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Changed line(s) 28,29 (click to see context) from:
** "The Time Before The Last Time" has: ''"The shower head moaned, and I looked down to the drain, sons and daughters washed away."''
* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song ''By Your Hand'', ''No Blues''' comes from the song ''As Lucerne/The Low'', and ''Sick Scenes''' title comes from the song ''Here's to the Fourth Time!''
* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song ''By Your Hand'', ''No Blues''' comes from the song ''As Lucerne/The Low'', and ''Sick Scenes''' title comes from the song ''Here's to the Fourth Time!''
to:
** "The Time Before The Last Time" has: ''"The has "The shower head moaned, and I looked down to the drain, sons and daughters washed away."''
"
* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song''By "By Your Hand'', Hand," ''No Blues''' comes from the song ''As "As Lucerne/The Low'', Low," and ''Sick Scenes''' title Scenes'' comes from the song ''Here's "Here's to the Fourth Time!''Time!"
* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song
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Thank god for that pre-order :D
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* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song ''By Your Hand'' and ''No Blues''' comes from the song ''As Lucerne/The Low''.
to:
* AlbumTitleDrop: ''We Are Beautiful, We Are Doomed'', ''Romance Is Boring'' and ''Hello Sadness'' all feature one within each album's [[TitleTrack title track]]. ''A Good Night For A Fist Fight's'' album title comes from the song ''By Your Hand'' and Hand'', ''No Blues''' comes from the song ''As Lucerne/The Low''.Low'', and ''Sick Scenes''' title comes from the song ''Here's to the Fourth Time!''
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Changed line(s) 52 (click to see context) from:
* CoverVersion: A favorite of the band for B-sides early in their career. Aside from the cover of Heavenly's "C is the Heavenly Option", they also recorded covers of "Frontwards" by {{Pavement}}, "Yr Boyfriend" by Casiotone for the Painfully Alone, "The Eyebright Bugler" by Deerhoof and "Police Story" by BlackFlag.
to:
* CoverVersion: A favorite of the band for B-sides early in their career. Aside from the cover of Heavenly's "C is the Heavenly Option", they also recorded covers of "Frontwards" by {{Pavement}}, Music/{{Pavement}}, "Yr Boyfriend" by Casiotone for the Painfully Alone, "The Eyebright Bugler" by Deerhoof and "Police Story" by BlackFlag.
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* MoodWhiplash: Near the end of ''Romance is Boring,'' the subdued, melancholy, and somewhat bleakly-ended "The Sea is a Good Place to Think of the Future" is immediately followed by the much more upbeat "This is a Flag, There is No Wind," with all the bandmates happily shouting ''"Can we all please just calm the fuck down!?"''
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Changed line(s) 8,9 (click to see context) from:
-->-- Kohl, ''ComicBook/{{Phonogram}}''
to:
-->-- Kohl, ''ComicBook/{{Phonogram}}''
'''Kohl, ''ComicBook/{{Phonogram}}'''''
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** In particular, ''Hold On Now, Youngster...'' was released just eight months before ''We Are Beautiful, We Are Doomed'' introduced the sound that they would continue pursuing from there on out. ''Youngster'' largely contained songs that the band had been performing for years, while ''Doomed'' included songs that they wrote specifically for the album.
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* InsistentTerminology: The band and their label claim ''We Are Beautiful, We Are Doomed" isn't their second album. The band calls it an "EEP", an "[[DepartmentOfRedundancyDepartment Extended Extended Play]]". Wikipedia calls it a "mini-album" instead.
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* InsistentTerminology: The band and their label claim initally claimed ''We Are Beautiful, We Are Doomed" isn't their second album. The band calls it an "EEP", an "[[DepartmentOfRedundancyDepartment Extended Extended Play]]". Wikipedia calls it a "mini-album" instead. By the time ''No Blues'', was released, Gareth had relented to calling ''WABWAD'' their second albums; His reasons were that everyone else was doing it anyway and it was more impressive to say that the band had released five albums.
