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* Roger's bites, particularly the leg. He's missing a huge chunk of himself that will never heal, and as we discover when they're sealing up the mall, it's constantly raw, as it gushes blood when the zombie squeezes the bandage when Roger is trying to get into the car. Roger's writing and loud screams of pain only heighten how hideously painful it must be trying to keep going after receiving a bite like that.

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* Roger's bites, particularly the leg. He's missing a huge chunk of himself that will never heal, and as we discover when they're sealing up the mall, it's constantly raw, as it gushes blood when the zombie squeezes the bandage when Roger is trying to get into the car. Roger's writing writhing and loud screams of pain only heighten how hideously painful it must be trying to keep going after receiving a bite like that. You ''feel'' the pain along with him.

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* The reveal of Flyboy being a zombie.

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* Roger's bites, particularly the leg. He's missing a huge chunk of himself that will never heal, and as we discover when they're sealing up the mall, it's constantly raw, as it gushes blood when the zombie squeezes the bandage when Roger is trying to get into the car. Roger's writing and loud screams of pain only heighten how hideously painful it must be trying to keep going after receiving a bite like that.
* Roger's turning. Sure it's a tearjerker, but it's also horrifying to see what the nice and fun-loving Roger turned into once the zombie virus took over. Adding to the nightmare is the fact that the make-up is leagues better than many of the other zombies we've seen up to this point, and he appears as a shrunken, hideous monster. Roger even has a moment of seeming bewilderment over his situation, before his eyes settle on Peter and take on a look of hunger. He now views Peter, who's been his HeterosexualLifePartner up to that point, solely as a meal. That hungry look in Roger's eyes as he slowly sits up and prepares to go take a chunk out of Peter is an image that stays with you long after you've watched the film.
* The reveal of Flyboy being a zombie.


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*** The icing on the cake is the quiet, haunted delivery of Peter's line after the wall topples over. "It's Stephen. They're coming up." We're with these two remaining protagonists at this point, and ''it's no longer safe.''
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-->'''Peter''': Scary isn't it?... isn't it?

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-->'''Peter''': Scary isn't it?... isn't it...? Isn't it?
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-->'''Peter''': Scary isn't it?....Isn't it?

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-->'''Peter''': Scary isn't it?....Isn't it?... isn't it?
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*** Actually, more terrifyingly, is that Steve isn't ''completely'' gone, even in his undead state, he ''still remembers'' where their hideaway is, and leads a group of fellow zombies directly to it, possibly foreshadowing the events of Land of the Dead by nearly 30 years.

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*** Actually, more terrifyingly, is that Steve isn't ''completely'' gone, even in his undead state, he ''still remembers'' where their hideaway is, and leads a group of fellow zombies directly to it, possibly foreshadowing the events of Land of the Dead ''Film/LandOfTheDead'' by nearly 30 years.
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* The original ending would have had Francine commit suicide by sticking her head into the rotating helicopter blades. The prop head meant for this scene was put to use for the infamous exploding head sequence mentioned above.

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* The original ending would have had Francine commit suicide by sticking her head into the rotating helicopter blades. The prop head meant for this scene was put to use for the infamous exploding head sequence mentioned above. The credits were meant to display over a final shot of the helicopter gradually sputtering out as the last of its fuel is depleted, showing that there was no real hope of survival for the party either way.
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*** Actually, more terrifyingly, is that Steve isn't ''completely'' gone, even in his undead state, he ''still remembers'' where their hideaway is, and leads a group of fellow zombies directly to it, possibly foreshadowing the events of Land of the Dead by nearly 30 years.

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!'''As a Moments subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
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''As a Moments subpage, all spoilers are unmarked. You have been warned.''
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** Another thing that sells it is the fact that "The Gonk" is playing normally over the shots of the zombies wandering the mall, but everytime the camera focuses of Zombie!Flyboy, the music distorts and echoes, possibly signifying that the person he once was, is gone.

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* The racist cop Wooley running amok killing off random refugees with reckless glee before getting gunned down. We're treated to an [[BoomHeadshot extreme]] [[YourHeadAsplode close-up]] of one of his victims.

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* The opening havoc in the newsroom (with people angrily shouting at the expert trying to explain the nature and scope of the zombie plague and overworked news staff being told to air misleading information about the rescue stations), followed by the raid on the tenement building. Exposition aside, it shows how much society is slowly collapsing before we even see a single zombie.
**
The racist cop Wooley running amok killing off random refugees with reckless glee before getting gunned down. We're treated to an [[BoomHeadshot extreme]] [[YourHeadAsplode close-up]] of one of his victims.



