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Up To Eleven is a defunct trope
Changed line(s) 5 (click to see context) from:
* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.
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* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven.up to eleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.
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None
Changed line(s) 4 (click to see context) from:
** "Holocaust" can be particularly eerie, due to its very slow pace, Alex Chilton's [[PerishingAltRockVoice emotionally drained-sounding vocal delivery]], and a sudden dissonant instrumental bridge that includes a distant-sounding OneWomanWail.
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** "Holocaust" can be particularly eerie, due to its very slow pace, depressive and pessimistic lyrical content, Alex Chilton's [[PerishingAltRockVoice emotionally drained-sounding vocal delivery]], and a sudden dissonant instrumental bridge that includes a distant-sounding OneWomanWail.
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None
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* Chris Bell's solo track "Better Save Yourself", where he casually mentions that he attempted suicide twice.
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* Chris Bell's solo track "Better Save Yourself", where he [[BreadEggsMilkSquick casually mentions that he attempted suicide twice.twice]].
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None
Changed line(s) 3 (click to see context) from:
* Almost all of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
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* Almost all of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
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None
Changed line(s) 3 (click to see context) from:
* Almost the entirety of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
to:
* Almost the entirety all of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
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None
Added line(s) 4 (click to see context) :
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Changed line(s) 4 (click to see context) from:
* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.
to:
* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.execution.
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None
Changed line(s) 3 (click to see context) from:
** "Holocaust" can be particularly eerie, due to it's very slow pace, Alex Chilton's [[PerishingAltRockVoice emotionally drained-sounding vocal delivery]], and a sudden dissonant instrumental bridge that includes a distant-sounding OneWomanWail.
to:
** "Holocaust" can be particularly eerie, due to it's its very slow pace, Alex Chilton's [[PerishingAltRockVoice emotionally drained-sounding vocal delivery]], and a sudden dissonant instrumental bridge that includes a distant-sounding OneWomanWail.
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None
Added DiffLines:
** "Holocaust" can be particularly eerie, due to it's very slow pace, Alex Chilton's [[PerishingAltRockVoice emotionally drained-sounding vocal delivery]], and a sudden dissonant instrumental bridge that includes a distant-sounding OneWomanWail.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* Chris Bell's solo track "Better Save Yourself", where he casually mentions that he attempted suicide twice.
to:
* Chris Bell's solo track "Better Save Yourself", where he casually mentions that he attempted suicide twice.twice.
* Almost the entirety of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.
* Almost the entirety of ''Third/Sister Lovers'' can qualify. The band, now reduced to Alex, Jody and some session musicians, realized that they weren't going to possibly hit it big. This clearly shows in the final product. Alex sounds like he's going through a CreatorBreakdown and the whole album has a slightly-to-extremely unsettling atmosphere.
* Alex's first post-Big Star album ''Like Flies on Sherbert'' takes the NightmareFuel present in ''Third/Sister Lovers'' and ratchets it UpToEleven. The lo-fi production and Alex going through what sounds like even more SanitySlippage just adds to the whole thing. The album feels almost [[Creator/DavidLynch Lynchian]] in design and execution.
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None
Added DiffLines:
* Chris Bell's solo track "Better Save Yourself", where he casually mentions that he attempted suicide twice.
