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Changed line(s) 24 (click to see context) from:
* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine (a spoof of [[SoapOpera soap operas]]).
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* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine (a spoof of [[SoapOpera soap operas]]). The profiler who interviews Don in the opening scene also pens the following witticism; Don himself is impressed.
-->Donald Draper, or Don as he is known (perhaps in an attempt to appear humble), is a handsome cipher. [[Literature/ThePictureOfDorianGray One imagines somewhere in an attic there's a painting of him that's rapidly aging]].
-->Donald Draper, or Don as he is known (perhaps in an attempt to appear humble), is a handsome cipher. [[Literature/ThePictureOfDorianGray One imagines somewhere in an attic there's a painting of him that's rapidly aging]].
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Changed line(s) 14 (click to see context) from:
* [[AbusiveParents Abusive Parent]]: Betty is this towards Sally.
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* [[AbusiveParents Abusive Parent]]: Betty is has been strict to Sally before, but crosses a line in this towards Sally.episode.
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Changed line(s) 14 (click to see context) from:
* [[AbusiveParents AbusiveParent]]: Betty is this towards Sally.
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* [[AbusiveParents AbusiveParent]]: Abusive Parent]]: Betty is this towards Sally.
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Changed line(s) 3,4 (click to see context) from:
Nearly a year after Don and company strike it out on their own, they're occupying a single suite in the new Time-Life building (though they tell the clients they have a second floor). Don is interviewed for ''Ad Age'' following a massively successful TV campaign for Glo-Coat. In a misguided attempt at modesty, he says nothing in the interview, and it starts costing them clients. Now he has to clean up the mess while dealing with a hopelessly prudish client that will likely cost them.
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Nearly a year after Don and company strike it out on their own, they're occupying a single suite in the new Time-Life building (though they tell the clients they have a second floor). Don is interviewed for ''Ad Age'' following a massively successful TV campaign for Glo-Coat. In a misguided attempt at modesty, Taken aback by questions about his childhood, he says nothing in the interview, claiming false modesty, and it starts costing them clients. Now he has to clean up the mess while dealing with a hopelessly prudish client that will likely cost them.
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Changed line(s) 5,6 (click to see context) from:
Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out, Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch. Meanwhile Don is advised by his accountant that paying the mortgage and living costs of his house while allowing Henry and Betty to live there rent free is beginning to damage his finances. Don is reluctant to mention it, as things are cold but civil at the moment, despite Betty doing little things to intentionally piss Don off. Finally Don has enough and demands they start looking for another house, buy them out, or pay rent, in any event the free ride is over. Henry actually sides with Don on this but Betty refuses.
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Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out, Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch. Meanwhile Meanwhile, Don is advised by his accountant that paying the mortgage and living costs of his house while allowing Henry and Betty to live there rent free rent-free is beginning to damage his finances. Don is reluctant to mention it, as things are cold but civil at the moment, despite Betty doing little things to intentionally piss Don off. Finally Don has enough and demands they start looking for another house, buy them him out, or pay rent, in any event the free ride is over. rent. Henry actually sides with Don on this this, but Betty refuses.
Changed line(s) 9,10 (click to see context) from:
Ultimately, Don gets a second interview, this time for the ''Wall Street journal''. This time he tells-all. Including the second floor.
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Ultimately, Don gets a second interview, this time for the ''Wall Street journal''.Journal''. This time he tells-all. Including the second floor.
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Changed line(s) 20 (click to see context) from:
--->'''Jantzen rep:''' A bikini is underwear you wear to the beach. This is a two-piece.
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Changed line(s) 26,27 (click to see context) from:
--->'''Don:''' You need to think more about the image of this agency.
--->'''Peggy:''' Well, no one knows about the ham stunt so the agency's image is right where you left it.
--->'''Peggy:''' Well, no one knows about the ham stunt so the agency's image is right where you left it.
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--->'''Don''': You need to think more about the image of this agency.
Changed line(s) 29,30 (click to see context) from:
--->'''Henry:''' Don, it's temporary.
--->'''Don:''' Trust me, Henry, everyone already thinks this is temporary. (referring to Betty and Henry's marriage)
--->'''Don:''' Trust me, Henry, everyone already thinks this is temporary. (referring to Betty and Henry's marriage)
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Changed line(s) 32,33 (click to see context) from:
---> I know what you see in her. And you could've gotten it without marrying her.
to:
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Changed line(s) 3,4 (click to see context) from:
Nearly a year after Don and company strike it out on their own, they're occupying a single suite in the new Time-Life building (though they tell the clients they have a second floor). Don is interviewed for Ad Age following a massively successful TV campaign for Glo-Coat. In a misguided attempt at modesty, he says nothing in the interview, and it starts costing them clients. Now he has to clean up the mess while dealing with a hopelessly prudish client that will likely cost them.
