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Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Creator/JonathanTucker), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so-called ''[[TitleDrop Dance of the Dead]]''.
to:
Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Creator/JonathanTucker), (Creator/JonathanTucker), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so-called ''[[TitleDrop Dance of the Dead]]''.
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Directed by Mick Garris and based on his own short story. Jamie (Henry Thomas) works in a laboratory that develops flavors for a food company. One day, he begins to suffer a series of apparent hallucinations until he realizes that he's actually living the experiences of a woman in another city as if they were his own.
to:
Directed by Mick Garris and based on his own short story. Jamie (Henry Thomas) (Creator/HenryThomas) works in a laboratory that develops flavors for a food company. One day, he begins to suffer a series of apparent hallucinations until he realizes that he's actually living the experiences of a woman in another city as if they were his own.
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[[InCaseYouForgotWhoWroteIt Directed by]] Creator/JohnCarpenter. Kirby (Creator/NormanReedus) is the owner of a run-down cinema whose girlfriend Annie (Zara Taylor) recently committed suicide. In order to pay a debt he owns to Annie's hateful father Walter (Gary Hetherington), Kirby accepts the request of eccentric millionaire Bellinger (Udo Kier) to locate the only surviving copy of Hans Bakovic's ''La Fin Absolue du Monde'' (The Absolute End of the World) for him, a film ShroudedInMyth that is said to be the ultimate BrownNote. It's sort of a contemporary version of Robert W. Chambers' anthology ''Literature/TheKingInYellow''.
to:
[[InCaseYouForgotWhoWroteIt Directed by]] Creator/JohnCarpenter. Kirby (Creator/NormanReedus) is the owner of a run-down cinema whose girlfriend Annie (Zara Taylor) recently committed suicide. In order to pay a debt he owns to Annie's hateful father Walter (Gary Hetherington), Kirby accepts the request of eccentric millionaire Bellinger (Udo Kier) (Creator/UdoKier) to locate the only surviving copy of Hans Bakovic's ''La Fin Absolue du Monde'' (The Absolute End of the World) for him, a film ShroudedInMyth that is said to be the ultimate BrownNote. It's sort of a contemporary version of Robert W. Chambers' anthology ''Literature/TheKingInYellow''.
''Literature/TheKingInYellow''.
* AffablyEvil: Bellinger.
* AffablyEvil: Bellinger.
* AssholeVictim: [[spoiler:Pretty much everyone who dies is an asshole of one shade or another, though Kirby and his father-in-law are still somewhat sympathetic.]]
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* BaldOfEvil: Dalibor is a bald SnuffFilm director. He demonstrates this by murdering someone in front of the protagonist.
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* AxCrazy: Dalibor.
* BaldOfEvil: Dalibor is a bald SnuffFilm director. He demonstrates this by murdering someone in front ofthe protagonist.Kirby.
* BaldOfEvil: Dalibor is a bald SnuffFilm director. He demonstrates this by murdering someone in front of
* CorruptCorporateExecutive: Bellinger admits to having killed people to get his money and flat-out says he’s going to hell when he dies. He claims the reason he wants to see ''La Fin Absolue du Monde'' is to “get a glimpse of Heaven... before the ''eternity'' of Hell.”
* {{Jerkass}}: Kirby and Annie's father.
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* OnlyInItForTheMoney: Initially Kirby only takes the job offer to look for ''La Fin Absolue du Monde'' to pay off his enormous debts. Subverted later on as he becomes increasingly obsessed with the film itself due to its corrupting influence. This is lampshaded by Bakovic's widow who notes that the money is just an excuse.
to:
* OnlyInItForTheMoney: Initially Kirby only takes the job offer to look for ''La Fin Absolue du Monde'' to pay off his enormous debts. Subverted later on as he becomes increasingly obsessed with the film itself due to its corrupting influence. This is lampshaded by Bakovic's widow who notes that the money is just an excuse. [[spoiler:Ultimately, he wisely decides not to see it, only to accidentally watch it along with his father-in-law when the projector starts on its own accord.]]
* SlashedThroat: How [[spoiler:Dalibor]] is killed, though it takes him a while to actually die.
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Directed by Creator/LarryCohen and based on a short story by David J. Schow. A bus containing a small number of passengers breaks down in the middle of nowhere. They are soon visited by a trucker, Wheeler (Michael Moriarty) and a hitchhiker, Walker (Warren Kole). Both of them are [[SerialKiller serial killers]]. When the passengers are reduced to only one left, Stacia (Creator/FairuzaBalk), the hunt also becomes a feud between the two.
to:
Directed by Creator/LarryCohen and based on a short story by David J. Schow. A bus containing a small number of passengers breaks down in the middle of nowhere. They are soon visited by a trucker, Wheeler (Michael Moriarty) (Creator/MichaelMoriarty) and a hitchhiker, Walker (Warren Kole). Both of them are [[SerialKiller serial killers]]. When the passengers are reduced to only one left, Stacia (Creator/FairuzaBalk), the hunt also becomes a feud between the two.
