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* In the CastOfPersonifications of human cells series ''Manga/CellsAtWork'', originally there's only one personification for all different types of white blood cells. That arrangement only [[EarlyInstallmentWeirdness lasted for at most one chapter]] as the cast diversified, and this pan-white-blood-cell personification only represents the [[https://en.wikipedia.org/wiki/Neutrophil neutrophil]]. Still, he is still referred by other cells as White Blood Cell, and he's the only character with a white ColorMotif, having paper-white skin and uniform.

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*** This artifact was created by removing another artifact the manga used. In early chapters Sailor Moon wore a white mask similar to Sailor V's. In the first chapter it showed her a vision of Naru being attacked. She quickly ditched them and for a number of chapters was shown throwing it to the side after transforming. The mask shows up once more during the Black Moon arc (long after it stopped appearing when she transformed) to identify people who were replaced with droids.

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*** This artifact was created by removing another artifact the manga used. In early chapters Sailor Moon ''Sailor Moon'' wore a white mask similar to Sailor V's. In the first chapter it showed her a vision of Naru being attacked. She quickly ditched them and for a number of chapters was shown throwing it to the side after transforming. The mask shows up once more during the Black Moon arc (long after it stopped appearing when she transformed) to identify people who were replaced with droids.


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* In ''Manga/FullmetalAlchemist'' Ishvalans all have dark skin, red eyes, and white hair as a racial characteristic. In [[Anime/FullmetalAlchemist the 2003 anime]] this is [[AdaptationDyeJob changed]] so that most are brunettes. Scar is the only Ishvalan who doesn't have age-related white hair. He was born with brown hair but was LockedIntoStrangeness.
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They're important in every arc and are the reason the arrival of Vegeta and Future Trunks along with the trip to Namek. This kind of refutes itself.


** An even better example would be the Dragon Balls themselves, who zig-zag this trope. Although they had some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.
*** This actually started earlier in the ''Manga/DragonBall'' run. While they were being actively sought through most of ''Manga/DragonBall'', by the time of the Red Ribbon Saga they were effectively just a MacGuffin and the battles with the bad guys became more prominent. By the King Piccolo Saga, they became little more than a means to how Piccolo gained eternal youth and damage cleanup thereafter, while in the Piccolo Junior Saga they weren't even featured at all. They played a limited role in the Saiyan Saga of Z, while they played a much more prominent role in the Namek/Frieza Saga. The Android/Cell and Buu Sagas all but forgot about them. Basically, the importance of the Dragon Balls themselves started to wane heavily as early as half way through the original ''Manga/DragonBall'' years - in other words, for about 3/4 of whole story they were little more than a ResetButton.
*** They played a limited, but vital role at the middle and end of the Buu Saga. The Earth's Dragon Balls revived Kibito, who was killed earlier, who healed the nearly dead Supreme Kai and Gohan. They took Gohan back to their world where they trained him to fight Buu, which led to Old Kai being freed. The Namekian Dragon Balls were used to restore the Earth and everyone on it to power the Spirit Bomb and the last wish was used to restore Goku's power so he could finish off Buu. The original Japanese text even have Goku say poetically, "Thank you, Dragon Balls!"
*** The Dragon Balls themselves are also the reason most of the cast even met. Goku, Bulma, Yamcha, Master Roshi, and Chi-Chi all met because of the first Dragon Ball hunt. The second hunt for the Dragon Balls allowed Goku to meet Korin and eventually Kami. Vegeta came to Earth because of the Dragon Balls, and Trunks made his adventure through time because there were no Dragon Balls to fix his wrecked timeline. In a wider sense, without the Dragon Balls Goku would have remained undiscovered in the mountains. So, the Dragon Balls do affect the plot, although in more indirect ways later on.
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* This is PlayedForLaughs in ''Anime/OsomatsuSan'' with Iyami. In ''Manga/OsomatsuKun'', Iyami was a BreakoutCharacter to the point that he eventually took over the Matsuno sextuplets' position as one of the main characters. In ''-san'' most of the characters were modernized for TheNewTens, but everything about Iyami, from his Showa-era style of comedy to his appearance to his obsession with France, is incredibly outdated and makes him stick out like a sore thumb. Much of the humor surrounding him is how he's in denial of this and how he tries to reclaim his former glory with little success, though in "Iyami-san is Troubled" he finally comes to acknowledge his status as TheArtifact and becomes so depressed that [[AttemptedSuicide he tries to hang himself]].
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** The Taurus from ''Anime/MobileSuitGundamWing'' is a lesser-known example. Lucrezia Noin was originally going to be a DistaffCounterpart to the original series' Garma Zabi, and as such the Taurus (which was going to be her personal mobile suit) was made to be sleek and sinister in order to match her personality. Over the course of rewrites Noin was changed into a more [[AFatherToHisMen gentle]], [[TeamMom motherly]] character, but the Taurus's design remained.
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The Artifact is when something not fits the mood or design of the series. Considering that the series is literally about his journey, he not fits.