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Nearly a year after Don and company strike it out on their own, they're occupying a single suite in the new Time-Life building (though they tell the clients they have a second floor). Don is interviewed for Ad Age ''Ad Age'' following a massively successful TV campaign for Glo-Coat. In a misguided attempt at modesty, he says nothing in the interview, and it starts costing them clients. Now he has to clean up the mess while dealing with a hopelessly prudish client that will likely cost them.
Changed line(s) 7,10 (click to see context) from:
Pete and Peggy are about to lose an account with Sugarberry Ham, and they get two housewives to stage a fight over a ham. The stunt works, but gets out of hand and Peggy goes to Don to bail them out of jail. Don disapproves of the whole thing, but acknowledges that it was a success.
Ultimately, Don gets a second interview, this time for the Wall Street journal. This time he tells-all. Including the second floor.
Ultimately, Don gets a second interview, this time for the Wall Street journal. This time he tells-all. Including the second floor.
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Pete and Peggy are about to lose an account with Sugarberry Ham, and they get two housewives to stage a fight over a ham. ham in a supermarket. The publicity stunt works, but gets out of hand and Peggy goes has to get Don to bail them the housewives out of jail. Don disapproves of the whole thing, but acknowledges that it was a success.
Ultimately, Don gets a second interview, this time for theWall ''Wall Street journal.journal''. This time he tells-all. Including the second floor.
Ultimately, Don gets a second interview, this time for the
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Changed line(s) 24 (click to see context) from:
* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine (a spoof of [[SoapOpera soap operas]].
to:
* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine (a spoof of [[SoapOpera soap operas]].operas]]).
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Changed line(s) 24 (click to see context) from:
* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine.
to:
* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine.routine (a spoof of [[SoapOpera soap operas]].
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* ShoutOut: While in the writer's lounge, Peggy and Joey do Creator/StanFreberg's "John and Marsha" routine.
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* GetOut: Don orders the reps from Jantzen out of the office when they reject his ad for being too prurient.
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Changed line(s) 1,2 (click to see context) from:
''The agency's image is right where you left it.''
to:
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Changed line(s) 1,2 (click to see context) from:
''Everyone already thinks this is temporary.''
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Changed line(s) 25 (click to see context) from:
--->'''Peggy:''' Well, no one knows about the ham stunt so the agency's images is right where you left it.
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--->'''Peggy:''' Well, no one knows about the ham stunt so the agency's images image is right where you left it.
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Changed line(s) 1,2 (click to see context) from:
''Your image is pretty much where you left it.''
to:
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''Your image is pretty much where you left it.''
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Changed line(s) 3,6 (click to see context) from:
Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch. Meanwhile Don is advised by his accountant that paying the mortgage and living costs of his house while allowing Henry and Betty to live there rent free is beginning to damage his finances. Don is reluctant to mention it, as things are cold but civil at the moment, despite Betty doing little things to intentionally piss Don off. Finally Don has enough and demands they start looking for another house, buy them out, or pay rent, in any event the free ride is over. Henry actually sides with Don on this but Betty refuses.
Pete and Peggy are about to lose an account with Sugarberry Ham, and they decide to stage a fight over a ham. The stunt works, but gets out of hand and Peggy goes to Don to bail them out of jail. Don disapproves of the whole thing, but acknowledges that it was a success.
Pete and Peggy are about to lose an account with Sugarberry Ham, and they decide to stage a fight over a ham. The stunt works, but gets out of hand and Peggy goes to Don to bail them out of jail. Don disapproves of the whole thing, but acknowledges that it was a success.
to:
Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out out, Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch. Meanwhile Don is advised by his accountant that paying the mortgage and living costs of his house while allowing Henry and Betty to live there rent free is beginning to damage his finances. Don is reluctant to mention it, as things are cold but civil at the moment, despite Betty doing little things to intentionally piss Don off. Finally Don has enough and demands they start looking for another house, buy them out, or pay rent, in any event the free ride is over. Henry actually sides with Don on this but Betty refuses.
Pete and Peggy are about to lose an account with Sugarberry Ham, and theydecide get two housewives to stage a fight over a ham. The stunt works, but gets out of hand and Peggy goes to Don to bail them out of jail. Don disapproves of the whole thing, but acknowledges that it was a success.
