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* How the movie visually depicts The Nothing as storm clouds. While it initially seems mundane, it's depicted in a manner [[YouCannotGraspTheTrueForm that is incomprehensible for the senses as it perpetually alters its shape while not looking like anything concretely familiar]]. [[EldritchAbomination Being scarier for its alien nature]] and [[NothingIsScarier the lack of clarity makes it more frightening than it did have a tangible form]].

to:

* How the movie visually depicts The Nothing as storm clouds. While it initially seems mundane, it's depicted in a manner [[YouCannotGraspTheTrueForm that is incomprehensible for the senses as it perpetually alters its shape while not looking like anything concretely familiar]]. [[EldritchAbomination Being scarier for its alien nature]] and [[NothingIsScarier the lack of clarity makes it more frightening than if it did DID have a tangible form]].
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elaborating on tropes


* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone having massive, uncomfortably human-like eyes. Her cynical views, complete indifference to ''everything'', and possible schizophrenia do not help the situation.

to:

* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone having massive, uncomfortably uncanny human-like eyes. Her cynical views, complete indifference to ''everything'', and possible schizophrenia do not help the situation.
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* The premise of the movie- the world of imagination is gradually being eroded away- not by something comprehensible [[CardCarryingVillain maniacal]] [[BigBad mastermind's]] EvilPlan to remake the world in their image or [[OmnicidalManiac to destroy it for the sake of it]]. But, by something [[OutsideContextProblem completely outside the context of the fantasy world]]- the physical embodiment of nothing with no apparent sapience or inherent malice- just an unnatural phenomenon that is unmaking Fanatasia aided by those who wish to exploit it for their own gain to control the unimaginative masses without the land of Fantasia as a byproduct. The objective of the story is revealed not to find the means to destroy it before it causes more damage to Fantasia, but to essentially reboot everything after before the situation becomes too far-gone because it's literally impossible to fight the Nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].

to:

* The premise of the movie- the world of imagination is gradually being eroded away- not by something comprehensible like a [[CardCarryingVillain maniacal]] [[BigBad mastermind's]] EvilPlan to remake the world in their image or [[OmnicidalManiac to destroy it for the sake of it]]. But, by something [[OutsideContextProblem completely outside the context of the fantasy world]]- the physical embodiment of nothing with no apparent sapience or inherent malice- just an unnatural phenomenon that is unmaking Fanatasia aided by those who wish to exploit it for their own gain to control the unimaginative masses without the land of Fantasia as a byproduct. The objective of the story is revealed not to find the means to destroy it before it causes more damage to Fantasia, but to essentially reboot everything after before the situation becomes too far-gone because it's literally impossible to fight the Nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].

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elaborating on tropes


** The manner in which Gmork is introduced. During is a dark storm- heavily implied to be the Nothing, camera slowly pans into a hole in a tree until it's covered in the darkness, [[TheDarknessGazesBack until two green catlike eyes open in the pitch]] before flashing [[JumpScare a brief glimpse of Gmork's demonic-looking wolf form in a flash of lightning]].



* The manner in which Gmork is introduced. During is a dark storm- heavily implied to be the Nothing, camera slowly pans into a hole in a tree until it's covered in the darkness, [[TheDarknessGazesBack until two green catlike eyes open in the pitch]] before flashing [[JumpScare a brief glimpse of Gmork's demonic-looking wolf form in a flash of lightning]].

Added: 358

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elaborating on tropes


* G'mork. His film incarnation has given ''many'' viewers nightmares. The first-person shots from his perspective as he hunts Atreyu are absolutely terrifying. And that's without getting into his personality. The film also removes anything sympathetic about his motives: "People who have no hope are easy to control, and whoever has the control has the ''power''." And due to the lack of backstory, when Atreyu asks him who Gmork is really, [[NothingIsScarier Gmork might not be a sapient wolf at all, but some entity of unfathomable nature given the form of a wolf within Fanastia by the power behind the Nothing]].

to:

* G'mork. His film incarnation has given ''many'' viewers nightmares. The first-person shots from his perspective as he hunts Atreyu are absolutely terrifying. And that's without getting into his personality. The film also removes anything sympathetic about his motives: motives from the book: "People who have no hope are easy to control, and whoever has the control has the ''power''." And due to the lack of backstory, when Atreyu asks him who Gmork is really, [[NothingIsScarier Gmork might not be a sapient wolf at all, but some entity of unfathomable nature given the form of a wolf within Fanastia by the power behind the Nothing]].