** Even [[TheHero Ash]] himself is this. He started as an {{Expy}} of Red, the protagonist of the Gen 1 games, but has remained the main character in every Generation after that. To enforce this, the writers make him [[FailureIsTheOnlyOption lose every canon League]] just so that he never accomplishes his goal of [[ToBeAMaster being the very best]] in order to justify him going to a different Region. This leads to the male protagonist of each Region being DemotedToExtra at best and AdaptedOut at worst with the female protagonist usually taking the role of {{Deuteragonist}}.
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** Even [[TheHero Ash]] himself is this. He started as an {{Expy}} of Red, the protagonist of the Gen 1 games, but has remained the main character in every Generation after that. To enforce this, the writers make him [[FailureIsTheOnlyOption lose every canon League]] just so that he never accomplishes his goal of [[ToBeAMaster being the very best]] in order to justify him going to a different Region. This leads to the male protagonist of each Region being DemotedToExtra at best and AdaptedOut at worst with the female protagonist usually taking the role of {{Deutragonist}}.

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** Even [[TheHero Ash]] himself is this. He started as an {{Expy}} of Red, the protagonist of the Gen 1 games, but has remained the main character in every Generation after that. To enforce this, the writers make him [[FailureIsTheOnlyOption lose every canon League]] just so that he never accomplishes his goal of [[ToBeAMaster being the very best]] in order to justify him going to a different Region. This leads to the male protagonist of each Region being DemotedToExtra at best and AdaptedOut at worst with the female protagonist usually taking the role of {{Deutragonist}}.{{Deuteragonist}}.
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** Even [[TheHero Ash]] himself is this. He started as an {{Expy}} of Red, the protagonist of the Gen 1 games, but has remained the main character in every Generation after that. To enforce this, the writers make him [[FailureIsTheOnlyOption lose every canon League]] just so that he never accomplishes his goal of [[ToBeAMaster being the very best]] in order to justify him going to a different Region. This leads to the male protagonist of each Region being DemotedToExtra at best and AdaptedOut at worst with the female protagonist usually taking the role of {{Deutragonist}}.
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* ''Anime/YuGiOhZEXAL'' eschewed the traditional holograms in the series in favor of [[AugmentedReality AR Vision]], where the characters instead wore eyepieces that were linked to a network that showed the monsters. The idea was that this allowed monsters to appear to affect the environment. Over the course of the series, this came up about three times, and at every other point they're treated as identical to the holograms. It's also never really explained why, say, characters still flinch when hit, or how beings that couldn't possibly have a link to the network, like ancient spirits or aliens, can see the monsters. Despite this, characters still activate their eyepieces with dramatic flourish all the way to the end.
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Ikuhara did not hate Mamoru, that's shipping resentment.


** In the anime, Mamoru Chiba was a SatelliteLoveInterest, which meant that after he and Usagi hit the RelationshipCeiling at the end of ''R'', the writers really had nothing to do with him, and Usagi had plenty of other characters to emote at. Obviously, being Sailor Moon's destined love, he couldn't be written out completely, but he was pretty much "just there" in the third and fourth seasons, and he was PutOnABus in the fifth season to allow for Seiya to start a LoveTriangle. This is averted in the [[Manga/SailorMoon manga]], where he had far more characterization than just being Usagi's destined boyfriend. Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.

