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* IronicTitle: ''The Beauty Process: Triple Platinum'' - "The beauty process" was Donita Sparks' ironic term for putting on "fright makeup" before a show, as the intention wasn't to look beautiful at all. Meanwhile, Platinum is one of the highest certifications for record sales, and the band had yet to go Gold, which is the lowest certification in the US.

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* IronicTitle: ''The Beauty Process: Triple Platinum'' - "The beauty process" was Donita Sparks' ironic term for putting on "fright makeup" before a show, as the intention wasn't to look beautiful at all. Meanwhile, Platinum is one of the highest certifications for record sales, and the band had yet to go Gold, which is the lowest certification in the US.


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* SarcasticTitle: ''The Beauty Process: Triple Platinum'' - "The beauty process" was Donita Sparks' ironic term for putting on "fright makeup" before a show, as the intention wasn't to look beautiful at all. Meanwhile, Platinum is one of the highest certifications for record sales, and the band had yet to go Gold, which is the lowest certification in the US.
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* EverythingIsAnInstrument: The guitar solo in "Drama" consists of Donita Sparks mashing buttons on a Microjammers toy guitar.


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* IronicTitle: ''The Beauty Process: Triple Platinum'' - "The beauty process" was Donita Sparks' ironic term for putting on "fright makeup" before a show, as the intention wasn't to look beautiful at all. Meanwhile, Platinum is one of the highest certifications for record sales, and the band had yet to go Gold, which is the lowest certification in the US.
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The band was formed by Donita Sparks and Suzi Gardner, the latter having already been quite known in the AlternativeRock scene for performing vocals on "Slip It In" by Music/BlackFlag. Their name derives from a [[TheFifties fifties]] slang word for "square".

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The band was formed by Donita Sparks and Suzi Gardner, the latter having already been quite known in the AlternativeRock scene for performing vocals on "Slip It In" by Music/BlackFlag. Their name derives from a [[TheFifties [[The50s fifties]] slang word for "square".



** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" (Music/TheRamones), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (Music/DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (Music/WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (Music/BlueOysterCult).

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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" (Music/TheRamones), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (Music/DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), {{Music/Blondie|Band}}), "Three Days" (Music/WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (Music/BlueOysterCult).
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** Donita Sparks also pulled her pants down during a performance on UK series ''The Word.'' She wasn't wearing underwear.

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** Donita Sparks also pulled her pants down during a performance on UK series ''The Word.'' [[GoingCommando She wasn't wearing underwear.]]

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Genres aren't tropes


* {{Grunge}}: Via their own brand of metal-infused punk rock.



** You did read that tampon thing earlier, right?

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** %%** You did read that tampon thing earlier, right?



* SingleStanzaSong: "Bite the Wax Tadpole."

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* %%* SingleStanzaSong: "Bite the Wax Tadpole."



* TitleOnlyChorus: "Riding With A Movie Star." In fact, those are the ''only'' lyrics.
** Also, "Gas Chamber" and "Baggage."

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* %%* TitleOnlyChorus: "Riding With A Movie Star." In fact, those are the ''only'' lyrics.
** %%** Also, "Gas Chamber" and "Baggage."

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No longer a trope


* LoopedLyrics: Lots of this on the BSide "Used To Love Him."
* MetalScream: Get used to this.
* MohsScaleOfRockAndMetalHardness: At least a 7, which is only appropriate.

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* %%* LoopedLyrics: Lots of this on the BSide "Used To Love Him."
* %%* MetalScream: Get used to this.
* MohsScaleOfRockAndMetalHardness: At least a 7, which is only appropriate.
this.



* PretendWereDead: TropeNamer, InNameOnly (the song seems to actually be a rant against oppressive machismo).

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* %%* PretendWereDead: TropeNamer, InNameOnly (the song seems to actually be a rant against oppressive machismo).

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* BadassBoast: "Gas Chamber" in a particularly dark way. The narrator boasts that the only way you'll stop her from talking shit is to just straight-up kill her.



