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* In ''Film/SelfLess'', [[spoiler:Damien]] is faced with one of these once he [[spoiler:learns that the medicine he's been taking is all that stands between his continued existence and Mark Bitwell, the original owner of the body Damien's in, returning. If Damien continues to take the medicine, he'll live but Mark will fade away forever. If he stops taking the medicine, he'll fade away but Mark can return to his family. In the end, Damien chooses the latter.]]

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* In ''Film/SelfLess'', [[spoiler:Damien]] is faced with one of these once he [[spoiler:learns that the medicine he's been taking is all that stands between his continued existence and Mark Bitwell, the original owner of the body Damien's in, returning. If Damien continues to take the medicine, he'll live but Mark will fade away forever. If he stops taking the medicine, he'll fade away but Mark can return to his family. In the end, Damien chooses the latter.]]]]
* In the Swedish film of ''Literature/LetTheRightOneIn'', Oskar is {{ambushed in the school swimming pool and given the "choice" to drown himself, or to have his eyeball poked out. Yes, he is twelve years old.}}
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* ''Film/Cars2'' features a rare example of the ''hero'' giving the ''villain'' a SadisticChoice. At the climax of the film, Mater, having had a TimeBomb strapped to him that only the BigBad can deactivate, quickly works out that the BigBad is [[spoiler:Miles Axelrod]] and confronts him in public while the timer is still ticking down. [[spoiler:Miles]] is thus forced to choose between deactivating the bomb and [[EngineeredPublicConfession outing himself as the villain]], or dying a very fiery death. He chooses the former option ([[JustInTime at the last second]], naturally), and is arrested.
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* In ''Film/{{Spectre}}'', Blofeld forces Bond into this when he lures him into the ruined Vauxhall Cross building and informs him that he's abducted the BondGirl and imprisoned her somewhere inside. He can escape the detonation that is to happen in 3 minutes (and presumably easily catch and arrest/kill him), but live forever with the guilt and pain of the fact that he chose to leave the girl to die, or he can try to rescue her and risk dying in the explosion.

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* In ''Film/{{Spectre}}'', Blofeld forces Bond into this when he lures him into the ruined Vauxhall Cross building and informs him that he's abducted the BondGirl and imprisoned her somewhere inside. He can escape the detonation that is to happen in 3 minutes (and presumably easily catch and arrest/kill him), but live forever with the guilt and pain of the fact that he chose to leave the girl to die, or he can try to rescue her and risk dying in the explosion.explosion.
* In ''Film/SelfLess'', [[spoiler:Damien]] is faced with one of these once he [[spoiler:learns that the medicine he's been taking is all that stands between his continued existence and Mark Bitwell, the original owner of the body Damien's in, returning. If Damien continues to take the medicine, he'll live but Mark will fade away forever. If he stops taking the medicine, he'll fade away but Mark can return to his family. In the end, Damien chooses the latter.]]
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* In ''Film/TwoDaysOneNight'', a factory offers its employees a 1,000-Euro bonus... if they agree to fire a co-worker who's fallen behind on productivity due to struggling with depression. Said co-worker is thus forced to go around to all of her co-workers and beg them to vote against firing her, with it being made very clear that most of them desperately need the money.

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* In ''Film/TwoDaysOneNight'', a factory offers its employees a 1,000-Euro bonus... if they agree to fire a co-worker who's fallen behind on productivity due to struggling with depression. Said co-worker is thus forced to go around to all of her co-workers and beg them to vote against firing her, with it being made very clear that most of them desperately need the money.money.
* In ''Film/{{Spectre}}'', Blofeld forces Bond into this when he lures him into the ruined Vauxhall Cross building and informs him that he's abducted the BondGirl and imprisoned her somewhere inside. He can escape the detonation that is to happen in 3 minutes (and presumably easily catch and arrest/kill him), but live forever with the guilt and pain of the fact that he chose to leave the girl to die, or he can try to rescue her and risk dying in the explosion.
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English.


** In ''Film/TheDarkKnightRises'', Jonathan Crane presides over a KangarooCourt that judges and condemns Gotham's elite. The condemned are offered a choice between "death and exile". If they choose "exile", they are sent to walk away from Gotham over its frozen river--they invariably fall through the ice and die. If they choose "death", [[MortonsFork they are condemned to "death by exile" (precisely the same punishment)]].