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Changed line(s) 39 (click to see context) from:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan. To remedy this, Gareth has made annotations to the band's lyrics on [[https://genius.com/artists/Los-campesinos their Genius.com page]] to clarify every single football reference he has made since ''We Are Beautiful, We Are Doomed''.
to:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan. To remedy this, Gareth has made annotations fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes comparing disappointing tournaments to disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which he compares a divorce to [[MakesJustAsMuchSenseInContext the band's lyrics lions on [[https://genius.com/artists/Los-campesinos their Genius.com page]] the English National Football logo coming to clarify every single football reference he has made since ''We Are Beautiful, We Are Doomed''.life and clawing him to death.)]]
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some of these are kind of wrong, so point at the Genius page.
Changed line(s) 39 (click to see context) from:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes comparing disappointing tournaments to disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which he compares a divorce to [[MakesJustAsMuchSenseInContext the lions on the English National Football logo coming to life and clawing him to death.)]]
to:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes comparing disappointing tournaments fan. To remedy this, Gareth has made annotations to disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which he compares a divorce to [[MakesJustAsMuchSenseInContext the lions band's lyrics on the English National Football logo coming [[https://genius.com/artists/Los-campesinos their Genius.com page]] to life and clawing him to death.)]]clarify every single football reference he has made since ''We Are Beautiful, We Are Doomed''.
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* AuthorAppeal: Again, '''football.''' Gareth writes a lot about it, with his personal favorite lines being semi-obscure UsefulNotes/AssociationFootball references. The band has a [[https://genius.com/artists/Los-campesinos verified Genius account]] to help explain some of the more of the esoteric ones.
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* PurpleProse: Many of Gareth's lyrics, especially later on, use a lot of wordplay, ornate metaphors and references that have varying levels of obscurity (from European football to [[Myth/ClassicalMythology Roman mythology]] and [[{{Constellations}} astronomical constellations]]) that, while not too distracting, can be hard to decipher. Gareth seems completely aware of this, though, and even references this trope in "As Lucerne/The Low":
-->''"My prose is purple, but not as pretty as Lucer-er-er-erne!"''\\
''"For sweet nothings from the lips of a gargoyle, nobody ever yearned."''
-->''"My prose is purple, but not as pretty as Lucer-er-er-erne!"''\\
''"For sweet nothings from the lips of a gargoyle, nobody ever yearned."''
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* {{Instrumentals}}: "Between an Erupting Earth and an Exploding Sky" from ''We Are Beautiful, We Are Doomed.'' "2007: The Year Punk Broke (My Heart)," ''Hold On Now, Youngster...'s'' HiddenTrack is almost one, only having vocals for the first 30 seconds out of 4 and a half minutes.
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Changed line(s) 50,51 (click to see context) from:
* TheCoverChangesTheGender: Averted, probably on purpose, with their cover of Heavenly's famed duet with Calvin Johnson of Beat Happening, "C Is the Heavenly Option". That is, Calvin Johnson's part is sung by the female Aleksandra, and Heavenly guitarist Amelia Fletcher's part is sung by the male Gareth.
** [[WordOfGod Gareth]] has said in an interview that it was mainly because he wanted to do Amelia's spoken/rapped breakdown
** [[WordOfGod Gareth]] has said in an interview that it was mainly because he wanted to do Amelia's spoken/rapped breakdown
to:
* TheCoverChangesTheGender: Averted, probably on purpose, with their cover of Heavenly's famed duet with Calvin Johnson of Beat Happening, "C Is the Heavenly Option". That is, Calvin Johnson's part is sung by the female Aleksandra, and Heavenly guitarist Amelia Fletcher's part is sung by the male Gareth.
**Gareth. [[WordOfGod Gareth]] has said in an interview that it was mainly because he wanted to do Amelia's spoken/rapped breakdownbreakdown.
**
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Changed line(s) 39 (click to see context) from:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes using it as a metaphor for disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which [[MakesJustAsMuchSenseInContext the lions on the English National Football logo come to life and claw him to death.)]]
to:
* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes using it as a metaphor for comparing disappointing tournaments to disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which he compares a divorce to [[MakesJustAsMuchSenseInContext the lions on the English National Football logo come coming to life and claw clawing him to death.)]]