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** In the anime, Mamoru Chiba was a SatelliteLoveInterest, which unlike the manga where he had more characterisation. This meant that after he and Usagi hit the RelationshipCeiling at the end of ''R'', the writers really had nothing to do with him, and Usagi had plenty of other characters to emote at. Obviously, being Sailor Moon's destined love, he couldn't be written out completely, but he was pretty much "just there" in the third and fourth seasons, and he was PutOnABus in the fifth season to allow for Seiya to start a LoveTriangle. This is averted in the [[Manga/SailorMoon manga]], where he had far more characterization than just being Usagi's destined boyfriend. Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.



** An even better example would be the Dragon Balls themselves, who zig-zag this trope. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.

to:

** An even better example would be the Dragon Balls themselves, who zig-zag this trope. Although they've have they had some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.
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** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that happened when they tried to remove him the first time in ''Adventures in the Orange Islands''. It seems the writers took notice eventually as he finally left the show in ''Best Wishes''/''Black and White''. This is surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.

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** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat its likely the only reason he wasn't PutOnABus with Misty at the beginning of ''Advanced Generation'' was because of the fan backlash that happened the writers got when they tried to remove do that to him the first time in ''Adventures in during the Orange Islands''.Islands season. It seems the writers took notice eventually as he finally left the show in ''Best Wishes''/''Black and White''. This is surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.
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None


* ''Anime/YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series. From then on out, the main characters almost never used their Signer abilities (Aki, the most powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there wasn't even five Signers - there was six.]]

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* ''Anime/YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series. From then on out, the main characters almost never used their Signer abilities (Aki, the most powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there wasn't weren't even five Signers - there was were six.]]
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** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after [[VideoGame/PokemonGoldAndSilver Generation II]]. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays.

to:

** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after [[VideoGame/PokemonGoldAndSilver Generation II]]. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays. That said, there has been in an increase in episodes where Team Rocket only make brief appearances or don't appear at all, so they aren't quite as bad a case of this as they used to be.
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*** Minako and Makoto's looks in general in the new anime. ''Crystal'' being [[SettingUpdate set during its real-world release]], the logic progression would have been updating them into [[SubculturesInJapan some sub-variant of gals or make Makoto a]] [[BadassBiker bosozoku]] ([[WhatCouldHaveBeen something she was originally supposed to be]]) to convey the former being a [[TomboyPrincess tomboy who looks extremely feminine]] and justify the latter's fame as a delinquent, but instead they wore normal clothes in their civilian identities.

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*** Minako and Makoto's looks in general in the new anime. ''Crystal'' being [[SettingUpdate set during its real-world release]], the logic progression would have been updating them into [[SubculturesInJapan [[GyaruGirl some sub-variant of gals gals]] or make Makoto a]] a [[BadassBiker bosozoku]] ([[WhatCouldHaveBeen something she was originally supposed to be]]) to convey the former being a [[TomboyPrincess tomboy who looks extremely feminine]] and justify the latter's fame as a delinquent, but instead they wore normal clothes in their civilian identities.
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* Although ''Anime/MobileSuitGundam'' was the first RealRobot anime, it still carried a lot of baggage from the SuperRobot genre, mainly the design aesthetic for Zeon vehicles and an AerithAndBob naming scheme for their people that evokes the Alien invaders common to Super Robot antagonists, and a number of gimmicky weapons and [[MerchandiseDriven accessories]] for the Gundam like the G-Armor, Beam Javelin, and Gundam Hammer. The latter were quickly retconned out of existence in the Movie adaptations, and later Zeon designs have tried to evoke a image closer to WorldWarII Germany.

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* Although ''Anime/MobileSuitGundam'' was the first RealRobot anime, it still carried a lot of baggage from the SuperRobot genre, mainly the design aesthetic for Zeon vehicles and an AerithAndBob naming scheme for their people that evokes the Alien invaders common to Super Robot antagonists, and a number of gimmicky weapons and [[MerchandiseDriven accessories]] for the Gundam like the G-Armor, Beam Javelin, and Gundam Hammer. The latter were quickly retconned out of existence in the Movie adaptations, and later Zeon designs have tried to evoke a image closer to WorldWarII UsefulNotes/WorldWarII Germany.
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spelling, etc.


