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Referring to people you don't know by their first name is a huge no-no in Japanese culture, and referring to artists on a first name basis always felt kinda iffy TBH outside of certain circumstances.
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''Disappointment-Hateruma'' is a collaborative album between Japanese artists Toshiyuki Tsuchitori and Music/RyuichiSakamoto. Released in 1976, it is Ryuichi's first studio album.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project, Ryuichi met Toshiyuki Tsuchitori and while the two didn't really bond, Kenichi had an idea to record an album about the two and how they come from different musical backgrounds. Using that difference as an analogy, he envisioned an album about the distance between Lake Disappointment (located in Australia) and the Hateruma island (located in Japan).
In a stark contrast to what Ryuichi would be known for (mainly his work as a film composer and member of Music/YellowMagicOrchestra), this album features experimental and improv music which sounds closer to what you'd expect of Toshiyuki. Kenichi Takeda co-produced, wrote the liner notes, and has been considered the "main character" of the record.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project, Ryuichi met Toshiyuki Tsuchitori and while the two didn't really bond, Kenichi had an idea to record an album about the two and how they come from different musical backgrounds. Using that difference as an analogy, he envisioned an album about the distance between Lake Disappointment (located in Australia) and the Hateruma island (located in Japan).
In a stark contrast to what Ryuichi would be known for (mainly his work as a film composer and member of Music/YellowMagicOrchestra), this album features experimental and improv music which sounds closer to what you'd expect of Toshiyuki. Kenichi Takeda co-produced, wrote the liner notes, and has been considered the "main character" of the record.
to:
''Disappointment-Hateruma'' is a collaborative album between Japanese artists Toshiyuki Tsuchitori and Music/RyuichiSakamoto. Released in 1976, 1976 through ALM Records, it is Ryuichi's Sakamoto's first studio album.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project,Ryuichi Sakamoto met Toshiyuki Tsuchitori and while the two didn't really bond, Kenichi had an idea to record an album about the two and how they come from different musical backgrounds. Using that difference as an analogy, he envisioned an album about the distance between Lake Disappointment (located in Australia) and the Hateruma island (located in Japan).
In a stark contrast to whatRyuichi Sakamoto would be known for (mainly his work as a film composer and member of Music/YellowMagicOrchestra), this album features experimental and improv music which sounds closer to what you'd expect of Toshiyuki.Tsuchitori. Kenichi Takeda co-produced, wrote the liner notes, and has been considered the "main character" of the record.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project,
In a stark contrast to what
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* AvantGardeMusic: In reaction to the album being labelled as Free {{Jazz}}, Ryuichi thought that the music strayed from Jazz. In his view, it is closer to Free Music.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting between Ryuichi and Toshiyuki, and the idea of naming the album after two different areas came from him.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting between Ryuichi and Toshiyuki, and the idea of naming the album after two different areas came from him.
to:
* AvantGardeMusic: In reaction to the album being labelled as Free {{Jazz}}, Ryuichi Sakamoto thought that the music strayed from Jazz. In his view, it is closer to Free Music.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting betweenRyuichi Sakamoto and Toshiyuki, Tsuchitori, and the idea of naming the album after two different areas came from him.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting between
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* MeaningfulName: According to Kenichi, the two areas mentionned on the album's title have a large distance seperating them, the same way Ryuichi and Toshiyuki come from vastly different fields of music (Ryuichi was a studio instrumentalist in the {{Pop}} scene while Toshiyuki had a background in avant-garde music).
* MinimalistCast: Only Toshiyuki and Ryuichi perform on the album.
* MinimalistCast: Only Toshiyuki and Ryuichi perform on the album.
to:
* MeaningfulName: According to Kenichi, the two areas mentionned on the album's title have a large distance seperating them, the same way Ryuichi Sakamoto and Toshiyuki Tsuchitori come from vastly different fields of music (Ryuichi (Sakamoto was a studio instrumentalist in the {{Pop}} scene while Toshiyuki Tsuchitori had a background in avant-garde music).
