Follow TV Tropes

Following

History TearJerker / PlanesTrainsAndAutomobiles

Go To

OR

Is there an issue? Send a MessageReason:
None


** "I wish you were here with me right now. But I guess... ''that's'' not gonna happen. Not now anyway."

to:

** "I -->"Well, Marie, once again my dear, you were as right as rain. I am, without a doubt, the biggest pain in the butt that ever came down the pike. I meet someone whose company I really enjoy, and what do I do? I go overboard. I smother the poor soul. I cause him more trouble than he has a right to. God, I got a big mouth. When am I ever gonna wake up? I wish you were here with me right now. But I guess... ''that's'' not gonna happen. Not now now, anyway."
Is there an issue? Send a MessageReason:
None


!!Per wiki policy, Administrivia/SpoilersOff on moments pages. Administrivia/YouHaveBeenWarned

to:

!!Per !Per wiki policy, Administrivia/SpoilersOff on moments pages. Administrivia/YouHaveBeenWarned



** When Neil starts yelling at him, Del is willing to argue back for a few minutes... until [[ITakeOffenseToThatLastOne Neal insults his "boring stories,"]] at which point he goes quiet and starts breathing more heavily, as if he's about to cry, and remains awkwardly quiet until Neil is finished laying into him. Neil clearly took it too far by making it personal.

to:

** When Neil Neal starts yelling at him, Del is willing to argue back for a few minutes... until [[ITakeOffenseToThatLastOne Neal insults his "boring stories,"]] at which point he goes quiet and starts breathing more heavily, as if he's about to cry, and remains awkwardly quiet until Neil Neal is finished laying into him. Neil Neal clearly took it too far by making it personal.



* While cutting it benefited the film in the long run, the monologue Del gives Neil in the original script about how he came to be a homeless drifter is devastating, especially his particular choice of words when he talks about how lucky Neil is to be the father he'd never had the chance to be himself.

to:

* While cutting it benefited the film in the long run, the monologue Del gives Neil Neal in the original script about how he came to be a homeless drifter is devastating, especially his particular choice of words when he talks about how lucky Neil Neal is to be the father he'd never had the chance to be himself.



** There's also his line about how he tries to make it to church around this time every year just to feel like he belongs somewhere, but couldn't make it in time. Del knows he's clingy, but also makes it clear that this desperation to have friends is the one thing ''keeping him sane.'' And yet, true to his character, he apologizes to Neil for burdening him and advises him that he'd "better run" before Del makes things worse.

to:

** There's also his line about how he tries to make it to church around this time every year just to feel like he belongs somewhere, but couldn't make it in time. Del knows he's clingy, but also makes it clear that this desperation to have friends is the one thing ''keeping him sane.'' And yet, true to his character, he apologizes to Neil Neal for burdening him and advises him that he'd "better run" before Del makes things worse.

Added: 94

Changed: 61

Is there an issue? Send a MessageReason:
None


!!Per wiki policy, Administrivia/SpoilersOff on moments pages. Administrivia/YouHaveBeenWarned



** His line about how his wife likes him is especially sad once you learn [[spoiler:said wife was DeadAllAlong]].

to:

** His line about how his wife likes him is especially sad once you learn [[spoiler:said said wife was DeadAllAlong]].DeadAllAlong.



* The WhamLine in the penultimate scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]
* Del's monologue to [[spoiler:his dead wife]] about how much of a screw-up he is while sitting in the burnt-up wreck of a car, just as it's beginning to snow. Not only does he know he has problems that needs to work on, but it implies that things weren't so rosy between them when [[spoiler:she died]].

to:

* The WhamLine in the penultimate scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]
"
* Del's monologue to [[spoiler:his his dead wife]] wife about how much of a screw-up he is while sitting in the burnt-up wreck of a car, just as it's beginning to snow. Not only does he know he has problems that needs to work on, but it implies that things weren't so rosy between them when [[spoiler:she died]].she died.