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Directed by [[Film/HenryPortraitOfASerialKiller John McNaughton]] and based on a short story by Creator/CliveBarker. At the end of the 19th century, a man who has just lost his wife comes to the house of Miss Carnation, the Necromancer (Micki Maunsell) and begs her to bring his love BackFromTheDead. She hesitates, but when he insists she proposes to revive her if he still wants her to do so after he hears the tale of medical student Ernst Haeckel (Derek Cecil), that happened 50 years before.
to:
Directed by [[Film/HenryPortraitOfASerialKiller John McNaughton]] and based on a short story by Creator/CliveBarker. At the end of the 19th century, a man (Steve Bacic) who has just lost his wife comes to the house of Miss Carnation, the Necromancer (Micki Maunsell) and begs her to bring his love BackFromTheDead. She hesitates, but when he insists she proposes to revive her if he still wants her to do so after he hears the tale of medical student Ernst Haeckel (Derek Cecil), that happened 50 years before.
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Directed by Creator/TobeHooper and based on a short story by Creator/AmbroseBierce. In 1981, a peaceful family man in a small Texas town went crazy the night of his 40th birthday and killed his wife before being killed himself by an invisible force. Twenty four years later, his still traumatized son Kevin ([[Series/YoungIndianaJones Sean Patrick Flannery]]) is sheriff of the same town and nearing 40 himself when the same unknown force seems to appear again and turn his fellow countrymen against each other.
to:
Directed by Creator/TobeHooper and based on a short story by Creator/AmbroseBierce. In 1981, a peaceful family man in a small Texas town went crazy the night of his 40th birthday and killed his wife before being killed himself by an invisible force. Twenty four years later, his still traumatized son Kevin ([[Series/YoungIndianaJones Sean Patrick Flannery]]) (Creator/SeanPatrickFlanery) is sheriff of the same town and nearing 40 himself when the same unknown force seems to appear again and turn his fellow countrymen against each other.
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Directed by Creator/JohnLandis. On the surface, Harold (George Wendt) is a friendly man that lives alone in a quiet Midwestern neighborhood. But underneath, he's a crazed SerialKiller obsessed with forming the perfect "family" and he has set his eyes on the new young couple, the Fullers (Meredith Monroe and Matt Kesslar) that have moved across the street.
to:
Directed by Creator/JohnLandis. On the surface, Harold (George Wendt) (Creator/GeorgeWendt) is a friendly man that lives alone in a quiet Midwestern neighborhood. But underneath, he's a crazed SerialKiller obsessed with forming the perfect "family" and he has set his eyes on the new young couple, the Fullers (Meredith Monroe and Matt Kesslar) that have moved across the street.
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Directed by Stuart Gordon and based on a short story by Creator/EdgarAllanPoe. Set in Philadelphia around 1840, Edgar Allan Poe (Jeffrey Combs) is going through a bad case of WritersBlock as he begins to hit the bottle more than usual and his young wife Virginia (Elyse Levesque) contracts tuberculosis. To make things worse, their pet black cat Pluto begins to act a lot [[CatsAreMean meaner than usual]].
to:
Directed by Stuart Gordon and based on a short story by Creator/EdgarAllanPoe. Set in Philadelphia around 1840, Edgar Allan Poe (Jeffrey Combs) (Creator/JeffreyCombs) is going through a bad case of WritersBlock as he begins to hit the bottle more than usual and his young wife Virginia (Elyse Levesque) contracts tuberculosis. To make things worse, their pet black cat Pluto begins to act a lot [[CatsAreMean meaner than usual]].
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Dewicking per TRS decision.
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%%* BiTheWay: Shanna.
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Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Film/TheRuins Jonathan Tucker]]), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so-called ''[[TitleDrop Dance of the Dead]]''.
to:
Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Film/TheRuins Jonathan Tucker]]), ([[Creator/JonathanTucker), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so-called ''[[TitleDrop Dance of the Dead]]''.
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[[InCaseYouForgotWhoWroteIt Directed by]] Creator/JohnCarpenter. Kirby (Norman Reedus) is the owner of a run-down cinema whose girlfriend Annie (Zara Taylor) recently committed suicide. In order to pay a debt he owns to Annie's hateful father Walter (Gary Hetherington), Kirby accepts the request of eccentric millionaire Bellinger (Udo Kier) to locate the only surviving copy of Hans Bakovic's ''La Fin Absolue du Monde'' (The Absolute End of the World) for him, a film ShroudedInMyth that is said to be the ultimate BrownNote. It's sort of a contemporary version of Robert W. Chambers' anthology ''Literature/TheKingInYellow''.
to:
[[InCaseYouForgotWhoWroteIt Directed by]] Creator/JohnCarpenter. Kirby (Norman Reedus) (Creator/NormanReedus) is the owner of a run-down cinema whose girlfriend Annie (Zara Taylor) recently committed suicide. In order to pay a debt he owns to Annie's hateful father Walter (Gary Hetherington), Kirby accepts the request of eccentric millionaire Bellinger (Udo Kier) to locate the only surviving copy of Hans Bakovic's ''La Fin Absolue du Monde'' (The Absolute End of the World) for him, a film ShroudedInMyth that is said to be the ultimate BrownNote. It's sort of a contemporary version of Robert W. Chambers' anthology ''Literature/TheKingInYellow''.
