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---> I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection jutting out in front of me, I hold these items out and explain in a hoarse whisper, "We're not through yet…". An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid. Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.

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---> I ---->I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection jutting out in front of me, I hold these items out and explain in a hoarse whisper, "We're not through yet…". An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid. Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.




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--> I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection jutting out in front of me, I hold these items out and explain in a hoarse whisper, "We're not through yet…". An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid. Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex
will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.

to:

--> ---> I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection jutting out in front of me, I hold these items out and explain in a hoarse whisper, "We're not through yet…". An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid. Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex
Kleenex will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.
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*** Worse, ''this is almost word-for-word'' how it's depicted in the book too. The book, which is notorious for extremely graphic, horrific, upsetting and ''extremely'' disturbing murder sequences, lets NothingIsScarier take hold for once, and in both the film and the book, it's just as disturbing as the murder sequences we ''do'' see. Guinevere Turner even states in the blu-ray commentary track that she's had numerous people ask her how much they had to tone down that scene, and also that there are people ''convinced'' that they read the book and there was an elaborate scene of what happened between the opening the drawer and cutting to the prostitutes being walked to the door.
--> I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection jutting out in front of me, I hold these items out and explain in a hoarse whisper, "We're not through yet…". An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid. Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex
will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.
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* The film's score by John Cale. In the film it's easy to overlook with the imagery overlaying it, but by itself, the majority of it is just atonal strings that are as beautiful as they are ''just plain eerie'', and even if were one were to listen to it by its own, they'd be able to piece together a story of someone losing their grip on sanity; especially "The Desk", "The Day Planner" and "The End", either by themselves or listened to back to back. It's just downright ''creepy''.
** "[[https://www.youtube.com/watch?v=ruFWPvw30Ko The Day Planner]]" in particular, due to both the atonal melodies and the ghostly, soft, overlapping female voices. It's played twice in the film, and the second time is over Jean looking at the deranged scribblings in Patrick's day planner as she just sobs. Guinevere Turner has said that it's meant to sound like the ghosts of Patrick's victims calling out to him- if one listens closely you can hear the words "you break my heart", which makes it overlap as a TearJerker.
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* Towards the end of the movie, when Patrick returns to Paul Allen's apartment, it's been completely cleared out and there's no implication that the murder ever happened in the first place. The scene really starts to get creepy when he talks to the realtor, who acts as though she knows nothing either. Rather than appearing to be just another person oblivious to the fact that anything is wrong, she actually manages to come off as menacing to even Patrick ''himself'' by coming off as just as much as an American Psycho as him, albeit one who is actually reserved, composed and in control of herself and the situation. Then there's the implication that she actually cleaned everything out so that she'd still be able to sell the apartment.
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Patrick Bateman is '''far''' from the most mentally sane man and all iterations of the plot show just how disturbed his psyche truly is.
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* The end of the infamous speech mentioned above (moved to the begining). As Bateman monologues, he slowly begins to peel off the face mask he had applied earlier... Which, rather than looking like removing a mask, looks like he is removing a layer of ''skin'' instead.

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* The end of the infamous speech mentioned above (moved to the begining).beginning). As Bateman monologues, he slowly begins to peel off the face mask he had applied earlier... Which, rather than looking like removing a mask, looks like he is removing a layer of ''skin'' instead.
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[[caption-width-right:350:''[[Music/TalkingHeads Psycho killer,]] [[Music/TalkingHeads77 qu'est-ce que c'est?]]'']]

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[[caption-width-right:350:''[[Music/TalkingHeads Psycho killer,]] killer]], [[Music/TalkingHeads77 qu'est-ce que c'est?]]'']]



* Patrick murders a child at the zoo by baiting him with cookies before stabbing him in the neck. The kicker is that the child doesn't actually die right away so Patrick ''pretends to be a doctor'' and ensures the death of the child in front of his panicking mother.

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* Patrick [[WouldHurtAChild murders a child child]] at the zoo by baiting him with cookies before stabbing him in the neck. The kicker is that the child doesn't actually die right away so Patrick ''pretends to be a doctor'' and ensures the death of the child in front of his panicking mother.



* Creator/ChristianBale's performance as Patrick Bateman. Through the attractive appearance, stylistic clothing, and 'warm' personality, you can tell something is... ''off'' about him. Even without the implications (or at least ''we think'') of being a murderer, you can tell there's something [[SanitySlippage is unsettling]] about him.