* EpicRocking: "Uncle Bob," "Talk Box."

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* EpicRocking: "Uncle Bob," Bob" and "Talk Box."Box" both crack the 6-minute mark.



* NotMyLuckyDay: "Shove" goes like this. Among the rotten things that go wrong are the IRS calling, the landlord not liking the narrator's dog, her father thinking she's amounting to nothing, some guy pinching her ass, the club not paying them for performing, and on top of all that, it's been months since she's been laid. Fittingly, this bitchfest of a song was featured in ''Film/TankGirl,'' where the titular heroine ''really'' gets put through the ringer.



* RoommateDrama: "Slide" from ''Bricks Are Heavy" is what happens when Suzi Gardner has had ''more'' than enough of this trope, and kicks out the roommate in question along with all his stuff. Said roommate is implied to be a freeloading boyfriend (ex-boyfriend, by the end of the song).

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* RoommateDrama: "Slide" from ''Bricks Are Heavy" Heavy'' is what happens when Suzi Gardner has had ''more'' than enough of this trope, and kicks out the roommate in question along with all his stuff. Said roommate is implied to be a freeloading boyfriend (ex-boyfriend, by the end of the song).

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* ExactlyWhatItSaysOnTheTin: Subverted. "Talk Box" does live up to its title and has the titular effect throughout the song, though it's slightly buried in the mix underneath the (typically) loud guitars.



* RefugeInAudacity: You did read that tampon thing earlier, right?

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* RefugeInAudacity: RefugeInAudacity:
**
You did read that tampon thing earlier, right?


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* RoommateDrama: "Slide" from ''Bricks Are Heavy" is what happens when Suzi Gardner has had ''more'' than enough of this trope, and kicks out the roommate in question along with all his stuff. Said roommate is implied to be a freeloading boyfriend (ex-boyfriend, by the end of the song).

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The reunion encouraged the band to work on some new material. A new single, "Burn Baby / Fighting the Crave" premiered in April of 2019, on Record Store Day. 20 years after their last album, they finally released their seventh, ''Scatter The Rats'' in May of 2019.







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* ''Scatter The Rats'' (2019)
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The band was formed by Donita Sparks and Suzi Gardner, the latter having already been quite known in the AlternativeRock scene for performing vocals on "Slip It In" by BlackFlag. Their name derives from a [[TheFifties fifties]] slang word for "square".

to:

The band was formed by Donita Sparks and Suzi Gardner, the latter having already been quite known in the AlternativeRock scene for performing vocals on "Slip It In" by BlackFlag.Music/BlackFlag. Their name derives from a [[TheFifties fifties]] slang word for "square".
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* TheCameo: You can see them in the movie ''Film/SerialMom'' under the name Camel Lips. They play their own composition, "Gas Chamber."


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* {{Grunge}}: Via their own brand of metal-infused punk rock.
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Removed per TRS.


* {{Badass}}
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* WordSaladTitle: "Bite The Wax Tadpole" sort of makes sense in context: The title comes from an urban legend that, when Coca-Cola tried to transliterate its name for the Chinese market, they ended up with a phrase meaning "bite the wax tadpole". A few other groups, including Music/TubRing have used the same reference in titling their own songs.
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* WordSaladTitle: "Bite The Wax Tadpole" sort of makes sense in context: The title comes from an urban legend that, when Coca-Cola tried to transliterate its name for the Chinese market, they ended up with a phrase meaning "bite the wax tadpole". A few other groups, including Music/TubRing have used the same reference in titling their own songs.
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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (BlueOysterCult).

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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), (Music/TheRamones), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), (Music/DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), (Music/WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (BlueOysterCult).(Music/BlueOysterCult).
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* CoverVersion: TheProdigy covered "Fuel My Fire" as the last track on ''The Fat of the Land''. Arguably a case of CoveredUp, actually.