* MinimalistCast: OnlyToshiyuki Tsuchitori and Ryuichi Sakamoto perform on the album.
* MinimalistCast: Only
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* ThePlace: The album's title refers to {{UsefulNotes/Australia}}'s Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and {{UsefulNotes/Japan}}'s Hateruma Island, the southernmost island of the country.
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* ThePlace: The album's title refers to {{UsefulNotes/Australia}}'s UsefulNotes/{{Australia}}'s Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and {{UsefulNotes/Japan}}'s UsefulNotes/{{Japan}}'s Hateruma Island, the southernmost island of the country.country.
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* ThePlace: The album's title refers to {{UsefulNotes/Australia}}'s Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's Hateruma Island, the southernmost island of the country.
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* ThePlace: The album's title refers to {{UsefulNotes/Australia}}'s Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's {{UsefulNotes/Japan}}'s Hateruma Island, the southernmost island of the country.
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None
Changed line(s) 33 (click to see context) from:
* ThePlace: The album's title refers to UsefulNotes/Australia's Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's Hateruma Island, the southernmost island of the country.
to:
* ThePlace: The album's title refers to UsefulNotes/Australia's {{UsefulNotes/Australia}}'s Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's Hateruma Island, the southernmost island of the country.
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None
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* IdiosyncraticNaming: Side A is renamed "Island Side" (refering to Hateruma '''Island''') while Side B is called "Lake Side" (refering to '''Lake''' Disappointment).
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* IdiosyncraticNaming: IdiosyncraticEpisodeNaming: Side A is renamed "Island Side" (refering to Hateruma '''Island''') while Side B is called "Lake Side" (refering to '''Lake''' Disappointment).
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/r_4204356_1606109223_3589.jpg]]
[[caption-width-right:350: Featured on this cover is a map representing Hateruma island.]]
''Disappointment-Hateruma'' is a collaborative album between Japanese artists Toshiyuki Tsuchitori and Music/RyuichiSakamoto. Released in 1976, it is Ryuichi's first studio album.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project, Ryuichi met Toshiyuki Tsuchitori and while the two didn't really bond, Kenichi had an idea to record an album about the two and how they come from different musical backgrounds. Using that difference as an analogy, he envisioned an album about the distance between Lake Disappointment (located in Australia) and the Hateruma island (located in Japan).
In a stark contrast to what Ryuichi would be known for (mainly his work as a film composer and member of Music/YellowMagicOrchestra), this album features experimental and improv music which sounds closer to what you'd expect of Toshiyuki. Kenichi Takeda co-produced, wrote the liner notes, and has been considered the "main character" of the record.
In 2005, 29 years after the album's release, it got reissued with additional liner notes and an interview of Sakamoto giving more context to the album's recording.
!!Tracklist
[[AC: Side A (Island Side)]]
# "Aya" (20:06)
[[AC:Side B (Lake Side)]]
# "Utsuwa No Naka" (6:10)
# "α / Φ (Musique Différencielle °1)" (13:50)
# "∫ / 𝔷(Musique Différencielle °2)" (6:10)
----
!!This album provides examples of:
* AvantGardeMusic: In reaction to the album being labelled as Free {{Jazz}}, Ryuichi thought that the music strayed from Jazz. In his view, it is closer to Free Music.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting between Ryuichi and Toshiyuki, and the idea of naming the album after two different areas came from him.
* GratuitousFrench: "Musique Différencielle" translates to "differential music". However, "Différentielle" is the correct spelling in french.
* IdiosyncraticNaming: Side A is renamed "Island Side" (refering to Hateruma '''Island''') while Side B is called "Lake Side" (refering to '''Lake''' Disappointment).
* {{Instrumentals}}: With the exception of "∫ / 𝔷" featuring vocal noises, the entire album is instrumental.
* LongestSongGoesLast: Inverted with the first track "Aya" being the longest one and taking all of the Side A on the LP version of the album.
