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* Adapted Out:
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* Adapted Out: AdaptedOut:
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* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage. When her playwright collaborator is revealed to be the murderer, she's ultimately not
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* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage. When her playwright collaborator is revealed to be the murderer, she's ultimately not too torn about losing an adaptation of her books in the process.
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* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage.
to:
* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage. When her playwright collaborator is revealed to be the murderer, she's ultimately not
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* AdaptationalJobChange: Downplayed. Maude doesn't work as a maid in order to help Poirot's investigation.
* AdaptationalSlimness: Maude Williams is mentioned to be a buxom woman in the book, yet here she's played by the average-figured Sarah Smart.
* Adapted Out:
** The Kiddle family is excised from the adaptation, with the Burches moving into Abigail [=McGinty's=] house shortly after her death.
** Miss Sweetiman's assistant Edna is also absent.
** Since Deidre Henderson's character is folded into Maude Williams', her mother and stepfather, the Wetherbys, are removed as well.
* AdaptationalSlimness: Maude Williams is mentioned to be a buxom woman in the book, yet here she's played by the average-figured Sarah Smart.
* Adapted Out:
** The Kiddle family is excised from the adaptation, with the Burches moving into Abigail [=McGinty's=] house shortly after her death.
** Miss Sweetiman's assistant Edna is also absent.
** Since Deidre Henderson's character is folded into Maude Williams', her mother and stepfather, the Wetherbys, are removed as well.
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* AdaptationalHeroism: Dr Rendell is supected of prescribing drugs for terminally ill patients who wish to commit suicide, rather than murdering his first wife. It is also his current wife Shelagh Rendell who tries to kill Poirot to protect him in this version.
to:
* AdaptationalHeroism: Dr Rendell is supected suspected of prescribing drugs for terminally ill patients who wish to commit suicide, rather than murdering his first wife. It is also his current wife Shelagh Rendell who tries to kill Poirot to protect him in this version.
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'''Recurring cast:''' Ariadne Oliver, George, Harold Spence
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'''Recurring cast:''' Ariadne Oliver, George, Harold Spence
Spence \\
'''Based on:''' ''Literature/MrsMcGintysDead''
'''Based on:''' ''Literature/MrsMcGintysDead''
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* AdaptationalHeroism: Dr Rendell is supected of prescribing drugs for terminally ill patients who wish to commit suicide, rather than murdering his first wife. It is also his current wife Shelagh Rendell who tries to kill Poirot to protect him in this version.
* CompositeCharacter: Deidre Henderson is removed from the story and her role is given to Maude Williams; she now has dark hair, works as a secretary and ends up with James Bentley.
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* GenderBlenderName: Toward the end of ''Mrs. [=McGinty's=] Dead'', [[spoiler:we learn that Evelyn Hope was a name not for one of the three women, but for a man who changed his name to Robin Upward (since in England "Evelyn" could be a man's name as well as a woman's), who murdered both Abigail [=McGinty=] and his foster mother Laura Upward for assuming that the photo of Eva Kane could be Robin's real mother herself.]]
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* GenderBlenderName: Toward the end of ''Mrs. [=McGinty's=] Dead'', [[spoiler:we We learn that Evelyn Hope was a name not for one of the three women, but for a man who changed his name to Robin Upward (since in England "Evelyn" could be a man's name as well as a woman's), who murdered both Abigail [=McGinty=] and his foster mother Laura Upward for assuming that the photo of Eva Kane could be Robin's real mother herself.]]herself.
* PragmaticAdaptation: The episode removes two of the photographs from the newspaper article to focus on the two important ones, and combines Bentley's two love interests into one character.
* PragmaticAdaptation: The episode removes two of the photographs from the newspaper article to focus on the two important ones, and combines Bentley's two love interests into one character.
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* TokenRomance: {{Discussed}}. Robin Upward insists that the stage version of Sven Hjerson must be HotterAndSexier and get together with his young love interest Ingrid, or people will think he's a "pansy". Ariadne fiercely protests and insists that he should be a CelibateHero like in her novels.
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Added DiffLines:
!Mrs [=McGinty's=] Dead
-->'''Original Airdate''': 14 September 2008\\
'''Written by:''' Nick Dear\\
'''Directed by:''' Ashley Pearce\\
'''Recurring cast:''' Ariadne Oliver, George, Harold Spence
!!Tropes
* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage.
* ClearTheirName: Although Poirot is not completely sure of James Bentley's innocence, he nevertheless agrees to look into the case due to Spence's doubts.
* ForDoomTheBellTolls: There are church bells tolling ominously in some parts of the soundtrack's background music.
* GenderBlenderName: Toward the end of ''Mrs. [=McGinty's=] Dead'', [[spoiler:we learn that Evelyn Hope was a name not for one of the three women, but for a man who changed his name to Robin Upward (since in England "Evelyn" could be a man's name as well as a woman's), who murdered both Abigail [=McGinty=] and his foster mother Laura Upward for assuming that the photo of Eva Kane could be Robin's real mother herself.]]
* RailroadTracksOfDoom: Someone pushes Poirot under an oncoming train close to the railroad tracks, but fortunately another one pulls him out before he is to be run over. It turns out at the end that it was Mrs. Shelagh Rendell who made an attempt on Poirot's life after she believes that her husband, Dr. Rendell, is suspected of {{mercy kill}}ing terminally ill patients. (In the novel, however, it was Dr. Rendell himself who is suspected of killing his first wife and attempts to kill Poirot for doing so.)
----
-->'''Original Airdate''': 14 September 2008\\
'''Written by:''' Nick Dear\\
'''Directed by:''' Ashley Pearce\\
'''Recurring cast:''' Ariadne Oliver, George, Harold Spence
!!Tropes
* AdaptationDecay: InUniverse, Ariadne Oliver's detective character undergoes many changes in the process of being adapted to the stage.
* ClearTheirName: Although Poirot is not completely sure of James Bentley's innocence, he nevertheless agrees to look into the case due to Spence's doubts.
* ForDoomTheBellTolls: There are church bells tolling ominously in some parts of the soundtrack's background music.
* GenderBlenderName: Toward the end of ''Mrs. [=McGinty's=] Dead'', [[spoiler:we learn that Evelyn Hope was a name not for one of the three women, but for a man who changed his name to Robin Upward (since in England "Evelyn" could be a man's name as well as a woman's), who murdered both Abigail [=McGinty=] and his foster mother Laura Upward for assuming that the photo of Eva Kane could be Robin's real mother herself.]]
* RailroadTracksOfDoom: Someone pushes Poirot under an oncoming train close to the railroad tracks, but fortunately another one pulls him out before he is to be run over. It turns out at the end that it was Mrs. Shelagh Rendell who made an attempt on Poirot's life after she believes that her husband, Dr. Rendell, is suspected of {{mercy kill}}ing terminally ill patients. (In the novel, however, it was Dr. Rendell himself who is suspected of killing his first wife and attempts to kill Poirot for doing so.)
----
