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It was tried again in [[http://www.youtube.com/watch?v=eXTEUM4OF7Q an updated version by WKBW]] in Buffalo, New York in 1968. Conceived by program director Jeff Kaye, it used the station's news staff and contemporary commercials and put the action in nearby Grand Island. Instead of a script, Kaye wrote out a series of events and had the news people read them as they would normally. In spite of fairly frequent "this is a dramatization" announcements, the show's format meant that people who tuned in late were going to think it was real. A local newspaper, several police officers and the Canadian National Guard (which sent troops to the border) were among those deceived.
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not an example


* ThisIsAWorkOfFiction: If you missed the start of the show (most did), the only sign that the show was fictional was a message 40 minutes in.

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* BattleDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report on the aftermath of what turned out to be a CurbStompBattle (that the ''Martian'' won) from the CBS studio.



* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report on the aftermath of what turned out to be a CurbStompBattle (that the ''Martian'' won) from the CBS studio.
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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (U.S. National Guardsmen equipped with [[GasMaskMooks gas masks]] and [[GatlingGood machine-guns]], military airplanes, etc.), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\
For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage ''and'' a bomber plane crashing into it to eliminate it. Also, the Black Smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.

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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (U.S. (United States National Guardsmen equipped with [[GasMaskMooks gas masks]] and [[GatlingGood machine-guns]], military airplanes, etc.), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\
For example, only ''one'' fighting-machine is brought down in combat, combat [[hottip:*:In the book, one is gunned down by artillery fire, and two or three others are destroyed by a warship]], and it took an artillery barrage ''and'' a bomber plane [[HeroicSacrifice crashing into it it]] to eliminate it. Also, the Black Smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.
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* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report on the aftermath of what turned out to be a CurbStompBattle from the CBS studio.

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* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report on the aftermath of what turned out to be a CurbStompBattle (that the ''Martian'' won) from the CBS studio.
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None


* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report of the aftermath from the CBS studio.

to:

* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report of on the aftermath of what turned out to be a CurbStompBattle from the CBS studio.

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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (soldiers using [[GasMaskMooks gas masks]] and [[GatlingGood machine-guns]], military airplanes, etc.), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\

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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (soldiers using (U.S. National Guardsmen equipped with [[GasMaskMooks gas masks]] and [[GatlingGood machine-guns]], military airplanes, etc.), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\


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* DecoyProtagonist: At first, Carl Phillips the news reporter appears to be this story's counterpart to the unnamed protagonist of the novel, with Professor Pierson the astronomer being the [[SacrificialLamb Ogilvy]] stand-in. Then it gets subverted, when Carl Phillips is found incinerated by the Martians' Heat-Ray, and Pierson fills the role of protagonist after being shown to survive the attack.


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* ViolenceDiscretionShot: When the first of the Martian fighting-machines rises from the cylinder, the radio feed from the National Guard stationed at Grover's Mill is conveniently cut short ''right before'' the soldiers open fire on the machine, and we are instead treated with a report of the aftermath from the CBS studio.
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None


* AdaptationalBadass: The Martians, despite going up against more contemporary military technology ([[GatlingGood machine-guns]], [[GasMaskMooks soldiers wearing gas masks]], and airplanes), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\

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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology ([[GatlingGood (soldiers using [[GasMaskMooks gas masks]] and [[GatlingGood machine-guns]], [[GasMaskMooks soldiers wearing gas masks]], and airplanes), military airplanes, etc.), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later film adaptations.\\\
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None


* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (machine-guns, gas masks, and airplanes), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later films.\\\
For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage ''and'' a bomber plane crashing into it to eliminate it. Also, the black smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.

to:

* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (machine-guns, ([[GatlingGood machine-guns]], [[GasMaskMooks soldiers wearing gas masks, masks]], and airplanes), manage to prove much more durable and threatening than in the original novel, and ''without'' having the force-fields they are depicted with in later films.film adaptations.\\\
For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage ''and'' a bomber plane crashing into it to eliminate it. Also, the black smoke Black Smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.