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* CoverVersion: TheProdigy Music/TheProdigy covered "Fuel My Fire" as the last track on ''The Fat of the Land''. Arguably a case of CoveredUp, actually.
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Grammatical correction


L7 were an all-female {{Grunge}}[=/=]PunkRock[=/=]AlternativeMetal band from Los Angeles, active between 1985 and 2000. Its members were as follows:

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L7 were are an all-female {{Grunge}}[=/=]PunkRock[=/=]AlternativeMetal band from Los Angeles, active between from 1985 and to 2000. They regrouped in 2014. Its members were are as follows:

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* Badass

to:

* Badass{{Badass}}



* EpicRocking: "Shove"

to:

* EpicRocking: "Shove""Uncle Bob," "Talk Box."
* LoopedLyrics: Lots of this on the BSide "Used To Love Him."
* MetalScream: Get used to this.
* MohsScaleOfRockAndMetalHardness: At least a 7, which is only appropriate.



* SingleStanzaSong: "Bite the Wax Tadpole"

to:

* RefugeInAudacity: You did read that tampon thing earlier, right?
** Donita Sparks also pulled her pants down during a performance on UK series ''The Word.'' She wasn't wearing underwear.
* SingleStanzaSong: "Bite the Wax Tadpole"Tadpole."
* ThreeChordsAndTheTruth: Played '''loud as shit''' on both counts.
* TitleOnlyChorus: "Riding With A Movie Star." In fact, those are the ''only'' lyrics.
** Also, "Gas Chamber" and "Baggage."
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...that is, until late 2014, when rumblings of a reunion proved fruitful and the band reunited with Donita Sparks, Suzi Gardner, Jennifer Finch and Demetra Plakas. They got a Kickstarter page going for an L7 documentary, and quickly booked some 2015 tour dates.


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* CarefulWithThatAxe: On most tracks, be prepared for a belligerent, nasal whine to swiftly become ''very loud screaming.''


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* {{Delinquents}}: At least, that's the image they give off.
-->'''Creator/DavidLetterman:''' ''[after a destructive performance by the band]'' [[DeadpanSnarker I hope the girls aren't starting to run around with the wrong crowd.]]
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* Donita Sparks - guitar, vocals

to:

* Donita Sparks - guitar, vocals vocals



* Janis Tanaka - bass guitar (1999-2000)
* Demetra "Dee" Plakas - drums, vocals (1988-2000)

to:

* Janis Tanaka - bass guitar (1999-2000)
(1999-2000)
* Demetra "Dee" Plakas - drums, vocals (1988-2000)
(1988-2000)



** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (BlueOysterCult).

to:

** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (BlueOysterCult).
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** In a combination of CoverVersion, RearrangeTheSong, and being the backing band for the original artist, the cover/RearrangeTheSong of [[Music/HidetoMatsumoto hide]]'s ''Oblaat.'' hide was the singer and lead guitar, with L7 as the backing band instead of his usual male solo band Spread Beaver. This is probably the song they were known most well for (especially outside of their existing fans) aside from ''Pretend We're Dead.''
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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), and "This Ain't The Summer Of Love" (BlueOysterCult).

to:

** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), "Lion's Share" (Music/TheGerms), and "This Ain't The Summer Of Love" (BlueOysterCult).
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* EpicRiff: "Everglade"
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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{(Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), and "This Ain't The Summer Of Love" (BlueOysterCult).

to:

** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{(Ramones}}), ({{Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), and "This Ain't The Summer Of Love" (BlueOysterCult).
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None

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** L7 themselves have covered: "Yummy Yummy Yummy" (Ohio Express), "Suzy Is A Headbanger" ({{(Ramones}}), "Bag" (Music/ShonenKnife), "Bloodstains" (Agent Orange), "Let's Lynch The Landlord" (DeadKennedys), "Cherry Bomb" (Music/TheRunaways), "Hanging On The Telephone" (The Nerves, but [[CoveredUp better known by]] {{Music/Blondie}}), "Three Days" (WillieNelson), and "This Ain't The Summer Of Love" (BlueOysterCult).
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None


