History OlderThanTheyThink / Theatre

13th Jun '16 10:32:26 PM Pichu-kun
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* A Broadway musical about cats, based on a series of poems, and with considerably more dancing than plot? ''Shinbone Alley'', which opened 25 years before ''Cats''. However, ''Shinbone Alley'' failed to put its cats in any kind of cat costumes, which may help account for its far shorter run.

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* A Broadway musical about cats, based on a series of poems, and with considerably more dancing than plot? ''Shinbone Alley'', which opened 25 years before ''Cats''.''Theatre/{{Cats}}''. However, ''Shinbone Alley'' failed to put its cats in any kind of cat costumes, which may help account for its far shorter run.


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* Many people believe "I Feel Pretty" from ''Theatre/WestSideStory'' is [[{{Bowdlerise}} frequently censored]] to avoid HaveAGayOldTime. It's the other way around. "I feel pretty and witty and gay" is the censored version while the original is "I feel pretty and witty and bright". The lyrics were changed to avoid implications of sex ("bright" rhymed with "tonight" instead of "today").
8th May '16 1:32:09 AM TheOneWhoTropes
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* It's no secret that the songs in ''Theatre/MammaMia'' are just recycled {{ABBA}} hits, but the plot isn't exactly original, either: the 1968 film ''Buona Sera, Mrs. Campbell'' used largely the same plot, as did ''Carmelina'', a 1979 Broadway musical flop by Alan Jay Lerner and Burton Lane.

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* It's no secret that the songs in ''Theatre/MammaMia'' are just recycled {{ABBA}} Music/{{ABBA}} hits, but the plot isn't exactly original, either: the 1968 film ''Buona Sera, Mrs. Campbell'' used largely the same plot, as did ''Carmelina'', a 1979 Broadway musical flop by Alan Jay Lerner and Burton Lane.
25th Sep '15 11:20:28 PM Menshevik
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* While Creator/{{Shakespeare}}'s ''plots'' might not be as original as people think, his use of language certainly was, and that leads to this trope in and of itself, or its opposite, YoungerThanTheyThink. As quoted in ''The Story of English'':

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* While Creator/{{Shakespeare}}'s ''plots'' might not be as original as people think, his use of language certainly was, and that leads to this trope in and of itself, or its opposite, YoungerThanTheyThink.NewerThanTheyThink. As quoted in ''The Story of English'':
25th Sep '15 11:19:32 PM Menshevik
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* While Creator/{{Shakespeare}}'s ''plots'' might not be as original as people think, his use of language certainly was, and that leads to this trope in and of itself. As quoted in ''The Story of English'':

to:

* While Creator/{{Shakespeare}}'s ''plots'' might not be as original as people think, his use of language certainly was, and that leads to this trope in and of itself.itself, or its opposite, YoungerThanTheyThink. As quoted in ''The Story of English'':
25th Sep '15 10:56:52 PM nombretomado
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* Unlike the stereotypical musical comedy, ''{{Oklahoma}}'' doesn't use the standard OpeningChorus; its opening number is a solo. But neither did half of the musical comedies that came before it; in fact, many of them didn't have an opening number of any sort, unless you count the short passage of nondescript music the orchestra plays while the curtain opens on a scene of expository dialogue. (And though ''Oklahoma!'' was indeed the first Rodgers and Hammerstein musical, they had first collaborated in 1919, when their careers had barely started.)

to:

* Unlike the stereotypical musical comedy, ''{{Oklahoma}}'' ''Theatre/{{Oklahoma}}'' doesn't use the standard OpeningChorus; its opening number is a solo. But neither did half of the musical comedies that came before it; in fact, many of them didn't have an opening number of any sort, unless you count the short passage of nondescript music the orchestra plays while the curtain opens on a scene of expository dialogue. (And though ''Oklahoma!'' was indeed the first Rodgers and Hammerstein musical, they had first collaborated in 1919, when their careers had barely started.)
13th Jul '15 9:51:03 AM nombretomado
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* It's no secret that the songs in ''MammaMia'' are just recycled {{ABBA}} hits, but the plot isn't exactly original, either: the 1968 film ''Buona Sera, Mrs. Campbell'' used largely the same plot, as did ''Carmelina'', a 1979 Broadway musical flop by Alan Jay Lerner and Burton Lane.

