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* VillainSong: "RobinHood", as it portrays the eponymous character as TheDreaded... While still set to an [[LyricalDissonance incredibly heroic tune]]! (and [[StealthParody some surprisingly humorous lyrics]])

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* VillainSong: "RobinHood", "Robin Hood", as it portrays the eponymous character as TheDreaded... While still set to an [[LyricalDissonance incredibly heroic tune]]! (and [[StealthParody some surprisingly humorous lyrics]])

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Removed: 895

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Merging example lists as per ATT, tweaking numerous tropes and commenting out the odd ZCE.


* AudienceParticipationSong: "''This is the boring part of the show, the part where you have to sing along to whatever comes to my mind, allright?''" makes for midtros or intros for many songs.
** Also, all of their choruses. Most notably, ''Tears of a Mandrake'' and ''Out of Control''.

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* AudienceParticipationSong: "''This is the boring part of the show, the part where you have to sing along to whatever comes to my mind, allright?''" makes for midtros or intros for many songs.
** Also, all
of their choruses. Most notably, ''Tears of a Mandrake'' and ''Out of Control''.songs during live performances.



* BreakupSong: "Trinidad". And it is ''[[SugarWiki/AwesomeMusic awe]][[SugarWiki/FunnyMoments some]]''!
** "Scarlet Rose" also qualifies but is much more [[Main/TearJerker tragic]]
** "Wasted Time" is an odd variation. It's not necessarily about the breakup ''per se'', more about the fear and anxiety that comes out of trying to come back from a breakup and find a new relationship.

to:

* BreakupSong: "Trinidad". And BreakupSong:
** PlayedForLaughs with "Trinidad", which opens with Tobi bluntly describing
it is ''[[SugarWiki/AwesomeMusic awe]][[SugarWiki/FunnyMoments some]]''!
as, "a story about an ugly woman I know".
** Played straight with "Scarlet Rose" also qualifies but is much more [[Main/TearJerker tragic]]
Rose".
** "Wasted Time" is an odd variation. It's not necessarily about the breakup ''per se'', but more about the fear and anxiety that comes out of trying to come back from a breakup and find a new relationship.



* ClusterFBomb: "New Age Messiah" and "Life and Times of a Bonus Track", and of course, "Fucking With Fire".
* CoverVersion: "Hymn," which was originally an Ultravox song, and was turned into [[https://www.youtube.com/watch?v=VeZPbH6A5D8 something awesome.]]
* DrugsAreBad: Dragonfly, off of Tinnitus Sanctus, depicts a man dying of a drug overdose.
* EpicRocking: "Eyes of the Tyrant," "The Pharaoh," "Theater of Salvation,", "The Piper Never Dies", "Speedhoven" and "Robin Hood". Their longest by far is "The Kingdom", which is over eighteen minutes long.
* EroticEating: In the "Superheroes" music video, some PlayboyBunnies eat carrots suggestively. So does Tobias.

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* ClusterFBomb: ClusterFBomb:
**
"New Age Messiah" and Messiah": "Pardon fucking me, who the fucking fuck is Jesus[=/=]Motherfucking new messiah[=/=]For the fucking world."
**
"Life and Times of a Bonus Track", and of course, Track": "I don't give a fucking shit, no, I don't give a shit[=/=]Don't give a fucking shit, no, no...[=/=]Not a single little fucking shit."
**
"Fucking With Fire".
Fire", in the chorus hook, naturally.
* CoverVersion: "Hymn," which was originally an Ultravox song, and was turned into [[https://www.youtube.com/watch?v=VeZPbH6A5D8 something awesome.]]
{{Music/Ultravox}} song.
* DrugsAreBad: Dragonfly, off of Tinnitus Sanctus, "Dragonfly" depicts a man dying of a drug overdose.
overdose, wrapped around a play on words with the phrase "Drag on dragonflies".
* EarAche: The Jesus icon on the cover of ''Tinnitus Sanctus'' with a trickle of blood coming out of one ear.
* EpicRocking: "Eyes The band have their fair share of tracks that exceed the Tyrant," "The Pharaoh," "Theater of Salvation,", "The Piper Never Dies", "Speedhoven" and "Robin Hood". Their six-minute mark, but their longest by far is "The Kingdom", which is over eighteen minutes long.
* EroticEating: In the "Superheroes" music video, some a group of PlayboyBunnies eat carrots suggestively. So As does Tobias.



