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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/08__top10comebackalbums_brianwilson_9385.jpg]]
[[caption-width-right:350:''Brian Wilson Presents [=SMiLE-]''.]]
[[caption-width-right:350:''Brian Wilson Presents [=SMiLE-]''.]]
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'''''[=SMiLE=]''''' is Music/TheBeachBoys' legendary "[[VaporWare lost album]]." Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds'', conceptualized as [[FlipFlopOfGod either]] a "teenage symphony to God," a musical journey through Americana, or [[TakeAThirdOption both]]. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "Strawberry Fields Forever" by Music/TheBeatles, he abandoned the project. In its place, the deliberately sparsely produced ''Smiley Smile'' was released, containing reimagined songs and ideas from ''[=SMiLE=]''; several following albums would also contain such material. Through the following decades, session material was extensively bootlegged, building the album's legend as the "greatest unreleased album of all time."
It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
to:
'''''[=SMiLE=]''''' is Music/TheBeachBoys' legendary "[[VaporWare lost album]]." Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds'', conceptualized as [[FlipFlopOfGod either]] a "teenage symphony to God," a musical journey through Americana, or [[TakeAThirdOption both]]. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "Strawberry Fields Forever" by Music/TheBeatles, he abandoned the project. In its place, the deliberately sparsely produced ''Smiley Smile'' ''Music/SmileySmile'' was released, containing reimagined songs and ideas from ''[=SMiLE=]''; several following albums would also contain such material. Through the following decades, session material was extensively bootlegged, building the album's legend as the "greatest unreleased album of all time."
time". It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian album.
'''''Brian Wilson Presents[=SMiLE=]'', [=SMiLE=]''''' is the sixth studio album by Music/BrianWilson, released in 2004. It is an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The '''''The [=SMiLE=] Sessions'', Sessions''''', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
'''''Brian Wilson Presents
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!! Tracklist:
to:
!! Tracklist:
Tracklist (''The [=SMiLE-]] Sessions''):
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!!Principal Members:
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Music/BrianWilson - lead vocals, piano, organ, harpsichord
* Carl Wilson - backing and lead vocals, guitar, bass, percussion
* Dennis Wilson - backing and lead vocals, drums, organ
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Music/BrianWilson - lead vocals, piano, organ, harpsichord
* Carl Wilson - backing and lead vocals, guitar, bass, percussion
* Dennis Wilson - backing and lead vocals, drums, organ
to:
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Music/BrianWilson - lead vocals, piano, organ, harpsichord
* Carl
* Dennis Wilson - backing and lead vocals, drums, organ
# "Our Prayer/Gee"
# "Heroes And Villains"
# "Roll Plymouth Rock"
# "Barnyard"
# "Old Master Painter/You Are My Sunshine"
# "Cabin Essence"
# "Wonderful"
# "Song For Children"
# "Child Is Father Of The Man"
# "Surf's Up"
# "I'm In Great Shape/I Wanna Be Around/Workshop"
# "Vega-Tables"
# "On A Holiday"
# "Wind Chimes"
# "Mrs. O'Leary's Cow"
# "In Blue Hawaii"
# "Good Vibrations"
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!!Tropes:
to:
# "Heroes And Villains (Instrumental)"
# "Cabin Essence (Instrumental)"
# "On A Holiday (Instrumental)
# "Wind Chimes (Instrumental)"
----
!!Principal Members (''The [=SMiLE-] Sessions''):
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Music/BrianWilson - lead vocals, piano, organ, harpsichord
* Carl Wilson - backing and lead vocals, guitar, bass, percussion
* Dennis Wilson - backing and lead vocals, drums, organ
----
!! Look (Tropes For Children):
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* OneWordTitle: "Smile", "Gee", "Wonderful" and "Holidays".