* The manner in which Gmork is introduced. During is a dark storm- heavily implied to be the Nothing, camera slowly pans into a hole in a tree until it's covered in the darkness, [[TheDarknessGazesBack until two green catlike eyes open in the pitch]] before flashing [[JumpScare a brief glimpse of Gmork's demonic-looking wolf form in a flash of lightning]].



** Atreyu himself is a little scary in this scene, as he gets more and more angry at Gmork until he grabs a sharp rock and ''orders'' Gmork to fight him to the death. The fierce look on his face makes it clear why he's called a warrior, and Gmork's OhCrap reaction when he realizes who he's facing is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. It shows that GoodIsNotSoft, as Atreyu's decided Gmork is so evil and dangerous that he ''cannot'' be left alive.

to:

** Atreyu himself is a little scary in this scene, as he gets more and more angry at Gmork until he grabs a sharp rock and ''orders'' Gmork to fight him to the death. The fierce look on his face makes it clear why he's called a warrior, and Gmork's OhCrap reaction when he realizes who he's facing is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. It shows that GoodIsNotSoft, as Atreyu's Atreyu decided Gmork is so evil and dangerous that he ''cannot'' be left alive.



* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone. Her cynical views, complete indifference to ''everything'', and possible schizophrenia do not help the situation.

to:

* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone.alone having massive, uncomfortably human-like eyes. Her cynical views, complete indifference to ''everything'', and possible schizophrenia do not help the situation.
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elaborating on tropes


* While [[DarkIsNotEvil they're ultimately good-natured and trying to save their world]] the representatives from across Fantasia are very surreal from entities with the heads of large elephants, long-necked birds, and large-headed statue beings whose bodies are rising from stone to those who are seemingly human [[BodyHorror but some having a face on each quadrant side of their head while others having two faces but joined together with the second eye of each face being the meeting point between the faces]].

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* While [[DarkIsNotEvil they're ultimately good-natured and trying to save their world]] the representatives from across Fantasia are very surreal from entities with the heads of large elephants, three-headed bestial humanoids, sapient fish, long-necked birds, and large-headed statue beings whose bodies are rising from stone to those who are seemingly human [[BodyHorror but some having a face on each quadrant side of their head while others having two faces but joined together with the second eye of each face being the meeting point between the faces]].
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elaborating on tropes

Added DiffLines:

* While [[DarkIsNotEvil they're ultimately good-natured and trying to save their world]] the representatives from across Fantasia are very surreal from entities with the heads of large elephants, long-necked birds, and large-headed statue beings whose bodies are rising from stone to those who are seemingly human [[BodyHorror but some having a face on each quadrant side of their head while others having two faces but joined together with the second eye of each face being the meeting point between the faces]].
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elaborating on tropes


** How the Nothing destroys the world of Fantasia, it doesn't leave holes but literally, nothing as it slowly tears apart the land until it's literally just an empty outer space void filled with the debris of the ruined world.
* The manner in which the Rock-Bitter describes how the Nothing works. The menacing tonal shifts when he gradually elaborates on this and his description paint the Nothing as a truly unfathomable and eldritch force that is undoing Fantasia.

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** How the Nothing destroys the world of Fantasia, it doesn't leave holes but literally, nothing as it slowly tears apart the land until it's literally just an empty outer space void filled with the debris of the ruined world.
world. The Rock Bitter who witnesses this happening to the forest he was currently taking a short break in, watching in silent horror before immediately hurrying away before it could catch up to him.
* The manner in which the Rock-Bitter describes how the Nothing works. The menacing tonal shifts when he gradually elaborates on this and his description paint paints the Nothing as a truly unfathomable and eldritch force that is undoing Fantasia.