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** In ''Film/TheDarkKnightRises'', Jonathan Crane presides over a KangarooCourt that judges and condemns Gotham's elite. The condemned are offered a choice between "death and exile".either death or exile. If they choose "exile", they are sent to walk away from Gotham over its frozen river--they invariably fall through the ice and die. If they choose "death", [[MortonsFork they are condemned to "death by exile" (precisely the same punishment)]].
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* A rare example of a villain finding himself having to make a SadisticChoice happens in ''MinorityReport'': [[spoiler:Anderton confronts Burgess, the inventor of Pre-Crime, about his role in the movie's events (including several murders) the day before Pre-Crime is scheduled to go nationwide, prompting him to pull a gun on Anderton. Anderton points out that the Pre-Cogs must have predicted his murder by now (they did) and that Burgess is now faced with a choice: if he kills Anderton, he gets [[AndIMustScream halo'd]] for life but Pre-Crime goes national as planned. If he ''doesn't'' kill Anderton, he remains free but Pre-Crime is revealed as a fraud and Burgess' life's work is thus destroyed. Burgess takes a [[TakeAThirdOption third option]] and shoots himself.]]

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* A rare example of a villain finding himself having to make a SadisticChoice happens in ''MinorityReport'': ''Film/MinorityReport'': [[spoiler:Anderton confronts Burgess, the inventor of Pre-Crime, about his role in the movie's events (including several murders) the day before Pre-Crime is scheduled to go nationwide, prompting him to pull a gun on Anderton. Anderton points out that the Pre-Cogs must have predicted his murder by now (they did) and that Burgess is now faced with a choice: if he kills Anderton, he gets [[AndIMustScream halo'd]] for life but Pre-Crime goes national as planned. If he ''doesn't'' kill Anderton, he remains free but Pre-Crime is revealed as a fraud and Burgess' life's work is thus destroyed. Burgess takes a [[TakeAThirdOption third option]] and shoots himself.]]
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* ''Film/GiveEmHellMalone'': The gunmen who [[DeathByOriginStory killed Malone's family]] forced him to decide if his wife or his son would die. On top of that, once he chose his wife, they killed both of them anyway. [[spoiler: Then again, his family never died.]]

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* ''Film/GiveEmHellMalone'': The gunmen who [[DeathByOriginStory killed Malone's family]] forced him to decide if his wife or his son would die. On top of that, once he chose his wife, they killed both of them anyway. [[spoiler: Then again, his family never died.]]]]
* In ''Film/TwoDaysOneNight'', a factory offers its employees a 1,000-Euro bonus... if they agree to fire a co-worker who's fallen behind on productivity due to struggling with depression. Said co-worker is thus forced to go around to all of her co-workers and beg them to vote against firing her, with it being made very clear that most of them desperately need the money.
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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them, knowing that she's a good person but save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points out, [[WhatYouAreInTheDark there is no one to blame Fry for choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].

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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them, knowing that she's a good person but save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points out, [[WhatYouAreInTheDark there is no one to blame Fry for choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].him]].
* ''Film/GiveEmHellMalone'': The gunmen who [[DeathByOriginStory killed Malone's family]] forced him to decide if his wife or his son would die. On top of that, once he chose his wife, they killed both of them anyway. [[spoiler: Then again, his family never died.]]
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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them, knowing that she's a good person but save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points out, [[WhatYouAreInTheDark there is no one to blame Fry for choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].
* ''Film/CaptainAmericaTheFirstAvenger'' subverts this one. A Nazi spy throws a child into a river and runs away. Cap is torn whether to save the boy or go after the spy, but the boy assures him that "I can swim," and tells him to go after the spy.
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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them, knowing that she's a good person but save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points out, [[WhatYouAreInTheDark there is no one to blame Fry for choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].
* ''Film/CaptainAmericaTheFirstAvenger'' subverts this one. A Nazi spy throws a child into a river and runs away. Cap is torn whether to save the boy or go after the spy, but the boy assures him that "I can swim," and tells him to go after the spy.
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him]].
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* Although no kidnapping was involved, the choice faced by Princess Leia in ''StarWars'' of giving up the location of the Rebel base or watching her home planet of Alderaan be destroyed by the Death Star was a perfect example. Especially since, in a notorious KickTheDog moment that kicked Grand Moff Tarkin across the MoralEventHorizon, he ordered the planet destroyed anyway after Leia gave a false location in hopes of keeping the Rebellion alive. Tarkin's reasoning? "Dantooine is too remote to give an effective demonstration." Alderaan, on the other hand, was a core world.

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* Although no kidnapping was involved, the choice faced by Princess Leia in ''StarWars'' ''Film/ANewHope'' of giving up the location of the Rebel base or watching her home planet of Alderaan be destroyed by the Death Star was a perfect example. Especially since, in a notorious KickTheDog moment that kicked Grand Moff Tarkin across the MoralEventHorizon, he ordered the planet destroyed anyway after Leia gave a false location in hopes of keeping the Rebellion alive. Tarkin's reasoning? "Dantooine is too remote to give an effective demonstration." Alderaan, on the other hand, was a core world.
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* The ''Film/{{Saw}}'' series is full with them, especially the sixth movie, where William is forced to make these ''twice''. The first time, he has to choose between a diabetic, middle aged mother and a healthy loner. [[spoiler:He chooses the mother.]] The second time, he has to choose which two of his six junior associates will get off a deadly carousel and live. [[spoiler:He saves a single mother and, [[MenAreTheExpendableGender inexplicably]], [[DoubleStandard another woman]]]].

