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Trope was cut/disambiguated due to cleanup


* {{Trigger}}:

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* {{Trigger}}:TraumaButton:
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Compare ''Series/LovecraftCountry'' and Creator/JordanPeele's ''Film/GetOut'' and ''Film/{{Us}}''.

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Compare ''Series/LovecraftCountry'' and Creator/JordanPeele's ''Film/GetOut'' ''[[Film/GetOut2017 Get Out]]'' and ''Film/{{Us}}''.
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TRS wick cleanupSurprise Creepy has been split and disambiguated


* SurpriseCreepy: The ColdOpening suddenly ends with the exposition, in red ink, that "The following takes place in 10 days." and we transition to the creepy intro.

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* SurpriseCreepy: SurprisinglyCreepyMoment: The ColdOpening suddenly ends with the exposition, in red ink, that "The following takes place in 10 days." and we transition to the creepy intro.
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The page for Freudian Excuse Is No Excuse reads "This trope only happens when there's an In Universe acknowledgment of this. A character has to receive a The Reason You Suck Speech, a Kirk Summation, see that someone's Disappointed By The Motive, or some other kind of speech on why they're wrong. Whoever gives the rebuke, there needs to be a voiced acknowledgment that the character's past doesn't justify their current actions. At the very least, an explicit statement must be made by the omniscient Narrator." It is not a YMMV reaction.


** FreudianExcuseIsNoExcuse: [[spoiler: Neither the Emorys, nor any other black people were responsible for the suffering of any of the villains, so this doesn’t come close to justifying their racism]].
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Dewicked trope


* AdultFear: As the first trailer shows, starting a new life over with your family (including your two young daughters) in a seemingly idyllic town, only to discover horrifically that despite initial appearances, they ''don't'' take kindly to [[PoliticallyIncorrectVillain your kind]]...
** Also your child being murdered in front of you while you are being held down and raped.
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Should not be confused with the 1954 sci-fi horror movie ''Film/{{Them}}'' and the 2006 French horror film ''[[Film/{{Ils}} Them]]''.

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Should not be confused with the 1954 sci-fi horror movie ''Film/{{Them}}'' and the 2006 French horror film ''[[Film/{{Ils}} Them]]''.''Film/{{Them|2006}}''.
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Who's Danny???


** The whole sequence in episode one and episode three depicting [[spoiler: Lucky’s assault and Danny’s murder]] is stylistically very reminiscent of Creator/AriAster's films, being filmed on a sunny day with a sickly, sepia font, featuring disturbing close-ups of faces and [[{{Gorn}} sickening violence]].

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** The whole sequence in episode one and episode three depicting [[spoiler: Lucky’s assault and Danny’s Chester's murder]] is stylistically very reminiscent of Creator/AriAster's films, being filmed on a sunny day with a sickly, sepia font, featuring disturbing close-ups of faces and [[{{Gorn}} sickening violence]].
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He's not even working during the flashback??


** In the flashback at the start of the second episode, Henry throws a plate of pie that his daughter had made at the wall, snapping from the stress of racism at work. He feels guilty about it afterwards.

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** In the flashback at the start of the second episode, Henry throws a plate of pie that his daughter had made at the wall, snapping as the sweet smell of the pie triggered his PTSD from being experimented on in the stress of racism at work.war - mustard gas, apparently, smells sweet. He feels guilty about it afterwards.
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Who the hell's Danny?


* FauxAffablyEvil: Most of the villains on the show are good at pretending to be polite whilst delivering stealth insults. Each of the ghosts with the exception of Black Hat Man initially pretends to be a friend to the family member they are haunting. Even Black Hat Man [[spoiler: promises to reunite Lucky and Danny in death if she surrenders to him, presumably with the intention of telling the rest of the family that he will reunite them all in death if they follow suit. Lucky is having none of it.]]

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* FauxAffablyEvil: Most of the villains on the show are good at pretending to be polite whilst delivering stealth insults. Each of the ghosts with the exception of Black Hat Man initially pretends to be a friend to the family member they are haunting. Even Black Hat Man [[spoiler: promises to reunite Lucky and Danny Chester in death if she surrenders to him, presumably with the intention of telling the rest of the family that he will reunite them all in death if they follow suit. Lucky is having none of it.]]
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* AnAesop: Given the hints that he's also a ClosetGay, Clarke's ironic failure to do anything shows the importance in intersectionality and allyship. Though Clarke is sympathetic to the Emorys and is the OnlySaneMan egged into harassing them by his much more racist wife and neighbors, he's still not very helpful to the protagonists and at worst is an AccompliceByInaction, since he would much rather avoid being involved at all rather than directly help them. Best shown when he [[spoiler:opts to ScrewThisImOuttaHere instead of trying to calm the mob or see if the Emorys need help]].

