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Changed line(s) 20 (click to see context) from:
* MsFanservice: Cyndi. Waltrip, in the first arc to feature her since "The Popsicle War," draws her with a noticeably larger chest than before, and wearing a tight, low-cut, [[BareYourMidriff midriff-baring]] shirt. [[JustifiedTrope Justified]] in that the chapter concerns her own exploitation of her body and her seductiveness to toy with others.
to:
* MsFanservice: Cyndi. Waltrip, in the first arc to feature her since "The Popsicle War," draws her with a noticeably larger chest than before, and wearing a tight, low-cut, [[BareYourMidriff midriff-baring]] midriff-baring shirt. [[JustifiedTrope Justified]] in that the chapter concerns her own exploitation of her body and her seductiveness to toy with others.
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Changed line(s) 14 (click to see context) from:
* FauxYay: Cyndi pretends to be in love with Sara, acting brokenhearted on {{Twitter}} and in person after Sara snubs her with "Die in a fire."
to:
* FauxYay: Cyndi pretends to be in love with Sara, acting brokenhearted on {{Twitter}} Website/{{Twitter}} and in person after Sara snubs her with "Die in a fire."
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Changed line(s) 23 (click to see context) from:
* ShoutOut: In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''Literature/LordOfTheFlies'', although the two situations are hardly analagous.
to:
* ShoutOut: In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''Literature/LordOfTheFlies'', although the two situations are hardly analagous.analagous.
* WeCanRuleTogether: When Stan, one of the few characters capable of outsmarting Cyndi, confronts her and calls her out, her response is to claim that he's the same as her and suggest he join her in her malicious games.
* WeCanRuleTogether: When Stan, one of the few characters capable of outsmarting Cyndi, confronts her and calls her out, her response is to claim that he's the same as her and suggest he join her in her malicious games.
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Changed line(s) 12 (click to see context) from:
--> [[JossWhedon Joss]] takes the equality of women and minorities as a given, so he can do ''{{Series/Dollhouse}}'' without it being exploity! "Exploity." I can say "exploity" if we take the equality of verbs and adjectives as a given.
to:
--> [[JossWhedon [[Creator/JossWhedon Joss]] takes the equality of women and minorities as a given, so he can do ''{{Series/Dollhouse}}'' without it being exploity! "Exploity." I can say "exploity" if we take the equality of verbs and adjectives as a given.
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Changed line(s) 23 (click to see context) from:
* ShoutOut: In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''LordOfTheFlies'', although the two situations are hardly analagous.
to:
* ShoutOut: In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''LordOfTheFlies'', ''Literature/LordOfTheFlies'', although the two situations are hardly analagous.
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Changed line(s) 12 (click to see context) from:
--> [[JossWhedon Joss]] takes the equality of women and minorities as a given, so he can do ''{{Dollhouse}}'' without it being exploity! "Exploity." I can say "exploity" if we take the equality of verbs and adjectives as a given.
to:
--> [[JossWhedon Joss]] takes the equality of women and minorities as a given, so he can do ''{{Dollhouse}}'' ''{{Series/Dollhouse}}'' without it being exploity! "Exploity." I can say "exploity" if we take the equality of verbs and adjectives as a given.
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Changed line(s) 1,2 (click to see context) from:
--> And each of us realizes why the other is waiting, and that really we are no better than animals, and something beautiful dies in our hearts.
to:
--> And "And each of us realizes why the other is waiting, and that really we are no better than animals, and something beautiful dies in our hearts.
hearts."\\
'''-- Stan'''
'''-- Stan'''
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Changed line(s) 12 (click to see context) from:
* {{Casanova}}: Stan tells Jack that he's only interested in women for the sex, and admits (now with regret) that he once misled a girl into thinking he wanted more than that. Jack reminds him he recently did something nearly as wrong with Michelle, by putting off telling her he ''didn't'' want a relationship.
to:
* {{Casanova}}: TheCasanova: Stan tells Jack that he's only interested in women for the sex, and admits (now with regret) that he once misled a girl into thinking he wanted more than that. Jack reminds him he recently did something nearly as wrong with Michelle, by putting off telling her he ''didn't'' want a relationship.
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Changed line(s) 10 (click to see context) from:
* BuffySpeak - Daphne, gushing about her favourite creator.
to:
* BuffySpeak - BuffySpeak: Daphne, gushing about her favourite creator.
Changed line(s) 12,13 (click to see context) from:
* {{Casanova}} - Stan tells Jack that he's only interested in women for the sex, and admits (now with regret) that he once misled a girl into thinking he wanted more than that. Jack reminds him he recently did something nearly as wrong with Michelle, by putting off telling her he ''didn't'' want a relationship.