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* Creator/ChristianBale's performance as Patrick Bateman. Through the attractive appearance, stylistic clothing, and 'warm' personality, you can tell something is... ''off'' about him. Even without the implications (or at least ''we think'') ''[[ThroughTheEyesOfMadness we think]]'') of being a murderer, you can tell there's something [[SanitySlippage is unsettling]] about him.
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* The end of the infamous speech mentioned above. As Bateman monologues, he slowly begins to peel off the face mask he had applied earlier... Which, rather than looking like removing a mask, looks like he is removing a layer of ''skin'' instead.

to:

* The end of the infamous speech mentioned above.above (moved to the begining). As Bateman monologues, he slowly begins to peel off the face mask he had applied earlier... Which, rather than looking like removing a mask, looks like he is removing a layer of ''skin'' instead.
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* Jean being a literal hairline away from getting shot in the head by Patrick, being spared only by him getting a phone call at the last moment and the lengthy message making him realize that doing her in wouldn't be to his advantage. She never even knew her life was in danger.
** Then near the end she finds Patrick's planner with the graphic doodles of his torture, rape, and murder of another woman...
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* The end of the infamous speech mentioned above. As Bateman monologues, he slowly begins to peel off the face mask he had applied earlier... Which, rather than looking like removing a mask, looks like he is removing a layer of ''skin'' instead.
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** Add to the fact that Christie is screaming and running through the apartment and ''[[BystanderSyndrome nobody bothers to leave their apartments]]''.

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** Add to the fact that Christie is screaming and running through the apartment and ''[[BystanderSyndrome ''[[ApatheticCitizens nobody bothers to leave their apartments]]''.
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-->"There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are comparable: ''I simply am not there.'' It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy, and unformed, my heartlessness goes deep and is persistent. My consciousness, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever existed. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused, and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. [[WhatIsEvil Is evil something you are? Or is it something you do?]] My pain is constant and sharp, and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this - and I have, countless times, in just about every act I've committed - and coming face-to-face with these truths, there is no catharsis. My punishment continues to elude me, and I gain no deeper knowledge about myself. No new knowledge can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant ''nothing''."

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-->"There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are comparable: ''I simply am not there.'' It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy, and unformed, my heartlessness goes deep and is persistent. My consciousness, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever existed. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused, and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. [[WhatIsEvil Is evil something you are? Or is it something you do?]] My pain is constant and sharp, and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this - and I have, countless times, in just about every act I've committed - and coming face-to-face with these truths, there is no catharsis. My punishment continues to elude me, and I gain no deeper knowledge about myself. No myself, no new knowledge understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant ''nothing''."''nothing''...
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I don't think the caption was agreed to be removed

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[[caption-width-right:350:''[[Music/TalkingHeads Psycho killer,]] [[Music/TalkingHeads77 qu'est-ce que c'est?]]'']]
Willbyr MOD

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!! From the book:

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!! From [[foldercontrol]]

[[folder:From
the book:book]]




!! From the movie:

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\n!! From [[/folder]]

[[folder:From
the movie:movie]]




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[[/folder]]

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Willbyr MOD

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----%% Image selected per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1624586173022329900
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%% Moments pages are limited to one image only. DO NOT add another image.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/hqdefault_87.png]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/american_psycho_film_4.jpg]]
[[caption-width-right:350:''[[Music/TalkingHeads Psycho killer,]] [[Music/TalkingHeads77 qu'est-ce que c'est?]]'']]






[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/american_psycho_6.jpg]]


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* Patrick performs rat torture on a kidnapped woman by [[spoiler:forcing a Habitrail tube into her vagina-- ''using acid to widen the orifice''-- then forcing a starved rat to crawl into her vagina. He removes the tube and watches as the rat eats the restrained woman from the inside out...]] Not in the movie for obvious reasons.

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* Patrick performs rat torture on a kidnapped woman by [[spoiler:forcing forcing a Habitrail tube into her vagina-- ''using acid to widen the orifice''-- then forcing a starved rat to crawl into her vagina. He removes the tube and watches as the rat eats the restrained woman from the inside out...]] Not in the movie for obvious reasons.