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* BaroquePop: Definitely Brian's heaviest foray into the baroque, awash with [[Creator/JohannSebastianBach Bach]] influences. Fittingly, one of the prominent instruments is the harpsichord, one of the most emblematic instruments of the baroque period.
to:
* BaroquePop: Definitely Brian's heaviest foray into the baroque, awash with [[Creator/JohannSebastianBach [[Music/JohannSebastianBach Bach]] influences. Fittingly, one of the prominent instruments is the harpsichord, one of the most emblematic instruments of the baroque period.
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** "Child, Child, Child, Father of the Man"
** Repeated references to UsefulNotes/{{Hawaii}} and Plymouth Rock, at geographically and metaphorically opposite ends of the United States.
** Repeated references to UsefulNotes/{{Hawaii}} and Plymouth Rock, at geographically and metaphorically opposite ends of the United States.
to:
** "Child, Child, Child, Father of the Man"
Man..."
**Repeated references to UsefulNotes/{{Hawaii}} and Plymouth Rock, at geographically and metaphorically opposite ends of the United States."Nananana Na... Nana Naaaaa..."
** "Roooock, Roooock, Rooooll..."
**
** "Roooock, Roooock, Rooooll..."
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** Repeated references to Hawaii and Plymouth Rock, at metaphorically opposite ends of the United States.
to:
** Repeated references to Hawaii UsefulNotes/{{Hawaii}} and Plymouth Rock, at geographically and metaphorically opposite ends of the United States.
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* DevelopmentHell / SavedFromDevelopmentHell: One of the most famous instances of the trope. It took 37 years for a complete version of the project to see the light of day and another 7 for the original outtakes to be released.
* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake - it defies explanation. Some songs even switch styles midway, such as the ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo-wop standard "Gee".
* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake - it defies explanation. Some songs even switch styles midway, such as the ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo-wop standard "Gee".
to:
* DevelopmentHell / SavedFromDevelopmentHell: One of the most famous instances of the trope. It took 37 years for a complete version of the project to see the light of day and another 7 for the original outtakes to be released.
* GenreRoulette / NeoclassicalPunkZydecoRockabilly:GenreRoulette[=/=]NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake - it defies explanation. Some songs even switch styles midway, such as the ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo-wop standard "Gee".
* GenreRoulette / NeoclassicalPunkZydecoRockabilly:
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** However, the final result ends up sounding little like Bach and more akin to a barrage of americana, neo-classical, pop and musique concrète seen by a kaleidosope doo-wop filter.
to:
** However, the final result ends up sounding little like Bach and more akin to a barrage of americana, neo-classical, pop and musique concrète seen by a kaleidosope doo-wop filter.
** Brian Wilson himself mentions that Music/GeorgeGershwin's "Rhapsody In Blue" was a major influence in his music and it shows in some of the tracks, most notably "Heroes And Villains".
** Brian Wilson himself mentions that Music/GeorgeGershwin's "Rhapsody In Blue" was a major influence in his music and it shows in some of the tracks, most notably "Heroes And Villains".
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* DevelopmentHell / SavedFromDevelopmentHell: One of the most famous instances of the trope. It took 37 years for a complete version of the project to see the light of day and another 7 for the original outtakes to be released.
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** To give further examples of this roulette of influences: Cabinessece sounds like a mini-americana pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète literally, The Elements:Fire resembles a repetitive and minimalistic Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
to:
** To give further examples of this roulette of influences: Cabinessece sounds like a mini-americana an americana pocket pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète concrète literally, The Elements:Fire resembles a repetitive and minimalistic acid Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
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** To give further examples of this roullete of influences: Cabinessece sounds like a mini-americana pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète literally, The Elements:Fire resembles a repetitive and minimalistic Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
to:
** To give further examples of this roullete roulette of influences: Cabinessece sounds like a mini-americana pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète literally, The Elements:Fire resembles a repetitive and minimalistic Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
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Further examples given to trope
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* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake. Some songs even switch styles midway, such as the ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo-wop standard "Gee".
to:
* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake. mistake - it defies explanation. Some songs even switch styles midway, such as the ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo-wop standard "Gee"."Gee".
