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* CallBack: The final track, "Daylight," has one to her fourth album, ''Red'', specifically the line from the title track, "Loving him was red."

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* CallBack: The final track, "Daylight," has one to her fourth album, ''Red'', ''Music/Red2012'', specifically the line from the title track, "Loving him was red."



* ColorCodedForYourConvenience: The music video for "Lover" is set in a house with seven rooms, each with its own color. Fans immediately connected each color with one of Taylor's seven albums -- green for ''Taylor Swift'', gold for ''Fearless'', purple for ''Speak Now'', red for... er, ''[[CaptainObvious Red]]'', blue for ''1989'', black for ''{{Music/reputation}}'', and pink for ''Lover''. Taylor later confirmed on her Tumblr that this was intentional.

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* ColorCodedForYourConvenience: The music video for "Lover" is set in a house with seven rooms, each with its own color. Fans immediately connected each color with one of Taylor's seven albums -- green for ''Taylor Swift'', gold for ''Fearless'', purple for ''Speak Now'', red for... er, ''[[CaptainObvious Red]]'', [[CaptainObvious red]] for ''Music/Red2012'', blue for ''1989'', black for ''{{Music/reputation}}'', and pink for ''Lover''. Taylor later confirmed on her Tumblr that this was intentional.
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* RuleOfSymbolism: The beginning of "ME!"'s video shows a snake exploding into butterflies. Snakes were a symbol of Taylor's more defensive, edgy ''Music/{{reputation}}'', and the video is showing that that mood and persona will not be part of the new album, only exacerbated by the pastel fantasy visuals of the video and brightness of the song.
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* UmbrellaOfTogetherness: The music video for "ME!" has a scene where she's dancing in strange colourful thick rain and her LoveInterest played by Brandon Urie comes to her with an umbrella which they share and dance off under. They share an umbrella in [[https://www.youtube.com/watch?v=bqOfdv9i4sE the live version]] as well.
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-->And now I love [[SpotOfTea high tea]], stories from Uni, and the West End\\
You can find me in the pub, we are watching rugby with his school friends\\
Show me a gray sky, a rainy cab ride\\
Babes, don't threaten me with a good time\\
They say home is where the heart is\\
But God, I love the English
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* LaughOfLove: She laughs happily at the beginning of "[[SillyLoveSongs London Boy]]."
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* ForeignCultureFetish: In "London Boy," after falling in love with the titular boy, the narrator loves everything English.
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* SelfBackingVocalist: She sings with herself on "The Man," "I Think He Knows," and "You Need To Calm Down."

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* SelfBackingVocalist: She sings harmonizes with herself on "The Man," "I Think He Knows," "London Boy," and "You Need To Calm Down."

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* SelfBackingVocalist:
** "The Man" uses her echoing vocals.
** The chorus of "oh-oh, oh-oh, oh-oh, oh-oh, oh-oh!" in "You Need To Calm Down."

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* SelfBackingVocalist:
**
SelfBackingVocalist: She sings with herself on "The Man" uses her echoing vocals.
** The chorus of "oh-oh, oh-oh, oh-oh, oh-oh, oh-oh!" in
Man," "I Think He Knows," and "You Need To Calm Down."
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* MotorMouth: She says some lines of "You Need to Calm Down" ''really fast''.

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* MotorMouth: She says some lines of "I Think He Knows" and "You Need to Calm Down" ''really fast''.

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* ContinuityCavalcade: Since it was the lead single, the video for "ME!" is jampacked with references to both her older works, her personal life, and this album.
* ContinuityNod: The video for "The Man" shows a wall with "Fearless," "Speak Now," "Red," "1989," and "Reputation" graffiti on it, referencing the titles of her previous albums.

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* ContinuityCavalcade: ContinuityCavalcade:
**
Since it was the lead single, the video for "ME!" is jampacked with references to both her older works, her personal life, and this album.
* ContinuityNod: ** The video for "The Man" shows a wall with "Fearless," "Speak Now," "Red," "1989," and "Reputation" graffiti on it, referencing the titles of her previous albums.



