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*** The band ends up vanishing, referencing the RetGone Marty almost suffers. Aaron and Mike even look at their hands as they turn translucent in the same manner that he does.

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*** The band ends up vanishing, referencing the RetGone Marty almost suffers. Aaron and Mike and Greg even look at their hands as they turn translucent in the same manner that he does.
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[[LiteraryAllusionTitle The title itself]] references the [[HorsemenOfTheApocalypse Horseman of Death]] from the Literature/BookOfRevelation.

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* [[LiteraryAllusionTitle The title itself]] references the [[HorsemenOfTheApocalypse Horseman of Death]] from the Literature/BookOfRevelation.
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[[LiteraryAllusionTitle The title itself]] references [[Literature/SongOfSongs Songs]] [[https://www.biblegateway.com/passage/?search=Song+of+Songs+2:15&version=ESV 2:15]].

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* [[LiteraryAllusionTitle The title itself]] references [[Literature/SongOfSongs Songs]] [[https://www.biblegateway.com/passage/?search=Song+of+Songs+2:15&version=ESV 2:15]].
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Spelling/grammar fix(es)


* "Break on Through (to the Other Side) [pt. Two]": The title (which is sung) indicates the song is intended as a sequel to [[Music/TheDoorsAlbum Break On Through (To the Other Side)]] by Music/TheDoors.

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* "Break on Through (to the Other Side) [pt. Two]": The title (which is sung) indicates the song is intended as a sequel to [[Music/TheDoorsAlbum "[[Music/TheDoorsAlbum Break On Through (To the Other Side)]] Side)]]" by Music/TheDoors.
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[[AC:''Ten Stories'']]

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* In "A Stick, a Carrot & String", UsefulNotes/{{Jesus}} muses that he could return home and start a family, alluding to the ''Literature/TheLastTemptationOfChrist'', in which the novel's version of Him is given a vision of such a life.
[[AC:''Ten Stories'']] Stories'']]
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** There are two references to Film/BackToTheFuture in the music video.

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** There are two references to Film/BackToTheFuture ''Film/BackToTheFuture1'' in the music video.
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** This lyric references "Reel Around the Fountain" by Music/TheSmiths; the lyric booklet even prefaces the second line with "SCORPION [a Smiths fan].

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** This lyric references "Reel Around the Fountain" by Music/TheSmiths; the lyric booklet even prefaces the second line with "SCORPION [a Smiths fan].fan]".
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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line[[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]

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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line[[labelnote: line.[[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]
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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line.[[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]

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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line.[[labelnote: line[[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]
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* "Messes of Men": "The propeller's spinning blades [[Theatre/TwelfthNight held acquaintance with the waves]]"[[labelnote:*]] specifically from Act 1, Scene 2 [[/labelnote]]

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* "Messes of Men": "The propeller's spinning blades [[Theatre/TwelfthNight held acquaintance with the waves]]"[[labelnote:*]] specifically from Act 1, Scene 2 [[/labelnote]][[/labelnote]].
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** "And the night birds beat me with their wings with a horrid laughter as they pass" is adapted from sung dialogue in *The Damnation of Faust* by Music/HectorBerlioz.

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** "And the night birds beat me with their wings with a horrid laughter as they pass" is adapted from sung dialogue in *The ''The Damnation of Faust* Faust'' by Music/HectorBerlioz.
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** [[Literature/TheFourGospels "For anyone with ears to hear?"

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** [[Literature/TheFourGospels "For anyone with ears to hear?" hear?"]]
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[[folder: To the Bible]]

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[[folder: To the The Bible]]
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* "2,459 Miles": "The Lord God said it is not good for man to be alone" is almost [[Literature/BookOfGenesis Genesis]] [[https://www.biblegateway.com/passage/?search=Genesis+2:18&version=ESV 2:18]] word-for-word.