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added content


Should not be confused with ''Film/{{Them}}''.

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Should not be confused with ''Film/{{Them}}''.the 1954 sci-fi horror movie ''Film/{{Them}}'' and the 2006 French horror film ''[[Film/{{Ils}} Them]]''.
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Should not be confused with ''Film/{{Them}}''.
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The first season, ''Covenant'', set in the 1950s, follows the Emory family, Livia "Lucky" Emory (Creator/DeborahAyorinde) and Henry Emory (Creator/AshleyThomas), a loving African-American couple and their two daughters, Ruby Lee Emory (Creator/ShahadiWrightJoseph) and Gracie Emory (Creator/MelodyHurd) as they move from South Carolina to an all-white neighborhood in UsefulNotes/LosAngeles.

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The first season, ''Covenant'', set in the 1950s, follows the Emory family, Livia "Lucky" Emory (Creator/DeborahAyorinde) (Deborah Ayorinde) and Henry Emory (Creator/AshleyThomas), (Ashley Thomas), a loving African-American couple and their two daughters, Ruby Lee Emory (Creator/ShahadiWrightJoseph) (Shahadi Wright Joseph) and Gracie Emory (Creator/MelodyHurd) (Melody Hurd) as they move from South North Carolina to an all-white neighborhood in UsefulNotes/LosAngeles.
UsefulNotes/LosAngeles. However, its soon made clear that their new home brings its own brand of trouble.
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* {{Blackface}}: At the end of the first trailer and throughout the "Down the Hallway" teaser, a man in blackface with [[NightmareFace large black pupils]] appears in the dark and on the television, threateningly and tauntingly asking "Whatcha gonna do?".

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* {{Blackface}}: At the end of the first trailer and throughout the "Down the Hallway" teaser, a man in blackface with [[NightmareFace large black pupils]] appears in the dark and on the television, threateningly and tauntingly asking "Whatcha gonna do?". [[spoiler: This is Da Tap Dance Man, a spirit donned in frightening Blackface and resembles a caricature of a 1930s-1940s minstrel.]]
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Zero Context Example and aversion are listed under Death Of A Child


* InfantImmortality: Horrifyingly averted.

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sorted examples under a trope


* Da Tap-Dance Man and Miss Vera in particularly look like ghosts out of Insidious or The Conjuring.
* The whole sequence in episode one and episode three depicting [[spoiler: Lucky’s assault and Danny’s murder]] is stylistically very reminiscent of Creator/AriAster, being filmed on a sunny day with a sickly, sepia font, featuring disturbing close-ups of faces and [[{{Gorn}} sickening violence]].



** Freudian ExcuseIsNoExcuse: [[spoiler: Neither the Emorys, nor any other black people were responsible for the suffering of any of the villains, so this doesn’t come close to justifying their racism.

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** Freudian ExcuseIsNoExcuse: FreudianExcuseIsNoExcuse: [[spoiler: Neither the Emorys, nor any other black people were responsible for the suffering of any of the villains, so this doesn’t come close to justifying their racism.racism]].


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** Da Tap-Dance Man and Miss Vera in particularly look like ghosts out of ''Film/{{Insidious}}'' or ''Film/TheConjuring''.
** The whole sequence in episode one and episode three depicting [[spoiler: Lucky’s assault and Danny’s murder]] is stylistically very reminiscent of Creator/AriAster's films, being filmed on a sunny day with a sickly, sepia font, featuring disturbing close-ups of faces and [[{{Gorn}} sickening violence]].
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None


* CreepyChild: Subverted Gracie Jean talks to an "imaginary friend" named Miss Vera, a fictitious character from a book she carries about how to be a ProperLady. The entity within the house takes on the form of Miss Vera to speak to Gracie Jean and teach her a song that holds a dark significance for her mother. Gracie Jean also blacks out and starts chanting a MadnessMantra in front of the class when she sees Miss Vera outside the window. The subversion is that she's a perfectly well-adjusted young lady who is being tormented by the malevolent presence within East Compton as much as the rest of her family.

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* CreepyChild: Subverted Subverted. Gracie Jean talks to an "imaginary friend" named Miss Vera, a fictitious character from a book she carries about how to be a ProperLady. The entity within the house takes on the form of Miss Vera to speak to Gracie Jean and teach her a song that holds a dark significance for her mother. Gracie Jean also blacks out and starts chanting a MadnessMantra in front of the class when she sees Miss Vera outside the window. The subversion is that she's a perfectly well-adjusted young lady who is being tormented by the malevolent presence within East Compton as much as the rest of her family.



