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* HeavyMithril: Along with LedZeppelin, pretty much the TropeMaker.

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* HeavyMithril: Along with LedZeppelin, Music/LedZeppelin, pretty much the TropeMaker.
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** The songs that eventually became ''War Child'' were created or a film project.
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* ''Thick As A Brick'' (1972)

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* ''Thick As A as a Brick'' (1972)



* ''Minstrel In The Gallery'' (1975)
* ''Too Old To Rock And Roll, Too Young To Die'' (1976)
* ''Songs From The Wood'' (1977)

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* ''Minstrel In The in the Gallery'' (1975)
* ''Too Old To to Rock And Roll, Roll: Too Young To Die'' to Die!'' (1976)
* ''Songs From The from the Wood'' (1977)



* ''The Broadsword And The Beast'' (1982)

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* ''The Broadsword And The and the Beast'' (1982)



* ''Crest Of A Knave'' (1987)

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* ''Crest Of A of a Knave'' (1987)



* ''Roots To Branches'' (1995)

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* ''Roots To to Branches'' (1995)
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* WhatCouldHaveBeen: Both ''A Passion Play'' and ''Too Old to Rock 'N' Roll: Too Young to Die!'' were originally planned to be stage musicals. Sadly, neither turned out that way.
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* BuffySpeak: Anderson frequently calls accordions the "squeezy thing."
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* DoesThisRemindYouOfAnything: In older shows, Ian would often stick is flute on his crotch while dancing around.
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* DentedIron: While on the ''Under Wraps'' tour, Ian Anderson suffered numerous throat problems, including multiple cases of laryngitis. He returned to recording and touring after a couple years off (his first break since the band began touring regularly), but his voice had lost its trademark fullness. Also, he now sings in a limited range in a higher key then on his older material.
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* UnkemptBeauty: A lyric from ''Fires at Midnight'' is the page quote.
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* ExcitedShowTitle: "Too Young to Rock 'N' Roll: Too Young to Die!" Both the album and the song.
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[-Ian Anderson's studio album discography is as follows:-]
* ''Walk into Light'' (1983)
* ''Divinities: Twelve Dances with God'' (1995)
* ''The Secret Language of Birds'' (2000)
* ''Rupi's Dance'' (2003)
* ''Thick as a Brick 2'' (2012)

[-Martin Barre's studio album discography is as follows:-]
* ''A Summer Band'' (1992)
* ''A Trick of Memory'' (1994)
* ''The Meeting'' (1996)
* ''Stage Left'' (2003)
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* JustForPun: In response to the criticism the band received after winning the first Grammy for hard rock/heavy metal album, they put out an ad showing Ian's flute on a scale, stating that the flute is a "heavy, metal instrument."
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That\'s not what the trope means.


* ThreeChordsAndTheTruth: Subverted; they use every chord there is, but the truth is still there.
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** And, like DonQuixote, it ends up being better than most of the things he's parodying.

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** And, like DonQuixote, Literature/DonQuixote, it ends up being better than most of the things he's parodying.
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* DeadpanSnarker: Ian onstage.

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* DeadpanSnarker: Ian onstage.onstage, and often during interviews. Blends this with a lot of SelfDeprecation, too.

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* DeadpanSnarker: Ian onstage.



* EpicRiff: "Aqualung", "Locomotive Breath", several others.
** The opening riff to ''Thick as a Brick'' may be the band's most recognizable.



** To much lesser extent: "Baker Street Muse" at 16 minutes.

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** To a much lesser extent: "Baker Street Muse" at 16 minutes.
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* HoYay: For decades a live concert staple has involved Ian Anderson sticking his flute between Martin Barre's legs in a distinctly phallic manner, and fiddling with the protruding end of it for a while. Generally this ends with a disgusted look at the free hand, then wiping it as if now covered with something very sticky.
* IAmNotShazam: See FaceOfTheBand.
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[[caption-width-right:300:Ian Anderson delivers a [[AmericanDad blistering flute solo]].]]

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[[caption-width-right:300:Ian Anderson delivers a [[AmericanDad [[WesternAnimation/AmericanDad blistering flute solo]].]]
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** The majority of their protests were against conformity and living up to others' expectations. Organized religion (a result of the attempts to raise Anderson Catholic) are another popular subject.
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** ''Stand Up'' had a lot of this, too, as Anderson was having a hard time adjusting to touring and being away from his girlfriend at the time.
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** Also "Jack Frost and the Hooded Crow." Subverted with "Another Christmas Song."
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* AntiChristmasSong: Subverted[=/=]parodied with "A Christmas Song".