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elaborating on tropes


** How the Nothing destroys the world of Fanastia, it doesn't leave holes but literally, nothing as it slowly tears apart the land until it's literally just an empty outer space void filled with the debris of the ruined world.

to:

** How the Nothing destroys the world of Fanastia, Fantasia, it doesn't leave holes but literally, nothing as it slowly tears apart the land until it's literally just an empty outer space void filled with the debris of the ruined world.world.
* The manner in which the Rock-Bitter describes how the Nothing works. The menacing tonal shifts when he gradually elaborates on this and his description paint the Nothing as a truly unfathomable and eldritch force that is undoing Fantasia.
--->'''The Rock-Bitter:''' Where I come from in the north, we used to have exquisite gourmet rocks...Only now...now they're all gone. Near my home, there used to be a beautiful lake but then it was gone. No, it just wasn't there anymore. No, it just wasn't there anymore, Nothing was there anymore. Not even a dried-up lake. A hole would be something. No, It was nothing. And it got bigger and bigger. First, there was no lake anymore, and then, finally... rocks.

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elaborating on tropes


* The premise of the movie- the world of imagination is gradually being eroded away- not by a comprehensible BigBad's EvilPlan but by the physical embodiment of nothing with no intelligence or will- just an unnatural phenomenon aided by those who wish to exploit it to control whatever remains afterwards. The objective of the story is revealed not to destroy it before it causes more damage, but to essentially reboot everything after it almost does its destruction because it's literally impossible to fight nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].

to:

* The premise of the movie- the world of imagination is gradually being eroded away- not by a something comprehensible BigBad's [[CardCarryingVillain maniacal]] [[BigBad mastermind's]] EvilPlan but to remake the world in their image or [[OmnicidalManiac to destroy it for the sake of it]]. But, by something [[OutsideContextProblem completely outside the context of the fantasy world]]- the physical embodiment of nothing with no intelligence apparent sapience or will- inherent malice- just an unnatural phenomenon that is unmaking Fanatasia aided by those who wish to exploit it for their own gain to control whatever remains afterwards. the unimaginative masses without the land of Fantasia as a byproduct. The objective of the story is revealed not to find the means to destroy it before it causes more damage, damage to Fantasia, but to essentially reboot everything after it almost does its destruction before the situation becomes too far-gone because it's literally impossible to fight nothing the Nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].



** Alternatively, the implication that they may not be actual beings at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.

to:

** Alternatively, the implication is that they may not be actual beings at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.



* Nimbly, the hideous [[BirdPeople anthropomorphic chicken thing]] from the second film. Granted, he eventually becomes a good guy but still.
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elaborating on tropes


* The premise of the movie- the world of imagination is gradually being eroded away- not by a comprehensible BigBad's EvilPlan but by the physical embodiment of nothing. The objective of the story is revealed not to destroy it before it causes more damage, but to essentially reboot everything because it's literally impossible to fight nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].

to:

* The premise of the movie- the world of imagination is gradually being eroded away- not by a comprehensible BigBad's EvilPlan but by the physical embodiment of nothing. nothing with no intelligence or will- just an unnatural phenomenon aided by those who wish to exploit it to control whatever remains afterwards. The objective of the story is revealed not to destroy it before it causes more damage, but to essentially reboot everything after it almost does its destruction because it's literally impossible to fight nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].
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elaborating on tropes

Added DiffLines:

* The premise of the movie- the world of imagination is gradually being eroded away- not by a comprehensible BigBad's EvilPlan but by the physical embodiment of nothing. The objective of the story is revealed not to destroy it before it causes more damage, but to essentially reboot everything because it's literally impossible to fight nothing as it's [[ExactlyWhatItSaysOnTheTin a concept of nothingness]].