* The opening havoc in the newsroom, followed by the raid on the tenement building. Exposition aside, it shows how much society is slowly collapsing before we even see a single zombie.
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Adding to the page

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* One that applies to real life: Peter is absolutely correct, even if his demonstration goes too far, that aiming a gun at a person, even if you are trying to help them, is extremely dangerous. He aims his rifle right at Stephen to give him a taste.
-->'''Peter''': Scary isn't it?....Isn't it?
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* The old one-legged priest's ominous warning to Peter and Roger is a subtle form of this, foreshadowing the apocalyptic situation in the latter half of the film, as well as in ''Day of the Dead''.

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* The old one-legged priest's ominous warning to Peter and Roger is a subtle form of this, foreshadowing the apocalyptic situation in the latter half of the film, as well as in ''Day ''Film/{{Day of the Dead''.Dead|1985}}''.
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* The general {{Gorn}} levels of violence. It's almost like something out of a war scene. To be fair, it's hard not for things to get messy when you're fighting a horde or flesh-eating re-animated corpses, but it's still pretty unsettling.

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* The general {{Gorn}} levels of violence. It's almost like something out of a war scene. To be fair, it's hard not for things to get messy when you're fighting a horde or of flesh-eating re-animated corpses, but it's still pretty unsettling.
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* The racist cop in the raid running amok killing off random refugees with reckless glee before getting gunned down. We're treated to an [[BoomHeadshot extreme]] [[YourHeadAsplode close-up]] of one of his victims.

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* The racist cop in the raid Wooley running amok killing off random refugees with reckless glee before getting gunned down. We're treated to an [[BoomHeadshot extreme]] [[YourHeadAsplode close-up]] of one of his victims.

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''As a Moments subpage, all spoilers are unmarked. You have been warned.''



* The general {{Gorn}} levels of violence.

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* The general {{Gorn}} levels of violence. It's almost like something out of a war scene. To be fair, it's hard not for things to get messy when you're fighting a horde or flesh-eating re-animated corpses, but it's still pretty unsettling.



* The original ending would have had [[spoiler:Francine commit suicide by sticking her head into the rotating helicopter blades]]. The [[spoiler: Prop head]] meant for this scene was put to use for the infamous exploding head sequence mentioned above.

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* The original ending would have had [[spoiler:Francine Francine commit suicide by sticking her head into the rotating helicopter blades]]. blades. The [[spoiler: Prop head]] prop head meant for this scene was put to use for the infamous exploding head sequence mentioned above.



* At the beginning of the film it is stated that half of the rescue stations - presumably in the Philadelphia area - have been "knocked out" or are "inoperative," without going into further details. One can only imagine how those rescue stations came to be "knocked out," particularly as Francine considers running inaccurate data about the rescue stations on TV to be a death sentence for those refugees arriving at non-existant rescue stations...

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* At the beginning of the film it is stated that half of the rescue stations - presumably in the Philadelphia area - have been "knocked out" or are "inoperative," without going into further details. One can only imagine how those rescue stations came to be "knocked out," particularly as Francine considers running inaccurate data about the rescue stations on TV to be a death sentence for those refugees arriving at non-existant non-existent rescue stations...
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* Once the illusion of the mall's consumer paradise fades away, you realise that you're trapped in there... forever....

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* Once the illusion of the mall's consumer paradise fades away, you realise that you're trapped in there... forever....[[EatenAlive And that's if you're lucky.]]
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* While [[AssholeVictim they had it coming]], the scene with several of the Bikers being eaten alive by zombies is incredibly disturbing. One in particular is shown having his stomach torn open and his guts ripped out while screaming in agony the whole time.