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* LongTitle: "This Is How You Spell 'HAHAHA, We Destroyed the Hopes and Dreams of a Generation of Faux-Romantics'". Yes, the whole title ''does'' appear in the lyrics.
** "Documented Minor Emotional Breakdown #1", certainly in terms of syllables.
** "Documented Minor Emotional Breakdown #1", certainly in terms of syllables.
to:
* LongTitle: "This Is How You Spell 'HAHAHA, We Destroyed the Hopes and Dreams of a Generation of Faux-Romantics'".Faux-Romantics'" from ''Hold On Now, Youngster...". Yes, the whole title ''does'' appear in the lyrics.
** The multiple "Documented Minor EmotionalBreakdown #1", Breakdown" songs count, certainly in terms of syllables.syllables.
** There's also [[EitherOrTitle "A Heat Rash in the Shape of the Show Me State; or, Letters from Me to Charlotte,"]] "The Sea Is a Good Place to Think of the Future" from ''Romance is Boring.''
** The multiple "Documented Minor Emotional
** There's also [[EitherOrTitle "A Heat Rash in the Shape of the Show Me State; or, Letters from Me to Charlotte,"]] "The Sea Is a Good Place to Think of the Future" from ''Romance is Boring.''
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More suited for Cult Classic on YMMV.
Deleted line(s) 30 (click to see context) :
* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in the indie rock world. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have become highly successful while LC! remains a cult band touring mid-size clubs.
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Changed line(s) 80 (click to see context) from:
* UsefulNotes/{{Punk}}: Was always a light part of their aesthetic, sharing some of the visual style in a few promotional images and the general philosophy in frustration with the world. This was prominent even back in their "Hold On Now, Youngster..." days, with "International Tweexcore Underground" being a back-and-forth between IndiePop fan and a {{{Punk}}. Amusingly, one of the B-sides for that song was a completely straight cover of [[Music/BlackFlag Black Flag's]] "Police Story."
to:
* UsefulNotes/{{Punk}}: Was always a light part of their aesthetic, sharing some of the visual style in a few promotional images and the general philosophy in frustration with the world. This was prominent even back in their "Hold On Now, Youngster..." days, with "International Tweexcore Underground" being a back-and-forth between IndiePop fan and a {{{Punk}}.{{Punk}}, making references to prominent figures for each genre. Amusingly, one of the B-sides for that song was a completely straight cover of [[Music/BlackFlag Black Flag's]] "Police Story."
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Changed line(s) 80 (click to see context) from:
* UsefulNotes/{{Punk}}: Was always a light part of their aesthetic, sharing some of the visual style in a few promotional images and the general frustration with the world. This was prominent even back in their "Hold On Now, Youngster..." days, with "International Tweexcore Underground" being a back-and-forth between IndiePop fan and a {{{Punk}}. Amusingly, one of the B-sides for that song was a completely straight cover of [[Music/BlackFlag Black Flag's]] "Police Story."
to:
* UsefulNotes/{{Punk}}: Was always a light part of their aesthetic, sharing some of the visual style in a few promotional images and the general philosophy in frustration with the world. This was prominent even back in their "Hold On Now, Youngster..." days, with "International Tweexcore Underground" being a back-and-forth between IndiePop fan and a {{{Punk}}. Amusingly, one of the B-sides for that song was a completely straight cover of [[Music/BlackFlag Black Flag's]] "Police Story."
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* UsefulNotes/{{Punk}}: Was always a light part of their aesthetic, sharing some of the visual style in a few promotional images and the general frustration with the world. This was prominent even back in their "Hold On Now, Youngster..." days, with "International Tweexcore Underground" being a back-and-forth between IndiePop fan and a {{{Punk}}. Amusingly, one of the B-sides for that song was a completely straight cover of [[Music/BlackFlag Black Flag's]] "Police Story."
