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* DownerEnding: Their final album ''Ooh La La'', which mostly contains their trademark rave-ups, closes with the poignant BreakupSong "Just Another Honky" and the bittersweet title track.

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* DownerEnding: Their final album ''Ooh La La'', which mostly contains their trademark rave-ups, closes with the poignant BreakupSong "Just Another Honky" and the bittersweet title track. All the sadder since they happen to be the final two songs Ronnie Lane wrote for the group.
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* DownerEnding: Their final album ''Ooh La La'', which mostly contains their trademark rave-ups, closes with the poignant BreakupSong "Just Another Honky" and the bittersweet title track.
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* IWantMyBelovedToBeHappy: "Just Another Honky"
-->So you can go if you want to\\
I don't own you, go be wild\\
Leave my hand, it's wide open\\
So's the door, forever more
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* BerserkButton: You might be a really hot woman, and the song's narrator might be into you, but the minute you say something bad about the "Three Button Hand Me Down" suit he's wearing that his father gave him, forget it.
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* JuvenileHell: "Borstal Boys" is sung by a juvie inmate who hopes he can escape.


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* NonAppearingTitle: "Devotion", "Around the Plynth", "Nobody Knows", "On the Beach", "Love Lived Here", "Last Orders Please", "Flags and Banners", "Borstal Boys", "Just Another Honky", and several that technically count but the lyrics are merely phrased a little differently from the title.
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* ProductionForeshadowing: "You Can Make Me Dance, Sing or Anything" is practically a preview of the upbeat, middle-of-the-road pop direction Music/RodStewart would take in TheEighties.

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* ProductionForeshadowing: "You Can Make Me Dance, Sing or Anything" is practically totally sounds like it could be a preview of the upbeat, middle-of-the-road pop direction bright, upbeat Music/RodStewart would take in TheEighties.pop song from, say, 1985 or so, maybe even recorded to play over the closing credits of some feelgood RomanticComedy. Instead, it was the final Faces single, released at the end of 1974.
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* GutturalGrowler: Rod Stewart's vocal style at this time.

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* GutturalGrowler: HarshVocals: Neither Rod Stewart's vocal style at this time.Stewart, Ronnie Lane or Ronnie Wood had what you'd call a smooth singing voice, which was part of the their nonchalant charm.



* RepurposedPopSong: "Ooh La La" is best known as the end credits theme from 1998's ''Film/{{Rushmore}}''.

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* RepurposedPopSong: "Ooh La La" is best known as the end credits theme from 1998's ''Film/{{Rushmore}}''. It was also later featured as "Dad's favorite song" in a popular, sentimental Creator/{{Amazon}} Echo Dot commercial.

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** CantHoldHisLiquor: Tetsu Yamamuchi, clearly out of his element, repeatedly went on stage borderline catatonic during his short run with the group and needed guidance from Stewart to manage the lifestyle.

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** CantHoldHisLiquor: Tetsu Yamamuchi, Yamauchi, clearly out of his element, repeatedly went on stage borderline catatonic during his short run with the group and needed guidance from Stewart to manage the lifestyle.



* LiveAlbum: 1974's ''Coast to Coast: Overture and Beginners'', which features a mixture of Faces and Rod Stewart solo material along with some cover songs. Surprisingly, given their live reputation, the album was a critical and commercial bomb -- [[GermansLoveDavidHasselhoff except in Japan]]. The 2004 box carries over none of the tracks and recreates most of the songs from other recordings, so it seems [=McLagan=] wasn't a fan either.
* LongTitle: "You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, Or Any Other Domestic Shortcomings)". Still the longest song title for a UK chart single.

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* LiveAlbum: 1974's ''Coast to Coast: Overture and Beginners'', which features a mixture of Faces and Rod Stewart solo material along with some cover songs. Surprisingly, given their live reputation, the album was a critical and commercial bomb -- [[GermansLoveDavidHasselhoff except in Japan]].Japan]] (the presence of Tetsu Yamauchi on bass might have something to do with that). The 2004 box carries over none of the tracks and recreates most of the songs from other recordings, so it seems [=McLagan=] wasn't a fan either.
* LongTitle: LongTitle:
** ''A Nod is as Good as a Wink... to a Blind Horse''.
**
"You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, Or Any Other Domestic Shortcomings)". Still the longest song title for a UK chart single.



* ProductionForeshadowing: "You Can Make Me Dance, Sing or Anything" is practically a preview of the upbeat, middle-of-the-road pop direction Music/RodStewart would take in TheEighties.