** To give further examples of this roullete of influences: Cabinessece sounds like a mini-americana pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète literally, The Elements:Fire resembles a repetitive and minimalistic Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
** To give further examples of this roullete of influences: Cabinessece sounds like a mini-americana pop symphony, Vega-tables like a comedic DIY Doo-wop "sketch" that takes the idea of musique oncrète literally, The Elements:Fire resembles a repetitive and minimalistic Disney nightmare, the second movement a minimalist baroque song-cycle, etc...
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** However, the final result ends up sounding little like Bach and more akin to a barrage of americana, neo-classical, pop and musique concrète seen by a kaleidosope doo-wop filter.
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*** Heck, most of the album can be seen as a varying scale of simple to obscure variations on the bycicle rider theme.
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* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake. Some songs even switch styles midway, such as the a capella opener "Our Prayer" transitioning into a brief rendition of the doo wop standard "Gee".
to:
* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake. Some songs even switch styles midway, such as the a capella ''a cappella'' opener "Our Prayer" transitioning into a brief rendition of the doo wop doo-wop standard "Gee".
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* RecurringRiff: A harpsichord rendition of the chorus of "Heroes and Villains" appears at several points in the first "movement."
to:
* RecurringRiff: A harpsichord rendition of the chorus of "Heroes and Villains" appears at several points in the first "movement."" The harpsichord riff from "Wonderful" also reappears, usually on piano, throughout the second movement.
** Some Hawaiian-esque chanting from "Roll Plymouth Rock" reappears, for no apparent reason, in the bridge of "Vega-Tables".
** "Song for Children" gets a very brief reprise at the end of "Good Vibrations".
** Some Hawaiian-esque chanting from "Roll Plymouth Rock" reappears, for no apparent reason, in the bridge of "Vega-Tables".
** "Song for Children" gets a very brief reprise at the end of "Good Vibrations".
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It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]'', and it's as close to what the 1967 release would have been as we're ever likely to get.
to:
It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]'', [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
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It actually was Strawberry Fields
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[[caption-width-right:350:Artwork by Frank Holmes.]]
to:
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'''''[=SMiLE=]''''' is Music/TheBeachBoys' legendary "[[VaporWare lost album]]." Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds'', conceptualized as [[FlipFlopOfGod either]] a "teenage symphony to God," a musical journey through Americana, or [[TakeAThirdOption both]]. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "[[Music/SgtPeppersLonelyHeartsClubBand A Day in the Life]]" by Music/TheBeatles, he abandoned the project. In its place, the deliberately sparsely produced ''Smiley Smile'' was released, containing reimagined songs and ideas from ''[=SMiLE=]''; several following albums would also contain such material. Through the following decades, session material was extensively bootlegged, building the album's legend as the "greatest unreleased album of all time."
to:
'''''[=SMiLE=]''''' is Music/TheBeachBoys' legendary "[[VaporWare lost album]]." Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds'', conceptualized as [[FlipFlopOfGod either]] a "teenage symphony to God," a musical journey through Americana, or [[TakeAThirdOption both]]. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "[[Music/SgtPeppersLonelyHeartsClubBand A Day in the Life]]" "Strawberry Fields Forever" by Music/TheBeatles, he abandoned the project. In its place, the deliberately sparsely produced ''Smiley Smile'' was released, containing reimagined songs and ideas from ''[=SMiLE=]''; several following albums would also contain such material. Through the following decades, session material was extensively bootlegged, building the album's legend as the "greatest unreleased album of all time."