* Myth/{{Faust}}: "The Devil and the Savant" is based on this.
* FunnyBackgroundEvent: Pay attention when Tobi removes his outer coat in the music video for "Lavatory Love Machine". He unwittingly smacks one of the passengers behind him.
* GreatestHitsAlbum: ''Monuments'' is a 2 CD set which also includes some new songs, rarer tracks from their [=EPs=], a previously unreleased track. and a DVD featuring a show in Brazil from their ''Hellfire Club'' tour.
* HeavyMithril: Several of their songs, though not as many as [[Music/BlindGuardian some]] [[Music/GammaRay other]] power metal bands.
* IntercourseWithYou: [[https://www.youtube.com/watch?v=-y3CMlvrkN0 "Lavatory Love Machine"]] is rather obvious...
** ... but [[https://www.youtube.com/watch?v=yp_fwFMVLpY "Fucking With Fire"]] [[ICallHimMisterHappy ("Hair Force One")]] is even more blatant.
* LargeHam: In a [[PowerMetal genre]] practically ''defined'' by OTT, Tobias Sammet is unquestionably one of the largest hams in the business, arguably topped only by [[Music/RhapsodyOfFire Fabio Lione]].
* LastNoteHilarity: The fade-out to "Catch of the Century" is dominated by Tobias going on an angry rant towards all the other record labels that rejected him about how much more successful he will be, with someone eventually managing to bring him back down to earth.
* LighterAndSofter: The latest couple of albums have moved from power metal towards a more hard rock sound. Also, their later albums usually have at least one joke song.

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* Myth/{{Faust}}: "The Devil and the Savant" is based on this.
* FunnyBackgroundEvent: Pay attention when When Tobi removes his outer coat in the music video for "Lavatory Love Machine". He Machine", he unwittingly smacks one of the passengers behind him.
* GreatestHitsAlbum: ''Monuments'' is a 2 CD set which also includes some new songs, rarer tracks from their [=EPs=], a previously unreleased track. track, and a DVD featuring a show in Brazil from their ''Hellfire Club'' tour.
* %%* HeavyMithril: Several of their songs, though not as many as [[Music/BlindGuardian some]] [[Music/GammaRay other]] power metal bands.
* IntercourseWithYou: [[https://www.youtube.com/watch?v=-y3CMlvrkN0 IntercourseWithYou:
**
"Lavatory Love Machine"]] is rather obvious...
** ... but [[https://www.youtube.com/watch?v=yp_fwFMVLpY
Machine" plays out a sexual encounter [[MileHighClub on a plane to Brazil]], at least until the singer goes off on an aside about his hypothetical death in a plane crash.
**
"Fucking With Fire"]] [[ICallHimMisterHappy ("Hair Fire" fits a more general theme of sex, with Tobias even referring to his manhood in the chorus as "Hair Force One")]] is even more blatant.
One".
* LargeHam: In a [[PowerMetal genre]] practically ''defined'' by OTT, bombast, Tobias Sammet is unquestionably one of the largest hams in the business, arguably topped only by [[Music/RhapsodyOfFire Fabio Lione]].
* LastNoteHilarity: The fade-out to "Catch of the Century" is dominated by Tobias going on an angry rant towards all the other record labels that rejected him about how much more successful he will be, with culminating in materialistic screaming until someone eventually managing manages to bring him back down to earth.
* LighterAndSofter: The latest couple of albums have moved from power metal towards a more hard rock sound. Also, their later albums usually have at least one joke song.
earth.