* SomethingCompletelyDifferent: Ronnie Lane's vocal and songwriting contributions tend to be acoustic, CountryMusic-influenced songs with reflective lyrics.

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* SomethingCompletelyDifferent: SomethingCompletelyDifferent:
**
Ronnie Lane's vocal and songwriting contributions tend to be acoustic, CountryMusic-influenced songs with reflective lyrics.lyrics.
** What ended up as their farewell single, "You Can Make Me Dance, Sing or Anything", is much lighter, bouncier and poppier than the typical Faces number, with a slightly {{Disco}}-ish rhythm and even strings, sounding more like Rod Stewart's solo work.
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After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men, engaging in all sorts of alcohol-fueled hijinks and general tomfoolery (Wood has compared Faces tours to a [[Creator/TheMarxBrothers Marx Brothers]] movie).

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After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men, engaging in all sorts of alcohol-fueled hijinks and general tomfoolery (Wood has compared Faces tours to a [[Creator/TheMarxBrothers Marx Brothers]] Creator/MarxBrothers movie).

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After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men. They recorded four very popular albums and released a few hit singles, before encountering some internal dissension, with accusations that Stewart was keeping all of the best new material for his own solo career. Lane, who'd been one of the original founders of The Small Faces, quit in 1973. Tetsu Yamauchi took over on bass, but Lane's songwriting and singing capabilities were missed, and their studio output with Yamauchi was limited to two non-album singles. After an abortive attempt to record a fifth album, the band finally split up for good in 1975, spurred on by Stewart's decision to move to California and Wood making guest appearances with Music/TheRollingStones (he'd become a full member in 1976). [=McLagan=] kept busy as a sideman, including a stint with the Stones, while Jones went on to have one of the most challenging cases of ToughActToFollow when Music/TheWho chose him to replace the late Keith Moon on drums.

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After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men. men, engaging in all sorts of alcohol-fueled hijinks and general tomfoolery (Wood has compared Faces tours to a [[Creator/TheMarxBrothers Marx Brothers]] movie).

They recorded four very popular albums and released a few hit singles, before encountering some internal dissension, with accusations that Stewart was keeping all of the best new material for his own solo career. Lane, who'd been one of the original founders of The Small Faces, quit in 1973. Tetsu Yamauchi took over on bass, but Lane's songwriting and singing capabilities were missed, and their studio output with Yamauchi was limited to two non-album singles. After an abortive attempt to record a fifth album, the band finally split up for good in 1975, spurred on by Stewart's decision to move to California and Wood making guest appearances with Music/TheRollingStones (he'd become a full member in 1976). [=McLagan=] kept busy as a sideman, including a stint with the Stones, while Jones went on to have one of the most challenging cases of ToughActToFollow when Music/TheWho chose him to replace the late Keith Moon on drums.
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* {{Instrumentals}}: The album tracks "Pineapple and the Monkey", "Looking Out the Window", "Jerusalem" and "Fly in the Ointment", plus the [[BSide B-Sides]] "Oh Lord I'm Browned Off" and "Skewiff (Mend the Fuse)".

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* {{Instrumentals}}: The album tracks "Pineapple and the Monkey", "Looking Out the Window", "Jerusalem" and "Fly in the Ointment", plus the [[BSide B-Sides]] "Rear Wheel Skid", "Oh Lord I'm Browned Off" and "Skewiff (Mend the Fuse)".
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* {{Instrumentals}}: "Pineapple and the Monkey", "Looking Out the Window", "Jerusalem", "Fly in the Ointment".

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* {{Instrumentals}}: The album tracks "Pineapple and the Monkey", "Looking Out the Window", "Jerusalem", "Jerusalem" and "Fly in the Ointment".Ointment", plus the [[BSide B-Sides]] "Oh Lord I'm Browned Off" and "Skewiff (Mend the Fuse)".
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** Music/RodStewart was the lead singer and frontman, but Ronnie Lane sang lead on at least one track per album.
** Ron Wood handles the vocal for "Ooh La La". Stewart and Lane both attempted vocals on it but producer Glyn Johns didn't find them satisfactory and asked Wood to try it. Stewart and Lane would both record versions of it in their post-breakup careers.