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elaborating on tropes


** While the books give some detail about the sadistic Manipulators that created the Nothing to destroy Fanstasica (Fantasia) to better control humanity via lies and driving them insane, the movie is deliberately vague aside from calling it the power behind it. It's not clear if it's the subconscious desire of humanity's stagnation of imagination that created it inadvertently or an unfathomable entity with goals that are incomprehensible- whether alien or malign for a even darker purpose, it's never resolved.

to:

** While the books give some detail about the sadistic Manipulators *** The implication that created all the Nothing to destroy Fanstasica (Fantasia) to better control humanity via lies terrible destruction in Fantasia is deliberate and driving them insane, the movie is deliberately vague planned by malicious, [[EldritchAbomination otherworldly beings]] called The Manipulators, [[NothingIsScarier who are never seen or described aside from calling it being called the power behind it. It's not clear if it's the subconscious desire Nothing in the movie- let alone if their motives are comprehensibly evil like in the book or completely incomprehensible to a human sense of humanity's stagnation of imagination logic.]]
** Alternatively, the implication
that created it inadvertently or an unfathomable entity with goals that are incomprehensible- whether alien or malign for a even darker purpose, it's they may not be actual beings at all. G'mork never resolved.says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
--->'''G'mork:''' I am the servant of the power behind the Nothing.



* The implication that all the terrible destruction in Fantasia is deliberate and planned by malicious, [[EldritchAbomination otherworldly beings]] called The Manipulators, [[NothingIsScarier who are never seen or described.]]
** Even more frightening is the implication that they may not be actual beings at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
--->'''G'mork:''' I am the servant of the power behind the Nothing.

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elaborating on tropes


* G'mork. He's a survivor of a lost world, left without a home, and is working with the Nothing to destroy Fantastica so it can at least have the human world as its only human- [[EvilIsPetty out of spite of not having a home of his own]].

to:

* G'mork. He's a lupine survivor of a lost world, left without a home, and is working with the Nothing Nothing's creator to destroy Fantastica so it can at least have the human world as its only human- home- [[EvilIsPetty out of spite of not having a home of his own]].own anymore]].



** While the books give some detail about the sadistic Manipulators that created the Nothing to destroy Fanstasica (Fantasia) to better control humanity via lies and driving them insane, the movie is deliberately vague aside from calling it the power behind it. It's not clear if it's the subconscious desire of humanity's stagnation of imagination that created it inadvertently or an unfathomable entity with goals that are incomprehensible- whether alien or malign for a even darker purpose, it's never resolved.



* G'mork. His film incarnation has given ''many'' viewers nightmares. The first-person shots from his perspective as he hunts Atreyu are absolutely terrifying. And that's without getting into his personality. The film also removes anything sympathetic about his motives: "People who have no hope are easy to control, and whoever has the control has the ''power''."

to:

* G'mork. His film incarnation has given ''many'' viewers nightmares. The first-person shots from his perspective as he hunts Atreyu are absolutely terrifying. And that's without getting into his personality. The film also removes anything sympathetic about his motives: "People who have no hope are easy to control, and whoever has the control has the ''power''."" And due to the lack of backstory, when Atreyu asks him who Gmork is really, [[NothingIsScarier Gmork might not be a sapient wolf at all, but some entity of unfathomable nature given the form of a wolf within Fanastia by the power behind the Nothing]].

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elaborating on tropes


* [[EldritchAbomination The Nothing]] is the ultimate Nightmare Fuel. Paradoxic, isn't it?
** Not in the least - after all, NothingIsScarier.

to:

* [[EldritchAbomination The Nothing]] is the ultimate Nightmare Fuel. Paradoxic, isn't it?
** Not
It is not a tangible force like a natural disaster nor a creature in the least - after all, NothingIsScarier.conventional sense, but rather it's the metaphysical concept of the lack of imagination, which in a world created by imagination, is horrifying. It slowly and gradually at increasingly faster and faster rates, destroys the entire world of Fanastica until there's almost nothing left but an empty void.