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* The ''Film/{{Saw}}'' ''Franchise/{{Saw}}'' series is full with them, especially the [[Film/SawVI sixth movie, movie]], where William is forced to make these ''twice''. The first time, he has to choose between a diabetic, middle aged mother and a healthy loner. [[spoiler:He chooses the mother.]] The second time, he has to choose which two of his six junior associates will get off a deadly carousel and live. [[spoiler:He saves a single mother and, [[MenAreTheExpendableGender inexplicably]], [[DoubleStandard another woman]]]].
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* ''Film/CaptainAmerica'' subverts this one. A Nazi spy throws a child into a river and runs away. Cap is torn whether to save the boy or go after the spy, but the boy assures him that "I can swim," and tells him to go after the spy.

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* ''Film/CaptainAmerica'' ''Film/CaptainAmericaTheFirstAvenger'' subverts this one. A Nazi spy throws a child into a river and runs away. Cap is torn whether to save the boy or go after the spy, but the boy assures him that "I can swim," and tells him to go after the spy.
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* ''Film/CaptainAmerica'' subverts this one. A Nazi spy throws a child into a river and runs away. Cap is torn whether to save the boy or go after the spy, but the boy assures him that "I can swim," and tells him to go after the spy.
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* ''SophiesChoice'', both film and novel. Upon arrival at Auschwitz, Sophie is told to choose which of her two children will go to the gas chamber immediately, and which will live for some time longer in the camp. Since the story is realistic, TakeAThirdOption doesn't come up. The movie was popular enough that the term "Sophie's Choice" is occasionally used to describe similar sadistic choices. This sort of thing did happen there, too, and before it, as described in the nonfiction book ''Treblinka''. On leaving the ghetto, parents had to choose which road to send their children down, the left or the right. One of them led to another ghetto and hard labor; the other to the titular death camp. They were not told which was which. To make this even more awful, the first female and first Jewish Mayor of Pittsburgh, Sophie Masloff, spent money on trash cans with the words: "Sophie's Choice -- A Clean City" on them. Seriously.
* The 1993 film ''TheGoodSon'', starring young [[HomeAlone Macaulay Culkin]] and [[Film/TheLordOfTheRings Elijah Wood]], ends in a scene with both boys dangling over the edge of a cliff. The mom must pick between saving her evil son (played by Culkin) or kindhearted nephew (played by Elijah Wood.) [[spoiler:She saves Frodo.]]

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* ''SophiesChoice'', ''Film/SophiesChoice'', both film and novel. Upon arrival at Auschwitz, Sophie is told to choose which of her two children will go to the gas chamber immediately, and which will live for some time longer in the camp. Since the story is realistic, TakeAThirdOption doesn't come up. The movie was popular enough that the term "Sophie's Choice" is occasionally used to describe similar sadistic choices. This sort of thing did happen there, too, and before it, as described in the nonfiction book ''Treblinka''. On leaving the ghetto, parents had to choose which road to send their children down, the left or the right. One of them led to another ghetto and hard labor; the other to the titular death camp. They were not told which was which. To make this even more awful, the first female and first Jewish Mayor of Pittsburgh, Sophie Masloff, spent money on trash cans with the words: "Sophie's Choice -- A Clean City" on them. Seriously.
* The 1993 film ''TheGoodSon'', ''Film/TheGoodSon'', starring young [[HomeAlone Macaulay Culkin]] and [[Film/TheLordOfTheRings Elijah Wood]], ends in a scene with both boys dangling over the edge of a cliff. The mom must pick between saving her evil son (played by Culkin) or kindhearted nephew (played by Elijah Wood.) [[spoiler:She saves Frodo.]]



* ''TheProposition'' is based entirely around this principle. In order to convince TheSheriff to spare the life of his younger, mentally handicapped brother, the protagonist must seek out and kill his older, violently insane brother. [[spoiler: He tries to TakeAThirdOption by getting his older brother to help rescue the younger one, but it doesn't work, and by the end, he's the only one left.]]
* The ''{{Saw}}'' series is full with them, especially the sixth movie, where William is forced to make these ''twice''. The first time, he has to choose between a diabetic, middle aged mother and a healthy loner. [[spoiler:He chooses the mother.]] The second time, he has to choose which two of his six junior associates will get off a deadly carousel and live. [[spoiler:He saves a single mother and, [[MenAreTheExpendableGender inexplicably]], [[DoubleStandard another woman]]]].