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!! Track listing[[note]]From ''The [=SMiLE=] Sessions''[[/note]]:
to:
!! Track listing[[note]]From ''The [=SMiLE=] Sessions''[[/note]]:
Tracklist:
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# "Heroes and Villains" - 4:52
to:
# "Heroes and And Villains" - 4:52
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# "I'm in Great Shape" - 0:28
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# "I'm in In Great Shape" - 0:28
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# "Look (Song for Children)" - 2:31
# "Child Is Father of the Man" - 2:10
# "Child Is Father of the Man" - 2:10
to:
# "Look (Song for For Children)" - 2:31
# "Child Is Fatherof the Of The Man" - 2:10
# "Child Is Father
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# "Love to Say Dada" - 2:32
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# "Love to To Say Dada" - 2:32
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Hey look now, you\'d think this is my usual nitpicking self, but that picture was a terrible reproduction/scan/whatevs of a truly iconic album cover. It deserves this much. And so as not to render it a little more helpful I added some minor stuff off the top of my head.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/smile-the-beach-boys-lp-cover_5037.jpg]]
[[caption-width-right:350:''The [=SMiLE=] Sessions'', artwork by Frank Holmes.]]
[[caption-width-right:350:''The [=SMiLE=] Sessions'', artwork by Frank Holmes.]]
to:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/smile-the-beach-boys-lp-cover_5037.jpg]]
[[caption-width-right:350:''The [=SMiLE=] Sessions'', artworkorg/pmwiki/pub/images/tbbsmile_1667.png]]
[[caption-width-right:350:Artwork by Frank Holmes.]]
[[caption-width-right:350:''The [=SMiLE=] Sessions'', artwork
[[caption-width-right:350:Artwork by Frank Holmes.]]
* BaroquePop: Definitely Brian's heaviest foray into the baroque, awash with [[Creator/JohannSebastianBach Bach]] influences. Fittingly, one of the prominent instruments is the harpsichord, one of the most emblematic instruments of the baroque period.
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* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passing bicycle rider.
to:
* GenreRoulette / NeoclassicalPunkZydecoRockabilly: Categorizing the album is a trying task, and make no mistake. Some songs even switch styles midway, such as the a capella opener "Our Prayer" transitioning into a brief rendition of the doo wop standard "Gee".
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passing bicycle rider.
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passing bicycle rider.
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Just fleshing it out while fixing a few mistakes.
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[[caption-width-right:350:''The [=SMiLE=] Sessions'', released in 2011.]]
to:
[[caption-width-right:350:''The [=SMiLE=] Sessions'', released in 2011.artwork by Frank Holmes.]]
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'''''[=SMiLE=]''''' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "[[Music/SgtPeppersLonelyHeartsClubBand A Day in the Life]]" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
Over the next few years, outtakes from ''[=SMiLE=]'' came out on various Beach Boys [=LPs=], and the project assumed the status of an unfinished masterpiece. It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
Over the next few years, outtakes from ''[=SMiLE=]'' came out on various Beach Boys [=LPs=], and the project assumed the status of an unfinished masterpiece. It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents [=SMiLE=]''", and it's as close to what the 1967 release would have been as we're ever likely to get.
to:
'''''[=SMiLE=]''''' is the Music/TheBeachBoys' legendary "lost album" by Music/TheBeachBoys. "[[VaporWare lost album]]." Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. ''Music/PetSounds'', conceptualized as [[FlipFlopOfGod either]] a "teenage symphony to God," a musical journey through Americana, or [[TakeAThirdOption both]]. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "[[Music/SgtPeppersLonelyHeartsClubBand A Day in the Life]]" by Music/TheBeatles, he abandoned the project, and project. In its place, the deliberately sparsely produced ''Smiley Smile'' was released instead.
Over the next few years, outtakesreleased, containing reimagined songs and ideas from ''[=SMiLE=]'' came out on various Beach Boys [=LPs=], and ''[=SMiLE=]''; several following albums would also contain such material. Through the project assumed following decades, session material was extensively bootlegged, building the status album's legend as the "greatest unreleased album of an unfinished masterpiece. all time."