* TheEndsJustifyTheMeans: The show points out that racism is systematic, through people who aren't necessarily willing to be racist in the classic sense, but definitely willing to be racist if it benefits their careers (Helen), makes them money (the bankers), or lines their pockets (the cop.) While plenty of characters are willing to be polite and even sympathetic to the Emorys, it shows that racism comes in many forms, and that not necessarily one person or even one city hurt black citizens on the massive scale that it did.

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* TheEndsJustifyTheMeans: TheEndJustifiesTheMeans: The show points out that racism is systematic, through people who aren't necessarily willing to be racist in the classic sense, but definitely willing to be racist if it benefits their careers (Helen), makes them money (the bankers), or lines their pockets (the cop.) While plenty of characters are willing to be polite and even sympathetic to the Emorys, it shows that racism comes in many forms, and that not necessarily one person or even one city hurt black citizens on the massive scale that it did.
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''THEM'' is an 2021 series on Creator/AmazonPrime, created by Marvin Little and executive-produced by Creator/LenaWaithe.

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''THEM'' is an a 2021 series on Creator/AmazonPrime, created by Marvin Little and executive-produced by Creator/LenaWaithe.
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* TheEndsJustifyTheMeans: The show points out that racism is systematic, through people who aren't necessarily willing to be racist in the classic sense, but definitely willing to be racist if it benefits their careers (Helen), makes them money (the bankers), or lines their pockets (the cop.) While plenty of characters are willing to be polite and even sympathetic to the Emorys, it shows that racism comes in many forms, and that not necessarily one person or even one city hurt black citizens on the massive scale that it did.

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** Henry himself was in WWII and is a ShellShockedWarVet as a result.

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** Henry himself was in WWII and is a ShellShockedWarVet high-functioning ShellShockedVeteran as a result.



* FollowTheLeader: ''Them'' is stylistically very similar to the works of Creator/Jordan Peel, particularly Film/Get Out and Film/Us, in the sense of having black main protagonists, similar filming styles and vague phrases as titles, to the point that some initially believed that it was made by Jordan Peel himself. Like ''Get Out!'' it also deals with the issue of racism and like ''Us'', it follows an all-black family with the mother getting top billing on the poster. Heck, the titles are even written in the same font.

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* CallBack: When Epps drops his crucifix in Episode. 9, he starts searching for it in the sand without much luck because his sight is failing him. Martha picks it up and hands it out to him. Feeling humiliated and enraged at her for touching his crucifix and hallucinating her as a monster, Epps rails at her, calling her a witch and a whore. He grabs her in fury and her waters break prematurely. He subsequently has her and Grantham locked in a barn and later blinded and killed, all because she tried to help him. When Lucky confronts Epps in the denouement of Episode. 10, she rips the crucifix from around his neck and throws it on the ground. [[LaserGuidedKarma As his powers desert him, his sight starts to fail him and he scrambles about for his crucifix on the ground and is unable to find it]].
* CassandraTruth: Lucky warns Henry that there is something very wrong with the place and it’s not just the neighbours. Henry deep down knows that she’s right but initially refuses to confirm that he agrees because he knows she’s mentally unstable and fears for his own sanity.



* CreepyChild: Gracie Jean talks to an "imaginary friend", Miss Vera, some sort of supernatural figure who is responsible for the paranormal creepy things happening to the Emorys.
* DarkAndTroubledPast: The Emorys left North Carolina to move on from a traumatic home invasion by four white people (who were also [[KarmaHoudini impossible to track down]]), who raped Lucky and killed Chester in front of her when she was home alone with him.

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* CrapsaccharineWorld: The Emorys new neighbourhood in Compton is depicted as this, being a perfectly manicured and seemingly respectable, sunny StepfordSuburbia where damn near all of the neighbours are vindictive racists with dark racists.
* CrapsackWorld: The United States has a feel of this for the Emorys as they flee the openly racist Deep South for a place where racism is just as prevalent but in a more respectable and upmarket area. Unfortunately TruthInTelevision as much of America was like this for black people at this time in the 50s.
* CreepyChild: Subverted Gracie Jean talks to an "imaginary friend", friend" named Miss Vera, some sort a fictitious character from a book she carries about how to be a ProperLady. The entity within the house takes on the form of supernatural figure Miss Vera to speak to Gracie Jean and teach her a song that holds a dark significance for her mother. Gracie Jean also blacks out and starts chanting a MadnessMantra in front of the class when she sees Miss Vera outside the window. The subversion is that she's a perfectly well-adjusted young lady who is responsible for being tormented by the paranormal creepy things happening to malevolent presence within East Compton as much as the Emorys.
rest of her family.
** Played straight with [[spoiler:Miles, who is always present whenever something goes wrong in the episode in which he appears, never speaks a word, grins evilly when two people are lynched and set on fire and ultimately turns out to be {{Satan}}]].
* DarkAndTroubledPast: Nearly all of the characters have this to some extent, even some of the villains.
**
The Emorys left North Carolina to move on from a traumatic home invasion by four white people (who were also [[KarmaHoudini impossible to track down]]), who raped Lucky and killed Chester in front of her when she was home alone with him. him.
** Henry himself was in WWII and is a ShellShockedWarVet as a result.
** Betty was [[spoiler:molested by her father, while her mother did nothing to stop it]].
** Hiram Epps lost his son, though we never find out how, although this triggers his RageAgainstTheHeavens and subsequent [[spoiler:temptation by the Devil, causing his FaceHeelTurn from NiceGuy to SinisterMinister]].