* MotorMouth: She says some verses of "You Need to Calm Down" ''really fast''.

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* MotorMouth: She says some verses lines of "You Need to Calm Down" ''really fast''.



* WeUsedToBeFriends: "The Archer" says, "all of my enemies started out friends."

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* WeUsedToBeFriends: WeUsedToBeFriends:
**
"The Archer" says, "all of my enemies started out friends.""
** "I Forgot That You Existed" is about [[ThePowerOfApathy getting over]] hurt feelings about a former friend.
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-->I thought love would be burning red,\\

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-->I thought once believed love would be burning red,\\
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* ContinuityNod: The video for "The Man" shows a wall with "Speak," "Red," and "Reputation" graffiti on it, referencing the titles of her previous albums.

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* ContinuityNod: The video for "The Man" shows a wall with "Speak," "Fearless," "Speak Now," "Red," "1989," and "Reputation" graffiti on it, referencing the titles of her previous albums.

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* ContinuityNod: The video for "The Man" shows a wall with "Speak," "Red," and "Reputation" graffiti on it, referencing the titles of her previous albums.



* LyricalDissonance: "The Man" is a bitter song about DoubleStandard to an airy tune.



* MotorMouth: She says some verses of "You Need to Calm Down" ''really fast''.



* OdeToApathy: In "I Forgot That You Existed," she celebrates her indifference towards a [[WeUsedToBeFriends former friend who's hurt her]]. For a long time, she was mad at them and upset about everything they did but now, she feels peaceful and nice.



* SelfBackingVocalist: The chorus of "oh-oh, oh-oh, oh-oh, oh-oh, oh-oh!" in "You Need To Calm Down."

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* SelfBackingVocalist: SelfBackingVocalist:
** "The Man" uses her echoing vocals.
**
The chorus of "oh-oh, oh-oh, oh-oh, oh-oh, oh-oh!" in "You Need To Calm Down."

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* ChangedForTheVideo: Inverted. The line "Hey kids. Spelling is fun!" was removed from "ME!" shortly before the album's release, possibly because of the negative reception to the line in the music video.



* DoubleStandard: "The Man" is all about how differently she would be treated if she were, well, a man. She hypothesizes that she gets seen as " a bitch not a baller" because of the higher standards to which women celebrities are held.

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* DoubleStandard: "The Man" is all about how differently she would be treated if she were, well, a man. She hypothesizes that she gets seen as " a "a bitch not a baller" because of the higher standards to which women celebrities are held.
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The song doesn't explictily reveal what gender the narrator and their lover are. It can be intepret as between a boy and a girl or as a same sex relationship.
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The song doesn't explictily reveal what gender the narrator and their lover are. It can be intepret as bothbetween a boy and a girl or sex relationship.


* ChildhoodFriendRomance: "It's Nice to Have a Friend" shows the progression of the narrator and her childhood best friend becoming a couple and eventually getting married.

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* ChildhoodFriendRomance: "It's Nice to Have a Friend" shows the progression of the narrator and her their childhood best friend becoming a couple and eventually getting married.
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* StepfordSmiler:
** "Cruel Summer":
--->Said, "I'm fine," but it wasn't true
** Discussed and averted in "Death by a Thousand Cuts."
--->I can't pretend it's okay when it's not
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* SequelSong: Lyrically, "Daylight" shows the narrator's CharacterDevelopment since the "Red" era, featuring direct quotes from the album's ArcWords. ("I once believed love would be ''burning red,'' but it's golden like daylight.") In terms of sound and theme, many fans have it pinned down as the spiritual successor to the "1989" track "Clean," which is the album's final track like "Daylight."