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* ''TheProposition'' ''Film/TheProposition'' is based entirely around this principle. In order to convince TheSheriff to spare the life of his younger, mentally handicapped brother, the protagonist must seek out and kill his older, violently insane brother. [[spoiler: He tries to TakeAThirdOption by getting his older brother to help rescue the younger one, but it doesn't work, and by the end, he's the only one left.]]
* The ''{{Saw}}'' ''Film/{{Saw}}'' series is full with them, especially the sixth movie, where William is forced to make these ''twice''. The first time, he has to choose between a diabetic, middle aged mother and a healthy loner. [[spoiler:He chooses the mother.]] The second time, he has to choose which two of his six junior associates will get off a deadly carousel and live. [[spoiler:He saves a single mother and, [[MenAreTheExpendableGender inexplicably]], [[DoubleStandard another woman]]]].



* In the end of MadMax, one of the people who [[spoiler:killed Max's wife]] is trapped under a burning car. [[spoiler:Max gives him a choice - sever his leg to escape, or die in the explosion]]. The choice is made off-camera.
* The end of ''TheBox''. [[spoiler:James Marsden's character can either shoot and kill his wife, or let their son live the rest of his life deaf and blind.]]

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* In the end of MadMax, ''Film/MadMax'', one of the people who [[spoiler:killed Max's wife]] is trapped under a burning car. [[spoiler:Max gives him a choice - sever his leg to escape, or die in the explosion]]. The choice is made off-camera.
* The end of ''TheBox''.''Film/TheBox''. [[spoiler:James Marsden's character can either shoot and kill his wife, or let their son live the rest of his life deaf and blind.]]



* ''FunnyGames'' is made of these, including making a wife decide if the antagonists kill her husband quickly by gunshot, or slowly by knife.

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* ''FunnyGames'' ''Film/FunnyGames'' is made of these, including making a wife decide if the antagonists kill her husband quickly by gunshot, or slowly by knife.



* In ThePinkPanther 2, the real BigBad tries to escape by threatening to destroy the Pink Panther Diamond unless Clousteau lets her escape. Unlike most examples, however, he didn't need to TakeAThirdOption, as [[spoiler: the "Pink Panther diamond" she was threatening to destroy, and thus had stolen earlier, was actually a decoy, something she didn't know.]]

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* In ThePinkPanther Film/ThePinkPanther 2, the real BigBad tries to escape by threatening to destroy the Pink Panther Diamond unless Clousteau lets her escape. Unlike most examples, however, he didn't need to TakeAThirdOption, as [[spoiler: the "Pink Panther diamond" she was threatening to destroy, and thus had stolen earlier, was actually a decoy, something she didn't know.]]

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Moving to Western Animation.


* In the first ''Film/{{Spider-Man}}'' movie referenced in the above quote, [[{{Norman Osborn}} the Green Goblin]] offers Spidey this choice between perennial love interest Mary Jane and a cable car full of innocents. (He rescues both, but is forced to [[ItsNotYouItsMyEnemies reject Mary Jane out of fear of his harsh superhero life]]. It all works out by the second one.) Although in this case, the only real challenge was the cable car's ''weight.''
** A similar situation happened with Gwen Stacy in the comics, but Spidey's attempt to TakeAThirdOption didn't go as well as it did in the movie.
*** Spider-Man loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with pre-Black Cat Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.

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* In the first ''Film/{{Spider-Man}}'' ''Film/SpiderMan1'' movie referenced in the above quote, [[{{Norman Osborn}} [[ComicBook/NormanOsborn the Green Goblin]] offers Spidey this choice between perennial love interest Mary Jane and a cable car full of innocents. (He rescues both, but is forced to [[ItsNotYouItsMyEnemies reject Mary Jane out of fear of his harsh superhero life]]. It all works out by the second one.) Although in this case, the only real challenge was the cable car's ''weight.''
**
'' A similar situation happened with Gwen Stacy in the comics, but Spidey's attempt to TakeAThirdOption didn't go as well as it did in the movie.
*** Spider-Man loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with pre-Black Cat Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.
movie.
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unfortunate implications need citations


** This also appears to happen over and over again and appears to serve to show that HumansAreBastards. When [[spoiler:CameronDiaz's character presses the button, another women is shot by her husband for the exact same reason as above. When ''she'' dies, yet another woman is shown pressing the button]]. Strangely, it always appears to be [[spoiler:women who are willing to kill a random person to get money]]. UnfortunateImplications.