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* AllGaysArePedophiles: [[Creator/AngelaBettis Ida]]'s landlady discovers she's gay, and accuses her of eying up her ten year old granddaughter. Ida is understandably offended.
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* AllGaysArePedophiles: [[Creator/AngelaBettis Ida]]'s landlady discovers she's gay, and accuses her of eying eyeing up her ten year old granddaughter. Ida is understandably offended.
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* AllGaysArePedophiles: [[Creator/AngelaBettis Ida]]'s landlady discovers she's gay, and accuses her of eying up her ten year old daughter. Ida is understandably offended.
to:
* AllGaysArePedophiles: [[Creator/AngelaBettis Ida]]'s landlady discovers she's gay, and accuses her of eying up her ten year old daughter.granddaughter. Ida is understandably offended.
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* BodyHorror: [[spoiler: After being infected by the parasitic beetle, at one point, Ida transforms into a grotesque bug-woman. It's in this state that she kills the landlady.]]
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* BodyHorror: [[spoiler: After being infected by the parasitic beetle, at one point, Ida Misty transforms into a grotesque bug-woman. It's in this state that she kills the landlady.]]
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* YouShouldHaveDiedInstead: After Kent’s funeral, his distraught wife says this to Layne.
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* EvilAlbino: Moonface is completely pale.
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* ThisIsThePartWhere: Walker is a pop-cultured serial killer. When he chases down one of his victims through the woods, he notes that she must know how this scenario ends if she's seen ''Franchise/TheTexasChainsawMassacre'' -- both versions.
to:
* ThisIsThePartWhere: Walker is a pop-cultured serial killer. When he chases down one of his victims through the woods, he notes that she must know how this scenario ends if she's seen ''Franchise/TheTexasChainsawMassacre'' ''Film/TheTexasChainsawMassacre'' -- both versions.
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* DomesticAbuser: Bruce becomes an emotional abuser towards Ellen as their marriage disintegrates. [[spoiler:Then, after she leaves him, he resorts to physical abuse, including rape.]]
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* DomesticAbuser: DomesticAbuse: Bruce becomes an emotional abuser towards Ellen as their marriage disintegrates. [[spoiler:Then, after she leaves him, he resorts to physical abuse, including rape.]]
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* DomesticAbuser: The disfigured prostitute's late father was cruel and violent and constantly beat his wife [[spoiler:because they were both cast out for being incestuous siblings.]]
to:
* DomesticAbuser: DomesticAbuse: The disfigured prostitute's late father was cruel and violent and constantly beat his wife [[spoiler:because they were both cast out for being incestuous siblings.]]
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Directed by [[TheRing Norio Tsuruta]] and based on a short story by [[Film/DarkWater Koji Suzuki]]. Jack Miller (Daniel Gillies) is an American lawyer in Tokyo who is deathly afraid of water and has recurrent nightmares about the drowning death of his brother Sean when they were children. He's also having an affair with Yuri Saito (Yoshino Kimura), the wife of his colleague Eiji (Ryo Ishibashi). When Eiji invites Jack to a cruise on his yacht, he finds soon that Eiji already knows about the affair, but that's not the biggest of his and Yuri's problems.
to:
Directed by [[TheRing [[Literature/TheRing Norio Tsuruta]] and based on a short story by [[Film/DarkWater Koji Suzuki]]. Jack Miller (Daniel Gillies) is an American lawyer in Tokyo who is deathly afraid of water and has recurrent nightmares about the drowning death of his brother Sean when they were children. He's also having an affair with Yuri Saito (Yoshino Kimura), the wife of his colleague Eiji (Ryo Ishibashi). When Eiji invites Jack to a cruise on his yacht, he finds soon that Eiji already knows about the affair, but that's not the biggest of his and Yuri's problems.
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* CoconutSuperpowers: At the end, ''every'' dead American soldier, even going back to the Revolution, comes back to life...but we still only see the more recently dead ones since there's no budget for a bunch of skeletons.
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* CoconutSuperpowers: We only see the Deer Woman's deer legs for quick glimpses at a distance.
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* MessyMaggots: In the otherwise psychological horror-themed episode, the main character's wife appears halfway through the episode. At the end, the cops burst into his house when he goes fully mad, finding [[spoiler:her rotting, maggot-eaten corpse in the bedroom.]]
to:
* MessyMaggots: In the otherwise psychological horror-themed episode, the main character's wife appears disappears halfway through the episode. At the end, the cops burst into his house when he goes fully mad, finding [[spoiler:her rotting, maggot-eaten corpse in the bedroom.]]