* Demetra Plakas - drums, vocals (1988-2000)

to:

* Demetra "Dee" Plakas - drums, vocals (1988-2000)
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* Badass
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In 1995, the band played as the supporting band for a version of [[HidetoMatsumoto hide]]'s single "Oblaat." This clip is on Youtube, and occasionally known for inducing ViewerGenderConfusion on a massive scale.

to:

In 1995, the band played as the supporting band for a version of [[HidetoMatsumoto [[Music/HidetoMatsumoto hide]]'s single "Oblaat." This clip is on Youtube, and occasionally known for inducing ViewerGenderConfusion on a massive scale.
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After recording two albums that showcased their punk-grunge-metal sound but didn't really go anywhere, L7 really shot to public attention by organising the first Rock for Choice benefit concert in 1991, which not only attracted support from the AlternativeRock scene (Music/{{Nirvana}}, Music/PearlJam, RageAgainstTheMachine, JoanJett, BikiniKill and the RedHotChiliPeppers all played at it), but helped galvanize the RiotGrrrl movement then forming in Washington. While the band did sport an angry, heavy sound and lyrics frequently dealing with criticisms of society, they never self-identified with the RiotGrrrl movement.

to:

After recording two albums that showcased their punk-grunge-metal sound but didn't really go anywhere, L7 really shot to public attention by organising the first Rock for Choice benefit concert in 1991, which not only attracted support from the AlternativeRock scene (Music/{{Nirvana}}, Music/PearlJam, RageAgainstTheMachine, JoanJett, BikiniKill Music/RageAgainstTheMachine, Music/JoanJett, Music/BikiniKill and the RedHotChiliPeppers Music/RedHotChiliPeppers all played at it), but helped galvanize the RiotGrrrl movement then forming in Washington. While the band did sport an angry, heavy sound and lyrics frequently dealing with criticisms of society, they never self-identified with the RiotGrrrl movement.



L7 then started changing their sound, removing their punk influences in favour of a straightforward grunge/alt-metal sound. While the first album after this change, ''Hungry for Stink'', did pretty well (one of its songs, "Fuel My Fire", was later covered by TheProdigy), their next two albums performed worse and worse commercially and the band suffered from lineup instability. They have been on what they call an "indefinite hiatus" since 2001 but have, for all intents and purposes, disbanded.


to:

L7 then started changing their sound, removing their punk influences in favour of a straightforward grunge/alt-metal sound. While the first album after this change, ''Hungry for Stink'', did pretty well (one of its songs, "Fuel My Fire", was later covered by TheProdigy), Music/TheProdigy), their next two albums performed worse and worse commercially and the band suffered from lineup instability. They have been on what they call an "indefinite hiatus" since 2001 but have, for all intents and purposes, disbanded.

disbanded.
----

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After recording two albums that showcased their punk-grunge-metal sound but didn't really go anywhere, L7 really shot to public attention by organising the first Rock for Choice benefit concert in 1991, which not only attracted support from the AlternativeRock scene ({{Nirvana}}, PearlJam, RageAgainstTheMachine, JoanJett, BikiniKill and the RedHotChiliPeppers all played at it), but helped galvanize the RiotGrrrl movement then forming in Washington. While the band did sport an angry, heavy sound and lyrics frequently dealing with criticisms of society, they never self-identified with the RiotGrrrl movement.

to:

After recording two albums that showcased their punk-grunge-metal sound but didn't really go anywhere, L7 really shot to public attention by organising the first Rock for Choice benefit concert in 1991, which not only attracted support from the AlternativeRock scene ({{Nirvana}}, PearlJam, (Music/{{Nirvana}}, Music/PearlJam, RageAgainstTheMachine, JoanJett, BikiniKill and the RedHotChiliPeppers all played at it), but helped galvanize the RiotGrrrl movement then forming in Washington. While the band did sport an angry, heavy sound and lyrics frequently dealing with criticisms of society, they never self-identified with the RiotGrrrl movement.

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