** [[spoiler:Betty was sexually abused by her father, which may have left her infertile]].



* EvenEvilHasLovedOnes: Deconstructed as Marty sees the Emorys as a threat to his family, future children and community. Epps also had a son who died but unlike Lucky who recovered from her SanitySlippage and devoted herself to caring for her living family, Epps let it [[MaddenIntoMisanthropy madden him into misanthropy]].



* EvilDetectingDog: In the first episode, the family dog Sergeant suddenly runs towards the basement door and barks at something.

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* EveryoneCallsHimBarkeep: Livia Emory is always known by her nickname of Lucky, which becomes an increasingly IronicNickname as time goes on. Lampshaded by the Black Hat Man.
* EvilDetectingDog: In the first episode, the family dog Sergeant suddenly runs towards the basement door and barks at something. Subverted when he ran up, licked and fussed the old woman who went on to [[spoiler:murder Chester]].
* EvilWillFail: [[spoiler: The neighbours fail to drive the Emorys out of Compton and the ghosts fail in driving them insane. Good conquers evil.]]
* FauxAffablyEvil: Most of the villains on the show are good at pretending to be polite whilst delivering stealth insults. Each of the ghosts with the exception of Black Hat Man initially pretends to be a friend to the family member they are haunting. Even Black Hat Man [[spoiler: promises to reunite Lucky and Danny in death if she surrenders to him, presumably with the intention of telling the rest of the family that he will reunite them all in death if they follow suit. Lucky is having none of it.]]
* FollowTheLeader: ''Them'' is stylistically very similar to the works of Creator/Jordan Peel, particularly Film/Get Out and Film/Us, in the sense of having black main protagonists, similar filming styles and vague phrases as titles, to the point that some initially believed that it was made by Jordan Peel himself. Like ''Get Out!'' it also deals with the issue of racism and like ''Us'', it follows an all-black family with the mother getting top billing on the poster. Heck, the titles are even written in the same font.
* Da Tap-Dance Man and Miss Vera in particularly look like ghosts out of Insidious or The Conjuring.
* The whole sequence in episode one and episode three depicting [[spoiler: Lucky’s assault and Danny’s murder]] is stylistically very reminiscent of Creator/AriAster, being filmed on a sunny day with a sickly, sepia font, featuring disturbing close-ups of faces and [[{{Gorn}} sickening violence]].



** [[spoiler:Miles, aka: the Devil, tells Epps that if he fails to destroy one black person who lives on the land then his suffering in Hell will be tenfold. LaserGuidedKarma promised at this point!]]
* FreudianExcuse: For the Black Hat Man, [[spoiler:the death of his son.]] Betty Wendell is revealed to have been [[spoiler:raped by her father]].
** Freudian ExcuseIsNoExcuse: [[spoiler: Neither the Emorys, nor any other black people were responsible for the suffering of any of the villains, so this doesn’t come close to justifying their racism.



* HateSink: It would be ''shorter'' to list which white people ''aren't'' outright horrible — Helen, Clarke, and Bull. And even then, complete sympathy is avoided because Helen can be interpreted as just being pragmatic and experimental in the housing market, Clarke's allyship is limited to trying to hold off his wife and neighbors and [[ScrewThisImOuttaHere running off]] (along with some shady things going on in his marriage), and Bull believes it's the Emorys' fault for not playing along if anything bad happens to them.

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* HateSink: It would be ''shorter'' to list which white people villains ''aren't'' outright horrible — Helen, Clarke, and Bull. And even then, complete sympathy is avoided because Helen can be interpreted as just being pragmatic and experimental in the housing market, Clarke's allyship is limited to trying to hold off his wife and neighbors and [[ScrewThisImOuttaHere running off]] (along with some shady things going on in his marriage), and Bull believes it's the Emorys' fault for not playing along if anything bad happens to them.


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* InfantImmortality: Horrifyingly averted.


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* ThenLetMeBeEvil: [[spoiler:Epps when the Devil makes him an offer of eternal life and power. Henry nearly slips into this but Lucky pulls him back from the brink]].

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