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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creator/DWGriffith’s Film/{{The Birth of a Nation|1915}}. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creator/DWGriffith’s Film/{{The Birth of a Nation|1915}}. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.“troublemakers".''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creatpr/DWGriffith’s Film/{{The Birth of a Nation|1915}}. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creatpr/DWGriffith’s Creator/DWGriffith’s Film/{{The Birth of a Nation|1915}}. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creatpr/DWGriffith’s Film/TheBirthOfANation. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creatpr/DWGriffith’s Film/TheBirthOfANation.Film/{{The Birth of a Nation|1915}}. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
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->''In many ways Film/GoneWithTheWind had itself been an act of symbolic reparation for Creatpr/DWGriffith’s Film/TheBirthOfANation. Instead of the undisguised racism of Griffith’s film, David O. Selznick’s lavish production dramatized the rise of the UsefulNotes/KuKluxKlan without ever mentioning the murderous organization by name and by failing to have any of the “vigilantes” depicted in Wind’s second half wear white hoods, or lynch blacks, as they go about dealing with unidentified “troublemakers.''
-->-- '''[[http://www.laweekly.com/film/uncle-remus-redux-2162988 David Ehrenstein]]'''
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* AFI's #1 choice on their "100 Movie Quotes" list.
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-->--'''SunsetBoulevard'''
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->'''Joe Gillis:''' I suppose you would have passed on Gone With the Wind.
->'''Myron Sheldrake:''' No, that was me. Who wants to see another Civil War picture, I said.
-->--'''SunsetBoulevard'''
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->'''Scarlett:''' Rhett... where shall I go? What shall I do?
->'''Rhett:''' Frankly, my dear, I don't give a damn.