*** The Dragon Balls themselves are also the reason most of the cast even met. Goku, Bulma, Yamcha, Master Roshi, and Chi-Chi all met because of the first Dragon Ball hunt. The second hunt for the Dragon Balls allowed Goku to meet Korin and eventually Kami. Vegeta also came to Earth because of the Dragon Balls and Trunks made his adventure through time because there was no Dragon Balls to fix his wrecked timeline. In a wider sense, without the Dragon Balls Goku would have remained unfound in the mountains. So, the Dragon Balls do effect the plot, although in more indirect ways later on.

to:

*** The Dragon Balls themselves are also the reason most of the cast even met. Goku, Bulma, Yamcha, Master Roshi, and Chi-Chi all met because of the first Dragon Ball hunt. The second hunt for the Dragon Balls allowed Goku to meet Korin and eventually Kami. Vegeta also came to Earth because of the Dragon Balls Balls, and Trunks made his adventure through time because there was were no Dragon Balls to fix his wrecked timeline. In a wider sense, without the Dragon Balls Goku would have remained unfound undiscovered in the mountains. So, the Dragon Balls do effect affect the plot, although in more indirect ways later on.
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duplicate word


*** This artifact was created by removing another artifact the manga used. In early chapters Sailor Moon wore a white mask similar to Sailor V's. In the first chapter it showed her a vision of Naru being attacked. She quickly ditched them and for a number of chapters was shown throwing it to the side after transforming. The mask shows up once more during the Black Moon arc (long after it stopped appearing when she transformed) to identify people who who were replaced with droids.

to:

*** This artifact was created by removing another artifact the manga used. In early chapters Sailor Moon wore a white mask similar to Sailor V's. In the first chapter it showed her a vision of Naru being attacked. She quickly ditched them and for a number of chapters was shown throwing it to the side after transforming. The mask shows up once more during the Black Moon arc (long after it stopped appearing when she transformed) to identify people who who were replaced with droids.
Is there an issue? Send a MessageReason:
None


** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that happened when they tried to remove him the first time in "Adventures in the Orange Islands''. It seems the writers took notice eventually as he finally left the show in ''Best Wishes''/''Black and White''. This is surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.

to:

** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that happened when they tried to remove him the first time in "Adventures ''Adventures in the Orange Islands''. Islands''. It seems the writers took notice eventually as he finally left the show in ''Best Wishes''/''Black and White''. This is surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.

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* In ''Anime/SailorMoon'', for the first three seasons, the Monsters-of-the-Day actually did something relevant to the {{plot}}, but in the fourth and fifth seasons, their only purpose was to give the girls something to fight before the end of the episode. It became especially bad in the last season; the targets were supposed to be potential Sailor Senshi (hence why they're attacked very early in the original comic) but no attempt is ever made to target those that ''show up to every single fight, in costume''.
** In the anime, Mamoru Chiba was a SatelliteLoveInterest, which meant that after he and Usagi hit the RelationshipCeiling at the end of ''R'', the writers really had nothing to do with him, and Usagi had plenty of other characters to emote at. Obviously, being Sailor Moon's destined love, he couldn't be written out completely, but he was pretty much "just there" in the third and fourth seasons, and he was PutOnABus in the fifth season to allow for Seiya to start a LoveTriangle. This is averted in the [[Manga/SailorMoon manga]], where he had far more characterization than just being Usagi's destined boyfriend.
*** Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.

to:

* In ''Anime/SailorMoon'', for ''Anime/SailorMoon'':
** For
the first three seasons, the Monsters-of-the-Day actually did something relevant to the {{plot}}, but in the fourth and fifth seasons, their only purpose was to give the girls something to fight before the end of the episode. It became especially bad in the last season; the targets were supposed to be potential Sailor Senshi (hence why they're attacked very early in the original comic) but no attempt is ever made to target those that ''show up to every single fight, in costume''.
** In the anime, Mamoru Chiba was a SatelliteLoveInterest, which meant that after he and Usagi hit the RelationshipCeiling at the end of ''R'', the writers really had nothing to do with him, and Usagi had plenty of other characters to emote at. Obviously, being Sailor Moon's destined love, he couldn't be written out completely, but he was pretty much "just there" in the third and fourth seasons, and he was PutOnABus in the fifth season to allow for Seiya to start a LoveTriangle. This is averted in the [[Manga/SailorMoon manga]], where he had far more characterization than just being Usagi's destined boyfriend.
***
boyfriend. Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.



** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that happened when they tried to remove him the first time in "Adventures in the Orange Islands''.
** It seems the writers have taken notice as he finally left the show in ''Best Wishes''/''Black and White''.
** Surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.
** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after Generation II. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays.
* ''Franchise/DragonBall''

to:

** [[TheLancer Brock]] became this during "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that happened when they tried to remove him the first time in "Adventures in the Orange Islands''.
**
Islands''. It seems the writers have taken took notice eventually as he finally left the show in ''Best Wishes''/''Black and White''.
** Surprisingly
White''. This is surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.
** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after [[VideoGame/PokemonGoldAndSilver Generation II.II]]. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays.
* ''Franchise/DragonBall''''Franchise/DragonBall'':
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*** Despite the series DoingInTheWizard to a degree, Tien Shinhan and Chiaotzu remained being called "humans" despite their unusual features (although some sources state Tien as being descended from an ancient three-eyed alien race).
Willbyr MOD

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fixing redirect


** An even better example would be the {{Dragon Ball}}s themselves, who zig-zag this trope. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.

to:

** An even better example would be the {{Dragon Ball}}s Dragon Balls themselves, who zig-zag this trope. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.
Is there an issue? Send a MessageReason:
None


* ''YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series. From then on out, the main characters almost never used their Signer abilities (Aki, the most powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there wasn't even five Signers - there was six.]]

to:

* ''YuGiOh5Ds'' ''Anime/YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series. From then on out, the main characters almost never used their Signer abilities (Aki, the most powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there wasn't even five Signers - there was six.]]
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* The font of the main titles of each new installment in the ''[[Franchise/PuellaMagiMadokaMagica Madoka]]'' franchise. Originally, that was to pass the original anime and manga off as yet another cutesy MagicalGirl show, before it would show its true colors. The manga's volume numbers also retained this even after they had served their purpose, but afterwards, only the main titles for subsequent installments do so, while subtitles and volume numbers are displayed in a more serious font.
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The history continues being clearly about his journey, in other words, he continues fitting to the mood and design of the series.


** Ash himself has stuck around the show even after the rest of ''Franchise/{{Pokemon}}'' media changed their protagonist with each generation. Like Team Rocket, this is attributed to his high popularity in Japan. However, like Team Rocket, the anime staff Reimagine the Artifact by "converting" him to a counterpart/stand-in for the male player character of each new generation, while still keeping his character.
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** Ash himself has stuck around the show even after the rest of ''Franchise/Pokemon'' media changed their protagonist with each generation. Like Team Rocket, this is attributed to his high popularity in Japan. However, like Team Rocket, the anime staff Reimagine the Artifact by "converting" him to a counterpart/stand-in for the male player character of each new generation, while still keeping his character.

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** Ash himself has stuck around the show even after the rest of ''Franchise/Pokemon'' ''Franchise/{{Pokemon}}'' media changed their protagonist with each generation. Like Team Rocket, this is attributed to his high popularity in Japan. However, like Team Rocket, the anime staff Reimagine the Artifact by "converting" him to a counterpart/stand-in for the male player character of each new generation, while still keeping his character.

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* [[TheLancer Brock]] from ''Anime/{{Pokemon}}'' became this during "Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid the fan backlash that might result from removing him.

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* ''Anime/{{Pokemon}}'':
**
[[TheLancer Brock]] from ''Anime/{{Pokemon}}'' became this during "Johto "The Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid a repeat of the fan backlash that might result from removing him.happened when they tried to remove him the first time in "Adventures in the Orange Islands''.



** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after Generation II. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series.

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** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after Generation II. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series. Their high popularity in Japan contributes to why they're series mainstays.
** Ash himself has stuck around the show even after the rest of ''Franchise/Pokemon'' media changed their protagonist with each generation. Like Team Rocket, this is attributed to his high popularity in Japan. However, like Team Rocket, the anime staff Reimagine the Artifact by "converting" him to a counterpart/stand-in for the male player character of each new generation, while still keeping his character.

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** An even better example would be the {{Dragon Ball}}s themselves. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.

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** An even better example would be the {{Dragon Ball}}s themselves.themselves, who zig-zag this trope. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.