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* MistakenForGay: In a total break with his usual character, Larry acts ''too'' friendly to one new employee that he sees as a ReplacementGoldfish for his son. The employee is creeped and resigns the next day.
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* MistakenForGay: In a total break with his usual character, Larry acts ''too'' friendly to one new employee that he sees as a ReplacementGoldfish for his son. The employee is creeped out and resigns the next day.
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* MessyMaggots: In the otherwise psychological horror-themed episode, the main character's wife appears halfway through the episode. At the end, the cops burst into his house when he goes fully mad, finding [[spoiler:her rotting, maggot-eaten corpse in the bedroom.]]
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* WombHorror: A sheltered, heavily pregnant teenage girl runs away from her deeply religious relatives to request an abortion at a local clinic. An armed stand-off ensues when her father and brothers show up to take her back so she can deliver her child. Then at the end it's revealed that she was literally impregnated by a demon, who shows up purely to collect his demon spawn.
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* PresidentEvil: George Washington became a [[ImAHumanitarian cannibalistic]] madman after he was forced to eat some of his men during a harsh winter. He started regularly killing and eating people (including several members of his own administration), [[ChildEater ate children]] and made household items out of their bones and skin, and was apparently intent on founding the United States as a "cannibal republic". A reporter claims that Washington's monstrousness was covered up by his followers.
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* PresidentEvil: PresidentEvil:
** George Washington became a [[ImAHumanitarian cannibalistic]] madman after he was forced to eat some of his men during a harsh winter. He started regularly killing and eating people (including several members of his own administration), [[ChildEater ate children]] and made household items out of their bones and skin, and was apparently intent on founding the United States as a "cannibal republic". A reporter claims that Washington's monstrousness was covered up by hisfollowers.followers.
** The ending implies that [[spoiler:George W. Bush]] is a member of the Washingtonians as well.
** George Washington became a [[ImAHumanitarian cannibalistic]] madman after he was forced to eat some of his men during a harsh winter. He started regularly killing and eating people (including several members of his own administration), [[ChildEater ate children]] and made household items out of their bones and skin, and was apparently intent on founding the United States as a "cannibal republic". A reporter claims that Washington's monstrousness was covered up by his
** The ending implies that [[spoiler:George W. Bush]] is a member of the Washingtonians as well.
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* {{Gorn}}: Loads of it. Takashi Miike (who else?) had so much in his episode that it was banned from broadcast.
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* {{Gorn}}: Loads of it. Takashi Miike Creator/TakashiMiike (who else?) had so much in his episode that it was banned from broadcast.
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* PlayingWithATrope: What is of much interest to us Tropers is how the series play with standard HorrorTropes. Take "Incident On and Off a Mountain Road"; at the beginning, it looks like a typical hapless-female-chased-by-a-psycho. Then it turns out she is not that hapless, being a wife of a CrazySurvivalist. And so on.
to:
* PlayingWithATrope: What is of much interest to us Tropers is how the series play with standard HorrorTropes. Take "Incident On and Off a Mountain Road"; at the beginning, it looks like a typical hapless-female-chased-by-a-psycho. Then it turns out she is not that hapless, being a the wife of a CrazySurvivalist. And so on.
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** Played straight with the Young Woman, who isn't able to defend herself and becomes easy prey for the psycho.
* DomesticAbuser: Bruce becomes an emotional abuser towards Ellen as their marriage disintegrates, [[spoiler:then, after she leaves him, he resorts to physical abuse, including rape.]]
* DomesticAbuser: Bruce becomes an emotional abuser towards Ellen as their marriage disintegrates, [[spoiler:then, after she leaves him, he resorts to physical abuse, including rape.]]
to:
** Played straight with the Young Woman, who unlike Ellen isn't able to defend herself and becomes easy prey for the psycho.
* DomesticAbuser: Bruce becomes an emotional abuser towards Ellen as their marriagedisintegrates, [[spoiler:then, disintegrates. [[spoiler:Then, after she leaves him, he resorts to physical abuse, including rape.]]
* DomesticAbuser: Bruce becomes an emotional abuser towards Ellen as their marriage
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* SerialKiller: Moonface lives on a remote mountain top where he indulges in serial murder. He attacks passerbys on the lonely nearby road (mostly women) to take them to his cabin where he cuts out their eyes and decorates their corpses around the place.
to:
* SerialKiller: Moonface lives on a remote mountain top where he indulges in serial murder. He attacks passerbys passersby on the lonely nearby road (mostly women) to take them to his cabin where he cuts drills out their eyes and decorates uses their corpses to decorate around the place.
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* DiabolusExMachina: At the end, [[spoiler:Walter is killed by Brown Jenkins while interned in a mental asylum]].
to:
* DiabolusExMachina: At the end, [[spoiler:Walter is killed by Brown Jenkins Jenkin while interned in a mental asylum]].
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* KarmaHoudini: Brown Jenkin
to:
* KarmaHoudini: Brown JenkinJenkin.
