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Cleanup requirement.
Changed line(s) 54 (click to see context) from:
%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
to:
%% * GettingCrapPastThe Getting Crap Past The Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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Changed line(s) 54,59 (click to see context) from:
* GettingCrapPastTheRadar:
** "Rene", making effective use of Cockney rhyming slang.
--> ''If you can spare the money, you'll have a ball''
--> ''She'll have your oars [[note]]"oars and rowlocks (pronounced 'rollocks')" = "bollocks" [[/note]] out!''
** In Stanley Unwin's narrative
--> ''Gnomespain, Huckleberry fickle tickle my fingold, huh, boy blue left his horn stuffin under the settee and brought his melotrone, and freaked them all out.''
** "Rene", making effective use of Cockney rhyming slang.
--> ''If you can spare the money, you'll have a ball''
--> ''She'll have your oars [[note]]"oars and rowlocks (pronounced 'rollocks')" = "bollocks" [[/note]] out!''
** In Stanley Unwin's narrative
--> ''Gnomespain, Huckleberry fickle tickle my fingold, huh, boy blue left his horn stuffin under the settee and brought his melotrone, and freaked them all out.''
to:
%% * GettingCrapPastTheRadar:
** "Rene", making effective use of Cockney rhyming slang.
--> ''IfGettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you can spare are reading this in the money, you'll have a ball''
--> ''She'll havefuture, please check the trope page to make sure your oars [[note]]"oars and rowlocks (pronounced 'rollocks')" = "bollocks" [[/note]] out!''
** In Stanley Unwin's narrative
--> ''Gnomespain, Huckleberry fickle tickle my fingold, huh, boy blue left his horn stuffin underexample fits the settee and brought his melotrone, and freaked them all out.''current definition.
** "Rene", making effective use of Cockney rhyming slang.
--> ''If
--> ''She'll have
** In Stanley Unwin's narrative
--> ''Gnomespain, Huckleberry fickle tickle my fingold, huh, boy blue left his horn stuffin under
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Original writer correcting her original 3-year-old typo.
Changed line(s) 111 (click to see context) from:
* WeirdMoon: Happiness Stan wants to know where half the moon has gone. His quest tales him seven days, so by the time he's able to consult Mad John, John is able to point to the full moon. Unwin's telling it makes it ''really'' weird.
to:
* WeirdMoon: Happiness Stan wants to know where half the moon has gone. His quest tales takes him seven days, so by the time he's able to consult Mad John, John is able to point to the full moon. Unwin's telling it makes it ''really'' weird.
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Reversion by original writer: British usage is not to hyphenate in cases like this where there is no ambiguity.
Changed line(s) 93 (click to see context) from:
* PackagedAsOtherMedium: The album was originally packaged in a circular metal container like a very large tobacco tin. When this proved AwesomeButImpractical the packaging was was changed to a circular cardboard gate-fold sleeve. A limited number of the CD version was sold in metal tins.
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* PackagedAsOtherMedium: The album was originally packaged in a circular metal container like a very large tobacco tin. When this proved AwesomeButImpractical the packaging was was changed to a circular cardboard gate-fold gatefold sleeve. A limited number of the CD version was sold in metal tins.
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Reversion by original writer: British usage is not to use full stops ("periods") in initialisms.
Changed line(s) 81 (click to see context) from:
--> ''John had it sussed he was living the life of a tramp [[note]]i.e. a vagrant, not a woman of bad character[[/note]]''
to:
--> ''John had it sussed he was living the life of a tramp [[note]]i.e. [[note]]ie a vagrant, not a woman of bad character[[/note]]''
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Reversion by original writer: apostrophes do not indicate plurals, not in British English anyway.
Changed line(s) 107 (click to see context) from:
** To Listen With Mother, a [[Creator/TheBBC BBC]] radio show for small children in the 50's and 60's which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
to:
** To Listen With Mother, a [[Creator/TheBBC BBC]] radio show for small children in the 50's 50s and 60's 60s which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
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Changed line(s) 4,6 (click to see context) from:
-> ''The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogdens' Nut Gone Flake pretty much ripped the envelope.''
--> '''Bruce Eder - ''Allmusic'''''
--> '''Bruce Eder - ''Allmusic'''''
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-> ''The ''"The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogdens' Nut Gone Flake pretty much ripped the envelope.''
-->"''
-->-- '''BruceEder - ''Allmusic'''''
Eder''', ''Allmusic''
-->
-->-- '''Bruce
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How To Create A Works Page explicitly says "No bolding is used for work titles."
Changed line(s) 7,8 (click to see context) from:
'''''Ogdens' Nut Gone Flake''''' is the third studio album by Music/TheSmallFaces, released in 1968. This album has become one of the seminal works of PsychedelicRock, breaking new ground with the innovative, if impractical, circular sleeve and in turning the whole of the second side to a whimsical FairyTale with spoken narrative interspersed with song, telling the tale of Happiness Stan and his search for the missing half of the moon. The band originally approached Creator/SpikeMilligan to speak the narrative but when he turned them down they turned to the veteran radio entertainer "Professor" Stanley Unwin whose trade mark was Unwinese, or "Basic Engly Twenty Fido", a surreal and mangled form of English inspired by Creator/LewisCarroll's Literature/{{Jabberwocky}}. The first side is a mixture of hard rocking, Music Hall and East End pub knees-up.