** Most worse than G'Mork or even the Nothing itself, is the force behind them, [[GreaterScopeVillain The Manipulators]]. They're only described through their monstrous goal to drive the people of Earth mad by replacing fantasy with lies and delusions born out of Fantasticans (Fantasians) who have been erased by the Nothing, and to let them do what they want. What they actually are, Fana [[NothingIsScarier is never elaborated, making them somehow more terrifying than the concept of The Nothing Itself whose nature and purpose is knowable]]. [[EvilerThanThou The fact that the Nothing rather than being a product of human's increased lack of imagination but a deliberately cruel act is more frightening than if it had been just The Nothing on its own]].



* G'mork. Apparently there's a good reason werewolves and vampires seem to have an innate hatred each other; for if they were to ever marry...Well, there you go.
** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a out-and-out AnimalisticAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''

to:

* G'mork. Apparently there's He's a good reason werewolves survivor of a lost world, left without a home, and vampires seem is working with the Nothing to destroy Fantastica so it can at least have an innate hatred each other; for if they were to ever marry...Well, there you go.
the human world as its only human- [[EvilIsPetty out of spite of not having a home of his own]].
** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a an out-and-out AnimalisticAbomination, [[AnimalisticAbomination wolf harbinger of extradimensional origin]] of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''''



* The insane shlamoof creatures have quite the {{Monster Clown}} and BigCreepyCrawlies vibes going on. And towards the end it is revealed they have been pursuing Bastian for quite a while.

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* The insane shlamoof creatures have quite the {{Monster Clown}} and BigCreepyCrawlies vibes going on. And towards Towards the end end, it is revealed they have been pursuing Bastian for quite a while.



* Smerg, the European-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with short forelimbs and the legs of a grasshopper. If that's not enough, it has the heads of elderly humans (a woman and a man respectively) in place of eyes.

to:

* Smerg, the European-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with short forelimbs forelimbs, and the legs of a grasshopper. If that's not enough, it has the heads of elderly humans (a woman and a man respectively) in place of eyes.
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elaborating on tropes


** The way Mr. Coreander describes the second test is very ominous.

to:

** The way Mr. Coreander Engywook describes the second test is very ominous.
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elaborating on tropes


** The Magic Mirror Gate, it's not as immediately dangerous as the tense Sphinx test, but it involves implied [[MindRape mental horror]] as [[GoMadFromTheRevlation it exposes the person as their true selves- saints being cruel, brave warriors being cowards, etc.]] with the usual result being screaming. When Atreyu first approaches the Gate, he doesn't see himself but rather Bastion, the reader animating his adventures. This slightly alarms Atreyu for a moment, but it truly freaks out Basion as the book is somehow aware that he is reading it and making him part of the narrative. [[MindScrew Understandably, Bastion initially creeped out that the story is getting too real and meta for his comfort]], not helped by the tense music leading up to this build-up.

to:

** The Magic Mirror Gate, it's not as immediately dangerous as the tense Sphinx test, but it involves implied [[MindRape mental horror]] as [[GoMadFromTheRevlation [[GoMadFromTheRevelation it exposes the person as their true selves- saints as being cruel, cruel deep down, brave warriors being cowards, etc.]] with the usual result being screaming.them screaming and running away with this AwfulTruth. When Atreyu first approaches the Gate, he doesn't see himself but rather Bastion, the reader animating his adventures. This slightly alarms Atreyu for a moment, but it truly freaks out Basion as the book is somehow aware that he is reading it and making him part of the narrative. [[MindScrew Understandably, Bastion initially creeped out that throws the book as the story is getting too real and meta for his comfort]], not helped by the tense music leading up to this build-up.
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elaborating on tropes

Added DiffLines:

* How the movie visually depicts The Nothing as storm clouds. While it initially seems mundane, it's depicted in a manner [[YouCannotGraspTheTrueForm that is incomprehensible for the senses as it perpetually alters its shape while not looking like anything concretely familiar]]. [[EldritchAbomination Being scarier for its alien nature]] and [[NothingIsScarier the lack of clarity makes it more frightening than it did have a tangible form]].
** How the Nothing destroys the world of Fanastia, it doesn't leave holes but literally, nothing as it slowly tears apart the land until it's literally just an empty outer space void filled with the debris of the ruined world.