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* ShootTheShaggyDog: [[spoiler:Just as Walter kills the witch and saves little Danny, Brown Jenkins comes out of nowhere and kills the baby]].
to:
* ShootTheShaggyDog: [[spoiler:Just as Walter kills the witch and saves little Danny, Brown Jenkins Jenkin comes out of nowhere and kills the baby]].
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Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Film/TheRuins Jonathan Tucker]]), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so called ''[[TitleDrop Dance of the Dead]]''.
to:
Directed by Creator/TobeHooper and based InNameOnly on a short story by Creator/RichardMatheson. Peggy (Jessica Lowndes) is a 17 year-old girl who lives with her overprotective mother Kate (Marylyn Norry) in a [[AfterTheEnd post-apocalyptic]] US TwentyMinutesIntoTheFuture. Her father died in WorldWarThree and her older sister Anna went missing some years after that. Shortly after meeting a teenage punk named Jak ([[Film/TheRuins Jonathan Tucker]]), Peggy ignores the advice of her mother and accompanies him to The Doom Room, a nightclub in the nearby town of Muskeet run by an eccentric manager known only as "the MC" (Creator/RobertEnglund), where the main attraction is the so called so-called ''[[TitleDrop Dance of the Dead]]''.
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* FanDisservice: Jenifer is an ambiguously-human creature who has the body of a gorgeous woman and the face of an inhuman monster. She also eats people, including children. Several sex scenes are featured with her and the man she enchants that deliberately invoke this trope.
to:
* FanDisservice: Jenifer is an ambiguously-human AmbiguouslyHuman creature who has the body of a gorgeous woman and the face of an inhuman monster. She also eats people, including children. Several sex scenes are featured with her and the man she enchants that deliberately invoke this trope.
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* MaybeMagicMaybeMundane: Depending on one's interpretation, Jenifer could either be a Siren or some kind of demonic temptress who lures men to their doom, or she could just be a severely disfigured and ''severely'' disturbed young woman. In particular, her ability to repeatedly make men lust and obsess over her (oftentimes to the point of insanity) despite her monstrous face is something that can be interpreted in quite a few different ways. Shredding people to pieces with her bare hands (or teeth), even the armed man who was hired to catch her seems to be more supernatural than [[FavorsForTheSexy manipulating men with sex]].
to:
* MaybeMagicMaybeMundane: Depending on one's interpretation, Jenifer could either be a Siren or [[HornyDevils some kind of demonic temptress temptress]] who lures men to their doom, or she could just be a severely disfigured and ''severely'' disturbed young woman. In particular, her ability to repeatedly make men lust and obsess over her (oftentimes to the point of insanity) despite her monstrous face is something that can be interpreted in quite a few different ways. Shredding people to pieces with her bare hands (or teeth), even the armed man who was hired to catch her seems to be more supernatural than [[FavorsForTheSexy manipulating men with sex]].
* AssholeVictim: The woman's boyfriend was a domineering prick who became physically abusive when she made known her displeasure at his attempts to get her in a threesome (with a girl he was being intimate with when she arrived at his place). [[spoiler: Possibly the woman herself as well, as she agrees to let Jamie into her home solely to kill him because HeKnowsTooMuch and gets killed in the ensuing scuffle.]]
* TheAtoner: [[spoiler: David becomes this after his own people cross too many lines trying to stop the zombie soldiers from having a say in the election and finding out the truth about his brother's death.]]
* TheCavalry: When the incumbent president's campaign team pulls strings to annul the malcontent dead soldiers' votes (and, it's implied, use other shenanigans to turn the election back in their favor), not only do said soldiers come back to life ''again''... but so does '''''EVERY OTHER DEAD AMERICAN SOLDIER.''''' (It's unclear whether only those who died violent deaths come back to life, but [[spoiler: David's brother being one of the revenants]] means that even those who didn't die while fighting a war did come back; at the very least all the dead at Arlington rose back up.)
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* GhostlyGoals: The undead soldiers only drop dead after being allowed to vote. They come back to life when the government decides to not consider their votes as valid.
to:
* GhostlyGoals: The undead soldiers only drop dead after being allowed to vote. They come back to life again when the government decides to not consider their votes as valid.
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* TheReveal: [[spoiler: Philip didn't die in the war. He was killed at home by the infant David, who was playing with his gun.]]
to:
* TheReveal: [[spoiler: Philip didn't die in the war. He was accidentally killed at home by the infant David, who was playing with his gun.]]
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* ArtifactOfDeath: Pretty much anyone involved in the production of ''La Fin Absolue du Monde'' killed themselves and each other because of it, as do people who go after it.
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* ArtifactOfDeath: Pretty much anyone involved in the production of ''La Fin Absolue du Monde'' killed themselves and each other because of it, as do people who go after it or see it.
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* BaldOfEvil: Dalibor is a bald snuff film director. He demonstrates this by murdering someone in front of the protagonist.
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* BaldOfEvil: Dalibor is a bald snuff film SnuffFilm director. He demonstrates this by murdering someone in front of the protagonist.
