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Changed line(s) 2 (click to see context) from:
** When he broke down his career for GQ Magazine and that part came up, Lithgow referred to it as “the scene every kid in America remembers.”
to:
** When he broke down his career for GQ Magazine and that part came up, Lithgow referred to it as “the "the scene every kid in America remembers.”"
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Added DiffLines:
** When he broke down his career for GQ Magazine and that part came up, Lithgow referred to it as “the scene every kid in America remembers.”
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Changed line(s) 1 (click to see context) from:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day. The weird comedy about Bigfoot contains what might be one of John Lithgow's absolute ''best'' performances.
to:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day. The weird comedy about Bigfoot contains what might be one of John Lithgow's Creator/JohnLithgow's absolute ''best'' performances.
Changed line(s) 4 (click to see context) from:
** "Love Lives On," played over the credits.
to:
** "Love Lives On," played over the credits.credits.
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Changed line(s) 3 (click to see context) from:
** The ending. Oh, god, the ending.
to:
** The ending. Oh, god, the ending.ending.
** "Love Lives On," played over the credits.
** "Love Lives On," played over the credits.
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Changed line(s) 1 (click to see context) from:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day. The weird comedy about bigfoot contains might be one of John Lithgow's absolute ''best'' performances.
to:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day. The weird comedy about bigfoot Bigfoot contains what might be one of John Lithgow's absolute ''best'' performances.
Changed line(s) 3 (click to see context) from:
** The ending. Oh, god, the ending.
to:
** The ending. Oh, god, the ending.
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Changed line(s) 1 (click to see context) from:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day.
to:
* George, trying desperately to drive Harry away, yells at him and says he and his family doesn't want him around - but the anguish on his face is plain as day. The weird comedy about bigfoot contains might be one of John Lithgow's absolute ''best'' performances.