It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents[=SMiLE=]''", [=SMiLE=]'', and it's as close to what the 1967 release would have been as we're ever likely to get.
Over the next few years, outtakes
It wasn't until the 21st century that the public got not one, but two versions of the legendary lost album. 2004 saw the release of ''Brian Wilson Presents [=SMiLE=]'', an all-new reimagining of the original project by Wilson, his touring band, and original lyricist Van Dyke Parks (who finally supplied the words to songs that had been known for years as instrumentals). In 2011, this was followed by ''The [=SMiLE=] Sessions'', which was derived from the original 1966-67 recordings. Wiki/{{Wikipedia}} [[http://en.wikipedia.org/wiki/The_Smile_Sessions describes]] it as "an approximation of what the completed ''[=SMiLE=]'' album might have sounded like based on the template established in 2004 for ''Brian Wilson Presents
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!! Tracklist[[note]]This tracklist comes form ''The [=SMiLE=] Sessions''[[/note]]:
to:
!! Tracklist[[note]]This tracklist comes form Track listing[[note]]From ''The [=SMiLE=] Sessions''[[/note]]:
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* AgeProgressionSong: The entire second movement details in an abstract fashion the hardships of growth,noting its cyclic nature and ending in Surf's Up as a symbolic manifestation of renewal and catharsis through understanding of the beauty and importance of childhood as constant hope and happiness.
* ArcWords: "Child, Child, Child, Father of the Man"
* ArcWords: "Child, Child, Child, Father of the Man"
to:
* AgeProgressionSong: The entire second movement details in an abstract fashion the hardships of growth,noting growth, noting its cyclic nature and ending in Surf's Up "Surf's Up" as a symbolic manifestation of renewal and catharsis through understanding of the beauty and importance of childhood as constant hope and happiness.
*ArcWords: ArcWords:
** "Child, Child, Child, Father of the Man"
*
** "Child, Child, Child, Father of the Man"
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* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passing Bycicle Rider.
to:
* BookEnds: Well, almost; ''BWPS'' begins with "Our Prayer", a short snippet of which also serves as a lead-in to "Good Vibrations" (officially the ending of the preceding track, "In Blue Hawaii", a.k.a. "Love to Say Dada").
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passingBycicle Rider. bicycle rider.
* RecurringRiff: A harpsichord rendition of the chorus of "Heroes and Villains" appears at several points in the first "movement."
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experienced by a passing
* RecurringRiff: A harpsichord rendition of the chorus of "Heroes and Villains" appears at several points in the first "movement."
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* TheWildWest: "Heroes and Villains" goes from romanticized visions of the Old West to acknowledgement that real life back then was pretty shit.
* WhatCouldHaveBeen: If it were released in 1967, it would've been Brian's MagnumOpus.
* WhatCouldHaveBeen: If it were released in 1967, it would've been Brian's MagnumOpus.
to:
* TheWildWest: "Heroes and Villains" goes from romanticized visions of the Old West to acknowledgement that real life back then [[{{Deconstruction}} was pretty shit.
* WhatCouldHaveBeen: If it were released in 1967, it would've been Brian's MagnumOpus.shit]].
* WhatCouldHaveBeen: If it were released in 1967, it would've been Brian's MagnumOpus.