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* "Flee, Thou Matadors!": "[[Series/{{Teletubbies}} Tinky's harp]] on the wall next to Music/JanisJoplin!"
* "2,459 Miles": "When again that line from [[Music/TheBeatles Eleanor Rigby]] cuts me to the bone".
* "New Wine, New Skins"
** "I'd like to write a sequel to [[Music/BelleAndSebastian "The State That I Am In"]].
** This lyric references "Reel Around the Fountain" by Music/TheSmiths; the lyric booklet even prefaces the second line with "SCORPION [a Smiths fan].
----> ''Now a scorpion in the sky, harmless as a butterfly\\
You can pin and mount me likewise!''
* "Break on Through (to the Other Side) [pt. Two]": The title (which is sung) indicates the song is intended as a sequel to [[Music/TheDoorsAlbum Break On Through (To the Other Side)]] by Music/TheDoors.
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[[/folder]]
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[[/folder]]

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[[/folder]]* "Another Head for Hydra":
** "Endless words of '[[Creator/LangstonHughes a dream deferred]]'"
** Two works by Creator/EricCarle are referenced in the second verse: ''Brown Bear, Brown Bear, What Do You See?'' and Literature/TheVeryHungryCaterpillar.
* "[dormouse sighs]": "Before the day is done, my prince is gonna come" references the number "Someday My Prince Will Come" from WesternAnimation/SnowWhiteAndTheSevenDwarfs ([[WordOfGod according to Aaron]], [[https://web.archive.org/web/20220818025611/https://www.reddit.com/r/mewithoutYou/comments/gmuvqt/comment/fr5ydzf/?context=3 it's Brandon's favorite Disney song]].
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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line. [[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]

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** Additionally, the first verse references the ProphecyTwist in the fifth act while the second includes a lyric worded similarly to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line. [[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself actually sounds like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]
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** The song further references the play in both the first and second verse, with the latter including a similarly worded lyric which more closely resembles the original line in the lyric booklet [[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself [[LyingCreator actually sounds like]] "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]

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** The song further Additionally, the first verse references the play ProphecyTwist in both the first and fifth act while the second verse, with the latter including includes a lyric worded similarly worded to a line of dialogue from Ross (also in the fifth act). Interestingly enough, the lyric which in the booklet [[LyingCreator differs from what is actually sung]] in that it more closely resembles the original line in the lyric booklet line. [[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself [[LyingCreator actually sounds like]] like "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]
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[[AC:''[Untitled]''

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[[AC:''[Untitled]''[[AC:''[Untitled]'']]
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[[AC:''[Untitled]'']]

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[[AC:''[Untitled]'']][[AC:''Untitled'']]
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[[AC:''untitled EP'']]
* "Dirty Air": The repeated refrain of "Ce n’est pas une chanson sur une peinture d’une pipe" [[labelnote: translation]] "This is not a song about a painting of a pipe" [[/labelnote]] is a reference to TheTreacheryOfImages by Creator/ReneMagritte.
* "Existential Dread, Six Hours' Time": "Nexus-6 Replicants", "red glowing eyes" and "I gladly would've let you fall" are all references to Film/BladeRunner.
[[AC:''[Untitled]''
* "Julia (or, ‘Holy to the LORD’ on the Bells of Horses)": [[LiteraryAllusionTitle The title itself]] refers to the character of Julia from Literature/NineteenEightyFour, although it isn't apparent without looking at the lyrics.
** "Out beyond ideas of right & wrong is a field / Will I meet you there?" is a line from "The Great Wagon" by Creator/{{Rumi}}.
** This verse is a reference to Winston and Julia's relationship in Literature/NineteenEightyFour.
----> ''"Send a couple rats," said Julia\
I'd have done the same thing to you\\
Coffee and a milk, now Julia\\
Who do you think needs who more?''
** There are two references to Film/BackToTheFuture in the music video.
*** The primary setting is a HighSchoolDance; both the invite attached to a door in the opening shot and the hung-up mural behind the band are nigh-identical to the poster and mural in the film, only reading "Enchantment at the Bottom of a Made Up Ocean" (referencing a lyric in the song) instead of "Enchantment Under the Sea".
*** The band ends up vanishing, referencing the RetGone Marty almost suffers. Aaron and Mike even look at their hands as they turn translucent in the same manner that he does.
* Also in the music video, one dancer is abducted by SecretPolice and bound while a fishbowl full of rats is brought to him, a clear nod to Winston's torture in Room101 from Literature/NineteenEightyFour.
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* [["Everything was Beautiful and Nothing Hurt"]]: [[LiteraryAllusionTitle The title itself]] is a phrase found in Literature/SlaughterhouseFive.

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* [["Everything "Everything was Beautiful and Nothing Hurt"]]: Hurt": [[LiteraryAllusionTitle The title itself]] is a phrase found in Literature/SlaughterhouseFive.