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Changed line(s) 301 (click to see context) from:
* LipstickLesbian: Both Misty and Ida.
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* StrawmanPolitical: The landlady.
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* BiTheWay: Shanna.
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* FurAndLoathing: Complete with SpaceWhaleAesop.
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* HunterTrapper: John Saxon's character, Jeb Jameson.
* LonersAreFreaks: Mrs. Mayter.
* LonersAreFreaks: Mrs. Mayter.
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* MsFanservice: Shanna.
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* {{Youkai}}: The raccoons.
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* InterspeciesRomance: Valerie and The Beast.
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* MirrorScare: Valerie's first scene.
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Zero context examples.
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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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Changed line(s) 195 (click to see context) from:
* {{Bambification}}: Averted.
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* DeathBySex: The Deer Woman's MO.
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* DeathBySex: The Deer Woman's MO.MO is to lure out men with the promise of carnal relations, but stomps them to death before it can get to that point.
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* AmoralAttorney: Ira.
* BandageMummy: Abbey after the accident.
* BitchInSheepsClothing: [[spoiler: Cliff.]]
* BandageMummy: Abbey after the accident.
* BitchInSheepsClothing: [[spoiler: Cliff.]]
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Changed line(s) 623 (click to see context) from:
* EyesAreUnbreakable: Averted.
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* ManOnFire: Abbey, Ira.
* MedicalHorror: [[FlayingAlive Trish's death.]]
* TheMistress: Trish.
* NightmareFace: Abbey after the accident.
* ObnoxiousInLaws: Abbey's mother.
* OnlyInItForTheMoney: Ira, [[spoiler: Cliff]].
* MedicalHorror: [[FlayingAlive Trish's death.]]
* TheMistress: Trish.
* NightmareFace: Abbey after the accident.
* ObnoxiousInLaws: Abbey's mother.
* OnlyInItForTheMoney: Ira, [[spoiler: Cliff]].
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Changed line(s) 635 (click to see context) from:
* StrappedToAnOperatingTable: Trish.
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Changed line(s) 638 (click to see context) from:
* WomanScorned: From the grave!
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* TheAlcoholic: Poe.
* AllJustADream
* AllJustADream
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Changed line(s) 678 (click to see context) from:
* BackFromTheDead: [[spoiler: Virginia, the cat]].
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Changed line(s) 686,687 (click to see context) from:
* JerkAss: Poe.
* KindheartedCatLover: Virginia.
* KindheartedCatLover: Virginia.
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Changed line(s) 626 (click to see context) from:
* HiddenInPlainSight: Cliff is carrying [[spoiler: Trish's dismembered corpse]] in a bag on top of his car when some pieces fall off. He stops to pick them and a police car immediately appears only [[CrowningMomentOfFunny for the driver to scream at him to get out of the way and disappears as quickly]].
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* HiddenInPlainSight: Cliff is carrying [[spoiler: Trish's dismembered corpse]] in a bag on top of his car when some pieces fall off. He stops to pick them and a police car immediately appears only [[CrowningMomentOfFunny [[SugarWiki/FunnyMoments for the driver to scream at him to get out of the way and disappears as quickly]].
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Changed line(s) 558 (click to see context) from:
* AllMenArePerverts: The plague explicitly switches the men's sexual urges to violent ones. The only way for men to resist it is by different types of castration (chemical and ''actual'', to be specific). Once all the women are dead they turn their attention to the younger boys with a man shrugging off the fact that he murdered his teenage son.
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* AllMenArePerverts: The plague explicitly switches the men's sexual urges to violent ones. The only way for men to resist it is by different types of castration (chemical and or ''actual'', to be specific). Once all the women are dead they turn their attention to the younger boys with a man shrugging off the fact that he murdered his teenage son.
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* {{Gorn}}: Loads of it. Takashi Miike (who else?) had so much in his episode that it was banned from broadcast.
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Changed line(s) 646 (click to see context) from:
%%* BackFromTheDead: Buster is back... [[TheUnreveal somehow]]. His desire for revenge likely plays into it.
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Changed line(s) 648 (click to see context) from:
* BatmanGambit: [[spoiler: Buster is defeated by making a [[ItMakesSenseInContext voodoo ice cream]] of him.]]
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* BatmanGambit: [[spoiler: Buster is defeated by making a when Layne [[ItMakesSenseInContext creates a voodoo ice cream]] of him.cream in his likeness]] [[HoistByHisOwnPetard and gives it to his kid]].]]
Changed line(s) 651 (click to see context) from:
%%* DepravedBisexual: Virgil.
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* DepravedBisexual:
Deleted line(s) 657 (click to see context) :
* HoistByHisOwnPetard: [[spoiler:Layne defeats Buster by crafting an ice cream in his likeness and giving it to his child to eat.]]
Changed line(s) 659 (click to see context) from:
%%* ImMelting: Type A on the victims and [[spoiler: Buster.]]
