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*By all accounts, Lely was an utterly repulsive and murderous human being, but his field autopsy is still treated with a great degree of tenderness, as the player has the option to stroke his face and treat the body with dignity. This goes further as Harry begins to hallucinate the corpse's voice mournfully and pitifully lamenting his fate.
-->'''The Hanged Man:''' I'm a joke. Look at me.\\
'''You:''' There's nothing funny about you.\\
'''The Hanged Man:''' There is nothing funny about jokes, either.
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----
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->'''You:''' It's an expression of pain.\\
'''Mirror:''' ''[[StepfordSmiler You are correct.]]''
-->-- One of the possible dialogue choices to answer the question of what ''[[TechnicallyASmile "The Expression"]]'' is supposed to represent when you look in the mirror at the very beginning of the game, [[EstablishingCharacterMoment potently establishing]] [[SadClown Harry's character]], and setting the bar for the level of sadness you're in for going forward.
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** When you finally wake up, the very first thing Cuno says is that Kim's dead. Thankfully, he immediately admits that he's kidding and that Kim is in the hospital...but you still won't hear from Kim for the rest of the game.

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** When you finally wake up, the very first thing Cuno says is that Kim's dead. Thankfully, he immediately admits that he's kidding and that Kim is in the hospital... but you still won't hear from Kim for the rest of the game.



'''The Deserter:''' ...but Lieutenant Kitsuragi is not here. There is only the old straddler. He turns his black eyes to you and says: "Kim who? There's no Kim here either."

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'''The Deserter:''' ... but Lieutenant Kitsuragi is not here. There is only the old straddler. He turns his black eyes to you and says: "Kim who? There's no Kim here either."



* Later in the game you can find a dead body of a man on the pier, with evidence pointing to him having gotten drunk, falling through the rotting boardwalk and fatally hitting his head. Going through the routine of arranging a pickup for the body from the city morgue you find the address of his wife so you can inform her of his death...only to find out that it's a working class woman you may have had a humorous interaction with at the start of the game.

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* Later in the game you can find a dead body of a man on the pier, with evidence pointing to him having gotten drunk, falling through the rotting boardwalk and fatally hitting his head. Going through the routine of arranging a pickup for the body from the city morgue you find the address of his wife so you can inform her of his death... only to find out that it's a working class woman you may have had a humorous interaction with at the start of the game.
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** With enough Perception, you can notice that someone else is in her bed. Volition begs you not to notice.
--->'''Volition:''' Don't react. Whatever you do, don't react to that last thing.
*** And if you bring it up...
--->'''Perception:''' No answer. You're not sure but you think you hear a *man's* voice in the background. It's covered in pain and white noise...
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--->'''Shivers:''' Run. To the church. Home. Anywhere but here. *Anything but calling her again.*"
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** After your kiss fails to do anything to change her mind, she will reveal information about your child with her.
---> '''You:''' "That's it then?"\\
'''Dolores Dei:''' "No, Harry. Not yet. There is one more thing you have to see..." She slides her hands down her chest, and onto her lower stomach. And smiles. "I'm pregnant."\\
'''You:''' "It's not mine."\\
'''Dolores Dei:''' "Of course not." She looks down at her belly, then up into your old eyes... "I terminated yours. Don't you remember, you *poor* fuck? You poverty-stricken fuck."


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* Cuno's life is pretty sad as it is -- a 12-year-old drug addict with an abusive alcoholic of a father -- but when he says that he will go out like his dad, "West Revachol style" -- that is, turning into a vegetable from substance overdose, even [[CreepyChild Cunoesse]] asks him to "stop saying all this *sad* shit" in a small voice.

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* Cuno's life is pretty sad as it is -- a 12-year-old drug addict with an abusive alcoholic of a father -- but when he says that he will go out like his dad, "West Revachol style" -- that is, turning into a vegetable from substance overdose, even [[CreepyChild Cunoesse]] asks him to "stop saying all this *sad* ''sad'' shit" in a small voice.



'''Pain Threshold:''' ''A great and terrible spike. The blood freezes in her veins''\\
'''You:''' "Your husband Victor Méjean is dead. I'm very sorry for your loss, ma'am."\\

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'''Pain Threshold:''' ''A great and terrible spike. The blood freezes in her veins''\\
veins.''\\
'''You:''' "Your husband husband, Victor Méjean Méjean, is dead. I'm very sorry for your loss, ma'am."\\



--->'''Empathy:''' If you say 'two days maybe' it will be etched in her mind forever.

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--->'''Empathy:''' If you say 'two days maybe' 'Two days, maybe', it will be etched in her mind forever.
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* The Pigs is ultimately just a confused, senile, old woman who was abandoned by her children and mostly forgotten by everyone else, left with only a police radio for company.
-->'''The Pigs:''' ''As you turn to leave, the faintest of voices comes from the old lady. It's but a reflex -- nothing else.'' "Please leave the radio on... Mr. Morrand is on Channel 8..."\\
'''Logic:''' Reflex to what? Being left alone?\\
'''Empathy:''' Exactly. With only the voice of Gareth Morrand to accompany her on Channel 8.
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** You can soften the blow and even entirely salvage the situation, turning it around into a Heartwarming Moment if you sincerely apologize to Kim for your racist outburst. Kim will then ask you what you see when you look at him. Answer that you see him as "a true Revacholian", and Kim will briefly be at loss for words. Your skills will inform you, that despite both the circumstances that up lead to this point and himself, he is truly elated to hear those words.

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** You can soften the blow and even entirely salvage the situation, turning it around into a Heartwarming Moment if you sincerely apologize to Kim for your racist outburst. Kim will then ask you what you see when you look at him. Answer that you see him as "a true Revacholian", and Kim will briefly be at a loss for words. Your skills will inform you, that despite both the circumstances that up lead to this point and himself, he is truly elated to hear those words.
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** The death in and of itself is extremely sad: there is no culprit to apprehend, no grander meaning to the case you're investigating, and nobody to really blame: it's a horrible accident that could have happened to anyone, just like countless deaths in the real world every day.
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** You can soften the blow and even entirely salvage the situation, turning it around into a Heartwarming Moment if you sincerely apologize to Kim for your racist outbust. Kim will then ask you what you see,

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** You can soften the blow and even entirely salvage the situation, turning it around into a Heartwarming Moment if you sincerely apologize to Kim for your racist outbust. outburst. Kim will then ask you what you see,see when you look at him. Answer that you see him as "a true Revacholian", and Kim will briefly be at loss for words. Your skills will inform you, that despite both the circumstances that up lead to this point and himself, he is truly elated to hear those words.
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** At one point during the sequence, you have an opportunity to roll a Suggestion check to kiss Dora passionately. But even if you 'succeed', she'll remain quite still, refusing to kiss you back -- and Suggestion itself will ruefully tell you that [[FailureIsTheOnlyOption there can be no winning here]].

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** At one point during the sequence, you have an opportunity to roll a Suggestion check to kiss Dora passionately. But even if you 'succeed', "succeed", she'll remain quite still, refusing to kiss you back -- and Suggestion itself will ruefully tell you that [[FailureIsTheOnlyOption there can be no winning here]].


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** You can soften the blow and even entirely salvage the situation, turning it around into a Heartwarming Moment if you sincerely apologize to Kim for your racist outbust. Kim will then ask you what you see,

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--->'''You:''' "How will I see you *again* then?"\\
'''Dolores Dei:''' "Right here. Tomorrow night. Once this dream starts happening it keeps happening -- three times a week. At least, And Harry, it really really looks like it's started *happening* again. There's the video rental..."\\
"I'm suffocatingly beautiful. And young. And I smell of tutti frutti chewing gum -- like I did that time when I asked you for forgiveness. After leaving you the first time, so long ago..."\\
'''You:''' "But this is intolerably bad."\\
'''Dolores Dei:''' "Oh yes. This is real darkness. It's not death, or war, or child molestation. Real darkness has love for a face. The first death is in the heart, Harry."\\
''"See you tomorrow."''