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* SequelSong: Lyrically, "Daylight" shows the narrator's CharacterDevelopment since the "Red" era, specifically featuring direct quotes ArcWords from the album's ArcWords.its title track. ("I once believed love would be ''burning red,'' but it's golden like daylight.") In terms of sound and theme, many fans have it pinned down as the spiritual successor to the "1989" track "Clean," which is the album's final track like "Daylight."
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# "Corneilia Street" (4:47)

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# "Corneilia "Cornelia Street" (4:47)


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* SequelSong: Lyrically, "Daylight" shows the narrator's CharacterDevelopment since the "Red" era, featuring direct quotes from the album's ArcWords. ("I once believed love would be ''burning red,'' but it's golden like daylight.") In terms of sound and theme, many fans have it pinned down as the spiritual successor to the "1989" track "Clean," which is the album's final track like "Daylight."
Willbyr MOD

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better quality version


[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/taylor_swift_lover_7.jpg]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/taylor_swift_lover_7.jpg]] org/pmwiki/pub/images/rsz_taylor_swift_lover.png]]






Musically the album is much more similar to the SynthPop ''1989'' rather than the DarkerAndEdgier, more hip-hop inspired ''Music/{{Reputation}}''. While not quite a ConceptAlbum, its theme consist of love and friendship.

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Musically the album is much more similar to the SynthPop ''1989'' rather than the DarkerAndEdgier, more hip-hop inspired ''Music/{{Reputation}}''. While not quite a ConceptAlbum, its theme themes consist of love and friendship.





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* HotterAndSexier: Both “Cruel Summer” and “False God” highly imply being on the receiving end of oral sex which is more explicit than anything in any of her other work.
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* SelfBackingVocalist: The chorus of "oh-oh, oh-oh, oh-oh, oh-oh, oh-oh!" in "You Need To Calm Down."


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* TakeThat: The entirety of "You Need To Calm Down" she makes fun of homophobes and internet trolls.

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!!Tropes appearing in ''Lover'' include:

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!!Tropes appearing in ''Lover'' include:!!And I promise that nobody's gonna trope you like me-e-e-eh:


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* CantActPervertedTowardALoveInterest: Inverted in "Lover":
-->And you'll save all your dirtiest jokes for me


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* MyGodWhatHaveIDone: "Afterglow" is about her feeling massive guilt after having a fight with someone she loves and hurting them.

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* InsecureLoveInterest: "Cruel Summer," "The Archer," and "Cornelia Street" all hint that the narrator is insecure and scared her lover will leave her.

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* InsecureLoveInterest: "Cruel Summer," "The Archer," and "Cornelia Street" Street," and "Afterglow" all hint that the narrator is insecure and scared her lover will leave her.


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* ItsAllMyFault: "Afterglow" is her apology after having a fight with someone she loves and hurting them.
-->Why'd I have to break what I love so much?\\
It's on your face, and I'm to blame, I need to say\\
Hey, it's all me, in my head\\
I'm the one who burned us down
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crosswicking

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* LoveIsLikeReligion: In "False God," she pledges religious devotion to her paramour, even if it turns out to be a "false god".
-->We might just get away with it\\
The altar is my hips\\
Even if it's a false god\\
We'd still worship this love

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* IResembleThatRemark: The music video for "Me!" starts with Urie and Swift getting into an argument, culminating with Swift exclaiming "''Je suis calme!''" (I am calm).


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* IResembleThatRemark: The music video for "Me!" starts with Urie and Swift getting into an argument, culminating with Swift exclaiming "''Je suis calme!''" (I am calm).
* ItsAllAboutMe: "ME!" has this bit of SelfDeprecation:
-->I know I tend to make it about me
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--->And you can't spell "awesome" without "me"
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* DeathOfAThousandCuts: She compares her break-up to this in "Death by a Thousand Cuts."
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* DrowningMySorrows: She attempts it after a break-up in "Death By A Thousand Cuts," with little success.
-->I get drunk, but it's not enough\\
'Cause the morning comes and you're not my baby


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* LoveIsADrug: Mentioned in "Death By A Thousand Cuts":
-->Gave up on me like I was a bad drug
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* ThePowerOfApathy: “I Forgot That You Existed” is about how she was mad at a former friend at first but is now at a place where apathy is what she feels.

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* ThePowerOfApathy: “I Forgot That You Existed” is about how for a long time, she was mad at a former friend at first and upset about everything they did but is now at a place where apathy indifference is what all she feels.feels, and it's peaceful and nice.

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