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* KilledOffscreen: Inverted. In the original tale, the deaths of Buster's victims, barring Papa Joe, are mentioned after the fact. The adaptation, however, shows us more of the details (''especially'' in Virgil's case).
Changed line(s) 695 (click to see context) from:
* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to be a likewise shady (but not cannibalistic) organization that does unspeakable things to [[PayEvilUntoEvil The Washingtonians]]. Here, he's a regular educator who summons a SWAT team to take them down.]]
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* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to be a likewise shady clandestine (but not cannibalistic) organization that does unspeakable things to [[PayEvilUntoEvil does unspeakable things]] to [[AssholeVictims The Washingtonians]]. Here, he's a regular educator who summons a SWAT team to take them down.]]
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Changed line(s) 646 (click to see context) from:
%%* BackFromTheDead: Buster is back... [[TheUnreveal somehow]].
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%%* BackFromTheDead: Buster is back... [[TheUnreveal somehow]]. His desire for revenge likely plays into it.
* AnIcePerson: In addition to the voodoo ice creams, Buster emanates cold air that can be turned to ice. Layne briefly manages to turn it onto him, but Buster soon breaks free.
* SoleSurvivor: [[spoiler:Layne is the only one of the targeted parents who survives.]]
Changed line(s) 693 (click to see context) from:
* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to be a likewise shady (but not cannibalistic) group that do unspeakable things to [[PayEvilUntoEvil The Washingtonians]]. Here, he's a regular educator who summons a SWAT team to take them down.]]
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* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to be a likewise shady (but not cannibalistic) group organization that do does unspeakable things to [[PayEvilUntoEvil The Washingtonians]]. Here, he's a regular educator who summons a SWAT team to take them down.]]
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Changed line(s) 693 (click to see context) from:
* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to do unspeakable things to The Washingtonians. Here, he simply brings in a SWAT team to take them down.]]
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* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to be a likewise shady (but not cannibalistic) group that do unspeakable things to [[PayEvilUntoEvil The Washingtonians. Washingtonians]]. Here, he simply brings in he's a regular educator who summons a SWAT team to take them down.]]
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Changed line(s) 601 (click to see context) from:
* NeutralFemale: Valerie never attempts to free herself, and just stares at Rob and The Beast during the final battle. [[spoiler:Though it doesn't stop her from avenging herself against her creator.]]
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* NeutralFemale: Valerie never attempts to free herself, and just stares at Rob and The Beast during the final battle. [[spoiler:Though it doesn't stop her from avenging herself against her creator.]]
* AxCrazy: Buster's mental state has definitely deteriorated following his resurrection. In the climax, he even pursues Layne with an axe.
* HoistByHisOwnPetard: [[spoiler:Layne defeats Buster by crafting an ice cream in his likeness and giving it to his child to eat.]]
Changed line(s) 691 (click to see context) from:
* AncientConspiracy: Parodied.
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* AdaptationalHeroism: [[spoiler:A mild example, but in the original story, Harkinson is part of a Redcoat-styled group who are implied to do unspeakable things to The Washingtonians. Here, he simply brings in a SWAT team to take them down.]]
* AncientConspiracy:Parodied.Parodied and somewhat downplayed, considering the original story also revealed things like Benjamin Franklin being a CompositeCharacter.
* AncientConspiracy:
* HistoricalInJoke: The reason for that torn section of Washington's portrait? It contained his confession to cannibalism.
* KarmaHoudiniWarranty:
** [[spoiler:While Washington seemingly never suffered any repercussions for his actions during his lifetime, his cult and his legacy (which he intended to perpetuate through a nation of cannibals) are utterly destroyed by the story's end.]]
** [[spoiler:The Washingtonians themselves face karma by means of an armed SWAT team.]]
** [[spoiler:While Washington seemingly never suffered any repercussions for his actions during his lifetime, his cult and his legacy (which he intended to perpetuate through a nation of cannibals) are utterly destroyed by the story's end.]]
** [[spoiler:The Washingtonians themselves face karma by means of an armed SWAT team.]]
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* RockBeatsLaser: Averted.
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* RealityEnsues: [[spoiler: While The Washingtonians do prove a threat in their numbers and their lack of restraint, they're decidedly no match for a SWAT team wtih automatics.]]
* RockBeatsLaser: Averted. See above.
* RockBeatsLaser: Averted. See above.
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Changed line(s) 586 (click to see context) from:
* AllWomenAreLustful: Both Valerie and Patricia. Valerie seduces pretty much anyone she sees, while Patricia talks very openly about her sexual life.
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* AllWomenAreLustful: Both Valerie and Patricia. Valerie seduces pretty much anyone she sees, while Patricia talks very openly about her sexual life. [[spoiler: Valerie appeals to the latter's interests long enough for The Beast to kill her.]]
* BitchInSheepsClothing: [[spoiler: Despite being a DamselInDistress, Valerie is also extremely vindictive towards her creators. Her murder of Patricia alongside The Beast perfectly demonstrates this.]]