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* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (machines guns, gas masks, and airplanes), manage to prove much more durable and threatening than in the original novel. For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage and a bomber plane crashing into it to eliminate it. Also, the black smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.

to:

* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (machines guns, (machine-guns, gas masks, and airplanes), manage to prove much more durable and threatening than in the original novel. novel, and ''without'' having the force-fields they are depicted with in later films.\\\
For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage and ''and'' a bomber plane crashing into it to eliminate it. Also, the black smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.
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None

Added DiffLines:

* AdaptationalBadass: The Martians, despite going up against more contemporary military technology (machines guns, gas masks, and airplanes), manage to prove much more durable and threatening than in the original novel. For example, only ''one'' fighting-machine is brought down in combat, and it took an artillery barrage and a bomber plane crashing into it to eliminate it. Also, the black smoke is deployed ''before'' said machine is destroyed, and it's shown to render gas masks ''useless''. And the real kicker is that the very first fighting-machine deployed by the Martians was pitted ''alone'' against an army of 7,000 National Guardsmen that were all using rifles and machine-guns, and left only ''120'' known survivors.
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The incident was dramatized in the 1975 TV movie, ''The Night That Panicked America'' co-starring JohnRitter and touched upon in feature films like ''RadioDays'' by WoodyAllen. It was analyzed in a hysterically funny episode of NPR's ''RadioLab'' in 2008, talking about the power of mass media and humanity's need for storytelling.

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The incident was dramatized in the 1975 TV movie, ''The Night That Panicked America'' co-starring JohnRitter and touched upon in feature films like ''RadioDays'' by WoodyAllen.Creator/WoodyAllen. It was analyzed in a hysterically funny episode of NPR's ''RadioLab'' in 2008, talking about the power of mass media and humanity's need for storytelling.

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* KilledMidSentence: The at-the-scene radio reporter, Carl Phillips. Or, at least, the on-site radio equipment is destroyed while he's in mid sentence.
** Phillips' charred remains are later identified.

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* KilledMidSentence: The at-the-scene radio reporter, Carl Phillips. Or, at least, the on-site radio equipment is destroyed while he's in mid sentence.
** Phillips'
sentence. His charred remains are later identified.
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The show made Welles and the show broadcasting it (''The Mercury Theatre on the Air'') famous internationally overnight. For instance, the Campbell Soup Company jumped at the chance of becoming the sponsorless show's underwriter to become ''The Campbell Playhouse''. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.

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The show made Welles and the show broadcasting it (''The Mercury Theatre on the Air'') famous internationally overnight. For instance, the Campbell Soup Company jumped at the chance of becoming the sponsorless show's underwriter to become ''The Campbell Playhouse''. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], Ecuador]] by director Leonardo Páez, ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them.him. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.
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The show made Welles and the show broadcasting it (''The Mercury Theatre on the Air'') famous internationally overnight. For instance, the Campbell's Soup company jumped at the chance of becoming the sponsorless show's underwriter to become ''The Campbell Playhouse''. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.

to:

The show made Welles and the show broadcasting it (''The Mercury Theatre on the Air'') famous internationally overnight. For instance, the Campbell's Campbell Soup company Company jumped at the chance of becoming the sponsorless show's underwriter to become ''The Campbell Playhouse''. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.
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The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.

to:

The show made Welles and the show broadcasting it (''The Mercury Theatre of on the Air'') famous internationally overnight.overnight. For instance, the Campbell's Soup company jumped at the chance of becoming the sponsorless show's underwriter to become ''The Campbell Playhouse''. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, although not on the diabolical level that's been attributed to them. A huge riot erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the station, with 100 workers trapped inside. Seven people died.
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* EmergencyPresidentialAddress: Averted by ExecutiveMeddling. It was originally intended for the unnamed Secretary of the Interior to be President FranklinDRoosevelt, but CBS objected to this detail. That didn't stop Welles from having the actor imitate Roosevelt's voice.)