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Changed line(s) 34,37 (click to see context) from:
--> We are two ships that pass in the night!\\
You and I, we are nothing alike!\\
I am a pleasure cruise, you are gone out to trawl,\\
Return nets empty, nothing at all.
You and I, we are nothing alike!\\
I am a pleasure cruise, you are gone out to trawl,\\
Return nets empty, nothing at all.
to:
--> We ''We are two ships that pass in the night!\\
Younight!''\\
''You and I, we are nothingalike!\\
Ialike!''\\
''I am a pleasure cruise, you are gone out totrawl,\\
Returntrawl,''\\
''Return nets empty, nothing at all.''
You
''You and I, we are nothing
I
''I am a pleasure cruise, you are gone out to
Return
''Return nets empty, nothing at all.''
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* DoggedNiceGuy: Explored in "There Are Listed Buildings," in which a girl lets the narrator hang around her while she looks for a fulfilling relationship. She's stressed out that she can't find one, and she recognizes that it might actually be because of the narrator, until she frustratedly settles for the close NiceGuy than nothing at all, and the two are willing to give it a try.
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* AntiLoveSong: A good number of their songs revolve around relationships, but either they [[BreakupSong end poorly]] or are accompanied with mediocrity or even [[DestructiveRomance flat-out vitriol]]. One of their best examples is "Romance is Boring":
--> We are two ships that pass in the night!\\
You and I, we are nothing alike!\\
I am a pleasure cruise, you are gone out to trawl,\\
Return nets empty, nothing at all.
--> We are two ships that pass in the night!\\
You and I, we are nothing alike!\\
I am a pleasure cruise, you are gone out to trawl,\\
Return nets empty, nothing at all.
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* BreakupSong: ''Hello Sadness'' is a breakup ''album''.
to:
* BreakupSong: ''Hello Sadness'' is The band has lots of these. "Straight in at 101" seems to be a tongue-and-cheek version of a first-hand account of a really awkward, possibly selfish breakup ''album''.following a bad sexual encounter.
--> ''So baby, all apologies,''\\
''It was going to happen, inevitably''\\
''And if it helps, I mean, even slightly at all''\\
''It's best to dust yourself down and get straight back on the horse.''
--> ''So baby, all apologies,''\\
''It was going to happen, inevitably''\\
''And if it helps, I mean, even slightly at all''\\
''It's best to dust yourself down and get straight back on the horse.''
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* TheLostLenore: Quite a few of the songs across multiple albums, such as "The Sea is a Good Place to Think of the Future", "Coda: A Burn Scar in the Shape of the Sooner State" and "Hate For the Island" are all about to how the narrator's lover is either suicidal, dying, or already dead, and how it affects the narrator, though it's unclear if these are all referring to the same set of characters.
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* UsefulNotes/AssociationFootball: Pops up ''a lot'' in song lyrics, since everyone in the band (but ''especially'' Gareth) is a fan. In more recent songs especially, he makes many European football references that tend to be really obscure if you're not a fan, such as [[https://www.youtube.com/watch?v=RK2aU9m4nW8 "We connected like a Yeboah volley"]] from "Glue Me". He also likes using it as a metaphor for disappointing relationships, such as in "I Broke Up In Amarante" (which mirrors his feelings towards [[EuropeanChampionship Euro 2016]], which he considered "largely terrible"), and "Every Defeat is a Divorce (Three Lions)" (in which [[MakesJustAsMuchSenseInContext the lions on the English National Football logo come to life and claw him to death.)]]
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Changed line(s) 24 (click to see context) from:
to:
* ''Sick Scenes'' (Coming 2017)
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Changed line(s) 43 (click to see context) from:
* DarkerAndEdgier: While they still have quite a few poppier numbers on their more recent albums, they're far more noisier and lyrically dense than their earlier songs. Compare 2006's "[[http://www.youtube.com/watch?v=lqY_ZJKAupw It Started with a Mixx]]" to 2010's "[[http://www.youtube.com/watch?v=z-cWxcC5oRM This is a Flag, There is No Wind]]" to 2013's [[https://www.youtube.com/watch?v=irSOwulDsPE Cemetery Gaits]]".
to:
* DarkerAndEdgier: While they still have quite a few poppier numbers on their more recent albums, they're far more noisier and lyrically dense than their earlier songs. Compare 2006's "[[http://www.youtube.com/watch?v=lqY_ZJKAupw It Started with a Mixx]]" to 2010's "[[http://www.youtube.com/watch?v=z-cWxcC5oRM This is a Flag, There is No Wind]]" to 2013's [[https://www."[[https://www.youtube.com/watch?v=irSOwulDsPE Cemetery Gaits]]".