Pete and Peggy are about to lose an account with Sugarberry Ham, and they
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* [[AbusiveParents AbusiveParent]]: Betty is this towards Sally.
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* FakeAFight: The Sugarberry Ham publicity stunt, in which Peggy and Pete pay two housewives to fight each other over the last remaining ham in a supermarket. It works, but sparks fly when they meet up with the two to pay them off -- the housewives start to fight for real, and end up getting arrested. Peggy then has to go to Don for money to bail them out.
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** Henry's mother Pauline Francis has a low opinion of Betty and seems to a close-minded conservative to boot (even going so far to criticize divorced couples in front of her divorced son) but she isn't wrong when she asserts that Henry certainly did not marry Betty for her personality or for being a good mom.
* ParentWithNewParamour: A subdued example with Henry's daughter Eleanor greeting her father and relatives for Thanksgiving, even bearing gifts for her new step-siblings, but ignoring her new stepmother Betty. She is seen glaring disapprovingly of Betty's behavior towards Sally.
* ParentWithNewParamour: A subdued example with Henry's daughter Eleanor greeting her father and relatives for Thanksgiving, even bearing gifts for her new step-siblings, but ignoring her new stepmother Betty. She is seen glaring disapprovingly of Betty's behavior towards Sally.
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** Joan's hairdo is higher but much more elegant and of the moment.
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* JerkassHasAPoint: Betty and Henry both react angrily to Don's demand that they pay him rent for as long as they continue to live in his and Betty's former house, but after he leaves, Henry admits to Betty that he would do the same thing if he were in Don's position.
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Changed line(s) 3,4 (click to see context) from:
Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch.
to:
Finally, Betty takes the kids to Thanksgiving with Henry's family. When Sally acts out Betty overreacts. Her treatment of the kids and overall attitude begins to slip from IceQueen to EvilMatriarch.
EvilMatriarch. Meanwhile Don is advised by his accountant that paying the mortgage and living costs of his house while allowing Henry and Betty to live there rent free is beginning to damage his finances. Don is reluctant to mention it, as things are cold but civil at the moment, despite Betty doing little things to intentionally piss Don off. Finally Don has enough and demands they start looking for another house, buy them out, or pay rent, in any event the free ride is over. Henry actually sides with Don on this but Betty refuses.
Deleted line(s) 21 (click to see context) :
** Henry actually sides with Don in this argument and blasts Betty for dragging her feet about it.
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** Don had a pretty good burn to Henry when he interjects in an argument with Betty over them still living in Don's house:
--->'''Henry:''' Don, it's temporary.
--->'''Don:''' Trust me, Henry, everyone already thinks this is temporary. (referring to Betty and Henry's marriage)
** Henry actually sides with Don in this argument and blasts Betty for dragging her feet about it.
--->'''Henry:''' Don, it's temporary.
--->'''Don:''' Trust me, Henry, everyone already thinks this is temporary. (referring to Betty and Henry's marriage)
** Henry actually sides with Don in this argument and blasts Betty for dragging her feet about it.
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Changed line(s) 18 (click to see context) from:
* WhatDoesHeSeeInHer: Henry to Betty, course his Mother knows why.
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* WhatDoesHeSeeInHer: Henry to Betty, course Betty. Of course, his Mother mother knows why.
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* BeehiveHairdo: One of the housewives, Pete and Peggy meet with, has a very large version of this hairdo.
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Changed line(s) 17,18 (click to see context) from:
* WhatDoesHeSeeInHer: Henry.
to:
* WhatDoesHeSeeInHer: Henry.
Henry to Betty, course his Mother knows why.
---> I know what you see in her. And you could've gotten it without marrying her.
---> I know what you see in her. And you could've gotten it without marrying her.
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Changed line(s) 13 (click to see context) from:
--->'''Jantzen rep:'''A bikini is underwear you wear to the beach. This is a two-piece.
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--->'''Jantzen rep:'''A rep:''' A bikini is underwear you wear to the beach. This is a two-piece.
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Changed line(s) 13 (click to see context) from:
->'''Jantzen rep:'''A bikini is underwear you wear to the beach. This is a two-piece.
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Changed line(s) 15,16 (click to see context) from:
->'''Don:''' You need to think more about the image of this agency.
->'''Peggy:''' Well, no one knows about the ham stunt so the agency's images is right where you left it.
->'''Peggy:''' Well, no one knows about the ham stunt so the agency's images is right where you left it.
to: