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* BrokenAesop: Loona's speech to Octavia about parents not getting everything right when they try to be good parents rings hollow considering the show had never really shown Blitzo's failures as a father, always showing him as a over-doting and loving parent that gets a little too affectionate sometimes. On the flip side, Loona was the one who is always acting abrasive, having beaten the crap out of him for telling her to adjust her attitude with their clients at the beginning of the episode and even after the speech, she proceeded to kick Blitzo in the groins when he tried to apologize and hug Loona for threatening to replace her. Even acknowledging her backstory revealed in this episode, Loona comes off as hypocritical telling Octavia to cut her dad some slack when she herself refuses to. It's also hard to say why Loona would extend this empathy towards Stolas, given they have never had a conversation and from her perspective it would be easy to conclude Stolas is sexually exploiting Blitzo in exchange for the book, but she can't extend the same understanding to Blitzo who she does know and he does care for her.
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Added the "Warts and All" trope as it applies pretty strongly throughout the episode.
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* WartsAndAll: The overall takeaway of the episode. Despite the friction between Blitz and Loona, his understandable problems with her aggressiveness, and Loona having difficulty with dealing with her own issues and Blitz's behavior in general, they both still love each other and won't abandon each other. For Octavia, despite how tough things still are, and how Stolas forgot about seeing the stars with her, she realizes, thanks to Loona, that she misjudged him and she needs to focus on the good he does than assume the worst.
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The Aesop listed above isn't about giving them a second chance, so that doesn't fit with Broken Aesop. Also, the Aesop isn't about giving parents a second chance (as far as I can understand) it's about just understanding them. Thirdly, it was about Stolas and Octavia, not Loona and Blitz, for the most part.
Deleted line(s) 19 (click to see context) :
* BrokenAesop: Loona's speech to Octavia about parents not getting everything right when they try to be good parents rings and the importance of giving them a second chance rings hollow considering she follows it up by hitting Blitzo in the crotch.
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*NoAntagonist: No antagonist to be found here, just Blitzø and Stolas having issues with their daughters.
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Shoehorn
Deleted line(s) 73 (click to see context) :
* KarmaHoudiniWarranty: A Music Dude never receives any punishment or comeuppance for being a Jerkass and UngratefulBastard towards Moxxie, but then, when Moxxie leaves, he starts to get upset in a background scene.
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* BrokenAesop: Loona's speech to Octavia about parents not getting everything right when they try to be good parents rings and the importance of giving them a second chance rings hollow considering she follows it up by hitting Blitzo in the crotch.
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* EasilyForgiven: Stolas is forgiven quite easily by Octavia after her talk with Loona.
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-->'''Stolas, [[PapaWolf enraged beyond belief]]:''' (''breaks down door'') '''''BLITZ!!!!!'''''
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Changed line(s) 126 (click to see context) from:
* TemptingFate: After Blitzo calls Stolas to let him know that Octavia stole the Grimoire, he said that it "went better than I thought". Moments later, Stolas charges through the door in full demon form, screaming "BLITZ!" at the top of his lungs.
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* TemptingFate: After Blitzo calls Stolas to let him know that Octavia stole the Grimoire, he said that it "went better than I thought". Moments later, Stolas charges through the door in full demon form, screaming "BLITZ!" "'''''BLITZ!'''''" at the top of his lungs.
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Changed line(s) 63 (click to see context) from:
* InstantlyProvenWrong: After Blitzo calls Stolas to let him know that Octavia stole the Grimoire, he said that it "went better than I thought". Moments later, Stolas charges through the door, screaming "BLITZ!" at the top of his lungs.
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* InstantlyProvenWrong: After Blitzo calls Stolas to let him know that Octavia stole the Grimoire, he said that it "went better than I thought". Moments later, Stolas charges through the door, screaming "BLITZ!" "'''''BLITZ!'''''" at the top of his lungs.
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* BridalCarry: At the end of the episode, Millie angrily orders Moxxie to get to the portal. After walking for about a second, Millie picks up Moxxie and carries him in her arms through the portal.
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Changed line(s) 28 (click to see context) from:
* CantTakeCriticism: Loona becomes ''very'' hostile and violent when Blitzo gently suggests they make a "few tweaks" to help her be more people-friendly. (This is carried over from the pilot, when her reaction to Millie reasonably asking why she would drink on a work day prompted Loona to run out and kick a baby carriage to blow off steam.)
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* CantTakeCriticism: Loona becomes ''very'' hostile and violent when Blitzo gently suggests they make a "few tweaks" to help her be more people-friendly. (This people-friendly (this is carried over from the pilot, when her reaction to Millie reasonably asking why she would drink on a work day prompted Loona to run out and kick a baby carriage to blow off steam.)steam).
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Changed line(s) 39 (click to see context) from:
* ContrivedCoincidence: The day Azathoth's Tears are visible just happens to be the day after Stolas declared his divorce. This kicks off the plot.
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* ContrivedCoincidence: The day Azathoth's Tears are visible just happens to be the day after Stolas declared his divorce. divorce, ''and'' is the same day Blitzo decides to have "the talk" with Loona. This makes both girls bitter over their dads and kicks off the plot.plot: Octavia elects to break into I.M.P's office and steal the Grimoire, and Loona, the only one who notices her sneaking in, doesn't try to stop her.
Changed line(s) 104 (click to see context) from:
* RuleOfSymbolism: Loona struggles to light her lighter until she talks positively about Blitzo, with the sky clearing of smog right after to see the moon and stars like Octavia wanted.
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* RuleOfSymbolism: Loona Done twice at the observatory scene.
** Loona, still bitter over Blitzo's earlier comments, struggles tolight get her I.M.P lighter until to work. When she talks positively reassures Octavia that Stolas loves her and is trying his best, the lighter finally works, catching her eye and making her realize she's talking about Blitzo, with Blitzo too.
** Octavia, angry over Stolas's broken promise and getting wrapped up in thesky clearing of smog right after divorce, ran off to LA to see the meteor shower alone, but the night sky is covered in smog. After Loona's talk, the smog briefly parts to reveal the full moon and stars like Octavia wanted.stars.
** Loona, still bitter over Blitzo's earlier comments, struggles to
** Octavia, angry over Stolas's broken promise and getting wrapped up in the
Changed line(s) 124 (click to see context) from:
* ToughLove: Invoked by Blitzo, who (hesitantly and reluctantly) calls Loona's bluff when she sarcastically asks why he doesn't just replace her as his secretary if he feels her people skills are that bad. He then cites that it's time for some ToughLove and (timidly) suggests she march back to her desk.
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* ToughLove: Invoked by Blitzo, who (hesitantly and reluctantly) calls Loona's bluff when she sarcastically asks why he doesn't just replace her as his secretary if he feels her people skills are that bad. He then cites that it's time for some ToughLove and (timidly) suggests she march back to her desk.
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* WhatYouAreInTheDark: After seeing Octavia's Sinstagram posts revealing her recent locations, Loona could have easily pretended she never saw them and no one would know, but her conscience catches up with her and she starts to track Octavia down in earnest.
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I put a Karma Houdini Warranty with a Music Dude in Seeing Stars in Helluva Boss
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* KarmaHoudiniWarranty: A Music Dude never receives any punishment or comeuppance for being a Jerkass and UngratefulBastard towards Moxxie, but then, when Moxxie leaves, he starts to get upset in a background scene.
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* PaperThinDisguise: Blitzo's "human disguise" has him wearing human clothing, a wig, and comically large ears over his horns, but makes no attempt to hide his red demon skin. Despite this, everyone mistakes him for being TV star Brennon Ragers, even when the ears fall off and expose his horns.
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Changed line(s) 32 (click to see context) from:
** A couple of FreezeFrameBonus shots show, like in the alley Blitzo and the others portal from, a set of Public Health Warning posters. They say that Los Angeles' water supply was recently analyzed to contain ''2% sewage overflow and 98% '''literal''' acid'' and should not be consumed under any circumstances. Near the end, while Blitzo fights off a group of security guards and angry fans for disrupting a show he is supposed to run, Stolas throws one of the water bottles, which soaks the show's director and ''burns him'', causing chaos in the studio and allowing them both to escape and finally continue their search for their daughters.
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** A couple of FreezeFrameBonus shots show, like in the alley Blitzo and the others portal from, a set of Public Health Warning posters. They say that Los Angeles' water supply was recently analyzed to contain ''2% sewage overflow and 98% '''literal''' acid'' and should not be consumed under any circumstances. Near the end, while Blitzo fights off a group of security guards and angry fans for disrupting a show he is supposed to run, Stolas throws one of the water bottles, which soaks the show's director producer and ''burns him'', causing chaos in the studio and allowing them both to escape and finally continue their search for their daughters.
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Changed line(s) 20,22 (click to see context) from:
** The kennel director says that Loona will "age out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "OZZIE’S"]], indicating that the selfie was taken the same day.
** Stolas barges down I.M.P's front door in his shadowy full demon form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
** Stolas is the only one who finds Blitzo's comedy routine genuinely funny, just like he did as a child in [[Recap/HelluvaBossS2E1TheCircus "The Circus."]]
** Stolas barges down I.M.P's front door in his shadowy full demon form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
** Stolas is the only one who finds Blitzo's comedy routine genuinely funny, just like he did as a child in [[Recap/HelluvaBossS2E1TheCircus "The Circus."]]
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** The kennel director says that Loona will "age out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "OZZIE’S"]], "OZZIE'S"]], indicating that the selfie was taken the same day.
** Stolas barges down I.M.P's front door in hisshadowy full demon form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
Seekers"]].
** Stolas is the only one who finds Blitzo's comedy routine genuinely funny, just like he did as a child in [[Recap/HelluvaBossS2E1TheCircus "TheCircus."]]Circus"]].
** Stolas barges down I.M.P's front door in his
** Stolas is the only one who finds Blitzo's comedy routine genuinely funny, just like he did as a child in [[Recap/HelluvaBossS2E1TheCircus "The
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* CensorshipBySpelling: Stolas tells Octavia her mother is being a "B-I-T-C-H" while on the phone with Stella, whose outburst prompts him to suggest that she'd never given any indication that she could read.
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* CensorshipBySpelling: Stolas tells Octavia her mother is being a "B-I-T-C-H" while on the phone with Stella, whose outburst prompts him to suggest that she'd never given any indication that she could read. spell.
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* DefenestrateAndBerate: A variant — Stolas doesn’t ''directly'' destroy any of Stella's things, but makes it very clear to the movers who are packing them into moving vans that he has no qualms about ''them'' doing it for him. Stella is, of course, livid.
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* DefenestrateAndBerate: A variant — Stolas doesn’t doesn't ''directly'' destroy any of Stella's things, but makes it very clear to the movers who are packing them into moving vans that he has no qualms about ''them'' doing it for him. Stella is, of course, livid.
Changed line(s) 136,137 (click to see context) from:
* WorfHadTheFlu: Stolas' magic is severely limited since he never memorized his spell without the grimoire, which Via stole from I.M.P and used to go to the human realm. As such, when the rest of the demons go to Earth, only Loona and Stolas can use a HumanDisguise with their magic.
* WretchedHive: All of LA's real-life sins are cartoonishly distilled and exaggerated to create a city Blitzo explicitly says is indistinguishable from Hell.
* WretchedHive: All of LA's real-life sins are cartoonishly distilled and exaggerated to create a city Blitzo explicitly says is indistinguishable from Hell.
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* WorfHadTheFlu: Stolas' magic is severely limited since he never memorized his spell spells without the grimoire, which Via Octavia stole from I.M.P and used to go to the human realm. As such, when the rest of the demons go to Earth, only Loona and Stolas can use a HumanDisguise with their magic.
* WretchedHive: All of LA's real-life sins are cartoonishly distilled and exaggerated to create a city Blitzo explicitly says is indistinguishable fromHell.Hell.
----
* WretchedHive: All of LA's real-life sins are cartoonishly distilled and exaggerated to create a city Blitzo explicitly says is indistinguishable from
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Changed line(s) 17 (click to see context) from:
* BreakingOldTrends: This is arguably the first episode to not feature a central antagonist. The conflict instead is about Blitzo; and Stolas’s daughter issues.
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* BreakingOldTrends: This is arguably the first episode to not feature a central antagonist. The conflict instead is about Blitzo; Blitzo and Stolas’s daughter issues.
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Changed line(s) 17 (click to see context) from:
* BreakingOldTrends: This is arguably the first episode to not feature a central antagonist. The conflict instead is about Blitzø and Stolas’s daughter issues.
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* BreakingOldTrends: This is arguably the first episode to not feature a central antagonist. The conflict instead is about Blitzø Blitzo; and Stolas’s daughter issues.
Changed line(s) 20 (click to see context) from:
** The kennel director says that Loona will "age out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "Ozzies"]], indicating that the selfie was taken the same day.
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** The kennel director says that Loona will "age out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "Ozzies"]], "OZZIE’S"]], indicating that the selfie was taken the same day.
Changed line(s) 25 (click to see context) from:
*** The tour guide on Octavias bus is the same from [[Recap/HelluvaBossS1E4CHERUB "C.H.E.R.U.B"]]
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*** The tour guide on Octavias bus is the same from [[Recap/HelluvaBossS1E4CHERUB "C.H.E.R.U.B"]]B"]].
Changed line(s) 53 (click to see context) from:
* {{Flashback}}: Blizto recalls the time where he adopted Loona before she was kicked out of the hellhound orphanage.
to:
* {{Flashback}}: Blizto Blitzo recalls the time where he adopted Loona before she was kicked out of the hellhound orphanage.
Changed line(s) 57 (click to see context) from:
* GoneHorriblyRight: Since he can't use magic to put on a HumanDisguise, Blitzo goes to a local shop in L.A. and gets a set of comically large ears to hide his horns. It works a little too well, since the disguise makes him look like TV star Brennon Ragers, causing the star's agents to grab Blitzo and throw him the back of a van, stalling out their search for Octavia.
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* GoneHorriblyRight: Since he can't use magic to put on a HumanDisguise, Blitzo goes to a local shop in L.A. A and gets a set of comically large ears to hide his horns. It works a little too well, since the disguise makes him look like TV star Brennon Ragers, causing the star's agents to grab Blitzo and throw him the back of a van, stalling out their search for Octavia.
Changed line(s) 68 (click to see context) from:
* JerkassHasAPoint: While Moxxie is ''way'' too smug about Blitzo threatening to replace Loona, he does have a point that a receptionist with poor people skills might reflect badly on [=I.M.P.=] and can cause some clients to wonder how competent they are at their jobs if they can't even hire a receptionist who's good with people.
to:
* JerkassHasAPoint: While Moxxie is ''way'' too smug about Blitzo threatening to replace Loona, he does have a point that a receptionist with poor people skills might reflect badly on [=I.M.P.=] P=] and can cause some clients to wonder how competent they are at their jobs if they can't even hire a receptionist who's good with people.
Changed line(s) 71 (click to see context) from:
** After Octavia's first encounter in the living world leaves her panicking in a TroubledFetalPosition, it cuts to Blitzo doing the same thing back in the I.M.P. office.
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** After Octavia's first encounter in the living world leaves her panicking in a TroubledFetalPosition, it cuts to Blitzo doing the same thing back in the I.M.P. P office.
Changed line(s) 81 (click to see context) from:
* TheNoseKnows: Loona identifies the place Octavia went to as L.A. by the scent of urine and desperation that came through the portal. But once through she can't smell anything over the city's usual potpourri and winds up stalking her Sinstagram.
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* TheNoseKnows: Loona identifies the place Octavia went to as L.A. A by the scent of urine and desperation that came through the portal. But once through she can't smell anything over the city's usual potpourri and winds up stalking her Sinstagram.
Changed line(s) 134 (click to see context) from:
* UnusuallyUninterestingSight: The imps and Octavia are able to walk around L.A. with no HumanDisguise because everyone who bothers to notice thinks that they’re just wearing costumes.
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* UnusuallyUninterestingSight: The imps and Octavia are able to walk around L.A. A with no HumanDisguise because everyone who bothers to notice thinks that they’re just wearing costumes.
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* TheDoorSlamsYou: In a blink-and-you-miss-it shot, Moxxie can be seen getting hit by the door to IMP's office when Stolas smashes it off the hinges storming into the office after Blitzo's phone call.
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Changed line(s) 69 (click to see context) from:
* MatchCut: After his TraumaButton is pressed, Blitzo fades out from holding a dog's leash into a flashback where he's holding the bars of a kennel. At the end of the flashback, a series of rapid-fire cuts occurs between a crying Loona and a shell-shocked Blitzo, then Match Cuts again to Blitzo on the soundstage.
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* MatchCut: MatchCut:
** After Octavia's first encounter in the living world leaves her panicking in a TroubledFetalPosition, it cuts to Blitzo doing the same thing back in the I.M.P. office.
** When Stolas gets flustered during Blitzo's performance, he grabs one of the water bottles and starts drinking it. As his arm comes down, the shot cuts back to Loona's arm (holding coffee) coming down in the same motion.
** The shot at the end of Loona's TravelMontage of her walking towards the observatory is cut to a photo of the observatory in an audience member's newspaper, who's watching Blitzo's performance.
** After Blitzo's TraumaButton is pressed,Blitzo fades out from the shot changes to his perspective, showing his hands holding a the dog's leash with the dog in front of him. This fades into a flashback where he's of him holding the bars of a kennel. the kennel, with the dog's face switching to one of an identical hellhound pup.
** At the end ofthe Blitzo's flashback, a series of rapid-fire cuts occurs between a crying Loona and a shell-shocked Blitzo, with the cell bars dissolving in his hands and his outfit reappearing, then Match Cuts cuts again to Blitzo on the soundstage.
** After Octavia's first encounter in the living world leaves her panicking in a TroubledFetalPosition, it cuts to Blitzo doing the same thing back in the I.M.P. office.
** When Stolas gets flustered during Blitzo's performance, he grabs one of the water bottles and starts drinking it. As his arm comes down, the shot cuts back to Loona's arm (holding coffee) coming down in the same motion.
** The shot at the end of Loona's TravelMontage of her walking towards the observatory is cut to a photo of the observatory in an audience member's newspaper, who's watching Blitzo's performance.
** After Blitzo's TraumaButton is pressed,
** At the end of
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* TravelMontage: Loona gets a montage of her following Octavia throughout Los Angeles, shown by her swiping through her Sinstagram posts and the background changing to Loona being in the new location. This culminates in Loona rapidly swiping through the posts while the background twirls until both the phone and the background show the observatory.
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* AccidentalTruth: When Blitzo tasks Loona with finding Octavia while he and Stolas are captured, and she [[FlippingTheBird flips him off]] in response, he tries to reassure Stolas by saying "She's in great hands." Despite blowing off the mission at first, Loona [[ConscienceMakesYouGoBack comes around]] and manages to track down Octavia.
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* BrokenTears: Loona sheds these in Blitzo's flashback to the adoption center; after fending off her cellmate, she curls up into a fetal position and begins to sob.
* ParentsAsPeople: Discussed. This is what Loona tells Octavia when she finds her; their dads may not be perfect, but at least they’re trying their best to be {{good parents}}.
Deleted line(s) 85 (click to see context) :
* ParentsAsPeople: Discussed. This is what Loona tells Octavia when she finds her; their dads may not be perfect, but at least they’re trying their best to be {{good parents}}.
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* TroubledFetalPosition:
** Octavia does this in an alleyway after she lands in Los Angeles and has a terrifying first encounter with humans. This cuts back to Blitzo ''also'' in a fetal position after seeing her leave with the book and knowing he has to tell Stolas what happened.
** Loona does this in Blitzo's flashback to her life in the hellhound adoption center, after fending off a cellmate that attempted to attack her with a bloody nail bat.
** Octavia does this in an alleyway after she lands in Los Angeles and has a terrifying first encounter with humans. This cuts back to Blitzo ''also'' in a fetal position after seeing her leave with the book and knowing he has to tell Stolas what happened.
** Loona does this in Blitzo's flashback to her life in the hellhound adoption center, after fending off a cellmate that attempted to attack her with a bloody nail bat.
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* AllForNothing: Moxxie spends the whole mission distracted by doing street performances to earn money for art, but at the end, Millie becomes fed up when Moxxie stops for one last music demo disk. She carries him back to the portal, leaving the giant sack of all the art they acquired behind.
Changed line(s) 107 (click to see context) from:
* SuperGullible: Moxxie and Millie are too hung up over Moxie wanting to buy trashy art to help Blitzo and Stolas, Moxxie convinced that he has support them under the assumption that it's ''all'' good.
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* SuperGullible: Moxxie and Millie are too hung up over Moxie Moxxie wanting to buy trashy art to help Blitzo and Stolas, Moxxie convinced that he has support them under the assumption that it's ''all'' good.
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Incorrect use of literally
Changed line(s) 45 (click to see context) from:
* EvenEvilHasStandards: When he goes off-script because the child actress's character stating she wants to adopt the dog triggers a flashback to when he adopted Loona, Blitzo shouts that said actress isn't fit to be a mother since he literally saw her gleefully do a line of coke in the dressing room, [[FreezeFrameBonus something that you can see when the teleprompter is first shown]].
to:
* EvenEvilHasStandards: When he goes off-script because the child actress's character stating she wants to adopt the dog triggers a flashback to when he adopted Loona, Blitzo shouts that said actress isn't fit to be a mother since he literally saw her gleefully do a line of coke in the dressing room, [[FreezeFrameBonus something that you can see when the teleprompter is first shown]].
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Changed line(s) 38 (click to see context) from:
* DareToBeBadass: Stolas gives this to Blitzo when he freaks out secinds before his TV performance.