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***They played a limited, but vital role at the middle and end of the Buu Saga. The Earth's Dragon Balls revived Kibito, who was killed earlier, who healed the nearly dead Supreme Kai and Gohan. They took Gohan back to their world where they trained him to fight Buu, which led to Old Kai being freed. The Namekian Dragon Balls were used to restore the Earth and everyone on it to power the Spirit Bomb and the last wish was used to restore Goku's power so he could finish off Buu. The original Japanese text even have Goku say poetically, "Thank you, Dragon Balls!"
***The Dragon Balls themselves are also the reason most of the cast even met. Goku, Bulma, Yamcha, Master Roshi, and Chi-Chi all met because of the first Dragon Ball hunt. The second hunt for the Dragon Balls allowed Goku to meet Korin and eventually Kami. Vegeta also came to Earth because of the Dragon Balls and Trunks made his adventure through time because there was no Dragon Balls to fix his wrecked timeline. In a wider sense, without the Dragon Balls Goku would have remained unfound in the mountains. So, the Dragon Balls do effect the plot, although in more indirect ways later on.
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* ''YuGiOh5Ds'' somehow had this happen to its entire ''premise''. The original concept of the series, as seen in the title, was that there were five individuals known as the Signers who used their mystic dragon powers to battle ancient threats. However, the main mystical threat of the series, the Earthbound Gods, was defeated less than halfway through the series. From then on out, the main characters almost never used their Signer abilities (Aki, the most powerful one, was even depowered without explanation for most of the show's last third), and most of their opponents had absolutely nothing to do with the Signers or mysticism in general. The show also largely jettisoned the concept of the Signers working as a team, with nearly everything from then on out being accomplished by Yusei, Jack, and Crow (the latter of whom wasn't even a Signer until it had stopped being relevant). Despite the clumsy ReTool, the series seemingly continued to advertise itself as being about the Signers. By the end of the series, [[ArtifactTitle there wasn't even five Signers - there was six.]]
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** Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.