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* While [[AssholeVictim they had it coming]], the scene with several of the Bikers being eaten alive by zombies is incredibly disturbing. One in particular is shown having his stomach torn open and his guts ripped out while screaming in agony the whole time.time (and those "prop" guts by the way? Those were ''real cow intestines'').
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*While [[AssholeVictim they had it coming]], the scene with several of the Bikers being eaten alive by zombies is incredibly disturbing. One in particular is shown having his stomach torn open and his guts ripped out while screaming in agony the whole time.
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* With the dead rising to life and attacking the living, gun battles, like the one shown at the housing project in the beginning, acquire a whole new level of danger: bad enough that you could get shot, but if one is not careful, those around you who have been shot dead will reanimate and attack you and anyone else unless they have been shot in the head. This is likely the reason why Roger hangs back and hovers over Roy Tucker's corpse while the other SWAT men advance toward the building entrance: he needs to make sure that Roy won't rise up and try to bite the other cops. Seeing as Roy was killed with a single shot to the head, Roger realizes that his corpse poses no danger. Other people shot and killed, like Wooley the racist cop, were very likely shot in the head afterwards to prevent them from reanimating.
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[[caption-width-right:350:When there's no more room in hell, the dead will walk the earth.]]

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[[caption-width-right:350:When [[caption-width-right:350:[[{{Tagline}} When there's no more room in hell, the dead will walk the earth.]]]]]]
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/dawn_of_the_dead_1978__130719202200_786_426_81_s.jpg]]
[[caption-width-right:350:When there's no more room in hell, the dead will walk the earth.]]
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Added DiffLines:

* The old one-legged priest's ominous warning to Peter and Roger is a subtle form of this, foreshadowing the apocalyptic situation in the latter half of the film, as well as in ''Day of the Dead''.
Is there an issue? Send a MessageReason:
None


* The opening havoc in the newsroom. Exposition aside, it shows how much society is slowly collapsing before we even see a single zombie.

to:

* The opening havoc in the newsroom.newsroom, followed by the raid on the tenement building. Exposition aside, it shows how much society is slowly collapsing before we even see a single zombie.
Is there an issue? Send a MessageReason:
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** What really sends the above moment home is that Steve's zombie makeup is noticeably more detailed, with his skin much more clammy and rotten looking, his wound still oozing blood that's stained his shirt, and his unique ZombieGait, in which he's balancing on what appears to be a broken angle, looking several times like he's going to topple over.

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** What really sends the above moment home is that Steve's zombie makeup is noticeably more detailed, with his skin much more clammy and rotten looking, his wound still oozing blood that's stained his shirt, and his unique ZombieGait, in which he's balancing on what appears to be a broken angle, ankle, looking several times like he's going to topple over.

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** What really sends the above moment home is that Steve's zombie makeup is noticeably more detailed, with his skin much more clammy and rotten looking, his wound still oozing blood that's stained his shirt, and his unique ZombieGait, in which he's balancing on what appears to be a broken angle, looking several times like he's going to topple over.



* The original ending would have had [[spoiler:Francine commit suicide by sticking her head into the rotating helicopter blades]].

to:

* The original ending would have had [[spoiler:Francine commit suicide by sticking her head into the rotating helicopter blades]]. The [[spoiler: Prop head]] meant for this scene was put to use for the infamous exploding head sequence mentioned above.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* At the beginning of the film it is stated that half of the rescue stations - presumably in the Philadelphia area - have been "knocked out" or are "inoperative," without going into further details. One can only imagine how those rescue stations came to be "knocked out," particularly as Francine considers running inaccurate data about the rescue stations on TV to be a death sentence for those refugees arriving at non-existant rescue stations...

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* Though cheesy at times, certain extras really do exemplify the iconic and disturbing zombie walk that's been perfected in the years since the release of this film.
* The moans and groans of the undead.
* The reveal of Flyboy being a zombie.




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* The shot of an office building's lights going out, floor by floor, is a beautifully symbolic but incredibly unsettling illustration of just how quickly society is falling.
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Moved to proper disambiguation work title.

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* Once the illusion of the mall's consumer paradise fades away, you realise that you're trapped in there... forever....
* The general {{Gorn}} levels of violence.
* The racist cop in the raid running amok killing off random refugees with reckless glee before getting gunned down. We're treated to an [[BoomHeadshot extreme]] [[YourHeadAsplode close-up]] of one of his victims.
* A biker trying to use the heart-rate monitor machine gets his arm ripped off by a swarm of zombies surrounding him.
* The original ending would have had [[spoiler:Francine commit suicide by sticking her head into the rotating helicopter blades]].
* Peter's “Let’s say the lady gets killed… you’d be able to chop off her head?” line in the Argento-cut.
* The tagline: "When there's no more room in hell, the dead will walk the earth."
* The opening havoc in the newsroom. Exposition aside, it shows how much society is slowly collapsing before we even see a single zombie.

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