Deleted line(s) 58 (click to see context) :
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m track times
Changed line(s) 13,34 (click to see context) from:
!! Tracklist:
# "Our Prayer"
# "Gee"
# "Heroes And Villains"
# "Do You Like Worms? (Roll Plymouth Rock)"
# "I'm In Great Shape"
# "Barnyard"
# "My Only Sunshine (The Old Master Painter/You Are My Sunshine)"
# "Cabin Essence"
# "Wonderful"
# "Look (Song For Children)"
# "Child Is Father Of The Man"
# "Surf's Up"
# "I Wanna Be Around/Workshop"
# "Vega-Tables"
# "Holidays"
# "Wind Chimes"
# "The Elements: Fire (Mrs. O'Leary's Cow)"
# "Love To Say Dada"
# "Good Vibrations"
# "Our Prayer"
# "Gee"
# "Heroes And Villains"
# "Do You Like Worms? (Roll Plymouth Rock)"
# "I'm In Great Shape"
# "Barnyard"
# "My Only Sunshine (The Old Master Painter/You Are My Sunshine)"
# "Cabin Essence"
# "Wonderful"
# "Look (Song For Children)"
# "Child Is Father Of The Man"
# "Surf's Up"
# "I Wanna Be Around/Workshop"
# "Vega-Tables"
# "Holidays"
# "Wind Chimes"
# "The Elements: Fire (Mrs. O'Leary's Cow)"
# "Love To Say Dada"
# "Good Vibrations"
to:
!! Tracklist:
Tracklist[[note]]This tracklist comes form ''The [=SMiLE=] Sessions''[[/note]]:
# "OurPrayer"
Prayer" - 1:05
#"Gee"
"Gee" - 0:51
# "HeroesAnd Villains"
and Villains" - 4:52
# "Do You Like Worms? (Roll PlymouthRock)"
Rock)" - 3:35
# "I'mIn in Great Shape"
Shape" - 0:28
#"Barnyard"
"Barnyard" - 0:48
# "My Only Sunshine (The Old Master Painter/You Are MySunshine)"
Sunshine)" - 1:55
# "CabinEssence"
Essence" - 3:30
#"Wonderful"
"Wonderful" - 2:04
# "Look (SongFor Children)"
for Children)" - 2:31
# "Child Is FatherOf The Man"
of the Man" - 2:10
# "Surf'sUp"
Up" - 4:12
# "I Wanna BeAround/Workshop"
Around/Workshop" - 1:23
#"Vega-Tables"
"Vega-Tables" - 3:49
#"Holidays"
"Holidays" - 2:32
# "WindChimes"
Chimes" - 3:06
# "The Elements: Fire (Mrs. O'Leary'sCow)"
Cow)" - 2:35
# "LoveTo to Say Dada"
Dada" - 2:32
# "GoodVibrations"
Vibrations" - 4:15
# "Our
#
# "Heroes
# "Do You Like Worms? (Roll Plymouth
# "I'm
#
# "My Only Sunshine (The Old Master Painter/You Are My
# "Cabin
#
# "Look (Song
# "Child Is Father
# "Surf's
# "I Wanna Be
#
#
# "Wind
# "The Elements: Fire (Mrs. O'Leary's
# "Love
# "Good
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Changed line(s) 8,9 (click to see context) from:
'''''[=SMiLE=]''''' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "A Day in the Life" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
to:
'''''[=SMiLE=]''''' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "A "[[Music/SgtPeppersLonelyHeartsClubBand A Day in the Life" Life]]" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
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Changed line(s) 8,9 (click to see context) from:
'''''[=SMiLE=]''''' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "Strawberry Fields Forever" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
to:
'''''[=SMiLE=]''''' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "Strawberry Fields Forever" "A Day in the Life" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
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None
Changed line(s) 8,9 (click to see context) from:
''[=SMiLE=]'' is the legendary "lost album" by Music/TheBeachBoys. Planned for a 1967 release, it was going to be a ConceptAlbum to follow up on ''Music/PetSounds''. But due to Music/BrianWilson's slow CreatorBreakdown, which culminated after listening to "Strawberry Fields Forever" by Music/TheBeatles, he abandoned the project, and ''Smiley Smile'' was released instead.
to:
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Changed line(s) 41 (click to see context) from:
* Brian Wilson - lead vocals, piano, organ, harpsichord
to:
* Brian Wilson Music/BrianWilson - lead vocals, piano, organ, harpsichord
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:''The [[=SMiLE=]] Sessions'', released in 2011.]]
to:
[[caption-width-right:350:''The [[=SMiLE=]] [=SMiLE=] Sessions'', released in 2011.]]