Added: 97

Changed: 487

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elaborating on tropes


* Nimbly, the hideous [[BirdPeople anthropomorphic chicken thing]] from the second film. Granted, he eventually becomes a good guy but still.
* Right before we cut back to Bastian, we see ''solid ground'' getting blown away by the Nothing.

to:

* Nimbly, the hideous [[BirdPeople anthropomorphic chicken thing]] from ** The way Mr. Coreander describes the second film. Granted, he eventually becomes a good guy but still.
* Right
test is very ominous.
-->''That's what everyone thinks. But kind people find that they are cruel. Brave men discover that they are really cowards. Confronted with their true selves, most men run away screaming!''
* Just
before we cut back to Bastian, we see ''solid ground'' getting blown away by the Nothing.




to:

* Nimbly, the hideous [[BirdPeople anthropomorphic chicken thing]] from the second film. Granted, he eventually becomes a good guy but still.
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elaborating on tropes


* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone. Her cynical views, complete indifference to ''everything'' and possible schizophrenia do not help the situation.

to:

* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone. Her cynical views, complete indifference to ''everything'' ''everything'', and possible schizophrenia do not help the situation.



** The Magic Mirror Gate, it's not as immediately dangerous as the tense Sphinx test, but it involves implied [[MindRape mental horror]] as [[GoMadFromTheRevlation it exposes the person as their true selves- saints being cruel, brave warriors being cowards, etc.]] with the usual result being screaming. When Atreyu first approaches the Gate, he doesn't see himself but rather Bastion, the reader animating his adventures. This slightly alarms Atreyu for a moment, but it truly freaks out Basion as the book is somehow aware that Bastion is reading it. [[MindScrew Understandably, Bastion initially creeded out that the story is getting

to:

** The Magic Mirror Gate, it's not as immediately dangerous as the tense Sphinx test, but it involves implied [[MindRape mental horror]] as [[GoMadFromTheRevlation it exposes the person as their true selves- saints being cruel, brave warriors being cowards, etc.]] with the usual result being screaming. When Atreyu first approaches the Gate, he doesn't see himself but rather Bastion, the reader animating his adventures. This slightly alarms Atreyu for a moment, but it truly freaks out Basion as the book is somehow aware that Bastion he is reading it. it and making him part of the narrative. [[MindScrew Understandably, Bastion initially creeded creeped out that the story is getting too real and meta for his comfort]], not helped by the tense music leading up to this build-up.

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elaborating on tropes


** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out when he lunges at Atreyu is terrifying, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.

to:

** The sequence of Atreyu witnessing murals of his quest leading up to this moment is accompanied by low and subtly creepy music. While Bastian and the audience are aware it's visually telling Atreyu that he's a character in a story through the images being stone-craved illustrations, from Atreyu's perspective, it's an in-universe metaphysical MindScrew of this place somehow having detailed his quest beforehand to accurate detail, as the traditional narrative has been gradually being broken down to a surreal deconstruction.
** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and a black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out when he lunges at Atreyu is terrifying, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face face, as G'mork lunges at him him, is quite real as well.



** G'mork suffers a FamilyUnfriendlyDeath. As Atreyu gets up, you can see the stone knife stuck dead center in his chest. The wound is even still spurting bright arterial blood.
* Falkor and Atreyu flying through the empty void after the Nothing destroys everything. The scene just feels so empty and foreboding with the music only adding to the feeling. Also doubles as a TearJerker.

to:

** G'mork suffers a FamilyUnfriendlyDeath. As Atreyu gets up, you can see the stone knife stuck dead center in his chest. The wound is even still spurting bright arterial blood.
* Falkor and Atreyu flying fly through the empty void void, resembling outer space after the Nothing destroys everything. The scene just feels so empty and foreboding with the music only adding to the feeling. Also doubles as a TearJerker.



* The scene where the knight's helmet blows open to reveal his charred skull creeped many out for years.

to:

* The scene where the knight's helmet blows open to reveal his charred skull creeped crept many out for years.