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* EmergencyPresidentialAddress: Averted by ExecutiveMeddling. It was originally intended for the unnamed Secretary of the Interior to be President FranklinDRoosevelt, but CBS objected to this detail. That didn't stop Welles from having the actor imitate Roosevelt's voice.)
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* EmergencyPresidentialAddress: Averted by ExecutiveMeddling. It was originally intended for the unnamed Secretary of the Interior to be President FranklinDRoosevelt, but CBS objected to this detail. That didn't stop Welles from having the actor imitate Roosevelt's voice.)
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* {{Mockumentary}}: If you consider a fake news broadcast to be a Mockumentary, then this program is the TropeMaker. (If you don't, then the TropeMaker is probably Film/ThisIsSpinalTap).

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* KilledMidSentence: The at-the-scene radio reporter. Or, at least, the on-site radio equipment is destroyed while he's in mid sentence.

to:

* KilledMidSentence: The at-the-scene radio reporter. reporter, Carl Phillips. Or, at least, the on-site radio equipment is destroyed while he's in mid sentence.sentence.
** Phillips' charred remains are later identified.
Is there an issue? Send a MessageReason:
None


The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, resulting in a huge riot and seven deaths including the producer's fiancee and nephew.

to:

The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate. The broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]], ''definitely'' as an intentional prank, resulting in a although not on the diabolical level that's been attributed to them. A huge riot and seven deaths including erupted when listeners were finally told it was a gag. An angry mob with TorchesAndPitchforks set fire to the producer's fiancee and nephew.
station, with 100 workers trapped inside. Seven people died.
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The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate.[[note]] The [[1949 re-creation of the event in Quito, Ecuador]] was ''definitely'' an intentional prank, resulting in a huge riot and seven deaths including the producer's fiancee and nephew. [[/note]]

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The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate.[[note]] The [[1949 re-creation of the event broadcast was actually [[http://www.war-ofthe-worlds.co.uk/war_worlds_quito.htm recreated in 1949 in Quito, Ecuador]] was Ecuador]], ''definitely'' as an intentional prank, resulting in a huge riot and seven deaths including the producer's fiancee and nephew. [[/note]]
nephew.
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The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate.

The incident was dramatized in the 1975 TV movie, ''The Night That Panicked America'' co-starring JohnRitter and touched upon in feature films like ''RadioDays'' by WoodyAllen.

to:

The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate.

debate.[[note]] The [[1949 re-creation of the event in Quito, Ecuador]] was ''definitely'' an intentional prank, resulting in a huge riot and seven deaths including the producer's fiancee and nephew. [[/note]]

The incident was dramatized in the 1975 TV movie, ''The Night That Panicked America'' co-starring JohnRitter and touched upon in feature films like ''RadioDays'' by WoodyAllen.
WoodyAllen. It was analyzed in a hysterically funny episode of NPR's ''RadioLab'' in 2008, talking about the power of mass media and humanity's need for storytelling.
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None


When Orson Welles began adapting various famous works for CBS Radio in 1938, he decided to adapt ''Literature/TheWarOfTheWorlds'' to a contemporary American setting, and, rather than a regular radio play, aired what seemed like a regular night of music, until reports of strange phenomena on the surface of Mars and what seem to be meteorites landing in locations across America...

to:

When Orson Welles OrsonWelles began adapting various famous works for CBS Radio in 1938, he decided to adapt ''Literature/TheWarOfTheWorlds'' to a contemporary American setting, and, rather than a regular radio play, aired what seemed like a regular night of music, until reports of strange phenomena on the surface of Mars and what seem to be meteorites landing in locations across America...
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* SwitchingPOVs: The first part is comprised of various reports and interviews from different people. The last part follows a lone professor.