* LongRunnerLineup: The last line-up change was in 1998, and that was to add a full-time bassist (Tobias Exxel) so that Tobias Sammet could focus on singing.
* LoudnessWar: ''Tinnitus Sanctus'', badly. [[JustifiedTrope Might be intentional]] given the name, the cover, and the fact that the band describes the album as "a penetrating wall of sound."
* LyricalDissonance: "Do Me Like A Caveman" is a bombastic, fast-paced power metal song...about a man trying to get some sleep while the couple in the room next to him are having very loud sex.
* MileHighClub: Again, "Lavatory Love Machine".
* MoodWhiplash: Played for laughs in "Space Police", where the lyrics heavily describe tons of intergalactic imagery and rebellious thoughts...until about halfway through the chorus, when the titular Space Police catches the protagonist and issues a stern warning.
* ObligatoryBondageSong: "Sex, Fire, Religion" most explicitly, but also "Lavatory Love Machine" a bit.

to:

* LongRunnerLineup: The Their last line-up change was in 1998, and that was to add a full-time bassist (Tobias Exxel) so that Tobias Sammet could focus on singing.
* LoudnessWar: ''Tinnitus Sanctus'', badly. [[JustifiedTrope Might be intentional]] although this shows many signs of being intentional given the name, title, the cover, and the fact that the band describes the album as "a penetrating wall of sound."
sound".
* LyricalDissonance: LyricalDissonance:
**
"Do Me Like A Caveman" is a bombastic, fast-paced power metal song...about a man trying to get some sleep while the couple in the room next to him are having very loud sex.
** "Space Police" portrays a combination of bombast and rebellion against the backdrop of the cosmos...before getting interrupted less than halfway through the chorus by a stern warning from the titular Space Police.
* MileHighClub: Again, "Lavatory Love Machine".
Machine". PlayedForLaughs when the song takes an aside near the end to imagine what will happen if the plane was to crash.
* MonsterClown: A wicked-looking jester seems to be their mascot. One features prominently on the cover of ''Age of the Joker'' as the title would indicate, and he shows up on the covers of ''Mandrake'', and ''Monuments''.
** ''Rocket Ride'' has one riding a RetroRocket -- with classical toothy NoseArt, a GreenSkinnedSpaceBabe in a LatexSpacesuit (and the same hat) on the back "seat" and a [[SpacePirate crossbones flag]] in the image of a jester's skull.
* MoodWhiplash: Played for laughs PlayedForLaughs in "Space Police", where the lyrics heavily describe tons of intergalactic imagery and rebellious thoughts...until about halfway through the chorus, when the titular Space Police catches the protagonist and issues a stern warning.
* ObligatoryBondageSong: "Sex, Fire, Religion" most explicitly, but also "Lavatory Love Machine" a bit.Machine".



* RightThroughTheWall: "Do Me Like a Caveman".
* ShoutOut: Given that the structure of the songs is almost identical, "Vain Glory Opera" commonly gets its first verse replaced by the first verse from [[{{Music/Europe}} The Final Countdown]] when performed live.
** "Vain Glory Opera" often gets introduced as the song the stole or ripped off.
** Also, Felix Bohnke creates drum solos to the soundtracks of ''Franchise/PiratesOfTheCaribbean'' and ''Franchise/StarWars''. During the latter, he sports [[VaderBreath an iconic mask, complete with sounds]].
* SexyStewardess: In "Lavatory Love Machine".

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* RightThroughTheWall: "Do Me Like a Caveman".
Caveman", from the perspective of someone being kept awake by a couple having sex in the next room over.
* ShoutOut: RuleOfCool: This is Tobias' reason for the WordSaladTitle of ''Space Police: Defenders of the Crown'', saying that, "...we couldn't decide which title was better, we just went with both. Does it make sense? No! Does it sound exciting? Hell, yes! Mission accomplished!"
* ShoutOut:
**
Given that the structure structures of the both songs is are almost identical, "Vain Glory Opera" commonly gets its first verse replaced by the first verse from [[{{Music/Europe}} The Final Countdown]] when performed live.
** "Vain Glory Opera"
live. The band also often gets introduced as introduces the song the by jokingly claiming that Europe stole or ripped off.
it.
** Also, Felix Bohnke creates drum solos to the soundtracks of ''Franchise/PiratesOfTheCaribbean'' and ''Franchise/StarWars''. During the latter, he sports [[VaderBreath an iconic mask, complete with sounds]].
* SexyStewardess: In "Lavatory Love Machine".Machine", Tobias ends up joining the MileHighClub with one on a flight to Brazil.
* SlasherSmile: The jester mascot does this on the cover of ''Mandrake'' and ''Monuments''.