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** Music/RodStewart was the lead singer and frontman, but Ronnie Lane sang lead on at least one track per album.album, doing three lead vocals on ''A Nod Is As Good As a Wink... to a Blind Horse''.
** Ron Wood handles the vocal for did some backing vocals on a few songs, but got to sing lead on "Ooh La La". Stewart and Lane both attempted vocals on it but producer Glyn Johns didn't find them satisfactory and asked Wood to try it. Stewart and Lane would both record versions of it in their post-breakup careers.
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After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men. They recorded four very popular albums and released a few hit singles, before encountering some internal dissension, with accusations that Stewart was keeping all of the best new material for his own solo career. Lane, who'd been one of the original founders of The Small Faces, quit in 1973. Tetsu Yamauchi took over on bass, but Lane's songwriting and singing capabilities were missed, and their studio output with Yamauchi was limited to two non-album singles. After an abortive attempt to record a fifth album, the band finally split up for good in 1975, spurred on by Stewart's decision to move to California and Wood becoming a member of Music/TheRollingStones. [=McLagan=] kept busy as a sideman, including a stint with the Stones, while Jones went on to have one of the most challenging cases of ToughActToFollow when Music/TheWho chose him to replace the late Keith Moon on drums.

to:

After lead singer Steve Marriott left the band to form Humble Pie, the remaining three members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men. They recorded four very popular albums and released a few hit singles, before encountering some internal dissension, with accusations that Stewart was keeping all of the best new material for his own solo career. Lane, who'd been one of the original founders of The Small Faces, quit in 1973. Tetsu Yamauchi took over on bass, but Lane's songwriting and singing capabilities were missed, and their studio output with Yamauchi was limited to two non-album singles. After an abortive attempt to record a fifth album, the band finally split up for good in 1975, spurred on by Stewart's decision to move to California and Wood becoming making guest appearances with Music/TheRollingStones (he'd become a full member of Music/TheRollingStones.in 1976). [=McLagan=] kept busy as a sideman, including a stint with the Stones, while Jones went on to have one of the most challenging cases of ToughActToFollow when Music/TheWho chose him to replace the late Keith Moon on drums.

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Faces are an English RockAndRoll group which includes members from The Music/JeffBeck Group and Music/TheSmallFaces. Their music is often raucous and raw-sounding, and they quickly gained a reputation as rock and roll wild men. They recorded four very popular albums and released a few hit singles before splitting up in 1975, amidst accusations that Rod Stewart was keeping all of the best new material for his own solo career. Ronnie Wood later joined Music/TheRollingStones, while Kenney Jones teamed up with Music/TheWho after the death of Keith Moon.

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Faces are an English RockAndRoll group which includes that formed in 1969, as an offshoot of Music/TheSmallFaces.

After lead singer Steve Marriott left the band to form Humble Pie, the remaining three
members (Ronnie Lane, Ian [=McLagan=], Kenney Jones) joined forces with Music/RodStewart and Ronnie Wood from The Music/JeffBeck Group and Music/TheSmallFaces. Their music is often raucous and raw-sounding, and Group. In doing so, they adopted a new sound: raucous, raw-sounding back-to-basics HardRock. They quickly gained a reputation as rock and roll wild men. They recorded four very popular albums and released a few hit singles singles, before splitting up in 1975, amidst encountering some internal dissension, with accusations that Rod Stewart was keeping all of the best new material for his own solo career. Ronnie Lane, who'd been one of the original founders of The Small Faces, quit in 1973. Tetsu Yamauchi took over on bass, but Lane's songwriting and singing capabilities were missed, and their studio output with Yamauchi was limited to two non-album singles. After an abortive attempt to record a fifth album, the band finally split up for good in 1975, spurred on by Stewart's decision to move to California and Wood later joined Music/TheRollingStones, becoming a member of Music/TheRollingStones. [=McLagan=] kept busy as a sideman, including a stint with the Stones, while Kenney Jones teamed up with went on to have one of the most challenging cases of ToughActToFollow when Music/TheWho after chose him to replace the death of late Keith Moon.
Moon on drums.


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* VocalTagTeam: Their version of [[Music/{{McCartney}} "Maybe I'm Amazed"]] had Ronnie Lane sing the opening verse, with Rod Stewart taking over after that (with occasional harmonies from Lane).
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* SomethingCompletelyDifferent: Ronnie Lane's vocal and songwriting contributions tend to be acoustic, CountryMusic-influenced songs with reflective lyrics.
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* BigRockEnding: "Stay With Me" is one of the most iconic examples, where they speed up the tempo, repeat the main chord sequence over and over, punctuated by guitar, keyboard and drum fills, then bring it home with a forceful cold ending.


