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* LongRunnerLineUp: With the sole exception of the inclusion of Hernán Aramberri, the lineup Indio-Skay-Semilla-Walter-Dawi lasted from 1987's ''Un Baión Para El Ojo Idiota'' all the way until their breakup in 2001.
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[[caption-width-right:520:''"¿Son por acaso, ustedes hoy, un público respetable?"''[[note]]"Are you gentlemen today a respectable audience?"[[/note]][[note]]'''Left to right:''' Music/SkayBeilinson, Walter Sidotti, Music/IndioSolari, Semilla Bucciarelli and Sergio Dawi. '''Not pictured:''' Hernán Aramberri, Rocambole, La Negra Poly and every single member prior to this lineup.[[/note]]]]
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[[caption-width-right:520:''"¿Son por acaso, ustedes hoy, un público respetable?"''[[note]]"Are you gentlemen today a respectable audience?"[[/note]][[note]]'''Left audience?"[[/note]][[labelnote:Left to right:''' Music/SkayBeilinson, right]]Music/SkayBeilinson, Walter Sidotti, Music/IndioSolari, Semilla Bucciarelli and Sergio Dawi. '''Not pictured:''' Hernán Aramberri, Rocambole, La Negra Poly and every single member prior to this lineup.[[/note]]]]
[[/labelnote]]]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/maxresdefault_2173.jpg]]
[[caption-width-right:350:''"¿Son por acaso, ustedes hoy, un público respetable?"''[[note]]"Are you gentlemen today a respectable audience?"[[/note]]]]
[[caption-width-right:350:''"¿Son por acaso, ustedes hoy, un público respetable?"''[[note]]"Are you gentlemen today a respectable audience?"[[/note]]]]
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* Carmen "La Negra Poly" Policastro - Manager (1976-2001)
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** While they had an unrivalled back catalogue, their output from 1986's ''Oktubre'' to 1993's double album ''Lobo Suelto/Cordero Atado'' is this compared to 1984's festive and upbeat ''Gulp!'', produced when Los Redondos were a troupe with a rock band on top of it. Darker lyrics, darker themes (the 1917 Russian Revolution in "Fuegos de Oktubre", the foreign invasion of another country in "Nuestro Amo Juega al Esclavo" and "Rock Para los Dientes" and drug experiences such as the one depicted in "Ji ji ji") and a more streamlined rock band format (product of Solari replacing the troupe with three musicians who defined the band's sound) shaped the band's catalogue for the period. The positive side is that, at least, those songs were covered under Solari's cryptic writing as well as the happy-sounding music.
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** While they had an unrivalled back catalogue, their Their output from 1986's ''Oktubre'' to 1993's double album ''Lobo Suelto/Cordero Atado'' is this compared to 1984's festive and upbeat ''Gulp!'', produced when Los Redondos were a troupe with a rock band on top of it. Darker lyrics, darker themes (the 1917 Russian Revolution in "Fuegos de Oktubre", the foreign invasion of another country in "Nuestro Amo Juega al Esclavo" and "Rock Para los Dientes" and drug experiences such as the one depicted in "Ji ji ji") and a more streamlined rock band format (product of Solari replacing the troupe with three musicians who defined the band's sound) shaped the band's catalogue for the period. The positive side is that, at least, those songs were covered under Solari's cryptic writing as well as the happy-sounding music.
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* EarlyInstallmentWeirdness: ''Gulp!'' and ''Oktubre'' were produced while the band was still a troupe with a rock band added on top of it, and as such has a female choir and extra instrumentation. The production was also significantly different from the rest of the band's discography, featuring a quasi-electronic sound for its drums, and more acute-sounding guitars.
* GenreShift: "Murga Purga" from ''Momo Sampler'' is, for all intents and purposes, a rock band playing a [[https://en.wikipedia.org/wiki/Murga murga]].
** Their albums,in broad strokes, went from a post punk sound to a darker hard rock style as years went by
* GenreShift: "Murga Purga" from ''Momo Sampler'' is, for all intents and purposes, a rock band playing a [[https://en.wikipedia.org/wiki/Murga murga]].
** Their albums,in broad strokes, went from a post punk sound to a darker hard rock style as years went by
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* EarlyInstallmentWeirdness: ''Gulp!'' and ''Oktubre'' were was produced while the band was still a troupe with a rock band added on top of it, and as such has a female choir and extra instrumentation. The production was also significantly different from the rest of the band's discography, featuring a quasi-electronic sound for its drums, and more acute-sounding guitars.
*GenreShift: GenreShift:
** "Murga Purga" from ''Momo Sampler'' is, for all intents and purposes, a rock band playing a [[https://en.wikipedia.org/wiki/Murga murga]].
** Theiralbums,in albums, in broad strokes, went from a post punk sound to a darker hard rock style as years went byby.
*
** "Murga Purga" from ''Momo Sampler'' is, for all intents and purposes, a rock band playing a [[https://en.wikipedia.org/wiki/Murga murga]].
** Their
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* AlbumTitleDrop: A partial one in "Gualicho" from "Último Bondi a Finisterre"
-->El "zumba" se colgó\\del bondi a Finisterre
-->El "zumba" se colgó\\del bondi a Finisterre
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* AlbumTitleDrop: AlbumTitleDrop:
** A partial one in "Gualicho" from "Último Bondi a Finisterre"
-->El "zumba" secolgó\\del bondi colgó\\
del ''bondi aFinisterreFinisterre''.
** The opener "El Templo de Momo" quotes the album it originates from, ''Momo Sampler'', in the second chorus, partially to set the tone for the album itself.
** A partial one in "Gualicho" from "Último Bondi a Finisterre"
-->El "zumba" se
del ''bondi a
** The opener "El Templo de Momo" quotes the album it originates from, ''Momo Sampler'', in the second chorus, partially to set the tone for the album itself.
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* PerfectionIsStatic: The trope is invoked almost word-by-word in "Dr. Saturno", which features the phrase "Dios es todo, no puede progresar"[[note]]God is everything, he cannot improve[[/note]]
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[[folder:Members]]
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!! Albums
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[[folder:Discography]]
!!
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* ''En Directo'' (1992)
!! Live albums
* ''En Directo'' (1992)
[[/folder]]
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!!Tropes
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*AlbumTitleDrop: A partial one in "Gualicho" from "Último Bondi a Finisterre"
-->El "zumba" se colgó\\del bondi a Finisterre
-->El "zumba" se colgó\\del bondi a Finisterre
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**Their albums,in broad strokes, went from a post punk sound to a darker hard rock style as years went by