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* [[Literature/SlaughterhouseFive "Everything was Beautiful and Nothing Hurt"]]: This lyric is an almost-direct quote from "A Valediction: Forbidding Mourning" by Creator/JohnDonne.
-->''"And so you'll be to me\\

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* [[Literature/SlaughterhouseFive "Everything [["Everything was Beautiful and Nothing Hurt"]]: [[LiteraryAllusionTitle The title itself]] is a phrase found in Literature/SlaughterhouseFive.
**
This lyric is an almost-direct quote from "A Valediction: Forbidding Mourning" by Creator/JohnDonne.
-->''"And ----> ''"And so you'll be to me\\



* "Blue Hen": "Far beyond a cure, far beneath regard" is a paraphrase of [[Theatre/{{Macbeth}} Lady Macbeth's line]] "Things without all the remedy should be without regard", which is itself written underneath the sung lyric in the booklet.

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* "Blue Hen": Hen":
**
"Far beyond a cure, far beneath regard" is a paraphrase of [[Theatre/{{Macbeth}} Lady Macbeth's line]] "Things without all the remedy should be without regard", which is itself written underneath the sung lyric in the booklet.booklet.
** The phrases "Boots of Spanish Inquisition eyes" and "Sheltered from the storm" are probably references to "Boots of Spanish Leather" and "Shelter from the Storm" by Music/BobDylan. [[labelnote: note]] [[https://www.youtube.com/watch?v=9jaj1z7gpDk&ab_channel=MalarieBrakefield Aaron has covered]] [[https://www.youtube.com/watch?v=b4M87dWOpL4&ab_channel=sleepovershows songs by Dylan before]] [[/labelnote]]



** "Hastening lest thy gates be closed / But I find that there is time" is adapted from the last line of "Endless Time" by Creator/RabindranathTagore.

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** "Hastening lest thy gates be closed / But I find that there is time" is adapted from the last line of "Endless Time" by Creator/RabindranathTagore.Creator/RabindranathTagore, and the lyric booklet includes a postscript advising the listener to read it.
* "Magic Lantern Days"
** "Time will fill the rubbish yards, the hospitals, the funeral yards" references "Alone with Everybody" by Creator/CharlesBukowski; he's named along with the original lines from the poem in the booklet.
* "Birnam Wood": [[LiteraryAllusionTitle The title itself]] is a reference to Theatre/{{Macbeth}}.
** The song further references the play in both the first and second verse, with the latter including a similarly worded lyric which more closely resembles the original line in the lyric booklet [[labelnote: note]] The line from ''Macbeth'' is "Your cause of sorrow must not be measured by his worth, for then it hath no end". The line is written in the booklet as "'Your [''cause of''] sorrows [''must not be''] measured by [''your''] his worth / For then it hath no end’ [''again, from Macbeth'']." The lyric in the song itself [[LyingCreator actually sounds like]] "Were sorrows measured by your worth / Our grief would have no end." [[/labelnote]]
** "Safe in the arms of kingdom come" is a phrase found in the fifth chapter of Literature/{{Ulysses}}.
* "Pale Horses":
** "Threw a mute curse at the Boise sky" is similar to a line from the sixth chapter of Literature/{{Ulysses}}: "Mr. Dedalus, peering through his glasses towards the veiled sun, hurled a mute curse at the sky".
** [[Music/HarryChapin Referencing "the man in the moon" in a verse about a father-son relationship]] feels intentional.
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* "Lilac Queen":
** Hammerhand and Vulture Man are villains in WesternAnimation/ThunderCats1985.
** "Hastening lest thy gates be closed / But I find that there is time" is adapted from the last line of "Endless Time" by Creator/RabindranathTagore.
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[[AC:''Pale Horses'']]
* "Watermelon Ascot":
** "Here again the chords clash" references the line "Hell grant soon we hear again the swords clash!" (and the line itself is written in the lyric booklet) in "Sestina: Altaforte" by Creator/EzraPound.
** "Speed it up a knot, feed, meat, no, milk, no!" is a lyric based off of one in "The End of the World As We Know It" by Music/{{REM}}, with the band's name written in italics in the lyric booklet.
* "Mexican War Streets":
** The repeated use of the phrase "O my soul" and the lyric "Until the temporal bridge be burned, until our anchor stocks hold firm" in the first verse reference [[Creator/WaltWhitman "A Noiseless Patient Spider"]] as well.
** "I quoted ''[[Creator/FyodorDostoevsky White Nights]]'' thinking that'd get rid of you".
** The lyric "My Will: And those who precede" is written in the booklet as "'My will: [his will that fronts me. Seas between.' -Creator/JamesJoyce]". The written lyric is a quote from Literature/{{Ulysses}}.
* "Blue Hen": "Far beyond a cure, far beneath regard" is a paraphrase of [[Theatre/{{Macbeth}} Lady Macbeth's line]] "Things without all the remedy should be without regard", which is itself written underneath the sung lyric in the booklet.
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[[AC:''Ten Stories'']]
* "February, 1878":
** The second verse uses similar phrasing to the second verse of "A Noiseless Patient Spider" by Creator/WaltWhitman.
** In the final verse, Rabbit and Fox describe Tiger as having "once burned bright" an allusion to "Tyger, Tyger" by Creator/WilliamBlake.
* "Elephant in the Dock": [[LiteraryAllusionTitle The title itself]] references the essay "God in the Dock" by Creator/CSLewis.
** Both the following lyrics and the song's outro are altered versions of text from "Billy in the Darbies", the closing poem of Literature/BillyBudd by Creator/HermanMelville.
----> ''Good of our chaplain to sail Kalispell Bay\\
And now down on his marrow, for this old fool to pray''
** This lyric is adapted from a line in "The Circus Animals' Desertion" by Creator/WilliamButlerYeats.
----> ''Lord, for sixty-some years I'd surrendered my love\\
To emblems of kindness and not the kindness they were emblems of''
* "Bear's Vision of St. Agnes":
** "[[Literature/TheRimeOfTheAncientMariner You've worn me like an albatross]], I've only slowed you down".
** "Looked upward lest the charm had fled" is phrasing taken from "The Eve of St. Agnes" by Creator/JohnKeats.
* "Four Fires":
** "My faith in love is still devout" is a lyric in "Rusholme Ruffians" by Music/TheSmiths.
** "And the night birds beat me with their wings with a horrid laughter as they pass" is adapted from sung dialogue in *The Damnation of Faust* by Music/HectorBerlioz.