Changed line(s) 591 (click to see context) from:
* TheDulcineaEffect: Rob is rather drawn to Valerie, the woman who begs him to save her from a monster, even though he knows nothing about her. [[spoiler:This is later explained to be because they're both fictional characters who were written that way. Valerie specifically has no personality attributes beyond her status as a damsel in distress because she's defined solely by her relation to Rob.]]
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* TheDulcineaEffect: Rob is rather drawn to Valerie, the woman who begs him to save her from a monster, even though he knows nothing about her. [[spoiler:This is later explained to be because they're both fictional characters who were written that way. Valerie specifically has no personality attributes beyond her status as a damsel in distress distress, barring a few moments of vindictiveness against her creators, because she's defined solely by her relation to Rob.]]
Changed line(s) 594 (click to see context) from:
* TheHero: Rob.
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* TheHero: Rob.Rob wants to become a published author and strives to save Valerie from her situation. [[spoiler:Like her, it's because he was literally written into this role.]]
* KillItWithFire: [[spoiler: The Beast is slain when Rob knocks him into a fire. Not that it saves Valerie or himself in the end.]]
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* NeutralFemale: Valerie never attempts to free herself, and just stares at Rob and The Beast during the final battle.
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* NeutralFemale: Valerie never attempts to free herself, and just stares at Rob and The Beast during the final battle. [[spoiler:Though it doesn't stop her from avenging herself against her creator.]]
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* RageAgainstTheAuthor: [[spoiler:Valerie and The Beast target their creators, the former being uncharacteristically vengeful about the situation Patricia put her in.]]
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* KilledOffscreen: [[spoiler: Some of the staff, one of the brothers, and Dwayne are subjected to this fate by the demon. Curiously, its kills are pretty much all presented like this, as opposed to the far more graphic kills undertaken by Dwayne and his family.]]
* LaserGuidedKarma: [[spoiler: Both Dwayne and one of his sons are killed by The Demon, the former after it reveals itself to be "God". And the demon father pays for his rape of Angelique and the murders he set forth when he's left to carry his child's corpse back to Hell. Even better, the one to slay his child is the very person he violated.]]
* MyGodWhatHaveIDone: [[spoiler: The Demon reveals itself to be "God", which leaves Dwayne in a horrified stupor long enough for the monster to kill him.]]
* RevengeBeforeReason: Dwayne's torture above-mentioned torture of Kiefer has shades of this, given his political beliefs and his mission to save Angelique.
* LaserGuidedKarma: [[spoiler: Both Dwayne and one of his sons are killed by The Demon, the former after it reveals itself to be "God". And the demon father pays for his rape of Angelique and the murders he set forth when he's left to carry his child's corpse back to Hell. Even better, the one to slay his child is the very person he violated.]]
* MyGodWhatHaveIDone: [[spoiler: The Demon reveals itself to be "God", which leaves Dwayne in a horrified stupor long enough for the monster to kill him.]]
* RevengeBeforeReason: Dwayne's torture above-mentioned torture of Kiefer has shades of this, given his political beliefs and his mission to save Angelique.
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* StrawmanPolitical: Dwayne.
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* StrawmanPolitical: Dwayne.Dwayne's a rather typical Christian Fundamentalist portrayal.
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* AlasPoorVillain: [[spoiler: Larry arguably crosses the line when he murders his wife in her sleep, to silence the sounds her body creates and his hearing enhances. But by the end, everything he's been through leaves him completely broken. So much that he graphically deafens himself and wanders absentmindedly to the beach with his son's boat, where he'll presumably caught and arrested by the police.]]
* EarAche: [[spoiler: Larry eventually frees himself from the burden of his enhanced hearing by carving his ears off, leaving him completely deaf]].
Changed line(s) 484 (click to see context) from:
* NoAntagonist: There's no villain in this episode; the conflict revolves entirely around the main character's acute sense of hearing becoming [[BlessedWithSuck increasingly unbearable]].
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* NoAntagonist: There's no villain antagonist in this episode; the conflict revolves entirely around the main character's acute sense of hearing becoming [[BlessedWithSuck increasingly unbearable]].
Changed line(s) 487 (click to see context) from:
* SinisterScrapingSound: After a while, literally everything.
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* SinisterScrapingSound: After a while, literally everything. [[spoiler: This effect leads to Larry slaughtering a nest of baby mice and murdering his sleeping wife.]]
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Changed line(s) 427 (click to see context) from:
* TheBait: [[spoiler: Celia.]]
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* TheBait: [[spoiler: Celia.Celia, as it turns out, was actively playing on Harold's interest in her.]]
* OhCrap: [[spoiler: The film ends on a shot of Harold's horrified eyes, upon hearing the Fullers' intent to further his torment]].
Changed line(s) 445 (click to see context) from:
* VillainProtagonist: Harold.
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* VillainProtagonist: Harold.The narrative follows Harold Thompson, who welcomes his new neighbors and collects victims' skeletons to create a family.