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* AntiChristmasSong: Subverted[=/=]parodied with "A Christmas Song".
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** On stage, at least. Off stage he's rather quiet and reserved, though he does keep his sense of humor.
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* StudioChatter: [[Egregrious TVTropesWikiDrinkingGame]] on ''Aqualung'', ''War Child'' and ''Minstrel In The Gallery''.

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* StudioChatter: [[Egregrious TVTropesWikiDrinkingGame]] [[TVTropesWikiDrinkingGame Egregrious]] on ''Aqualung'', ''War Child'' and ''Minstrel In The Gallery''.
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** A lot of it had to do with their manager at the time (as well was singer/guitarist Mick Abrahms) wanting the band to be purely blues-rock. The singles released after ''This Was'', especially ''A Christmas Song'', were the first glimpses of what the band would become.

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** A lot of it had to do with their manager at the time (as well was singer/guitarist Mick Abrahms) Abrahams) wanting the band to be purely blues-rock. The singles released after ''This Was'', especially ''A Christmas Song'', were the first glimpses of what the band would become.



** Nearly all are cases of DoubleEntendre, LampshadedDoublEntendre, and/or GettingCrapPastTheRadar. "Hunting Girl" and "Kissing Willie" are probably the dirtiest examples.

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** Nearly all are cases of DoubleEntendre, LampshadedDoublEntendre, LampshadedDoubleEntendre, and/or GettingCrapPastTheRadar. "Hunting Girl" and "Kissing Willie" are probably the dirtiest examples.



* StudioChatter: {{Egregrious}} on ''Aqualung'', ''War Child'' and ''Minstrel In The Gallery''.

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* StudioChatter: {{Egregrious}} [[Egregrious TVTropesWikiDrinkingGame]] on ''Aqualung'', ''War Child'' and ''Minstrel In The Gallery''.
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* StudioChatter: {{Egregrious}} on ''Aqualung'', ''War Child'' and ''Minstrel In The Gallery''.
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** Nearly all are cases of DoubleEntendre, IfYouKnowWhatIMean, and/or GettingCrapPastTheRadar. "Hunting Girl" and "Kissing Willie" are probably the dirtiest examples.

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** Nearly all are cases of DoubleEntendre, IfYouKnowWhatIMean, LampshadedDoublEntendre, and/or GettingCrapPastTheRadar. "Hunting Girl" and "Kissing Willie" are probably the dirtiest examples.
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* AntiLoveSong: The album ''Minstrel in the Gallery'' is all over this, [[ListenersAreGeniuses though you have to know what to listen for]].

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* AntiLoveSong: The album ''Minstrel in the Gallery'' is all over this, [[ListenersAreGeniuses [[ViewersAreGeniuses though you have to know what to listen for]].
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* AntiLoveSong: The album ''Minstrel in the Gallery'' is all over this, though you have to know what to listen for.

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* AntiLoveSong: The album ''Minstrel in the Gallery'' is all over this, [[ListenersAreGeniuses though you have to know what to listen for.for]].

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* AntiLoveSong

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* AntiLoveSongAntiLoveSong: The album ''Minstrel in the Gallery'' is all over this, though you have to know what to listen for.



* BeYourself: Many of his songs discouraged conformism and uniformity, even between members of the counterculture. Ian wore long hair and flamboyant clothes, was identified with the countercuture, and held many liberal-ish or free-thinking ideals, but he hated hippies and drug culture. Many of Tull's songs (including, and ''especially'' ''Thick As A Brick", encouraged others to find their own way and think for themselves.

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* BeYourself: Many of his songs discouraged conformism and uniformity, even between members of the counterculture. Ian wore long hair and flamboyant clothes, was identified with the countercuture, and held many liberal-ish or free-thinking ideals, but he hated hippies and drug culture. Many of Tull's songs (including, and ''especially'' ''Thick As A Brick", Brick'') encouraged others to find their own way and think for themselves.themselves.
** ''Nothing to Say'' is essentially Ian voicing annoyance over being asked for some kind of guidance now that he's a celebrity.
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** A lot of it had to do with their manager at the time (as well was singer/guitarist Mick Abrahms) wanting the band to be purely blues-rock. The singles released after ''This Was'', especially ''A Christmas Song'', were the first glimpses of what the band would become.


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** The opening riff to ''Thick as a Brick'' may be the band's most recognizable.


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** It plays three times to close the song.

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