** This actually deserves a bit more detail. The whole scene leading up to this is very slow and tense, with the music building up in a gradual crescendo as Atreyu approaches the Sphinx Gate across the sands, alternately in a long shot that emphasizes his smallness in comparison and in a close-up where the viewer can see just how nervous and unsettled he is. When he finally reaches the gate, we're treated to a beautiful DutchAngle of him gazing up at each Sphinx in turn before he moves closer through a rising wind, passing the scattered bones of previous questors. Finally he approaches the fallen knight, only for the wind to blow his helmet open in quite the JumpScare as the camera lingers on TheReveal of his charred appearance. Atreyu begins to panic...backing up a bit at a time and constantly looking in terror from one Sphinx to the other, the music rising and the DutchAngle becoming increasingly acute...until finally the eyes begin to open, letting through the slits a blindingly bright light...

to:

** The Sphinx in general, are large and imposing, but that's not what makes them terrifying due to not moving. They possess the power to open their eyes to zap whatever unworthy comes too close to charred corpses.
** This actually deserves a bit more detail. The whole scene leading up to this is very slow and tense, with the music building up in a gradual crescendo as Atreyu approaches the Sphinx Gate across the sands, alternately in a long shot that emphasizes his smallness in comparison and in a close-up where the viewer can see just how nervous and unsettled he is. When he finally reaches the gate, we're treated to a beautiful DutchAngle of him gazing up at each Sphinx in turn before he moves closer through a rising wind, passing the scattered bones of previous questors. Finally Finally, he approaches the fallen knight, only for the wind to blow his helmet open in quite the JumpScare as the camera lingers on TheReveal of his charred appearance. Atreyu begins to panic...backing up a bit at a time and constantly looking in terror from one Sphinx to the other, the music rising and the DutchAngle becoming increasingly acute...until finally the eyes begin to open, open slowly, letting through the slits a blindingly bright light...light...
** The Magic Mirror Gate, it's not as immediately dangerous as the tense Sphinx test, but it involves implied [[MindRape mental horror]] as [[GoMadFromTheRevlation it exposes the person as their true selves- saints being cruel, brave warriors being cowards, etc.]] with the usual result being screaming. When Atreyu first approaches the Gate, he doesn't see himself but rather Bastion, the reader animating his adventures. This slightly alarms Atreyu for a moment, but it truly freaks out Basion as the book is somehow aware that Bastion is reading it. [[MindScrew Understandably, Bastion initially creeded out that the story is getting
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** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole in a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=J3HYXinYgtY Really, words don't do it justice]].

to:

** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole in a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. [[MonsterDelay Gmork is finally revealed in all his nightmarish glory.glory]]. [[https://www.youtube.com/watch?v=J3HYXinYgtY Really, words don't do it justice]].
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* Atreyu himself is a little scary in this scene, as he gets more and more angry at Gmork until he grabs a sharp rock and ''orders'' Gmork to fight him to the death. The fierce look on his face makes it clear why he's called a warrior, and Gmork's OhCrap reaction when he realizes who he's facing is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. It shows that GoodIsNotSoft, as Atreyu's decided Gmork is so evil and dangerous that he ''cannot'' be left alive.

to:

* ** Atreyu himself is a little scary in this scene, as he gets more and more angry at Gmork until he grabs a sharp rock and ''orders'' Gmork to fight him to the death. The fierce look on his face makes it clear why he's called a warrior, and Gmork's OhCrap reaction when he realizes who he's facing is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. It shows that GoodIsNotSoft, as Atreyu's decided Gmork is so evil and dangerous that he ''cannot'' be left alive.
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** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.
* Atreyu actually seems to be this from Gmork's perspective, as he takes him very seriously as the only person who can destroy him. When Atreyu reveals his identity, Gmork's OhCrap reaction is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. Then Gmork's shock is replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.

to:

** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever when he lunges at Atreyu is terrifying.
* Atreyu actually seems to be this from Gmork's perspective, as he takes him very seriously as the only person who can destroy him. When Atreyu reveals his identity, Gmork's OhCrap reaction is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. Then Gmork's shock is replaced by a look of cold rage. Shit gets real in a ''hurry'' after that,
terrifying, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.well.
* Atreyu himself is a little scary in this scene, as he gets more and more angry at Gmork until he grabs a sharp rock and ''orders'' Gmork to fight him to the death. The fierce look on his face makes it clear why he's called a warrior, and Gmork's OhCrap reaction when he realizes who he's facing is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare]] in response. It shows that GoodIsNotSoft, as Atreyu's decided Gmork is so evil and dangerous that he ''cannot'' be left alive.
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None


* Atreyu actually seems to be this from Gmork's perspective, as he takes him very seriously as the only person who can destroy him. When Atreyu reveals his identity, Gmork's OhCrap reaction is both satisfying and a little chilling, and Atreyu just gives him a stone-cold glare as though promising him that he's about to die. Then Gmork's shock is replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.

to:

* Atreyu actually seems to be this from Gmork's perspective, as he takes him very seriously as the only person who can destroy him. When Atreyu reveals his identity, Gmork's OhCrap reaction is both satisfying and a little chilling, and Atreyu just gives him a [[DeathGlare stone-cold glare as though promising him that he's about to die.glare]] in response. Then Gmork's shock is replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.
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** G'Mork suffers a FamilyUnfriendlyDeath. As Atreyu gets up, you can see the stone knife stuck dead center in his chest. The wound is even still spurting bright arterial blood.

to:

** G'Mork G'mork suffers a FamilyUnfriendlyDeath. As Atreyu gets up, you can see the stone knife stuck dead center in his chest. The wound is even still spurting bright arterial blood.

Changed: 604

Removed: 281

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* For that matter, the look on Atreyu's face when he challenges G'mork is a little chilling. As the outcome of their encounter shows, [[GoodIsNotSoft he's not called a warrior for nothing.]]
** When he reveals his identity, G'mork looks extremely shocked for a moment... then it's replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.

to:

* For that matter, Atreyu actually seems to be this from Gmork's perspective, as he takes him very seriously as the look on Atreyu's face when he challenges G'mork is a little chilling. As the outcome of their encounter shows, [[GoodIsNotSoft he's not called a warrior for nothing.]]
**
only person who can destroy him. When he Atreyu reveals his identity, G'mork looks extremely shocked for Gmork's OhCrap reaction is both satisfying and a moment... then it's little chilling, and Atreyu just gives him a stone-cold glare as though promising him that he's about to die. Then Gmork's shock is replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.

Changed: 28

Removed: 254

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Meta examples are not allowed on moments pages.


** The kid actor also apparently got scarred for life because he got hurt several times during filming - during his horse riding training, he fell off and got stepped on. Then evidently, his leg got caught in the elevator and he got pulled under during the Artax scene. He also nearly lost an eye when G'mork tackled him, since [[EnforcedMethodActing Atreyu didn't know the puppet was going to tackle him]].

to:

** The kid actor Noah Hathaway also apparently got scarred for life because he got hurt several times during filming - during his horse riding training, he fell off and got stepped on. Then evidently, his leg got caught in the elevator and he got pulled under during the Artax scene. He also nearly lost an eye when G'mork tackled him, since [[EnforcedMethodActing Atreyu Hathaway didn't know the puppet was going to tackle him]].



* A meta-example. Given the rumors about various injuries and traumas suffered by Noah (Atryu's actor) and the apparent death of (possibly several) horses, the sets, many of which already look rather dangerous, didn't seem to have any safety regulations.
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Added DiffLines:

** G'Mork suffers a FamilyUnfriendlyDeath. As Atreyu gets up, you can see the stone knife stuck dead center in his chest. The wound is even still spurting bright arterial blood.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


** [[UncannyValley Just how unnatural Gmork looks and sounds]], despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.

to:

** [[UncannyValley Just how unnatural Gmork looks and sounds]], sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.

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