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Useful Notes/ pages are not tropes
Deleted line(s) 45,47 (click to see context) :
* BritishAccent: Steve Marriott's vocals make no concession to the international market at any time but in the Music Hall inspired tracks "Rene" and "Lazy Sunday" he gives free rein to his natural East Ham accent, including local slang.
--> ''I'll sing you a song wiv no words and no tune''
--> ''To sing in the khazi [[note]]an outdoor lavatory [[/note]] while you suss out[[note]]investigate, think about, work out[[/note]] the moon''
--> ''I'll sing you a song wiv no words and no tune''
--> ''To sing in the khazi [[note]]an outdoor lavatory [[/note]] while you suss out[[note]]investigate, think about, work out[[/note]] the moon''
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Deleted line(s) 114 (click to see context) :
* WhatDoYouMeanItWasntMadeOnDrugs: The saga of Happiness Stan.
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Changed line(s) 84 (click to see context) from:
--> ''John had it sussed he was living the life of a tramp [[note]] ie a vagrant, not a woman of bad character[[/note]]''
to:
--> ''John had it sussed he was living the life of a tramp [[note]] ie [[note]]i.e. a vagrant, not a woman of bad character[[/note]]''
Changed line(s) 96 (click to see context) from:
* PackagedAsOtherMedium: The album was originally packaged in a circular metal container like a very large tobacco tin. When this proved AwesomeButImpractical the packaging was was changed to a circular cardboard gatefold sleeve. A limited number of the CD version was sold in metal tins.
to:
* PackagedAsOtherMedium: The album was originally packaged in a circular metal container like a very large tobacco tin. When this proved AwesomeButImpractical the packaging was was changed to a circular cardboard gatefold gate-fold sleeve. A limited number of the CD version was sold in metal tins.
Changed line(s) 102 (click to see context) from:
--> ''There aint no one can take it away.''
to:
--> ''There aint ain't no one can take it away.''
Changed line(s) 110 (click to see context) from:
** To Listen With Mother, a [[Creator/TheBBC BBC]] radio show for small children in the 50s and 60s which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
to:
** To Listen With Mother, a [[Creator/TheBBC BBC]] radio show for small children in the 50s 50's and 60s 60's which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
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None
Changed line(s) 110 (click to see context) from:
** To Listen With Mother, a [[TheBBC BBC]] radio show for small children in the 50s and 60s which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
to:
** To Listen With Mother, a [[TheBBC [[Creator/TheBBC BBC]] radio show for small children in the 50s and 60s which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
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None
Changed line(s) 67,68 (click to see context) from:
* IntercourseWithYou:
** "Afterglow"
** "Afterglow"
to:
* IntercourseWithYou:
**IntercourseWithYou: "Afterglow"
**
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Changed line(s) 113 (click to see context) from:
* SpecialGuest: Stanley Unwin narrates this album.
to:
* SpecialGuest: "Professor" Stanley Unwin narrates this album.
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Changed line(s) 37 (click to see context) from:
* [[Music/HumblePie Steve Marriott - lead vocals, guitar, harmonica
to:
* [[Music/HumblePie Steve Marriott Marriott]] - lead vocals, guitar, harmonica
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Changed line(s) 37 (click to see context) from:
* Steve Marriott - lead vocals, guitar, harmonica
to:
* [[Music/HumblePie Steve Marriott - lead vocals, guitar, harmonica
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Stanley Unwin is not a member of The Small Faces. Rather, he belongs under \"Special Guest\"
Changed line(s) 39,41 (click to see context) from:
* Stanley Unwin - narrator
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Added DiffLines:
* SpecialGuest: Stanley Unwin narrates this album.
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Changed line(s) 68 (click to see context) from:
* {{Instrumental}}: "Ogden's Nut Gone Flake".
to:
* {{Instrumental}}: "Ogden's "Ogdens' Nut Gone Flake".
Changed line(s) 110 (click to see context) from:
* ShoutOut: To Greek mythology via an operetta by Music/JacquesOffenbach ("Orpheus in the Underworld") in the inimitable style of Stanley Unwin
to:
* ShoutOut: ShoutOut:
** To Greek mythology via an operetta by Music/JacquesOffenbach ("Orpheus in the Underworld") in the inimitable style of Stanley Unwin
** To Greek mythology via an operetta by Music/JacquesOffenbach ("Orpheus in the Underworld") in the inimitable style of Stanley Unwin
Added DiffLines:
** To Listen With Mother, a [[TheBBC BBC]] radio show for small children in the 50s and 60s which always began the story with "Are you sitting comfortably? Then I'll begin". Stanley Unwin again.
--> ''Are you sitty comftybold twosquare on your botty? Then I'll begin''
--> ''Are you sitty comftybold twosquare on your botty? Then I'll begin''
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Stanley Unwin is as vital to this album as anybody
Changed line(s) 39 (click to see context) from:
to:
* Stanley Unwin - narrator