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* SwitchingPOVs: SwitchingPOV: The first part is comprised of various reports and interviews from different people. The last part follows a lone professor.
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* AndNowForSomethingCompletelyDifferent: About forty minutes in, the narrative changes completely to the aforementioned professor writing in his journal, and then briefly follows the professor and a stranger discussing Martian theories before returnign to the journal again.


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* DeadlineNews: Eventually, the report gets cut off completely with one, lone reporter repeatedly asking if anyone is out there.
* FoundFootage: A UrExample and perhaps the only radio version of this trope.


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* SwitchingPOVs: The first part is comprised of various reports and interviews from different people. The last part follows a lone professor.
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None


When Orson Welles began adapting various famous works for CBS Radio in 1938, he decided to adapt TheWarOfTheWorlds to a contemporary American setting, and, rather than a regular radio play, aired what seemed like a regular night of music, until reports of strange phenomena on the surface of Mars and what seem to be meteorites landing in locations across America...

to:

When Orson Welles began adapting various famous works for CBS Radio in 1938, he decided to adapt TheWarOfTheWorlds ''Literature/TheWarOfTheWorlds'' to a contemporary American setting, and, rather than a regular radio play, aired what seemed like a regular night of music, until reports of strange phenomena on the surface of Mars and what seem to be meteorites landing in locations across America...
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None

Added DiffLines:

The incident was dramatized in the 1975 TV movie, ''The Night That Panicked America'' co-starring JohnRitter and touched upon in feature films like ''RadioDays'' by WoodyAllen.
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Spelling...!


* WeInturruptThisProgram: The first ten minutes of the show involves "Ramon Raquello and His Orchestra" playing Thirties dance music, with the plot occasionally interrupting to provide breaking news.

to:

* WeInturruptThisProgram: WeInterruptThisProgram: The first ten minutes of the show involves "Ramon Raquello and His Orchestra" playing Thirties dance music, with the plot occasionally interrupting to provide breaking news.
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None

Added DiffLines:

When Orson Welles began adapting various famous works for CBS Radio in 1938, he decided to adapt TheWarOfTheWorlds to a contemporary American setting, and, rather than a regular radio play, aired what seemed like a regular night of music, until reports of strange phenomena on the surface of Mars and what seem to be meteorites landing in locations across America...

By the time large alien tripods emerged from the cylindrical meteorite and began destroying the American countryside, many listeners believed that the events taking place were really happening, and panic ensued. Welles himself ended the program by saying that the program was little more than "dressing up in a sheet, jumping out of a bush, and saying 'Boo!'" and suggesting that the audience shouldn't be taken in by make-believe stories on the radio.

The show made Welles and the show broadcasting it (''The Mercury Theatre of the Air'') famous internationally overnight. Whether or not he used the format to [[ForTheEvulz intentionally troll radio listeners]] is still up for debate.

!The radio version contains examples of:

*AfterTheEnd: The last ten minutes or so of the story involves Professor Pierson writing a journal of the lifeless, half-destroyed cities that are left.
*CommercialBreakCliffhanger: Averted. As ''The Mercury Theatre of the Air'' didn't have a sponsor, there didn't need to be a break in the program for advertisements; this helped keep up the {{Kayfabe}} of the broadcast. The only break acts as a transition between the faux-radio program and Pierson's AfterTheEnd narration.
*KilledMidSentence: The at-the-scene radio reporter. Or, at least, the on-site radio equipment is destroyed while he's in mid sentence.
*NewMediaAreEvil: Some suggest that most people weren't taken in by the faux-news format (or at least did little more than ring police to ask what was happening) and that newspapers embellished the facts to make radio look bad.
*ThisIsAWorkOfFiction: If you missed the start of the show (most did), the only sign that the show was fictional was a message 40 minutes in.
*ThisJustIn: The studio begins to overflow with reports of the Martian walkers arriving and destroying power lines and transport routes.
*WeInturruptThisProgram: The first ten minutes of the show involves "Ramon Raquello and His Orchestra" playing Thirties dance music, with the plot occasionally interrupting to provide breaking news.

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