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* [[Literature/SlaughterhouseFive "Everything was Beautiful and Nothing Hurt"]]:
-->''[[Creator/JohnDonne "And so you'll be to me\\

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* [[Literature/SlaughterhouseFive "Everything was Beautiful and Nothing Hurt"]]:
-->''[[Creator/JohnDonne "And
Hurt"]]: This lyric is an almost-direct quote from "A Valediction: Forbidding Mourning" by Creator/JohnDonne.
-->''"And
so you'll be to me\\



And makes me end where I begun"]]''

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And makes me end where I begun"]]''begun"''


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[[AC:''Brother, Sister'']]
* "Messes of Men": "The propeller's spinning blades [[Theatre/TwelfthNight held acquaintance with the waves]]"[[labelnote:*]] specifically from Act 1, Scene 2 [[/labelnote]]
* "The Dryness and the Rain": The lyric "A fish swims in the sea while the sea is in a certain sense contained within the fish!" is inspired by a line in "The Road Home" by Creator/{{Rumi}}.
* "In a Market Dimly Lit": The lyric "The music our collisions would make s a sound that turns the road-that-leads-us-back-home" is inspired by another line in the same poem.
* "Brownish Spider": The second verse is a almost identical to a stanza in "Several Questions Answered" by Creator/WilliamBlake.
* "In a Sweater Poorly Knit": The lyric "And if she comes circling back we'll end where we'd begun" references [[Creator/JohnDonne "A Valediction: Forbidden Mourning"]] [[CallBack just as "Everything Was Beautiful and Nothing Hurt" did]].
[[AC:''It's All Crazy! It's All False! It's All a Dream! It's Alright'']]
* "Goodbye, I": "Knowing well that those who know don't talk and those that talk don't know" is a slight rephrasing of [[https://www.wussu.com/laotzu/laotzu56.html a line from the 56th chapter]] of the [[Creator/{{Laozi}} Tao Te Ching]].

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* "Four Word Letter (Pt. Two)"
** This lyric is an almost direct quotation from "This Great Love" by Creator/{{Rumi}}.
----> ''"But I'm so small I can barely be seen\\

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* "Four Word Letter (Pt. Two)"
**
Two)": This lyric is an almost direct quotation from "This Great Love" by Creator/{{Rumi}}.
----> --> ''"But I'm so small I can barely be seen\\



They're small in size''
But they see enormous things

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They're small in size''
size\\
But they see enormous thingsthings''

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