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* DareToBeBadass: Stolas gives this to Blitzo when he freaks out secinds seconds before his TV performance.
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Changed line(s) 17,18 (click to see context) from:
** The kennel director says that Loona will be "aged out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "Ozzies"]], indicating that the selfie was taken the same day.
** Stolas barges down I.M.P's front door in his shadowy owlbear form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
** Stolas barges down I.M.P's front door in his shadowy owlbear form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
to:
** The kennel director says that Loona will be "aged "age out next month" when Blitzo sees her in a flashback. This tracks with [[Recap/HelluvaBossS1E3SpringBroken "Spring Broken"]], where Loona says that she was almost eighteen when Blitzo adopted her. Additionally, the oversized red shirt Loona is wearing is the same one she's wearing in the selfie Blitzo takes with her that can been seen on his phone in [[Recap/HelluvaBossS1E7Ozzies "Ozzies"]], indicating that the selfie was taken the same day.
** Stolas barges down I.M.P's front door in his shadowyowlbear full demon form from [[Recap/HelluvaBossS1E6TruthSeekers "Truth Seekers".]]
** Stolas barges down I.M.P's front door in his shadowy
Changed line(s) 78 (click to see context) from:
* OrphanageOfFear: The place where Blitzo adopted Loona from was little more than a kennel, even though Loona was a sentient hellhound. While Loona wasn't helping things by constantly attacking everybody, it's also shown that Loona was sad, afraid, and alone, complete with a lot of tick marks on the wall suggesting that she'd been there for a while. The director also said that she'd be "out of their hair when she ages out next month, and good riddance" while Loona goes into a TroubledFetalPosition.
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* OrphanageOfFear: The place where Blitzo adopted Loona from was little more than a kennel, even though Loona was a sentient hellhound. While Loona wasn't helping things by constantly attacking everybody, it's also shown that Loona was sad, afraid, and alone, complete with a lot of tick marks on the wall suggesting that she'd been there for a while. The director also said that she'd be "out of their hair next month when she ages out next month, and good riddance" out. Good riddance," while Loona goes into a TroubledFetalPosition.
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* PoundsAreDoggyPrison: An even worse example than most since the dogs in question all have humanlike sapience; the kennel Blitzo adopted Loona from was basically a canine JuvenileHell where young hellhounds are kept in squalid conditions, cramped together in dimly-lit cells while the social worker in charge of the place openly disdained them and did fuck all to stop them from attacking one another.
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* PoundsAreDoggyPrison: An even worse example than most since the dogs in question all have humanlike sapience; the kennel Blitzo adopted Loona from was basically a canine JuvenileHell where young hellhounds are kept in squalid conditions, cramped together in dimly-lit cells while the social worker director in charge of the place openly disdained them and did fuck all to stop them from attacking one another.
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* DareToBeBadass: Stolas gives this to Blitzo when he freaks out secinds before his TV performance.
-->'''Stolas''': Blitzo, if your performance on stage is half as good as it is in bed, you'll leave them ''breathless''.
-->'''Stolas''': Blitzo, if your performance on stage is half as good as it is in bed, you'll leave them ''breathless''.
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* DidNotThinkThisThrough: Octavia leaves in a huff while her parents argue on the phone. She then infiltrates I.M.P to get her dad's grimore so she can see the stars but, with no experience with the book, she finds herself lost in Los Angeles.
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* DidNotThinkThisThrough: Octavia leaves in a huff while her parents argue on the phone. She then infiltrates I.M.P to get her dad's grimore so she can see the stars but, with no experience with the book, she finds herself lost in Los Angeles.Angeles with no human disguise to conceal her look, not that the humans notice anyway.
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* SurprisinglyRealisticOutcome: Octavia goes to a densely populated city on Earth like Los Angeles to see the stars, only to not see anything due to a mix of smog and light pollution. Even when some of the clouds part to make the moon visible, it still only shows a tiny fraction of the stars to be visible. When Loona talks to her at the observatory, Octavia expresses her frustrations that she can't even see the night sky.
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* SurprisinglyRealisticOutcome: Octavia goes to a densely populated city on Earth like Los Angeles to see the stars, only to not see anything due to a mix of smog and light pollution. Even when some of the clouds part to make the moon visible, it still only shows a tiny fraction of the stars to be visible. When Loona talks to her at the observatory, the closest the owl comes to meeting her goal, Octavia expresses her frustrations that she can't even see the night sky.