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** This also appears to happen over and over again and appears to serve to show that HumansAreBastards. When [[spoiler:CameronDiaz's character presses the button, another women is shot by her husband for the exact same reason as above. When ''she'' dies, yet another woman is shown pressing the button]]. Strangely, it always appears to be [[spoiler:women who are willing to kill a random person to get money]]. UnfortunateImplications.
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*** Spiderman loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with pre-Black Cat Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.

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*** Spiderman Spider-Man loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with pre-Black Cat Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.
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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them and save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points, [[WhatYouAreInTheDark there is no one to blame her for her choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].

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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them and them, knowing that she's a good person but save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points, points out, [[WhatYouAreInTheDark there is no one to blame her Fry for her choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].
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* ''Film/PitchBlack'': As part of Riddick's attempt to [[CorruptTheCutie corrupt Fry and win her over]], he presents her with an impossible choice. She can only convince him to go with her willingly to rescue the two others she left behind. Riddick however offers her to leave them to die and take off with him in the skiff instead. She can either die along with them and save no one or come with Riddick and live with the guilt for the rest of her life. What makes this worse is that as Riddick points, [[WhatYouAreInTheDark there is no one to blame her for her choosing self-preservation]]. She eventually does make a moral stand and convinces Riddick to help her, as [[SympathyForTheHero her moral actions intrigue him]].
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** Plays with the trope in that King Candy only asked Ralph "to talk a little sense into her." [[spoiler:Destroying the cart]] was a conclusion Ralph came to on his own.
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* In ''[[ThePunisher Punisher: War Zone]]'', Jigsaw and his AxCrazy brother Loony Bin Jim give the eponymous protagonist a literal SadisticChoice in the form of a ShootTheDog scenario: [[spoiler:if Frank chooses between killing either the Donatellis or Micro, the brothers release the ones who were spared, otherwise they just kill all three hostages. Although [[HeroicSacrifice Micro offers himself to Frank to spare the Donatellis]], the latter instead elects to TakeAThirdOption. He kills Loony Bin Jim instead, and Jigsaw retaliates by killing Micro. Although given Frank's last words to Micro ("You won't feel a thing, Micro") coupled with Micro's nod to Frank, it seems as if they both understood that no matter who Frank choose, all of the hostages would have been killed anyway; by eliminating Jim, it gave Frank a brief window of time to save the Donatellis. Once they are out of harms way, he then [[NoHoldsBarredBeatdown brutally]] makes sure that Jigsaw pays for Micro's death]].

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* In ''[[ThePunisher Punisher: War Zone]]'', ''Film/PunisherWarZone'', Jigsaw and his AxCrazy brother Loony Bin Jim give the eponymous protagonist a literal SadisticChoice in the form of a ShootTheDog scenario: [[spoiler:if Frank chooses between killing either the Donatellis or Micro, the brothers release the ones who were spared, otherwise they just kill all three hostages. Although [[HeroicSacrifice Micro offers himself to Frank to spare the Donatellis]], the latter instead elects to TakeAThirdOption. He kills Loony Bin Jim instead, and Jigsaw retaliates by killing Micro. Although given Frank's last words to Micro ("You won't feel a thing, Micro") coupled with Micro's nod to Frank, it seems as if they both understood that no matter who Frank choose, all of the hostages would have been killed anyway; by eliminating Jim, it gave Frank a brief window of time to save the Donatellis. Once they are out of harms way, he then [[NoHoldsBarredBeatdown brutally]] makes sure that Jigsaw pays for Micro's death]].
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* In the backstory of ''Film/PacificRim'', Hercules Hansen faced this choice. During Scissure's attack on Sydney, he only had time to rescue either his wife or his son before they dropped the nuke. He chose his son, Chuck, who later became his copilot. They both hate him for it, although they usually take their anger out on the {{Kaiju}}.
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Just expanding the page.


*** Spiderman loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.

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*** Spiderman loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with pre-Black Cat Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.
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* ''Film/ManOfSteel'': [[spoiler:Kill the rampaging Zod or allow him to kill innocents? Superman chooses the former.]]
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* ''{{Batman}}'' films seem to like this.

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* ''{{Batman}}'' ''Franchise/{{Batman}}'' films seem to like this.
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* In the first ''Film/{{Spider-Man}}'' movie referenced in the above quote, [[{{Norman Osborn}} the Green Goblin]] offers Spidey this choice between perennial love interest Mary Jane and a cable car full of innocents. (He rescues both, but is forced to [[ItsNotYouItsMyEnemies reject Mary Jane out of fear of his harsh superhero life]]. It all works out by the second one.)

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* In the first ''Film/{{Spider-Man}}'' movie referenced in the above quote, [[{{Norman Osborn}} the Green Goblin]] offers Spidey this choice between perennial love interest Mary Jane and a cable car full of innocents. (He rescues both, but is forced to [[ItsNotYouItsMyEnemies reject Mary Jane out of fear of his harsh superhero life]]. It all works out by the second one.)) Although in this case, the only real challenge was the cable car's ''weight.''
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* An interesting case occurs during TheCabinInTheWoods. The two main characters have to end up deciding between [[spoiler: obeying an organization which sends dozens of people to their violent, miserable deaths every year via a cache of inhuman monsters]], or [[spoiler: disobeying the organization and bringing about TheEndOfTheWorldAsWeKnowIt via the ''real'' villains of the movie, [[JerkassGods The]] [[EldritchAbomination Ancient Ones]]]]. The characters end up choosing oblivion.

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* An interesting case occurs during TheCabinInTheWoods.''Film/TheCabinInTheWoods''. The two main characters have to end up deciding between [[spoiler: obeying an organization which sends dozens of people to their violent, miserable deaths every year via a cache of inhuman monsters]], or [[spoiler: disobeying the organization and bringing about TheEndOfTheWorldAsWeKnowIt via the ''real'' villains of the movie, [[JerkassGods The]] [[EldritchAbomination Ancient Ones]]]]. The characters end up choosing oblivion.
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* An interesting case occurs during TheCabinInTheWoods. The two main characters have to end up deciding between [[spoiler: Obeying an organization which sends dozens of people to their violent, miserable deaths every year via a cache of inhuman monsters]], or [[spoiler: Disobeying the organization and bringing about TheEndOfTheWorldAsWeKnowIt via the ''real'' villains of the movie, [[JerkassGods The]] [[EldritchAbomination Ancient Ones]]]]. The characters end up choosing oblivion.

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* An interesting case occurs during TheCabinInTheWoods. The two main characters have to end up deciding between [[spoiler: Obeying obeying an organization which sends dozens of people to their violent, miserable deaths every year via a cache of inhuman monsters]], or [[spoiler: Disobeying disobeying the organization and bringing about TheEndOfTheWorldAsWeKnowIt via the ''real'' villains of the movie, [[JerkassGods The]] [[EldritchAbomination Ancient Ones]]]]. The characters end up choosing oblivion.
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* An interesting case occurs during TheCabinInTheWoods. The two main characters have to end up deciding between [[spoiler: Obeying an organization which sends dozens of people to their violent, miserable deaths every year via a cache of inhuman monsters]], or [[spoiler: Disobeying the organization and bringing about TheEndOfTheWorldAsWeKnowIt via the ''real'' villains of the movie, [[JerkassGods The]] [[EldritchAbomination Ancient Ones]]]]. The characters end up choosing oblivion.
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* ''SophiesChoice'', both film and novel. Upon arrival at Auschwitz, Sophie is told to choose which of her two children will go to the gas chamber immediately, and which will live for some time longer in the camp. Since the story is realistic, TakeAThirdOption doesn't come up. The movie was popular enough that the term "Sophie's Choice" is occasionally used to describe similar sadistic choices. This sort of thing did happen there, too, and before it, as described in the nonfiction book ''Treblinka''. On leaving the ghetto, parents had to choose which road to send their children down, the left or the right. One of them led to another ghetto and hard labor; the other to the titular death camp. They were not told which was which. To make this even more awful, the first female and first Jewish Mayor of Pittsburgh, Sophie Masloff, spent money on trash cans with the words: "Sophie's Choice -- A Clean City" on them. Seriously.
* The 1993 film ''TheGoodSon'', starring young [[HomeAlone Macaulay Culkin]] and [[Film/TheLordOfTheRings Elijah Wood]], ends in a scene with both boys dangling over the edge of a cliff. The mom must pick between saving her evil son (played by Culkin) or kindhearted nephew (played by Elijah Wood.) [[spoiler:She saves Frodo.]]
* ''{{Batman}}'' films seem to like this.
** In ''Film/BatmanForever'', The Riddler gives Batman a choice to save [[{{Sidekick}} Robin]] or [[HotScientist Chase Meridian]]. [[spoiler:He not only figures out it's a false choice and Riddler will kill both, [[TakeAThirdOption he]] ''[[TakeAThirdOption rescues]]'' [[TakeAThirdOption both]]. He's the goddamn Batman.]]
*** A similar scene happened in the comics. Robin was given the choice to save either Batman or a judge from Two-Face. It's subverted when [[spoiler:Robin chooses the judge, but forgets about Dent's obsession with the number two; there was a second trap in place and the judge was killed. Poor Robin never really had a chance.]]
** In ''Film/BatmanAndRobin'', Mr. Freeze sets Batman up with the choice to either thaw a frozen Robin or apprehend him. He seems to already know Batman is going go with the former though, being Batman and what not, and trots away merrily before Batman can even choose, sealing his exit behind him
** Happens several times in ''Film/TheDarkKnight'', since the Joker loves these: Reveal Batman's identity, or people will die. Kill the accountant or I blow up a hospital. Save Harvey or save Rachel. Blow up the other boat or be blown up by them (or me). And arguably the worst -- Break your "one rule," or watch Gotham's finest kill a child. True to form, he seldom keeps his word; [[spoiler: lying about which hostage is where, and not knowing or caring what they actually choose, and screwing them over anyway.]] Joker doesn't just do this out of raw sadism, though, but the added intention of showing people that underneath ''everyone'' can be a monster like himself.
*** The boat scene is an example where [[spoiler:the potential ''victims'' TakeAThirdOption, leading to a CrowningMomentOfAwesome for the people of Gotham]].
**** WesternAnimation/RobotChicken deconstructs the above scene, making everyone on one of the boats either unable to get the gist, or acting realistically to a dangerous situation. The Joker ends up getting really frustrated explaining things and saying they can't make realistic choices, and then ends up getting knocked out by Batman while he's doing so.
*** By the end of the film, Two-Face has also bought into this trope, [[spoiler: asking Gordon to choose which member of his family he loves the most, because that's the one whose survival he'll flip a coin over]].
** In ''Film/TheDarkKnightRises'', Jonathan Crane presides over a KangarooCourt that judges and condemns Gotham's elite. The condemned are offered a choice between "death and exile". If they choose "exile", they are sent to walk away from Gotham over its frozen river--they invariably fall through the ice and die. If they choose "death", [[MortonsFork they are condemned to "death by exile" (precisely the same punishment)]].
* In the first ''Film/{{Spider-Man}}'' movie referenced in the above quote, [[{{Norman Osborn}} the Green Goblin]] offers Spidey this choice between perennial love interest Mary Jane and a cable car full of innocents. (He rescues both, but is forced to [[ItsNotYouItsMyEnemies reject Mary Jane out of fear of his harsh superhero life]]. It all works out by the second one.)
** A similar situation happened with Gwen Stacy in the comics, but Spidey's attempt to TakeAThirdOption didn't go as well as it did in the movie.
*** Spiderman loves this trope. The [[{{Spider-Man The Animated Series}} 1990s animated series]] has Green Goblin do a similar trick with Felicia Hardy and her mother. Here though Spidey saves Felicia and lets Mrs. Hardy fall, assuming Goblin himself would save her instead because he needed her for his scheme. He's right and both live, although Goblin gets away with her.
* ''TheProposition'' is based entirely around this principle. In order to convince TheSheriff to spare the life of his younger, mentally handicapped brother, the protagonist must seek out and kill his older, violently insane brother. [[spoiler: He tries to TakeAThirdOption by getting his older brother to help rescue the younger one, but it doesn't work, and by the end, he's the only one left.]]