* FauxYay - Cyndi pretends to be in love with Sara, acting brokenhearted on {{Twitter}} and in person after Sara snubs her with "Die in a fire."
* FauxYay - Cyndi pretends to be in love with Sara, acting brokenhearted on {{Twitter}} and in person after Sara snubs her with "Die in a fire."
to:
* {{Casanova}} - {{Casanova}}: Stan tells Jack that he's only interested in women for the sex, and admits (now with regret) that he once misled a girl into thinking he wanted more than that. Jack reminds him he recently did something nearly as wrong with Michelle, by putting off telling her he ''didn't'' want a relationship.
*FauxYay - FauxYay: Cyndi pretends to be in love with Sara, acting brokenhearted on {{Twitter}} and in person after Sara snubs her with "Die in a fire."
*
Changed line(s) 15,16 (click to see context) from:
* GondorCallsForAid - Stan decides he'll need the help of his {{Frenemy}} Penny to keep Cyndi in check.
* [[LetsWaitAwhile Let's Wait Awhile]] - Jack and Katy-Ann.
* [[LetsWaitAwhile Let's Wait Awhile]] - Jack and Katy-Ann.
to:
* GondorCallsForAid - GondorCallsForAid: Stan decides he'll need the help of his {{Frenemy}} Penny to keep Cyndi in check.
* [[LetsWaitAwhile Let's WaitAwhile]] - Awhile]]: Jack and Katy-Ann.
* [[LetsWaitAwhile Let's Wait
Changed line(s) 19 (click to see context) from:
* MsFanservice - Cyndi. Waltrip, in the first arc to feature her since "The Popsicle War," draws her with a noticeably larger chest than before, and wearing a tight, low-cut, [[BareYourMidriff midriff-baring]] shirt. [[JustifiedTrope Justified]] in that the chapter concerns her own exploitation of her body and her seductiveness to toy with others.
to:
* MsFanservice - MsFanservice: Cyndi. Waltrip, in the first arc to feature her since "The Popsicle War," draws her with a noticeably larger chest than before, and wearing a tight, low-cut, [[BareYourMidriff midriff-baring]] shirt. [[JustifiedTrope Justified]] in that the chapter concerns her own exploitation of her body and her seductiveness to toy with others.
Changed line(s) 21,22 (click to see context) from:
* ReadingTheEnemysMail - [[ExploitedTrope Exploited]]. Months before this arc takes place, Sara defends her following Meg on Twitter by saying, "Keep your friends close; follow your enemies' tweets." In the present arc Cyndi, recalling having overheard Sara's advice, deduces that she's now following her on Twitter and begins tweeting about her supposed love for Sara.
* ShoutOut - In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''LordOfTheFlies'', although the two situations are hardly analagous.
* ShoutOut - In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''LordOfTheFlies'', although the two situations are hardly analagous.
to:
* ReadingTheEnemysMail - ReadingTheEnemysMail: [[ExploitedTrope Exploited]]. Months before this arc takes place, Sara defends her following Meg on Twitter by saying, "Keep your friends close; follow your enemies' tweets." In the present arc Cyndi, recalling having overheard Sara's advice, deduces that she's now following her on Twitter and begins tweeting about her supposed love for Sara.
*ShoutOut - ShoutOut: In claiming that Cyndi wanted to make her ruse victims realize they're "no better than animals," Stan cites ''LordOfTheFlies'', although the two situations are hardly analagous.
*
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Changed line(s) 3,4 (click to see context) from:
Cyndi emerges as the comic's next villain by demonstrating how easily she can play with the emotions of her peers for her own pleasure. She separately invites Duane, Jack and Sara to meet her in front of the school auditorium next Wednesday after play rehearsal,holding out to each the promise (stated or implied) of sex. She does so by appealing to each one's individual desires: Duane's wish to help others redeem themselves, Jack's desire for sexual release given the boundaries that he and Katy-Ann have agreed to, and Sara's longing for love. All three, knowing Cyndi is not a good person, are simultaneously tempted and conflicted, to the point of tuning out those closest to them during school.
to:
Cyndi emerges as the comic's next villain by demonstrating how easily she can play with the emotions of her peers for her own pleasure. She separately invites Duane, Jack and Sara to meet her in front of the school auditorium next Wednesday after play rehearsal,holding rehearsal, holding out to each the promise (stated or implied) of sex. She does so by appealing to each one's individual desires: Duane's wish to help others redeem themselves, Jack's desire for sexual release given the boundaries that he and Katy-Ann have agreed to, and Sara's longing for love. All three, knowing Cyndi is not a good person, are simultaneously tempted and conflicted, to the point of tuning out those closest to them during school.