* {{Tuckerization}}: The name "Edguy" is an affectionate epithet for Mr. Edgar Siedschlag, their math teacher from when they were young.

to:

* {{Tuckerization}}: The name "Edguy" is an affectionate epithet for Mr. Edgar Siedschlag, their the band's math teacher from when they were young.



* WordSaladTitle: ''Space Police: Defenders of the Crown'' - the subtitle may not seem like it has anything to do with the subtitle, but Tobias said that the two titles that make up the phrase were combined because of a combination of RuleOfCool and being unable to decide between the two.



!!Covers
While not necessarily reflected in lyrics...
* EarAche: The Jesus icon on the cover of ''Tinnitus Sanctus''.
* MonsterClown: A wicked looking jester seems to have become their mascot lately. One features prominently on the cover of ''Age of the Joker'' (seriously, what would you expect?), ''Mandrake'', and ''Monuments''.
** ''Rocket Ride'' got one, well, riding a RetroRocket -- with classical toothy NoseArt, a GreenSkinnedSpaceBabe in LatexSpacesuit (and the same hat) on back "seat" and [[SpacePirate crossbones flag]] in the image of a jester's skull too.
* SlasherSmile: Also on the cover of ''Mandrake'' and ''Monuments''
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* MohsScaleOfRockAndMetalHardness: Recent material is mostly in the 5-6 range, prior albums tended to vary between 6-7.

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** "Scarlet Rose" also qualifies, but is much more [[Main/TearJerker tragic]]

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** "Scarlet Rose" also qualifies, qualifies but is much more [[Main/TearJerker tragic]]



* [[ChildPopstar Child Rockstar]]: They were 14 year old students when they formed the band and released their first demos two years later.

to:

* [[ChildPopstar Child Rockstar]]: They were 14 year old 14-year-old students when they formed the band and released their first demos two years later.



* FunnyBackgroundEvent: Pay attention when Tobi removes his outer coat in the music video for "Lavatory Love Machine". He unwittingly smacks one of the passengers behind him.



* LongRunnerLineup: The last line-up change was in 1998, and that was to add a full time bassist (Tobias Exxel) so that Tobias Sammet could focus on singing.

to:

* LongRunnerLineup: The last line-up change was in 1998, and that was to add a full time full-time bassist (Tobias Exxel) so that Tobias Sammet could focus on singing.



* ShoutOut: Given that the structure of the songs are almost identical, "Vain Glory Opera" commonly gets its first verse replaced by the first verse from [[{{Music/Europe}} The Final Countdown]] when performed live.

to:

* ShoutOut: Given that the structure of the songs are is almost identical, "Vain Glory Opera" commonly gets its first verse replaced by the first verse from [[{{Music/Europe}} The Final Countdown]] when performed live.
Is there an issue? Send a MessageReason:
None

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** "Wasted Time" is an odd variation. It's not necessarily about the breakup ''per se'', more about the fear and anxiety that comes out of trying to come back from a breakup and find a new relationship.
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Misuse


** "Judas At The Opera", while first appearing like a barrage of random lyrics, is actually an attack against the critics who accuse them of being too happy and upbeat with their music. Unsurprisingly, critics then [[{{Completely Missing The Point}} attacked the song for being too cheerful and uptempo.]]

to:

** "Judas At The Opera", while first appearing like a barrage of random lyrics, is actually an attack against the critics who accuse them of being too happy and upbeat with their music. Unsurprisingly, critics then [[{{Completely Missing The Point}} attacked the song for being too cheerful and uptempo.]]
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None

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* SpacePolice: The aptly-named "Space Police". The lyrics are about some guys who go to outer space to run wild, only to be stopped by the space police. According to Tobi, the term "space police" is used as an analogy to refer to people who try to tell bands what to do and not to do.
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* ReligionRantSong: They did a few of these on their early albums, most notably "The Kingdom" from ''Kingdom of Madness'', the title track of ''Theater of Salvation'' (and arguably the entire album could count), and "Down to the Devil" from ''Hellfire Club''. All of these are type 3. The first two Music/{{Avantasia}} albums are Religion Rant ''Albums''.