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** *** Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.
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* In ''Anime/SailorMoon'', for the first three seasons, the Monsters-of-the-Day actually did something relevant to the {{plot}}, but in the fourth and fifth seasons, their only purpose was to give the girls something to fight before the end of the episode. It became especially bad in the last season; the targets were supposed to be potential Sailor Senshi (hence why they're attacked very early in the original comic) but no attempt is ever made to target those that ''show up to every single fight, in costume''.
** In the anime, Mamoru Chiba was a SatelliteLoveInterest, which meant that after he and Usagi hit the RelationshipCeiling at the end of ''R'', the writers really had nothing to do with him, and Usagi had plenty of other characters to emote at. Obviously, being Sailor Moon's destined love, he couldn't be written out completely, but he was pretty much "just there" in the third and fourth seasons, and he was PutOnABus in the fifth season to allow for Seiya to start a LoveTriangle. This is averted in the [[Manga/SailorMoon manga]], where he had far more characterization than just being Usagi's destined boyfriend.
** Evidently director Creator/KunihikoIkuhara is on record as hating Mamoru... so the sidelining makes sense from that aspect. Doesn't make for a better story, but there is a reason for it.
** Funnily enough, one of Sailor Moon's most recognisable symbols, the red and white 'buttons' on Usagi's hairbuns, are technically an Artifact that didn't last beyond the first episode: after Usagi transforms for the first time, she hears Naru screaming through her hair buns, and this is what alerts her to the monster of that episode. The mechanic was never seen again, as often the tracking down of the monster was a plotline, and at other times the show was more than happy with letting the girls and monsters meet up though sheer coincidence. However, as there would be no way for Usagi to know where the monster was in this first episode otherwise, both the 90s anime and the Crystal reboot kept the strange function only to drop it just as quickly as the manga did.
*** This artifact was created by removing another artifact the manga used. In early chapters Sailor Moon wore a white mask similar to Sailor V's. In the first chapter it showed her a vision of Naru being attacked. She quickly ditched them and for a number of chapters was shown throwing it to the side after transforming. The mask shows up once more during the Black Moon arc (long after it stopped appearing when she transformed) to identify people who who were replaced with droids.
** A few character design elements have become this in newer versions:
*** Makoto's long skirt. When the series first came up, an excessively long skirt on the uniform was a distinctive sign of a ''[[JapaneseDelinquents sukeban]]'' (and she had the fame of one), but by the time newer versions of the series came up it had been replaced by an excessively ''short'' skirt and other distinctive signs. On the other hand, Makoto ''needs'' a visual sign to justify her fame as a delinquent, so ''Anime/SailorMoonCrystal'' still gave her it ([[Series/PrettyGuardianSailorMoon the live action]] instead opted for a normal skirt and having her sometimes dye her hair, [[AnimeHair something an anime would be unable to do]]);
*** Minako and Naru wearing ribbons in their hair. When the manga was first published it was fashionable for a schoolgirl to wear a ribbon in the hair (and in fact the manga has Minako started to wear one in an effort to conquer a boy. She continued because it looked good), but nowadays it's not it anymore. Still, it's such a part of their characters' images they still wear it in ''Crystal'', and Minako does it as Sailor V and Sailor Venus in the live action (the live action was able to drop it with Minako's civilian identity and Naru because, for a real-life girl, it would have just been weird).
*** Minako and Makoto's looks in general in the new anime. ''Crystal'' being [[SettingUpdate set during its real-world release]], the logic progression would have been updating them into [[SubculturesInJapan some sub-variant of gals or make Makoto a]] [[BadassBiker bosozoku]] ([[WhatCouldHaveBeen something she was originally supposed to be]]) to convey the former being a [[TomboyPrincess tomboy who looks extremely feminine]] and justify the latter's fame as a delinquent, but instead they wore normal clothes in their civilian identities.
*** [[TransformationTrinket The Transformation Pens]] were originally chosen because they were fashionable accessories, but the fashion has since passed. Yet, ''Crystal'' still keeps them (the live action instead replaced them with charms that were fashionable back when the series was aired).
*** ''Crystal'' also retains both sets of the communicator watches, which in the era of cellphones would require some justification (never given outright by the series itself); their live-action counterparts ''were'' fancy magical cellphones which combined the functions of the communicators and the disguise pen.
* [[TheLancer Brock]] from ''Anime/{{Pokemon}}'' became this during "Johto Journeys" and stayed that way for a ''loooooong'' time. The writers seemed to have forgotten all about his stated goal of breeding Pokémon, and were probably keeping him around just to avoid the fan backlash that might result from removing him.
** It seems the writers have taken notice as he finally left the show in ''Best Wishes''/''Black and White''.
** Surprisingly {{Lampshaded}} in the last three episodes of "Diamond and Pearl" where Brock realizes that while Ash and Dawn are advancing towards their goals he has made no progress with his. It is also in these episodes that he learns he can put the skills he does have to good use by becoming a Pokémon Doctor, leading to his departure.
** [[TerribleTrio Team Rocket]] have been this for just as long, as the organization they belong to have ceased to be the villains of the main games the anime is promoting after Generation II. The ''Best Wishes''/''Black and White'' series attempted to rectify this by [[ReimaginingTheArtifact giving them actual purpose in the plot]] and then [[PutOnABus attempting to write them out]], but it didn't stick and they returned to TheArtifact status in the ''Pokemon XY'' series.
* ''Franchise/DragonBall''