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--->'''You:''' "How How will I see you *again* then?"\\
then?\\
'''Dolores Dei:''' "Right Right here. Tomorrow night. Once this dream starts happening it keeps happening -- three times a week. At least, And Harry, it really really looks like it's started *happening* again. There's the video rental..."\\
"I'm
I'm suffocatingly beautiful. And young. And I smell of tutti frutti chewing gum -- like I did that time when I asked you for forgiveness. After leaving you the first time, so long ago..."\\
'''You:''' "But But this is intolerably bad."\\
\\
'''Dolores Dei:''' "Oh Oh yes. This is real darkness. It's not death, or war, or child molestation. Real darkness has love for a face. The first death is in the heart, Harry."\\
''"See
Harry... ''See you tomorrow."''''
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-->'''You:''' I *know* I can get history back on the right track.
'''René:''' The "right track"? This *is* the right track! The only track. ''(he gets visibly annoyed)'' This is the world we shaped, a reflection of what we are: cowardly, ugly, and numb. And there are no second chances. We don't deserve them! You just can go back and restart -- that would make everything *MEANINGLESS*! ''(a shadow of pain comes over his face)''\\

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-->'''You:''' I *know* I can get history back on the right track.
track.\\
'''René:''' The "right track"? This *is* the right track! The only track. ''(he gets visibly annoyed)'' This is the world we shaped, a reflection of what we are: cowardly, ugly, and numb. And there are no second chances. We don't deserve them! You just can can't go back and restart -- that would make everything *MEANINGLESS*! ''(a shadow of pain comes over his face)''\\

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* Rene's death, and how hard it hit Gaston. Rene, being his stubborn self, wanted to prove that he didn't need hand-outs and pushed himself too hard on the job, leading to heart failure from overexertion. While telling you this, Gaston keeps referring to Rene as "angry prick" and "old cunt", but prod him just a little, and he will admit that he loved Rene despite everything. Your Rhetoric will even note that Gaston somehow makes "old cunt" sound almost gentle. You can then give Gaston the old photo of Rene and Jeannie, the girl they fought over for their whole life, leading to a [[TearsOfJoy different kind]] of tear jerker.

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* Rene's René's death, and how hard it hit Gaston. Rene, being his stubborn self, wanted to prove that he didn't need hand-outs and pushed himself too hard on the job, leading to heart failure from overexertion. While telling you this, Gaston keeps referring to Rene René as an "angry prick" and "old cunt", but prod him just a little, and he will admit that he loved Rene René despite everything. Your Rhetoric will even note that Gaston somehow makes "old cunt" sound almost gentle. You can then give Gaston the old photo of Rene René and Jeannie, the girl they fought over for their whole life, leading to a [[TearsOfJoy different kind]] of tear jerker.jerker.
* The fleeting moment during the Fascist Vision Quest, where you realize that René is actually in love with Gaston, but his own self-repression is too great for him to be ever able to confess this to anyone, let alone himself:
-->'''You:''' I *know* I can get history back on the right track.
'''René:''' The "right track"? This *is* the right track! The only track. ''(he gets visibly annoyed)'' This is the world we shaped, a reflection of what we are: cowardly, ugly, and numb. And there are no second chances. We don't deserve them! You just can go back and restart -- that would make everything *MEANINGLESS*! ''(a shadow of pain comes over his face)''\\
'''Empathy:''' There's something *substantial* moving in him, trying to get out.\\
'''Volition:''' He would sooner die than let it surface.\\
'''You:''' What is it?\\
'''Empathy:''' Regret.\\
'''You:''' Regret about what?\\
'''Pain Threshold:''' ''(as the camera zooms in on Gaston)'' Him.\\
'''You:''' Him?\\
'''Pain Threshold:''' There's tenderness in the carabineer's look. Tenderness that's curdled into pain or something darker.\\
'''You:''' Ex-love, ex-tenderness...\\
'''Pain Threshold:''' Even worse, a love aborted and smothered, stamped beneath his brilliant boot heel.\\
'''René:''' ''(you catch the old carabineer's gaze slowly leaving his opponent's wrinkled face as his dark eyes meet yours -- whatever turmoil raged in him a moment ago is quelled for now)''\\
'''Conceptualization:''' Like the last rays of the evening sun gently kissing the day goodbye, before giving way to unfathomable darkness.\\
'''Volition:''' Willed back into the darkest unexplored depths of his mind -- never meant to be shared, seen or confronted.\\
'''Composure:''' A true master of his emotions.\\
'''Inland Empire:''' Hopelessly alone behind the unbreakable walls he spent a lifetime erecting. No one will ever know him.



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