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Changed line(s) 29 (click to see context) from:
* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in the indie rock world. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have all become highly successful while LC! remains a cult band touring mid-size clubs.
to:
* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in the indie rock world. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have all become highly successful while LC! remains a cult band touring mid-size clubs.
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Changed line(s) 29 (click to see context) from:
* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in terms of indie rock music. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have all become highly successful while LC! remains a cult band touring mid-size clubs.
to:
* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in terms of the indie rock music.world. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have all become highly successful while LC! remains a cult band touring mid-size clubs.
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* AllOfTheOtherReindeer: Gareth half-jokingly believes that this what the band has become in terms of indie rock music. He [[http://bbook.com/uncategorized/band-apart-los-campesinos-find-place/ once noted]] that many of the bands that have opened for Los Campesinos! in the past -- like Music/VampireWeekend, Music/TwoDoorCinemaClub and Music/ImagineDragons -- have all become highly successful while LC! remains a cult band touring mid-size clubs.
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Changed line(s) 8,9 (click to see context) from:
--> Kohl, ''ComicBook/{{Phonogram}}''
to:
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Changed line(s) 7 (click to see context) from:
to:
->''"Look up Los Campesinos! online. They're going to be bi--actually scratch that. They're never going to be "big" big, but [[CultClassic they're going to be big to some people]]."''
--> Kohl, ''ComicBook/{{Phonogram}}''
--> Kohl, ''ComicBook/{{Phonogram}}''
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Changed line(s) 42 (click to see context) from:
* EarlyInstallmentWeirdness: While Los Campesinos! has always circled around IndiePop, ''Sticking Fingers into Sockets'' and ''Hold on Now, Youngster...'' are far, ''far'' more along the lines of upbeat twee pop. Everything since has sounded far more mature and more emotional, if not occasionally noisy.
to:
* EarlyInstallmentWeirdness: While Los Campesinos! has always circled around IndiePop, ''Sticking Fingers into Sockets'' and ''Hold on Now, Youngster...'' are far, ''far'' more along the lines of upbeat twee pop. Everything since has sounded far more mature and more emotional, if not occasionally noisy. This is an unusual case of this trope, given that their early poppier material is perhaps their best known work.
Changed line(s) 65 (click to see context) from:
* RockStarSong: The first verse of "Songs About Your Girlfriend" comes across as a tongue-in-cheek version of this.
to:
* RockStarSong: The first verse of "Songs About Your Girlfriend" comes across as a tongue-in-cheek version of this.this, which according to Gareth, were slightly adapted from rapper T.I.'s hit single "What You Know" .
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Changed line(s) 40 (click to see context) from:
* DarkerAndEdgier: While they still have quite a few poppier numbers on their more recent albums, they're far more noisier and lyrically dense than their earlier songs. Compare 2006's "[[http://www.youtube.com/watch?v=lqY_ZJKAupw It Started with a Mixx]]" to 2010's "[[http://www.youtube.com/watch?v=z-cWxcC5oRM This is a Flag, There is No Wind]]"
to:
* DarkerAndEdgier: While they still have quite a few poppier numbers on their more recent albums, they're far more noisier and lyrically dense than their earlier songs. Compare 2006's "[[http://www.youtube.com/watch?v=lqY_ZJKAupw It Started with a Mixx]]" to 2010's "[[http://www.youtube.com/watch?v=z-cWxcC5oRM This is a Flag, There is No Wind]]"Wind]]" to 2013's [[https://www.youtube.com/watch?v=irSOwulDsPE Cemetery Gaits]]".