** ''Anime/DragonBallZ'' features many characters from the earlier ''Manga/DragonBall'' series (such as {{Talking Animal}}s Puar the cat and Oolong the pig) that do not mesh well with the less cartoony and more science-fiction style of characters in DBZ.
** An even better example would be the {{Dragon Ball}}s themselves. Although they've have some importance in every arc, as soon as it's revealed that Goku and Piccolo are aliens, they take a back seat and they're only used as damage control in the Android/Cell and Buu arcs. They do eventually become more important in ''Anime/DragonBallGT''.
*** This actually started earlier in the ''Manga/DragonBall'' run. While they were being actively sought through most of ''Manga/DragonBall'', by the time of the Red Ribbon Saga they were effectively just a MacGuffin and the battles with the bad guys became more prominent. By the King Piccolo Saga, they became little more than a means to how Piccolo gained eternal youth and damage cleanup thereafter, while in the Piccolo Junior Saga they weren't even featured at all. They played a limited role in the Saiyan Saga of Z, while they played a much more prominent role in the Namek/Frieza Saga. The Android/Cell and Buu Sagas all but forgot about them. Basically, the importance of the Dragon Balls themselves started to wane heavily as early as half way through the original ''Manga/DragonBall'' years - in other words, for about 3/4 of whole story they were little more than a ResetButton.
* One of ''LightNovel/{{Slayers}}'''s most famous running jokes is the otherwise overconfident Lina Inverse's [[ACupAngst sensitivity about her endowment]]. While it's reasonable in the novels and comic, it seemed a case of HollywoodHomely in animated form only rationalized by her bawdy and [[GagBoobs ridiculously curvy]] cohort Naga. As the show usually compensated by enlarging everyone ''else'', one suspects it was ExecutiveMeddling in order to make a heroine a bit more cute to the television audience.
** Slayers Revolution-R dealt with this a little better than the 90s series (where she was easily a B-Cup going towards C), as her character design in the 2000s series is noticeably pretty flat - not a complete UsefulNotes/{{Pettanko}}, but definitely an A-Cup.
* Kinkotsuman & Iwao from ''Manga/{{Kinnikuman}}'', parodies of stereotypical {{Toku}} villains introduced when the series was a straight up spoof of ''Series/{{Ultraman}}'' continued to show up long after the GenreShift to ProfessionalWrestling.
* Main character Ginko from ''Manga/{{Mushishi}}'' wears recognizably modern clothes despite the story's setting suggesting a Pre Meiji Japanese location. The author eventually admitted that Ginko was made during the early design period where the story was supposed to take place in modern times, with him simply being left unchanged.
* Likewise Chrono's very distinctive outfit in ''Anime/MagicalGirlLyricalNanoha'' is back from when he was designed to be a more important lead character -- and a villain -- rather than a side character. There [[ImprobablyFemaleCast not being much to compare him to]], even Erio's outfit is much less flashy.
** The name of Raising Heart also qualifies, since [[http://static.tvtropes.org/pmwiki/pub/images/Nanoha.jpg its original design]] was a fairly normal-looking MagicWand with a HeartSymbol on it.
* Although ''Anime/MobileSuitGundam'' was the first RealRobot anime, it still carried a lot of baggage from the SuperRobot genre, mainly the design aesthetic for Zeon vehicles and an AerithAndBob naming scheme for their people that evokes the Alien invaders common to Super Robot antagonists, and a number of gimmicky weapons and [[MerchandiseDriven accessories]] for the Gundam like the G-Armor, Beam Javelin, and Gundam Hammer. The latter were quickly retconned out of existence in the Movie adaptations, and later Zeon designs have tried to evoke a image closer to WorldWarII Germany.
** Played with in ''Anime/MobileSuitGundamSEED'', where the eponymous Gundams were only called so a handful of times (once in the first series, twice in the second) because that's what their OS's acronyms spelled out. The units were almost always referred to by their production names.
* An in-universe example is brought up in the final episode of ''Anime/GhostInTheShellStandAloneComplex'' where a few of the protagonists meet in a library. One points out the uselessness of printed media to which another points out that it is just a habit of mankind.
* The character of Index can't really be dropped from the series ''LightNovel/ACertainMagicalIndex'', but her character and abilities after the initial arc don't really add anything. However, she's fairly popular and, again, her name is in the title. So as the story introduces two more protagonists and something of a rival main heroine, poor Index is largely confined to either comedy scenes or used as a macguffin. Some of the less kind fans have taken to calling her a [[VideoGame/HalfLife headcrab]] in response to her perceived uselessness and most common running gag.
* ''Anime/YuGiOhArcV'''s Entermate Discover Hippo featured very prominently in early advertising and the opening theme, and when it showed up in the first episode and was used prominently, it seemed like a long career would await the distinctive little cutie. One problem: Discover Hippo's effect is one that makes Tribute Summons easier. Main character Yuya, by the third episode, specializes in a mechanic that renders Tribute Summoning completely unnecessary. Consequently, Discover Hippo ends up only showing up in the very rare situations where Yuya can't Pendulum Summon right away.
* ''Anime/YuGiOh'' had Hiroto Honda/Tristan Taylor. In the early [[Manga/YuGiOh manga]], he was a mainstay of the cast, helping out a lot in Death-T and Monster World and often acting as TheBigGuy. By the time of ''Duelist'' and the second series anime, the series became more cardgame-focused, and Honda spends most of his time just kinda standing on the sidelines because he can't just punch most of the gang's opponents and he sucks at the card game. The anime ended up doing its best to add stuff for him to do, but [[TrappedByMountainLions very little of it was consequential.]]
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