* The ''{{Saw}}'' series is full with them, especially the sixth movie, where William is forced to make these ''twice''. The first time, he has to choose between a diabetic, middle aged mother and a healthy loner. [[spoiler:He chooses the mother.]] The second time, he has to choose which two of his six junior associates will get off a deadly carousel and live. [[spoiler:He saves a single mother and, [[MenAreTheExpendableGender inexplicably]], [[DoubleStandard another woman]]]].
* Although no kidnapping was involved, the choice faced by Princess Leia in ''StarWars'' of giving up the location of the Rebel base or watching her home planet of Alderaan be destroyed by the Death Star was a perfect example. Especially since, in a notorious KickTheDog moment that kicked Grand Moff Tarkin across the MoralEventHorizon, he ordered the planet destroyed anyway after Leia gave a false location in hopes of keeping the Rebellion alive. Tarkin's reasoning? "Dantooine is too remote to give an effective demonstration." Alderaan, on the other hand, was a core world.
** There's also Lando Calrissian's [[DealWithTheDevil deal with Darth Vader]] in ''Film/TheEmpireStrikesBack''. Things in the [[Franchise/StarWarsExpandedUniverse EU]] like the radio dramatization and an [[ForWantOfANail Infinities comic]] that involves him refusing make his line about "I had no choice. They arrived before you did." much clearer. He was Baron Administrator of a ''city'' of people, and to save it and get TheEmpire to leave, he had to betray a friend. Vader never mentioned the torture, or that Boba Fett would get Solo, and he [[ILied lied]] about [[YouSaidYouWouldLetThemGo leaving Solo's friends]] on Cloud City. At some point during this Lando protested strongly enough that his city was explicitly threatened, and eventually he tried to TakeAThirdOption, which was... marginally successful. Things worked out well enough in the end.
* In ''[[ThePunisher Punisher: War Zone]]'', Jigsaw and his AxCrazy brother Loony Bin Jim give the eponymous protagonist a literal SadisticChoice in the form of a ShootTheDog scenario: [[spoiler:if Frank chooses between killing either the Donatellis or Micro, the brothers release the ones who were spared, otherwise they just kill all three hostages. Although [[HeroicSacrifice Micro offers himself to Frank to spare the Donatellis]], the latter instead elects to TakeAThirdOption. He kills Loony Bin Jim instead, and Jigsaw retaliates by killing Micro. Although given Frank's last words to Micro ("You won't feel a thing, Micro") coupled with Micro's nod to Frank, it seems as if they both understood that no matter who Frank choose, all of the hostages would have been killed anyway; by eliminating Jim, it gave Frank a brief window of time to save the Donatellis. Once they are out of harms way, he then [[NoHoldsBarredBeatdown brutally]] makes sure that Jigsaw pays for Micro's death]].
* In the end of MadMax, one of the people who [[spoiler:killed Max's wife]] is trapped under a burning car. [[spoiler:Max gives him a choice - sever his leg to escape, or die in the explosion]]. The choice is made off-camera.
* The end of ''TheBox''. [[spoiler:James Marsden's character can either shoot and kill his wife, or let their son live the rest of his life deaf and blind.]]
** This [[spoiler: tends towards HeroicSacrifice as well. The husband is too distraught to make a decision, so the wife insists that she die so their son can have a better life]]
** This also appears to happen over and over again and appears to serve to show that HumansAreBastards. When [[spoiler:CameronDiaz's character presses the button, another women is shot by her husband for the exact same reason as above. When ''she'' dies, yet another woman is shown pressing the button]]. Strangely, it always appears to be [[spoiler:women who are willing to kill a random person to get money]]. UnfortunateImplications.
* ''FunnyGames'' is made of these, including making a wife decide if the antagonists kill her husband quickly by gunshot, or slowly by knife.
* A rare example of a villain finding himself having to make a SadisticChoice happens in ''MinorityReport'': [[spoiler:Anderton confronts Burgess, the inventor of Pre-Crime, about his role in the movie's events (including several murders) the day before Pre-Crime is scheduled to go nationwide, prompting him to pull a gun on Anderton. Anderton points out that the Pre-Cogs must have predicted his murder by now (they did) and that Burgess is now faced with a choice: if he kills Anderton, he gets [[AndIMustScream halo'd]] for life but Pre-Crime goes national as planned. If he ''doesn't'' kill Anderton, he remains free but Pre-Crime is revealed as a fraud and Burgess' life's work is thus destroyed. Burgess takes a [[TakeAThirdOption third option]] and shoots himself.]]
* In ThePinkPanther 2, the real BigBad tries to escape by threatening to destroy the Pink Panther Diamond unless Clousteau lets her escape. Unlike most examples, however, he didn't need to TakeAThirdOption, as [[spoiler: the "Pink Panther diamond" she was threatening to destroy, and thus had stolen earlier, was actually a decoy, something she didn't know.]]
* Herod, villain of ''Film/TheQuickAndTheDead'', enjoys giving people a choice between killing someone they love, or dying at his hand.
* In ''Film/CaptainAmericaTheFirstAvenger'', the HYDRA spy attempts to make Steve Rogers choose between going after him or saving a little boy he's held hostage. Before Steve can do anything, the spy tosses the kid into the water. [[spoiler: As it turns out, [[SubvertedTrope the kid's a good swimmer]], as he then encourages Steve to go get the spy.]]
* In ''Film/{{P2}}'', Thomas, the kidnapper, gives Angela two choices in dealing with Jim, a drunken coworker who hit on Angela after a Christmas party: she can beat him to a bloody pulp or Thomas can ram Jim with his car.
* WreckItRalph has to make this choice at the request of King Candy: [[spoiler: either destroy "Glitch" character Vanellope Von Schweetz's car, along with Ralph's friendship with her, or allow Vanellope to race, get on the roster, glitch, and have the game get pulled from the plug, which would kill her since she cannot escape to Game Central Station because she's a glitch. Only after he made his choice did he find out that King Candy wasn't entirely truthful and wanted Vanellope out for ulterior motives.]]
* in {{Film/Se7en}} the unseen perpetrator of a number of grisly murders, disfigures a beautiful but vain woman, then gives her the choice: sleeping pills to kill herself or a phone to call for an ambuance. We figure out what choice she made as the police are examining her corpse.
* In ''Film/TheHobbit'', the trolls tell the dwarves to surrender or else they will [[spoiler: rip Bilbo's arms out]]. The dwarves surrendered.
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