* While cutting it benefited the film in the long run, the monologue Del gives Neil in the original script about how he came to be [[spoiler:a homeless drifter]] is devastating, especially his particular choice of words when he talks about how lucky Neil is to be the father he'd never had the chance to be himself.

to:

* While cutting it benefited the film in the long run, the monologue Del gives Neil in the original script about how he came to be [[spoiler:a a homeless drifter]] drifter is devastating, especially his particular choice of words when he talks about how lucky Neil is to be the father he'd never had the chance to be himself.
Is there an issue? Send a MessageReason:
None


** "I wish you were here with me right now. But I guess... ''that's'' not gonna happen."

to:

** "I wish you were here with me right now. But I guess... ''that's'' not gonna happen. Not now anyway."
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** "I wish you were here with me right now. But I guess... ''that's'' not gonna happen."
Is there an issue? Send a MessageReason:
None


* Del's monologue to [[spoiler:his dead wife]] about how much of a screw up he is while sitting in the burnt-up wreck of a car, just as it's beginning to snow. Not only does he know he has problems that needs to work on, but it implies that things weren't so rosy between them when [[spoiler:she died]].
* While cutting it [[JustifiedTrope benefited the film in the long run]], the monologue Del gives Neil in the original script about how he came to be [[spoiler:a homeless drifter]] is devastating, especially his particular choice of words when he talks about how lucky Neil is to be the father he'd never had the chance to be himself.

to:

* Del's monologue to [[spoiler:his dead wife]] about how much of a screw up screw-up he is while sitting in the burnt-up wreck of a car, just as it's beginning to snow. Not only does he know he has problems that needs to work on, but it implies that things weren't so rosy between them when [[spoiler:she died]].
* While cutting it [[JustifiedTrope benefited the film in the long run]], run, the monologue Del gives Neil in the original script about how he came to be [[spoiler:a homeless drifter]] is devastating, especially his particular choice of words when he talks about how lucky Neil is to be the father he'd never had the chance to be himself.
Is there an issue? Send a MessageReason:
None


-->''"The movies that last, the ones we return to, don't always have lofty themes or Byzantine complexities. Sometimes they last because they are arrows straight to the heart. When Neal unleashes that tirade in the motel room and Del's face saddens, he says, 'Oh. I see.' It is a moment that not only defines Del's life, but is a turning point in Neal's, because he also is a lonely soul, and too well organized to know it. Strange, how much poignancy creeps into this comedy, and only becomes stronger while we're laughing."''
-->-Creator/RogerEbert in his [[http://www.rogerebert.com/reviews/great-movie-planes-trains-and-automobiles-1987 review]] for the film

to:

-->''"The ->''"The movies that last, the ones we return to, don't always have lofty themes or Byzantine complexities. Sometimes they last because they are arrows straight to the heart. When Neal unleashes that tirade in the motel room and Del's face saddens, he says, 'Oh. I see.' It is a moment that not only defines Del's life, but is a turning point in Neal's, because he also is a lonely soul, and too well organized to know it. Strange, how much poignancy creeps into this comedy, and only becomes stronger while we're laughing."''
-->-Creator/RogerEbert -->-- '''Creator/RogerEbert''' in his [[http://www.rogerebert.com/reviews/great-movie-planes-trains-and-automobiles-1987 review]] for the film

Changed: 80

Removed: 80

Is there an issue? Send a MessageReason:
None


* The WhamLine in the penultima

to:

* The WhamLine in the penultimapenultimate scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]



te scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]
Is there an issue? Send a MessageReason:
None


** While John Candy's excellent performance is what sells the scene, instrumental version of "Power To Believe" by Dream Academy, which scores it, elevates it to gut-wrenching perfection.

to:

** While John Candy's excellent performance is what sells the scene, the instrumental version of "Power To Believe" by Dream Academy, which scores it, elevates it to gut-wrenching perfection.

Added: 218

Changed: 175

Removed: 111

Is there an issue? Send a MessageReason:
None


** While John Candy's excellent performance is what sells the scene, instrumental version of "Power To Believe" by Dream Academy, which scores it, elevates it to gut-wrenching perfection.
* The WhamLine in the penultima



** The instrumental version of "Power To Believe" by Dream Academy, which scores the end of the scene, makes the whole scene even more emotional.
* The WhamLine in the penultimate scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]

to:

** The instrumental version of "Power To Believe" by Dream Academy, which scores the end of the scene, makes the whole scene even more emotional.
* The WhamLine in the penultimate
te scene: [[spoiler: "I don't have a home. Marie's been dead for eight years."]]

Top