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* MeaningfulRename: Upon adding Stewart and Wood as replacements for Steve Marriott, the band decided The Small Faces no longer worked as a band name, since the two new members were fairly tall. Also, with the change in musical orientation, they felt the new band was distinct from the old band, so renamed themselves to Faces. Still, for the American release of ''First Step'', Creator/WarnerBrosRecords insisted on billing them as The Small Faces, feeling that the existing name recognition would help sales.


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* RecordProducer: They self-produced their first two albums, which both got criticized for being a bit unfocused. In response they hired the highly respected Glyn Johns, and the two albums he produced were considerably tighter and more organized.
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* NotStayingForBreakfast: "Stay with Me" asks the singer's one-night stand to do this.

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* NotStayingForBreakfast: In "Stay with Me" asks Me", the singer's singer ''begs'' his one-night stand to do this.treat him this way.
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* RedOniBlueOni: A considerable part of their stage presence. The Red Onis were Stewart (who would gesture throughout the songs and made picking up the mic stand and holding it sideways his signature stage move) and Lane (who would strut around the stage in his baggy suit, move his arms rhythmically alongside his bass playing, and try to distract Stewart while he was singing). Wood, [=McLagan=] and Jones were the Blue Onis who stoically focused on their playing.
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* TitleOnlyChorus: "Three-Button Hand Me Down"

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* TitleOnlyChorus: "Three-Button "Three Button Hand Me Down"
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* TitleOnlyChorus: "Three-Button Hand Me Down"
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* TheTheTitleConfusion: Everyone assumes that it's "The Faces", but officially there's no "the". This is probably worsened by the fact that they are the successor group to Music/TheSmallFaces, who ''did'' use the definite article.

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* TheTheTitleConfusion: Everyone assumes that it's "The Faces", but officially there's no "the". [[note]]Though they could be a bit loose with it sometimes. Stewart wrote "I'd like to drink a toast to my old associates and colleagues The Faces" in his sleeve note for ''Every Picture Tells a Story''.[[/note]] This is probably worsened by the fact that they are the successor group to Music/TheSmallFaces, who ''did'' use the definite article.
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* ThreeChordsAndTheTruth: They were celebrated for their no-frills rock, but this also applied very literally. Their three most famous original songs ("Stay With Me", "Cindy Incidentally", "Ooh La La") all in fact use just three chords.
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* LongTitle: "You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, Or Any Other Domestic Shortcomings)".

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* LongTitle: "You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, Or Any Other Domestic Shortcomings)". Still the longest song title for a UK chart single.
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But, Cindy, you and me, we gotta move

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But, Cindy, you and me, we me gotta move

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* StepUpToTheMicrophone: Ronnie Lane sang lead on at least one track per album. And Ron Wood handles the vocals for "Ooh La La".

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* StepUpToTheMicrophone: StepUpToTheMicrophone:
** Music/RodStewart was the lead singer and frontman, but
Ronnie Lane sang lead on at least one track per album. And album.
**
Ron Wood handles the vocals vocal for "Ooh La La".La". Stewart and Lane both attempted vocals on it but producer Glyn Johns didn't find them satisfactory and asked Wood to try it. Stewart and Lane would both record versions of it in their post-breakup careers.
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* WanderlustSong: "Cindy Incidentally"
-->Oh Cindy, ain't you noticed\\
That several of your friends have moved on?\\
And the street outside is just a little too quiet\\
And your local paper's run out of news?\\
I'm not persuading you or disengaging you\\
But, Cindy, you and me, we gotta move
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* WeUsedToBeFriends: The band's breakup was rooted in tension between Rod Stewart and Ronnie Lane. As Stewart's solo career took off, he became TheFaceOfTheBand, but also paradoxically started devoting less time to it. He's completely absent from a few of the songs on what would be their last studio album, ''Ooh La La''. This led Lane to feel like he was being pushed to the sidelines, and he quit in 1973. However, Stewart helped pay for Lane's multiple sclerosis treatments in his final years, and did a solo cover of "Ooh La La" as a tribute to Lane after his death.
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* OneSteveLimit: Averted with Ronnie Lane and Ronnie Wood, though Wood often got credited as Ron to differentiate the two.

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* BreakupBreakout: Music/RodStewart looks like this in hindsight, though in truth his solo career was already more successful during the band's run.


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* OldManConversationSong: "Ooh La La" starts off with a grandfather warning his grandson about "women's ways", then ends with the now older grandson doing the same with ''his'' grandson.

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