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:''The SMiLE Sessions'', released in 2011.]]
to:
[[caption-width-right:350:''The SMiLE [[=SMiLE=]] Sessions'', released in 2011.]]
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to:
[[caption-width-right:350:''The SMiLE Sessions'', released in 2011.]]
Added DiffLines:
Added DiffLines:
!! Tracklist:
# "Our Prayer"
# "Gee"
# "Heroes And Villains"
# "Do You Like Worms? (Roll Plymouth Rock)"
# "I'm In Great Shape"
# "Barnyard"
# "My Only Sunshine (The Old Master Painter/You Are My Sunshine)"
# "Cabin Essence"
# "Wonderful"
# "Look (Song For Children)"
# "Child Is Father Of The Man"
# "Surf's Up"
# "I Wanna Be Around/Workshop"
# "Vega-Tables"
# "Holidays"
# "Wind Chimes"
# "The Elements: Fire (Mrs. O'Leary's Cow)"
# "Love To Say Dada"
# "Good Vibrations"
----
!!Principal Members:
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Brian Wilson - lead vocals, piano, organ, harpsichord
* Carl Wilson - backing and lead vocals, guitar, bass, percussion
* Dennis Wilson - backing and lead vocals, drums, organ
----
# "Our Prayer"
# "Gee"
# "Heroes And Villains"
# "Do You Like Worms? (Roll Plymouth Rock)"
# "I'm In Great Shape"
# "Barnyard"
# "My Only Sunshine (The Old Master Painter/You Are My Sunshine)"
# "Cabin Essence"
# "Wonderful"
# "Look (Song For Children)"
# "Child Is Father Of The Man"
# "Surf's Up"
# "I Wanna Be Around/Workshop"
# "Vega-Tables"
# "Holidays"
# "Wind Chimes"
# "The Elements: Fire (Mrs. O'Leary's Cow)"
# "Love To Say Dada"
# "Good Vibrations"
----
!!Principal Members:
* Al Jardine - backing and lead vocals, sound effects
* Bruce Johnston - vocals
* Mike Love - backing and lead vocals
* Brian Wilson - lead vocals, piano, organ, harpsichord
* Carl Wilson - backing and lead vocals, guitar, bass, percussion
* Dennis Wilson - backing and lead vocals, drums, organ
----
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Added DiffLines:
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->''[[TheWildWest Heroes and Villains]]\\
[[TraumaCongaLine Just see what you've done...]]"
[[TraumaCongaLine Just see what you've done...]]"
to:
[[TraumaCongaLine Just see what you've done...
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Changed line(s) 12 (click to see context) from:
* AgeProgressionSong: The entire second movement details in an abstract fashion the hardships of growth,noting its cyclic nature and ending in Surf's Up as a symbolic manifestation of renewal and catharsis through understanding the beauty and importance of childhood as constant hope and happiness.
to:
* AgeProgressionSong: The entire second movement details in an abstract fashion the hardships of growth,noting its cyclic nature and ending in Surf's Up as a symbolic manifestation of renewal and catharsis through understanding of the beauty and importance of childhood as constant hope and happiness.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AgeProgressionSong: The entire second movement details in an abstract fashion the hardships of growth,noting its cyclic nature and ending in Surf's Up as a symbolic manifestation of renewal and catharsis through understanding the beauty and importance of childhood as constant hope and happiness.
Is there an issue? Send a MessageReason:
correcting a mistake
Changed line(s) 15 (click to see context) from:
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experience by a passing Bycicle Rider.
to:
* ManifestDestiny: One of its most prominent themes - the nuclear narrative thread is a linear, if disruptive, portrayal of Westward Expansion from Plymouth to Hawaii as experience experienced by a passing Bycicle Rider.