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* ReligionRantSong: They did a few of these on their early albums, most notably "The Kingdom" from ''Kingdom of Madness'', the title track of ''Theater of Salvation'' (and arguably the entire album could count), and "Down to the Devil" from ''Hellfire Club''. All of these are type 3. The first two Music/{{Avantasia}} albums are Religion Rant ''Albums''. It should also be noted that, based on one post on [[https://www.facebook.com/avantasia/photos/a.10153622601148889/10157927778473889/?type=3&theater Avantasia's Facebook Page]], that Tobias would appear to be an Occult Magician, and would naturally object to rules and power structures when it comes to spirituality.
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** "Scarlet Rose" also qualifies, but is much more [[Main/TearJerker tragic]]
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None

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* DrugsAreBad: Dragonfly, off of Tinnitus Sanctus, depicts a man dying of a drug overdose.
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* {{Faust}}: "The Devil and the Savant" is based on this.

to:

* {{Faust}}: Myth/{{Faust}}: "The Devil and the Savant" is based on this.
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* BreakupSong: "Trinidad". And it is ''[[CrowningMusicOfAwesome awe]][[CrowningMomentOfFunny some]]''!

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* BreakupSong: "Trinidad". And it is ''[[CrowningMusicOfAwesome awe]][[CrowningMomentOfFunny ''[[SugarWiki/AwesomeMusic awe]][[SugarWiki/FunnyMoments some]]''!
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None

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* EarAche: The Jesus icon on the cover of ''Tinnitus Sanctus''.
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None

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* LastNoteHilarity: The fade-out to "Catch of the Century" is dominated by Tobias going on an angry rant towards all the other record labels that rejected him about how much more successful he will be, with someone eventually managing to bring him back down to earth.


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* LyricalDissonance: "Do Me Like A Caveman" is a bombastic, fast-paced power metal song...about a man trying to get some sleep while the couple in the room next to him are having very loud sex.


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* MoodWhiplash: Played for laughs in "Space Police", where the lyrics heavily describe tons of intergalactic imagery and rebellious thoughts...until about halfway through the chorus, when the titular Space Police catches the protagonist and issues a stern warning.
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None

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* EvilLaugh: The guitar solo in "The Return To The Tribe" achieves this effect.

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* WrittenSoundEffect: The "pew pew pew" noises from the outro to "Space Police" are written as such in the liner notes.



* SlasherSmile: Also on the cover of ''Mandrake'' and ''Monuments''.
* WrittenSoundEffect: The "pew pew pew" noises from the outro to "Space Police" are written as such in the liner notes.

to:

* SlasherSmile: Also on the cover of ''Mandrake'' and ''Monuments''.
* WrittenSoundEffect: The "pew pew pew" noises from the outro to "Space Police" are written as such in the liner notes.
''Monuments''
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None



to:

* WrittenSoundEffect: The "pew pew pew" noises from the outro to "Space Police" are written as such in the liner notes.
Is there an issue? Send a MessageReason:
None


Edguy (Prounouced "Ed-gai") is a German {{power metal}} band that was founded in 1992. Their music is heavily influenced by both Music/IronMaiden and Music/{{Helloween}}, although they tend to have a more symphonic sound with greater use of keyboards.

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Edguy (Prounouced (Pronounced "Ed-gai") is a German {{power metal}} band that was founded in 1992. Their music is heavily influenced by both Music/IronMaiden and Music/{{Helloween}}, although they tend to have a more symphonic sound with greater use of keyboards.


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* LonelyPianoPiece: "Standing In The Rain"


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* ObligatoryBondageSong: "Sex, Fire, Religion" most explicitly, but also "Lavatory Love Machine" a bit.
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* BoundAndGagged: Tobi gets taped to a chair in the "All The Clowns" music video.
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* EroticEating: In the "Superheroes" music video, some PlayboyBunnies eat carrots suggestively. So does Tobias.


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* PlayboyBunnies: In the "Superheroes" music video.

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