* LuckyCharmsTitle: The two parts of "Musique Différencielle" are titled with greek letters (Phi and Alpha) and mathematical symbols (Long S and gothic Z).
* MeaningfulName: According to Kenichi, the two areas mentionned on the album's title have a large distance seperating them, the same way Ryuichi and Toshiyuki come from vastly different fields of music (Ryuichi was a studio instrumentalist in the {{Pop}} scene while Toshiyuki had a background in avant-garde music).
* MinimalistCast: Only Toshiyuki and Ryuichi perform on the album.
* OneWordTitle: "Aya".
* ThePlace: The album's title refers to UsefulNotes/Australia's Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's Hateruma Island, the southernmost island of the country.
[[caption-width-right:350: Featured on this cover is a map representing Hateruma island.]]
''Disappointment-Hateruma'' is a collaborative album between Japanese artists Toshiyuki Tsuchitori and Music/RyuichiSakamoto. Released in 1976, it is Ryuichi's first studio album.
Back in 1974, Ryuichi Sakamoto was part of a multi-media performance group called Gakushudan with fellow artist/critic Kenichi Takeda (the two were also contributors to a Music magazine called Transonic). Through that project, Ryuichi met Toshiyuki Tsuchitori and while the two didn't really bond, Kenichi had an idea to record an album about the two and how they come from different musical backgrounds. Using that difference as an analogy, he envisioned an album about the distance between Lake Disappointment (located in Australia) and the Hateruma island (located in Japan).
In a stark contrast to what Ryuichi would be known for (mainly his work as a film composer and member of Music/YellowMagicOrchestra), this album features experimental and improv music which sounds closer to what you'd expect of Toshiyuki. Kenichi Takeda co-produced, wrote the liner notes, and has been considered the "main character" of the record.
In 2005, 29 years after the album's release, it got reissued with additional liner notes and an interview of Sakamoto giving more context to the album's recording.
!!Tracklist
[[AC: Side A (Island Side)]]
# "Aya" (20:06)
[[AC:Side B (Lake Side)]]
# "Utsuwa No Naka" (6:10)
# "α / Φ (Musique Différencielle °1)" (13:50)
# "∫ / 𝔷(Musique Différencielle °2)" (6:10)
----
!!This album provides examples of:
* AvantGardeMusic: In reaction to the album being labelled as Free {{Jazz}}, Ryuichi thought that the music strayed from Jazz. In his view, it is closer to Free Music.
* ConceptAlbum: Mostly from the perspective of Kenichi Takeda who set up the meeting between Ryuichi and Toshiyuki, and the idea of naming the album after two different areas came from him.
* GratuitousFrench: "Musique Différencielle" translates to "differential music". However, "Différentielle" is the correct spelling in french.
* IdiosyncraticNaming: Side A is renamed "Island Side" (refering to Hateruma '''Island''') while Side B is called "Lake Side" (refering to '''Lake''' Disappointment).
* {{Instrumentals}}: With the exception of "∫ / 𝔷" featuring vocal noises, the entire album is instrumental.
* LongestSongGoesLast: Inverted with the first track "Aya" being the longest one and taking all of the Side A on the LP version of the album.
* LuckyCharmsTitle: The two parts of "Musique Différencielle" are titled with greek letters (Phi and Alpha) and mathematical symbols (Long S and gothic Z).
* MeaningfulName: According to Kenichi, the two areas mentionned on the album's title have a large distance seperating them, the same way Ryuichi and Toshiyuki come from vastly different fields of music (Ryuichi was a studio instrumentalist in the {{Pop}} scene while Toshiyuki had a background in avant-garde music).
* MinimalistCast: Only Toshiyuki and Ryuichi perform on the album.
* OneWordTitle: "Aya".
* ThePlace: The album's title refers to UsefulNotes/Australia's Lake Disappointment (located in the Western state and renamed Kumpupintil Lake since 2020) and UsefulNotes/Japan's Hateruma Island, the southernmost island of the country.