to:

* It's no secret that the songs in ''MammaMia'' ''Theatre/MammaMia'' are just recycled {{ABBA}} hits, but the plot isn't exactly original, either: the 1968 film ''Buona Sera, Mrs. Campbell'' used largely the same plot, as did ''Carmelina'', a 1979 Broadway musical flop by Alan Jay Lerner and Burton Lane.
4th May '15 11:45:28 AM nombretomado
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** ''Theatre/RomeoAndJuliet'' was an adaptation of an Italian narrative poem called ''The Tragical History of Romeus and Juliet'', which had been translated into English about thirty years before Shakespeare's play. The poem's basic story is itself very similar to Creator/{{Ovid}}'s "Pyramus and Thisbe" in ''Literature/TheMetamorphoses'' from ClassicalMythology.

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** ''Theatre/RomeoAndJuliet'' was an adaptation of an Italian narrative poem called ''The Tragical History of Romeus and Juliet'', which had been translated into English about thirty years before Shakespeare's play. The poem's basic story is itself very similar to Creator/{{Ovid}}'s "Pyramus and Thisbe" in ''Literature/TheMetamorphoses'' from ClassicalMythology.Myth/ClassicalMythology.
10th Apr '15 7:11:20 PM nombretomado
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* The 1994 stage adaptation of Disney's ''Disney/BeautyAndTheBeast'' wasn't the first "legit" ScreenToStageAdaptation from the DisneyAnimatedCanon. ''Disney/SnowWhiteAndTheSevenDwarfs'' had ''several'' stage adaptations in varying cities/venues long before that, including a 1979 version that ran as a limited engagement in New York City at the huge Radio City Music Hall and had the same scope and scale as later Disney stage musicals (a videotaped version was one of Disney's early [=VHS=] releases).

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* The 1994 stage adaptation of Disney's ''Disney/BeautyAndTheBeast'' wasn't the first "legit" ScreenToStageAdaptation from the DisneyAnimatedCanon.Franchise/DisneyAnimatedCanon. ''Disney/SnowWhiteAndTheSevenDwarfs'' had ''several'' stage adaptations in varying cities/venues long before that, including a 1979 version that ran as a limited engagement in New York City at the huge Radio City Music Hall and had the same scope and scale as later Disney stage musicals (a videotaped version was one of Disney's early [=VHS=] releases).
24th Jun '14 5:43:20 PM MoonChild02
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* In ''{{Godspell}}'', many of the lyrics that aren't from Literature/TheBible are from old hymns and prayerbooks.

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* In ''{{Godspell}}'', ''{{Theatre/Godspell}}'', many of the lyrics that aren't from Literature/TheBible are from old hymns and prayerbooks.
19th Apr '14 8:09:20 PM randomtroper89
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* Unlike the stereotypical musical comedy, ''{{Oklahoma}}!'' doesn't use the standard OpeningChorus; its opening number is a solo. But neither did half of the musical comedies that came before it; in fact, many of them didn't have an opening number of any sort, unless you count the short passage of nondescript music the orchestra plays while the curtain opens on a scene of expository dialogue. (And though ''Oklahoma!'' was indeed the first Rodgers and Hammerstein musical, they had first collaborated in 1919, when their careers had barely started.)

to:

* Unlike the stereotypical musical comedy, ''{{Oklahoma}}!'' ''{{Oklahoma}}'' doesn't use the standard OpeningChorus; its opening number is a solo. But neither did half of the musical comedies that came before it; in fact, many of them didn't have an opening number of any sort, unless you count the short passage of nondescript music the orchestra plays while the curtain opens on a scene of expository dialogue. (And though ''Oklahoma!'' was indeed the first Rodgers and Hammerstein musical, they had first collaborated in 1919, when their careers had barely started.)
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