* In the case of [[spoiler:Bethany]], it was not only the horrific way she was murdered but the added 'you can never really know someone' aspect of it being a man she once dated.
** [[spoiler:Bethany]]'s death is so horrifying it loops around to being a TearJerker - she is the {{Woobie}} to end all Woobies. [[spoiler: She is effectively crucified with a nail gun, then violently forced to give Patrick oral sex repeatedly. The last we hear of her is when Patrick mentions he has cut her left arm off - he uses it to morbidly disfigure her corpse, bashing her repeatedly in the face, causing it to cave in on itself.]]

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* In the case of [[spoiler:Bethany]], Bethany, it was not only the horrific way she was murdered but the added 'you can never really know someone' aspect of it being a man she once dated.
dated.
** [[spoiler:Bethany]]'s Bethany's death is so horrifying it loops around to being a TearJerker - she is the {{Woobie}} to end all Woobies. [[spoiler: She is effectively crucified with a nail gun, then violently forced to give Patrick oral sex repeatedly. The last we hear of her is when Patrick mentions he has cut her left arm off - he uses it to morbidly disfigure her corpse, bashing her repeatedly in the face, causing it to cave in on itself.]]
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* Bateman's chaotic, disjointed and completely emotionless descriptions of sexual acts. For him, his sexual partners are just another thing he consumes in the same way he consumes champagne and buys expensive items. He describes women in exactly the same way he describes his furniture. Sex with them is a purely mechanical process, explained in extreme, vulgar detail.

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* Bateman's chaotic, disjointed and completely emotionless descriptions of sexual acts. For him, his sexual partners are just another thing he consumes in the same way he consumes champagne and buys expensive items. He describes women in exactly the same way tones that he describes his furniture. Sex with them is a purely mechanical process, explained in extreme, vulgar detail. It's strikingly and unnervingly inhuman, almost like a machine describing sex.
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* Bateman's chaotic, disjointed and completely emotionless descriptions of sexual acts. For him, his sexual partners are just another thing he consumes in the same way he consumes champagne and buys expensive items. He describes women in exactly the same way he describes his furniture. Sex with them is a purely mechanical process, explained in extreme, vulgar detail.
** In perhaps one of the most disturbing scenes in the book, Patrick segues immediately from the middle of his mechanical, emotionless description of sex with a woman into a mechanical, emotionless description of murdering her brutally. In his mind, [[SexIsViolence sex and violence are practically indistinguishable]].
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[[caption-width-right:350:''Psycho killer, qu'est-ce que c'est?'']]

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[[caption-width-right:350:''Psycho killer, [[caption-width-right:350:''[[Music/TalkingHeads Psycho killer,]] [[Music/TalkingHeads77 qu'est-ce que c'est?'']]c'est?]]'']]
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I think this is a better header image, but I don't want to remove the contribution of the person who added in the previous image for the movie, so I left it in as well. Later on, you can decide whether to keep both or just one.

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/american_psycho_film_4.jpg]]
[[caption-width-right:350:''Psycho killer, qu'est-ce que c'est?'']]
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* Christian Bale's performance as Patrick Bateman. Through the attractive appearance, stylistic clothing, and 'warm' personality, you can tell something is... ''off'' about him. Even without the implications (or at least ''we think'') of being a murderer, you can tell there's something [[SanitySlippage is unsettling]] about him.

to:

* Christian Bale's Creator/ChristianBale's performance as Patrick Bateman. Through the attractive appearance, stylistic clothing, and 'warm' personality, you can tell something is... ''off'' about him. Even without the implications (or at least ''we think'') of being a murderer, you can tell there's something [[SanitySlippage is unsettling]] about him.
Is there an issue? Send a MessageReason:
None

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** Add to the fact that Christie is screaming and running through the apartment and ''[[BystanderSyndrome nobody bothers to leave their apartments]]''.
* Christian Bale's performance as Patrick Bateman. Through the attractive appearance, stylistic clothing, and 'warm' personality, you can tell something is... ''off'' about him. Even without the implications (or at least ''we think'') of being a murderer, you can tell there's something [[SanitySlippage is unsettling]] about him.
Is there an issue? Send a MessageReason:
None


* Patrick murders a child at the zoo by baiting him with cookies before stabbing him in the neck. The kicker is that the child doesn't actually die right away so Patrick ''pretends to be a doctor'' and ensures the death of the child in front of its panicking mother.

to:

* Patrick murders a child at the zoo by baiting him with cookies before stabbing him in the neck. The kicker is that the child doesn't actually die right away so Patrick ''pretends to be a doctor'' and ensures the death of the child in front of its his panicking mother.

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