InnocentFlowerGirl: Supposedly what Lulu was before the play began, but a number of flower girls in the late 1800s were actually in prostitution and sold flowers as a front. It fits with Lulu's history, considering that Schigolch (who may or may not be her father) seems to have been her first pimp.

to:

* InnocentFlowerGirl: Supposedly what Lulu was before the play began, but a number of flower girls in the late 1800s [[HumanTrafficking were actually in prostitution and sold flowers as a front.front]]. It fits with Lulu's history, considering that Schigolch (who may or may not be her father) seems to have been her first pimp.
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None

Added DiffLines:

* InnocentFlowerGirl: Supposedly what Lulu was before the play began, but a number of flower girls in the late 1800s were actually in prostitution and sold flowers as a front. It fits with Lulu's history, considering that Schigolch (who may or may not be her father) seems to have been her first pimp.

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Changed: 2

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* AbhorrantAdmirer: Lulu is pursued relentlessly by the male characters, as well as by one woman (the only one of Lulu's admirers who actually cares about her and does ''anything'' selfless for her).

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* AbhorrantAdmirer: AbhorrentAdmirer: Lulu is pursued relentlessly by the male characters, as well as by one woman (the only one of Lulu's admirers who actually cares about her and does ''anything'' selfless for her).


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* Blackmail: In Paris, the Marquis Casti-Piani knows that Germany's police are still after Lulu for the murder of Dr. Schön and he threatens her: he can either simply summon the police and claim the reward money or he can sell her to a brothel in Cairo, to which he has already sent a painting of her.


Added DiffLines:

* SoBeautifulItsACurse: More like "so seductive, it's a curse", since whether Lulu is classically beautiful is open to conjecture, but practically all the characters find her irresistibly seductive. It's especially jarring to remember that she is only an adolescent throughout the show and the implication that Schigolch introduced her to sex when she was only a child.
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None


Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act [[Opera]], ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.

to:

Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act [[Opera]], {{opera}}, ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.
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Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act {{Theatre/Opera opera}}, ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.

to:

Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act {{Theatre/Opera opera}}, [[Opera]], ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.
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Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act [[Theatre/Opera opera]], ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.

to:

Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act [[Theatre/Opera opera]], {{Theatre/Opera opera}}, ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.
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* InLoveWithLooks: All the male characters who pursue Lulu. Acrobat Rodrigo Quast notably wants Lulu to join him in the circus after she has escaped from prison, but when he sees her weakened and [[TarnishedBeauty haggard]] from cholera he decides that she is no longer suited to his purposes.

to:

* InLoveWithLooks: All the male characters who pursue Lulu. Acrobat Rodrigo Quast notably wants Lulu to join him in the circus after she has escaped from prison, but when he sees her weakened and [[TarnishedBeauty haggard]] haggard from cholera he decides that she is no longer suited to his purposes.

Added: 493

Changed: 16

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Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act opera, ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.

to:

Originally a play in five acts by Frank Wedekind before he split it into two plays, ''Erdgeist'' ("Earth Spirit'') (1895) and "Die Büchse der Pandora'' ("Pandora's Box") (1905). Alban Berg subsequently adapted it into his three-act opera, [[Theatre/Opera opera]], ''Lulu'', in 1937, but he had to put it aside after finishing just two acts out of three and died before he could finish it. The opera was finally completed in 1977 by Friedrich Cerha.


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* AbhorrantAdmirer: Lulu is pursued relentlessly by the male characters, as well as by one woman (the only one of Lulu's admirers who actually cares about her and does ''anything'' selfless for her).


Added DiffLines:

* InLoveWithLooks: All the male characters who pursue Lulu. Acrobat Rodrigo Quast notably wants Lulu to join him in the circus after she has escaped from prison, but when he sees her weakened and [[TarnishedBeauty haggard]] from cholera he decides that she is no longer suited to his purposes.
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None

Added DiffLines:

* SexIsEvilAndIAmHorny: Played with, but especially with Dr. Schön; he wants Lulu to leave him alone so that he can marry respectably and yet he still lusts over her, culminating with him throwing a pistol to her and telling her to commit suicide or he will do it and make it look like a suicide.
** Lulu is often made out to be a femme fatale, but she is really only the product of the corruption around her; she is the target of the lust, rage, and frustration of others who then blame her for their own delusions and weaknesses when the truth is that she is only an adolescent and ''they'' are lusting after her instead of setting a good example for her.

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